Mirra Ginsburg

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Mirra Ginsburg


Born
in Babruysk, Belarus
June 10, 1909

Died
December 26, 2000

Genre


Mirra Ginsburg was a Jewish Russian-American translator of Russian literature, a collector of folk tales and a children's writer. Born in Bobruisk (then part of the Russian Empire, now part of modern-day Belarus) in 1909, she moved with her family to Latvia, then to Canada, before they settled in the United States. Although she won praise for her translations of adult literature, including the Master and Margarita (1967) by Mikhail Bulgakov and We (1972) by Yevgeny Ivanovich Zamyatin, she is perhaps most celebrated for her contributions to children's literature. She collected and translated a vast array of folktales from the Russian tradition, as well as Siberian and Central Asian traditions. Ginsburg died in 2000. ...more

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Good Morning, Chick

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3.65 avg rating — 161 ratings — published 1980 — 23 editions
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How the Sun Was Brought Bac...

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4.13 avg rating — 127 ratings — published 1975 — 3 editions
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Across the Stream: A Pictur...

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3.56 avg rating — 131 ratings — published 1982 — 13 editions
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Clay Boy

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3.50 avg rating — 121 ratings — published 1993 — 6 editions
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The Chinese Mirror

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3.67 avg rating — 81 ratings — published 1988 — 8 editions
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The Sun's Asleep Behind the...

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3.80 avg rating — 50 ratings — published 1982 — 12 editions
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Two Greedy Bears

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3.72 avg rating — 47 ratings — published 1976 — 16 editions
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The Ultimate Threshold: A C...

3.81 avg rating — 42 ratings — published 1970 — 5 editions
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More books by Mirra Ginsburg…
Quotes by Mirra Ginsburg  (?)
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“One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms.”
Mirra Ginsburg, The Dragon: Fifteen Stories

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