Chris Hardwick's Blog, page 2205

David Lynch Explains Why He Wanted to Revisit TWIN PEAKS

David Lynch never thought he’d make more Twin Peaks—he’d even said so multiple times in 25 years since his ABC series ended. But he told reporters at a surprise Television Critics Association 2017 winter press tour panel that it’s a world he’s thought a lot about in the ensuing decades.

“I love this world of Twin Peaks and I often thought about what might be happening. I often just remembered the beautiful world and the beautiful characters,” he confessed. But it was Twin Peaks co-creator Mark Frost who, over a meal at Hollywood staple Musso and Frank several years ago, actually convinced him to revisit the world.

While Lynch remained frustratingly closed-lipped about anything that actually happens in the new season—”I see it as a film. A film in parts is what people will experience, and it was a joyful, fantastic trip with this great crew and a great cast,” he said—in answering a question about the place of prequel movie Fire Walk With Me he might’ve spilled a little bit of information about the content of the new episodes. “I can say [FWWM is] the story of Laura Palmer’s last seven days, very much important for this.”

Lynch also confirmed that he wrote the new scripts hoping that all the old cast members would be able to return, which, with the exception of a few actors actually happened. “I wrote it hoping for the best,” he said.

Lynch’s love affair with Twin Peaks started with the pilot. “The pilot of Twin Peaks, that for me sets a tone and made the world and the characters,” he said, adding, “That started the thing and I felt very good about that mood and that story and those characters. [I] just fell in deep, deep love.”

As for whether he thinks he can live up to the expectations of diehard Twin Peaks fans, “always we’re filled with doubts,” he teased, but “people expect things, and their expectations are met, hopefully, when they see the thing.”

And while he isn’t planning anything beyond these new 18 hours, he won’t rule anything out completely. “Before I said I wasn’t going to revisit it and I did, so you never say no, but right now there’s no plans for anything more.”

Twin Peaks premieres Sunday, May 21 at 9 p.m. on Showtime.

What do you want to see in the new episodes? Share your thoughts in the comments below!

David Bowie Wrote Fake Bob Dylan Songs for LAZARUS

Leave it to David Bowie to leave this planet with a treasure trove of secrets about him still left to uncover. The latest? That he wanted to write fake Bob Dylan songs for his musical. We shouldn’t be surprised, yet we are, and not just about that. Panorama unveiled an incredible lineup that has us stunned, Donald Glover took home a ton of awards at the Golden Globes, King Crimson will tour with four (!) drummers this year, and Regina Spektor and The Shins hijacked an NPR show to play their beautiful music.

On January 8th of last year, David Bowie released his final album, Blackstar, along with single “Lazarus” inspired by the play of the same name from 2015, just two days before he passed away from cancer. The record continues to unveil secrets and twists the more you listen to it, but new information has been revealed that shows the musical wasn’t always centered around 1976’s The Man Who Fell to Earth, perhaps the biggest twist of all. Writer Michael Cunningham told GQ that he and Bowie collaborated on a different musical for the album that included an alien, a mariachi band, and “a stockpile of unknown, unrecorded Bob Dylan songs, which had been discovered after Dylan died,” which Bowie would write himself. Yes, you read that correctly. David Bowie wanted to write fake Bob Dylan songs. Their work on said LP halted when Bowie suffered a heart attack in 2004, and, later, took form the way we know it, free of Bob Dylan ripoffs but centered around an alien nonetheless. [Pitchfork]

Image Credit: Panorama

It’s festival announcement season and it seems the lineups just keep getting better. New York City will see the return of Panorama, a music festival started by the same team behind Coachella, which makes 2017 its second edition of the fest. The bookers put their hearts into it and that shows from top to bottom. Headliners include Nine Inch Nails, Frank Ocean, A Tribe Called Quest, Tame Impala, MGMT, Spoon, Solange, and Justice, plus smaller names like Angel Olsen, DJ Shadow, Cloud Nothings, Belle & Sebastian, Pinegrove, Noname, and more have our hearts beating fast. If you like what you see, head over to their website. Tickets go on sale Friday, January 13th. [Rolling Stone]

Watch @DonaldGlover accept Best Comedy Series at the #GoldenGlobes: “I couldn’t be here without Atlanta” https://t.co/rqs8IjEEZO pic.twitter.com/g7ZYaT6epR

— Hollywood Reporter (@THR) January 9, 2017

Donald Glover can do it all. The actor, writer, musician, and comedian released an album last month as Childish Gambino. Now? He’s winning Golden Globes for his FX show, Atlanta. Glover won for Best Television Series – Musical or Comedy as well as Best Actor In A Television Series – Musical or Comedy. He shouted out thanks to the crew, director Hiro Murai, the whole city of Atlanta, and Migos (for making “Bad and Boujee”). It was a riot to watch, but not as funny as the show he wrote and stars in itself. Duh. [Stereogum]

It’s been three years since King Crimson last toured, so to make up for it, the prog rock kings decided to go big. In 2017, Robert Fripp will bring his band around the West Coast and East Coast to perform classic hits. The twist? King Crimson will perform with four (!) drummers. He calls it the “Double Quartet Formation” because King Crimson is “likely to be making a lot more noise than before.” Grab your earplugs and revisit “In The Court of The Crimson King” to get pumped for the tour and, presumably, new music. [Consequence of Sound]

From time to time, NPR radio program A Prairie Home Companion brings national and international musicians on their show to help soundtrack comedy skits. The latest episode brought not one, but two musical guests: Regina Spektor and The Shins. The high-profile episode saw performances of “Grand Hotel,” “Older and Taller,” “The Trapper and the Furrier,” and “Sampson” by Spektor and “Name For You,” “The Fear,” “Gone For Good,” and “St. Simon by The Shins. In other words, it was an episode to make you smile. Listen to the full thing here or check out a sample of the performances above. [Consequence of Sound]

See you back here on Wednesday for another Music Dispatch!

Image: RCA/Columbia/Sony

Mark Hamill Reprises His Role as The Joker to Read a Donald Trump Tweet

If there’s one role that Mark Hamill is known for that doesn’t involve stars and the wars set among them, it’s probably Batman’s most infamous nemesis, The Joker. He’s voiced the character many times since he first assumed the role for Batman: The Animated Series beginning in 1992, having gone to to play the face-painted villain in various other animated series (he’s currently doing it for Cartoon Network’s Justice League Action), as well as video games like Batman: Arkham Asylum and its sequels.

Over the weekend, Hamill decided to bust out the character on Twitter as a commentary on current events; specifically, the upcoming presidential inauguration of President-elect Donald Trump on January 20.

It seems to have started from a December 31 tweet from writer Matt Oswalt: In response to a Trump tweet that reads, “Happy New Year to all, including to my many enemies and those who have fought me and lost so badly they just don’t know what to do. Love,” Oswalt wrote, “This sounds like something the Joker would say right before releasing a swarm of killer bees into Gotham.”

Hamill caught wind of that tweet, retweeting it on the 7th, and soon after posted this audio clip of him reciting the Trump tweet, word-for-word and in character as The Joker:

The Trumpster quote #1#ANewJeersToast https://t.co/qZQEGU18r6

— Mark Hamill (@HamillHimself) January 8, 2017

Regardless of your political affiliations, it’s hard to deny Oswalt’s point, as Hamill’s rendition of the tweet sure does sound like some totally natural Joker dialogue. If you can deny it, well hey, it’s at least nice to hear Hamill bust out his Joker voice whenever he gets the chance.

Featured image: Warner Bros. Animation

Disney Park’s STAR TOURS Getting New STAR WARS EPISODE VIII Destination

Monday marks 30 years since the Star Tours attraction opened at Disneyland in Anaheim, California, a ride that quickly became a fan favorite and a staple of the theme park as much as rides like Pirates of the Caribbean and Space Mountain. Conceived of by George Lucas and Walt Disney Imagineering as a way for fans to immerse themselves in the Star Wars universe, when the attraction first opened on January 9, 1987, the park stayed open for some 60 hours so guests could ride the attraction over and over.

At the time, I was a 12-year-old kid who lived and breathed the original trilogy, and who remembers the very long lines for the attraction that first month it was open. But it was well worth the wait to take the flight to Endor, the flight that never made it to its intended destination and instead got caught up in a deadly battle with the Death Star. In 1987, it seemed very unlikely we were ever getting another Star Wars film, and this seemed like the perfect alternative. Plus it had Pee-wee Herman as the voice of the droid pilot, Captain Rex. What more could you ask for??

Since then, Star Tours has undergone a major overhaul, when in 2011 Lucasfilm added several new 3D destinations for the ride, including Tatooine, Naboo, Hoth, and more. When The Force Awakens debuted, a new destination for the world of Jakku was added as well. Now, with a new film on the horizon, the Disney Parks Blog has announced that “an exciting new mission based on elements from Star Wars Episode VIII currently in production” is on its way.

Of course, it’s impossible right now to guess which new world will be included, as we have no idea what planets will be introduced in the new movie, aside from the world of Ahch-to, where Luke Skywalker resides and Rey goes to meet him at the end of The Force Awakens. Could we be having a new adventure on Luke’s island retreat? Right now anything is possible, but with this news, along with the new Star Wars-themed land coming to Disneyland and Walt Disney World, there is sure to be tons more Force-related fun coming for fans in the years to come.

What kind of new destination would you like to see for Star Tours? Let us know down below in the comments!

Image: Walt Disney Company

There are some weird Episode VIII rumors out there…

Hound Tall #29: The Electoral College

It always hurts to get savaged by a force you don’t understand. What the hell is the electoral college and why does it exist?  Is it an needed component of our complex republic or a relic from times gone by? Helping us muddle through this is Dr. David Henkin, History Professor at UC Berkeley and Author of several books including , “Becoming America” where he discusses the EC at length. Comedic guests are: James Adomian, Baron Vaughn, and Dave Anthony.

Come see us live in SF on January 21st discussing “Non Violent Revolution in the Age of Trump” with Eddie Pepitone, Solomon Georgio and Nato Green. Tickets at www.sfsketchfest.com!

Follow @moshekasher on Twitter!

THE FLASH Is Bringing Back Black Flash This Season

Death is coming for the CW’s DC Comics shows. Certainly for The Flash, but also potentially for Arrow, Supergirl and Legends of Tomorrow. No superhero is safe.

Executive producer Andrew Kreisberg revealed that Black Flash–the demonic being that Hunter Zolomon/Zoom (Teddy Sears) was transformed into by the Time Wraiths in the season two finale–will return on multiple DC Comics shows this season.

“Yes we will [see Black Flash again],” Kreisberg told Nerdist along with a small group of reporters at the 2017 Winter Television Critics Association press tour. “I will say that we might be seeing him on multiple shows.”

Does that mean that Sears will be back to reprise his role as the speedster villain? “Not necessarily,” Kreisberg said. “I am not sure. Teddy’s pretty busy with 24[: Legacy].”

In the comics, Black Flash is a grim reaper-like entity that sends speedsters back into the Speed Force when they die. He’s not a villain, but he does serve a “villainous” purpose of killing speedsters. And Kreisberg added that “he will serve the classic comic book grim reaper aspect” on the shows he’ll appear on.

“He’s a classic character,” Kreisberg said when asked why the Black Flash is returning now. “We have storylines on multiple shows that fit having him return and there’s something so scary about him, even scarier than when he was just a man. He is the grim reaper. He is like the devil. How do you stop the devil? It presents an interesting challenge for the heroes of the respective shows in which he appears.”

And while Kreisberg and the rest of the CW/DC showrunners aren’t pulling from any specific run in the comic books when it comes to Black Flash, he said that Black Flash’s role “is more specific to the shows themselves.”

As of right now, both The Flash and Arrow are dealing with major character deaths. The Flash just revealed a glimpse into the future that showed that Iris West (Candice Patton) will be killed by the speedster god Savitar right in front of Barry Allen (Grant Gustin), while Arrow saw the surprise return of Laurel Lance (Katie Cassidy) in the midseason finale after her controversial death last season. However, it hasn’t been confirmed yet whether or not that is actually Laurel, or her Earth-2 doppelganger Black Siren.

But that wasn’t all that the DC team decided to reveal at The CW’s TCA panels. Executive producer Greg Berlanti–while promoting his new series Riverdale–also revealed the villain for the upcoming The Flash/Supergirl musical crossover!

“It is going to be the Music Meister,” Berlanti said. “We’re finishing writing the script this weekend. We haven’t gone about casting it yet.”

Are you nervous about what the Black Flash’s return means for the DC TV universe? Which shows besides The Flash do you think he’ll appear on? What do you think of the Music Meister as the villain for the musical crossover? Tweet me your thoughts, predictions and worries at @SydneyBucksbaum!

Images: The CW

The Flash returns Tuesday, January 24 at 8 p.m. on The CW.

But will the Flash launch a rocket? Could he?

‘The Lying Detective’ Is SHERLOCK’s Most Chilling Ever

THIS REVIEW CONTAINS SPOILERS FOR SHERLOCK SERIES 4 EPISODE 2. PLEASE PROCEED WITH CAUTION

Since the beginning, with its three-episode series, the second episode in any particular run of Sherlock has largely been considered the worst. Series 1’s “The Blind Banker,” while perfectly competent, failed to capture the greatness of “A Study in Pink” or “The Great Game.” In series 2, while I personally really liked “The Hounds of Baskerville,” it was a digression. This changed a bit in series 3’s “The Sign of Three,” which for my money was the best in a strange an uneven season. It’s a bit of a shock, then, that “The Lying Detective” was not only better than “The Six Thatchers,” but might be one of the best the show’s ever done.

Now, if you read my review of “The Six Thatchers,” you know that I didn’t have as big a problem with it as a lot of people seem to have; however, my hope is that nobody could have a problem with “The Lying Detective” which, as I thought the previous episode did so nicely, blends a gorgeous mystery which heartfelt emotion and more twists than you could probably expect to find. This time, though, we get a masterful and truly terrifying villain in a powerhouse performance by Toby Jones. More on him later.

Writer and co-creator Steven Moffat‘s scripts for Sherlock are usually able to be split into three sections: the first offers some confusing time spent in Sherlock’s brain, the second is when the game is on and we find out most of the meat of the plot leading up to us believing the great detective has been outsmarted, and finally we have the the part in which things we took for granted initially are sprung into Sherlock’s ultimate victory. It’s not only classic Moffat, it’s classic Doyle.

So, we have Sherlock totally out of his mind with grief, taking intravenous cocaine, and operating at a level where he’s six steps behind his own brain, and attempting to crack a case he’s not even sure happened yet. The beloved billionaire philanthropist Culverton Smith (Jones) is evidently a serial killer because he confessed to a group of confidants, to whom he’d given drugs to make them forget. But his daughter remembers a bit and goes to Sherlock for help. She gives him all he needs to catch on that Smith is a serial killer, killing with impunity due to his status and wealth, but he needs Watson to spring his final trap…and Mrs. Hudson…and Molly Hooper.

These beginning scenes–which also include Watson going to a new therapist and neglecting to mention that he’s having conversations with a hallucination of his dead wife Mary–are truly fascinating and wonderful. Sherlock is so far ahead, he’s actually gauged where John would be in two weeks’ time to the minute. Hilarious. This also provides the brilliant Una Stubbs to shine as Mrs. Hudson, a character who has become so much more than she ever was in the source material.

Sherlock, we find out later, has been besought to pick a fight with “a bad guy,” and in this case it’s Culverton Smith. Jones, with fake grotty teeth and a churlish northern accent, is one of the most repellent villains the show’s ever produced, and that’s coming on the heels of Charles Magnusson and Moriarty. The way he relishes “turning humans into things” will put a chill right up your spine, and the joyous way he laughs at the idea of being caught–how could he be? He’s RIIIIICH!–is equally scary. He’s able to make people do anything he wants without ever actually saying anything, threatening his staff by asking how long they’ve worked for him, and turning Sherlock’s every assertion into reason for doubt. Not hard to do with Sherlock being high as a kite. Jones’ performance is just another in a long line of genius turns. If this doesn’t earn him a BAFTA, Emmy, Golden Globe, whatever, then there’s something wrong with the people who vote for such things.

And dammit, yet again the writers of this show manage to make me forget that I’m actually watching a show about a fraternal bond between two co-dependent men and not a mystery story. We’ve never seen Benedict Cumberbatch‘s Sherlock seem more truly guilt-ridden than he is in this story, a “humanity” he alludes to late in the episode. And Martin Freeman‘s ability to play a grief-stricken interior underneath a stalwart, and ever-slightly cracking, exterior never ceases to amaze. These men have wronged each other–much more one-sided, it has to be said–but they need each other, and it’s Mary’s video plea to Sherlock that does it; Sherlock needs to save John by making him save him, and John needs to be the man Mary thought he was. Truly, whatever works.

NOW WE’RE GETTING REAL SPOILERY SO AGAIN, YOU’VE BEEN WARNED

But, of course, a lot of the confusing first act was merely to set up the hugely revelatory ending. The greater mystery at hand actually had nothing to do with Culverton Smith, but instead with who the “daughter” was who spent that evening with Sherlock, giving him the clues and making him realize that a life belongs to others, not the person themselves. But, if you were paying attention, you’d recognize that it wasn’t Smith’s daughter at all, and when the real daughter comes in at the end of the second act, it’s slammed back to us.

So who was she? Not only a false Smith daughter, but a false Watson therapist, and a false Watson flirtation. But more importantly, we learn at the very end, she’s a for-real Holmes sister. That’s right–SISTER, Euros Holmes (played in all cases by Sian Brooke). We were thrown off the scent by the continued word “Sherrinford,” which one would assume is the name of a third Holmes brother, and even John himself appears to believe it’s a brother. A brilliant way to confuse and misdirect. Mycroft deftly avoided pronoun usage ever since saying “the other one” in series 3.

The questions remain: who or what is Sherrinford? Why does Sherlock not seem to know Euros? Will Mycroft actually hook up with Lady Smallwood? And what, if anything, will this have to do with Moriarty? Let us not forget that the third episode is entitled “The Final Problem,” which is the title of the Doyle story wherein Holmes and Moriarty have their thrilling death-inducing tumble down the Reichenbach Falls. But that story was already covered mostly, both in “The Reichenbach Fall” and “The Abominable Bride.” Could calling S4 E3 “The Final Problem” itself be a misdirect? Is the “final problem” really Sherlock’s long-lost, brilliant, and evidently homicidal younger sister?

And, for reals, though–what is Sherrinford, goddammit?!

Rating: 4.5 non-lying burritos.

Share your thoughts on “The Lying Detective” in the comments below!

Images: BBC/PBS

Kyle Anderson is the Associate Editor for Nerdist. You can find his film and TV reviews here. Follow him on Twitter!

New TV Spot And Poster for Disney’s BEAUTY AND THE BEAST

Tonight at the Golden Globes the world got it’s biggest look yet at the world of Disney’s live action reboot/remake of the musical classic Beauty and the Beast in the form of an expanded TV spot trailer, which you can see above.

Earlier today, Disney shared the new poster on Twitter which you can take a gander at below. (By the by, the Twitter account name of @BeOurGuest is super adorable.) Check out this image and tell us if you notice what’s weird about it:

That’s right. In case you’ve forgotten the ending to the original film or have yet to see it–SPOILER ALERT–most of these cast members do not appear in their human form until the finale of the film, when the curse is broken.

Why put a spoiler in the poster of the film? Because Disney learns from their mistakes.

Last year, Disney put a murderer’s row of big name actors into their remake of The Jungle Book, but it was impossible to show Bill Murray’s face on the posters because Bill Murray never turns into a human in that film. Thanks to the story loophole of transformation at the end of Beauty and the Beast, we get to see Emma Thompson, Ian McKellen, Stanley Tucci, Gugu Mbatha-Raw, Ewan MgGregor, and Audra McDonald as human beings–instead of anthropomorphic furniture.

Who gets left out? Why, just the Beast. Sorry pal, we can’t let the world know what you look like. Not yet.

For more of the world of this film, in motion and with singing, from tonight’s big trailer reveal, click the video above

Wow.

So what do you think? Do we need this remade story right now to make life beautiful again or does the original still hold up in ways we don’t need to re-imagine? Do you think the advertising on the poster is a weird choice or a brilliant bit of trickery? Sound off in the comments below!

Image via Disney/Twitter

Jason Momoa Brings the Pain in a New FRONTIER Trailer

In just over a week, former Game of Thrones star Jason Momoa‘s new original series, Frontier will make its American debut on Netflix. And if the newest trailer is any indication, Momoa will be kicking a lot of ass in this period series.

Frontier takes place in the late 1800s, and it follows Momoa’s character, Declan Harp, as he battles his former employers, the Hudson’s Bay Company, in order to unravel their attempts to control the fur trade in North America. Harp is a half-Native American and half-Irish outlaw whose defiance appears to have earned him the hatred of several powerful men. Within the trailer, Michael Smyth (Landon Liboiron) is assigned to find Harp, which is a mission that may threaten the woman whom Smyth loves. However, Harp’s enemies don’t simply want him to be killed, as that would be too easy on him. Instead, they want Harp to suffer and they want to make an example out of him. That seems like a particularly bad idea, considering how easily Harp cuts down anyone in his path. And as he notes in the closing moments of this video, Harp is already coming for them.

The series also stars Alun Armstrong as Lord Benton, with Allan Hawco as Douglas Brown, Greg Bryk as Cobbs Pound, Shawn Doyle as Samuel Grant, Tantoo Cardinal as Kamenna, and Jessica Matten as Sokanon.

All six episodes of Frontier season 1 will drop on Netflix on Friday, January 20.

What did you think about this trailer? Make your stand in the comment section below!

Image: Netflix/Discovery Channel Canada

And while you wait for more Momoa, let’s look at that Justice League footage again

The 2017 Golden Globe Awards Winners Are…

No matter what the sort of pop culture in which you prefer to steep your brain cells, tonight’s Golden Globe Awards ceremony seems like it’ll have your interests covered. Across its swath of categories celebrating the production, writing, and acting in 2016’s movies and television shows, this year’s Globes have tossed nods at prestige pictures and comic book romps alike, alongside both heady sci-fi thrillers and trippy dark comedies about the underground hip hop world.

No doubt, many of us in the Nerdist world are heading into tonight’s ceremony championing underdogs like Deadpool, Atlanta, and Stranger Things, among others. Even if our predictions don’t quite align with our hopes for how the night will play out, it’s nevertheless encouraging and invigorating to root for the sort of films and series that don’t often get their due in the awards circuit.

As we’ve all lamented the Oscar’s seemingly compulsive aversion to genre fare, ditto the Emmy’s tendency to recognize the same television shows year after year (hell, I think Frasier is still getting nominated), the very idea of seeing unexpected titles tossed into consideration makes the Globes worth tuning into. So, fellow devotees of the unheralded, we hope you’ll ditch your cynicism and root for the stuff you love. Even if, say, your favorite feature about a foul-mouthed super vigilante isn’t on the fast track to a trophy, it at least deserves your emphatic tweets about why it deserves our attention.

And who knows? We might all be surprised. Check below as we update our Golden Globe Awards winners list live throughout the ceremony.

Motion Picture – Drama

Moonlight

Best Actress in a Motion Picture – Drama

Isabelle Huppert, Elle

via GIPHY

Best Actor in a Motion Picture – Drama

Casey Affleck, Manchester by the Sea

Motion Picture – Comedy or Musical

La La Land

Actress in a Motion Picture – Comedy or Musical

Emma Stone, La La Land

Actor in a TV Series – Comedy or Musical 

Donald Glover, Atlanta

via GIPHY

Best Director, Motion Picture

Damien Chazelle, La La Land

TV Series – Drama

The Crown

Actress in a TV Series – Drama

Claire Foy, The Crown

Actor in a Miniseries or TV Movie

Tom Hiddleston, The Night Manager

Motion Picture – Foreign Language

Elle

Motion Picture – Animated

Zootopia

via GIPHY

Screenplay, Motion Picture

Damien Chazelle, La La Land

Actor in a Motion Picture – Comedy or Musical

Ryan Gosling, La La Land

Supporting Actress in a Series, Miniseries or TV Movie

Olivia Colman, The Night Manager

Supporting Actress in a Motion Picture

Viola Davis, Fences

via GIPHY

Original Song in a Motion Picture

“City of Stars,” La La Land

Original Score in a Motion Picture

Justin Hurwitz, La La Land

Supporting Actor in a Series, Miniseries or TV Movie

Hugh Laurie, The Night Manager

Miniseries or TV Movie

The People vs. O.J. Simpson

via GIPHY

Actress in a Miniseries or TV Movie

Sarah Paulson, The People vs. O.J. Simpson

TV Series – Comedy or Musical

Atlanta

Actress in a TV Series – Comedy or Musical

Tracy Ellis Ross, Black-ish

Actor in a TV Series – Drama

Billy Bob Thornton, Goliath

Supporting Actor in a Motion Picture – Drama

Aaron Taylor-Johnson, Nocturnal Animals

Featured Image: 20th Century Fox