The Dragon Quotes

“The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“The nights were long, like the braids of a pretty girl, and the days were short, like a girl's sense. ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens.
A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“Gripped with bitter cold, ice-locked, Petersburg burned in delirium. One knew: out there, invisible behind the curtain of fog, the red and yellow columns, spires, and hoary gates and fences crept on tiptoe, creaking and shuffling. A fevered, impossible, icy sun hung in the fog - to the left, to the right, above, below - a dove over a house on fire. From the delirium-born, misty world, dragon men dived up into the earthly world, belched fog - heard in the misty world as words, but here becoming nothing - round white puffs of smoke. The dragon men dived up and disappeared again into the fog. And trolleys rushed screeching out of the earthly world into the unknown. ("The Dragon")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“We have long become overgrown with calluses; we no longer hear people being killed. ("X")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms.”
― Mirra Ginsburg, The Dragon: Fifteen Stories

“The moon hangs alien, heavy, like a lock on a door; the door is tightly shut. ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“The moon climbed out of the ravine, blue, skinny, as if it had been fed on nothing but skimmed milk. It climbed out, and quickly slithered up and up along the finest thread-away from trouble, and on the very top it huddled, crouching on thin legs. ("The Protectress Of Sinners")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“But clouds bellied out in the sultry heat, the sky cracked open with a crimson gash, spewed flame-and the ancient forest began to smoke. By morning there was a mass of booming, fiery tongues, a hissing, crashing, howling all around, half the sky black with smoke, and the bloodied sun just barely visible.

And what can little men do with their spades, ditches, and pails? The forest is no more, it was devoured by fire: stumps and ash. Perhaps illimitable fields will be plowed here one day, perhaps some new, unheard-of wheat will ripen here and men from Arkansas with shaven faces will weigh in their palms the heavy golden grain. Or perhaps a city will grow up-alive with ringing sound and motion, all stone and crystal and iron-and winged men will come here flying over seas and mountains from all ends of the world. But never again the forest, never again the blue winter silence and the golden silence of summer. And only the tellers of tales will speak in many-colored patterned words about what had been, about wolves and bears and stately green-coated century-old grandfathers, about old Russia; they will speak about all this to us who have seen it with our own eyes ten years - a hundred years! - ago, and to those others, the winged ones, who will come in a hundred years to listen and to marvel at it all as at a fairy tale. ("In Old Russia")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“N-no-o, all that excitement, it wouldn't reach us,' Timosha spoke gloomily. 'We're like the sunken city of Kitezh, living at the bottom of the lake. We do not hear a thing, and the water over us is muddy and sleepy. And on the surface, way above - why, everything's in flames, and the alarms are ringing.' (“A Provincial Tale”)”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves.
Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“Latchkey! I mean . . . I want to talk to you . . .'

He fell silent, glancing behind him and shifting from foot to foot, his waterproof trousers rattling like the bulls' bladders that boys use to learn swimming. Sterlingov angrily spat out his cigarette.

'Well? What about?'

'A . . . about a secret matter ,' Alyoshka whispered.

Dozens of ears floated around them in the dust waves; the whisper was heard, and it ran on like a spark along a gunpowder wick. Alyoshka's secret message, the mysterious special clothing, the deacon's catastrophe-all this was too much. The atmosphere was charged with thousands of volts, and something was needed to discharge the electricity, to clear the air. ("X")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“Ever since he repented of religion and shaved off his clerical beard and mustache, he has had the constant feeling that he has taken off his trousers, and that his nose protrudes altogether indecently and must at all cost be covered. It's sheer torment!

With one hand over his nose, the deacon knocks again and again. No one responds. And yet Martha is home; the gate is locked from within. And that means - what? It means that she is with someone else... The deacon punctuates the scene inwardly with the three dots we have graphically depicted just above, and, tripping over them at every second step, he proceeds to Rosa Luxemburg Street. ("X")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“More wine for me, pour me some more!"

"You smart girl, I knew you're a smart girl, just teasing...”

Faces turn red, the dark earth blood is rising.

They wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air.

"Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!"

The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!"

“Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires...

"Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been...

Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“With his head thrust forward like a ram, Baryba pushed his way through to the front. For some reason this was necessary, he felt with all his guts that it was necessary. He clenched his iron jaws. Something bestial stirred in him, something he hungered for, some murderous instinct. To be with everybody, to howl like everybody, to hit the one that everybody else was hitting. ("A Provincial Tale")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“This particular May morning begins with the appearance of a procession on the corner of Pancake and Rosa Luxemburg Streets. The procession is evidently religious: it consists of eight clerical personages, well known to the entire town. But instead of censers, the clerical personages are swinging brooms, which transfers the entire action from the plane of religion to the plane of revolution. These personages are now simply unproductive elements of society performing their labor duty for the benefit of the people. Instead of prayers, golden clouds of dust rise to the heavens. ("X")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“Tipsy, they tumbled early into bed - to get as much sleep as they could. So they would feel less hunger. The summer catch had been poor; there wasn't much food. They ate with care and looked sideways at the old: the old were gluttons, everybody knew it, and what was the good of feeding them? It wouldn't harm them to starve a little.
The hungry dogs howled. The women rinsed the children's bellies with hot water three times a day, so they wouldn't cry so much for food. The old starved silently. ("The North")”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“Pelageya did not finish the sentence. Her tears rolled down--her feelings wide open, large and simple.”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“She looked and stroked the welt, smiling: a squirrel's teeth, sharp, sweet, dangerous.”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“This is how it happens: the sun flies slower and slower, until it hangs suspended, motionless. And everything is locked, imbedded for eternity in greenish glass.”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“He knew Timosha's views: tangling with skirts in serious business was like mixing jam with beet soup.

"Letting a woman visit you is one thing. But let her into your soul? Oh, no!" Timosha wagged his dry little finger in warning. "Once you let her in, you're done for. A woman, brother--she sends down roots like a weed. Before you know it, you'll be overgrown with weeds all over.”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories

“I know that I have a highly inconvenient habit of speaking what I consider to be the truth rather than saying what may be expedient at the moment. Specifically, I have never concealed my attitude toward literary servility, fawning, and chameleon changes of color: I have felt--and I still feel--that this is equally degrading to both the writer and to the revolution.”
― Yevgeny Zamyatin, The Dragon: Fifteen Stories