Kenneth Atchity's Blog, page 176

Reviewing the Evidence Reviews Dennis Palumbo's Phantom Limb

   PHANTOM LIMB
by Dennis Palumbo
Poisoned Pen, September 2014
250 pages
$14.95
ISBN: 1464202567
Buy in the
Dennis Palumbo has written a fourth mystery featuring psychologist Daniel Rinaldi, consultant for the Pittsburgh Police Department. As in previous books of this series, Rinaldi spends little time in his office listening to patients and much time chasing after perpetrators and rescuing victims. At the start of the book, the initial appointment of a new client - former porn star Lisa Hartland, now the trophy wife of an aging multi-millionaire - ends with Rinaldi punched unconscious and Lisa kidnapped. Lisa had visited Rinaldi because she was on the verge of suicide and wanted one last chance to be talked out of killing herself. The real reason for her despondency is not revealed until later in the book. This assault and kidnapping is only the first of a long string of heinous crimes perpetrated by a pair of sadistic criminals.

Although the police and FBI believe they can identify the culprits, Palumbo presents us with a number of possible accomplices and masterminds. Rinaldi has the skills that allow people to confide in him and he is able to eliminate suspects by having them open up to him. He is able to figure out their psychology and understand what makes them do what they do, but he is not easily able to find and stop them. He comes close to death more than once, as does his ally, FBI agent Gloria Reese. Rinaldi never seems to get enough sleep or food, as his phone is constantly ringing to inform him of either another crime or another demand for him to respond to.

Lisa's husband Charles, a self-centered invalid in a wheel chair, is clear that no expense will be spared for his wife's return and plans to meet the ransom demand of several million dollars. For reasons that we soon learn, the kidnappers want Rinaldi to deliver the ransom personally. He agrees to do this, as Lisa is his client, and this decision involves him in a series of violent and deadly events. All his cleverness and resilience are needed as he faces these harrowing situations.

One of the author's skills is creating a strong sense of place. As in previous Rinaldi books, the city of Pittsburgh - its neighborhoods, its weather, its bars and outskirts - figure strongly in the tale. Palumbo has also created a multi-layered, enigmatic character in his protagonist. Although an educated professional with a cerebral job, Rinaldi is quick to lash out with his fists when provoked. We learn that an abusive childhood with a father who forced him to fight has left him with deep anger issues. And then there is the back-story of his dead wife Barbara, supposedly killed during a robbery. The kidnapping/murder cases are solved by the end of PHANTOM LIMB, but Palumbo leaves us with a personal Rinaldi cliffhanger. The reader will eagerly await the next volume in this series to learn how that plays out.

§Anne Corey is a writer, poet, teacher and botanical artist in New York's Hudson Valley.

Reviewed by Anne Corey, November 2014

An Old Friend Passes: Charles Champlin dies at 88; former L.A. Times arts editor, critic

Former Los Angeles Times film critic Charles Champlin speaks with director Alfred Hitchcock in 1977. Champlin was The Times' principal film critic from 1967 through 1980. (Los Angeles Times)

Charles Champlin, the former Los Angeles Times arts editor, film critic and columnist whose insightful, elegantly written reviews and columns informed and entertained readers for decades, died Sunday at his Los Angeles home. He was 88.

The cause was complications of Alzheimer's disease, said his son, Charles Champlin Jr.

The Harvard-educated Champlin had worked 17 years at Life and Time magazines before joining The Times as entertainment editor and three-times-a-week columnist in 1965.

During his 26 years at The Times, Champlin served as the paper's principal film critic from 1967 through 1980.

He then shifted to book reviewing and, with his "Critic at Large" column, offered a more general overview of the arts. He retired in 1991 but continued to contribute to The Times' daily and Sunday Calendar sections and wrote two books despite becoming legally blind from age-related macular degeneration in 1999.

Charles Champlin, shown in 1979, worked for the Los Angeles Times for 26 years. He retired in 1991 but continued to contribute to The Times' daily and Sunday Calendar sections and wrote two books despite becoming legally blind from age-related macular degeneration in 1999. (Los Angeles Times)

In honor of his film coverage and criticism, Champlin received a star on the Hollywood Walk of Fame in 2007.

"Charles Champlin was one of the great gentlemen of American film criticism and a pioneer in showing that mass-market newspaper reviewing could be smart and well-written as well as accessible," Times film critic Kenneth Turan said Monday.

His tenure as arts editor in the late 1970s was touched by controversy over the paper's coverage of one of the era's biggest Hollywood scandals: the ouster of David Begelman as president of the motion picture and television division of Columbia Pictures after he had forged $40,000 worth of checks, including one for $10,000 made out to actor Cliff Robertson.

The Times did not investigate the Begelman affair until well after rival papers had thoroughly reported on it, opening the paper to criticism in an era when the paper's entertainment staff was not expected to pursue investigative stories.

As a movie critic, Champlin estimated that he saw 250 movies a year and reviewed half of them. He came to the job at a time when the new movie rating system launched in 1968 gave filmmakers unprecedented creative freedom.

"I quickly came to realize that I had acquired an aisle seat at a period of historic ferment in American films," Champlin wrote in "Hollywood's Revolutionary Decade," a 1998 annotated collection of his reviews from the 1970s.

Champlin was known for being "a discerning critic," as fellow film critic Arthur Knight once noted. But he also was criticized by some for writing what The Times' late media critic David Shaw, in a 2001 examination of how the media cover Hollywood, called "overwhelmingly favorable reviews."

Champlin acknowledged his "reputation as a kind critic." But in a talk he gave at Chapman University in 1977, he good-naturedly offered ample evidence to the contrary by reading excerpts from some of his less-flattering movie reviews.

Of the 1975 comedy-drama "Lucky Lady," for example, he wrote that it was a "cynical, vulgar, contrived, mismated, violent, uneven and uninteresting disaster." As for the plot of the Liza Minnelli-Burt Reynolds-Gene Hackman movie, it was, he wrote, "unmenageable, trois as we will."

Addressing the "perils of being a reviewer in Hollywood," Champlin told his Chapman audience that "it's not that [filmmakers] are going to put pressure on you. It's just that you like them in many cases. It's painful to say a movie is a disaster.

"It pains you to do it, but you have to do it. All you have going for you as a critic is your credibility. If you lose it, you're useless as a critic."

As a film critic, Champlin had many fans among the elite of Hollywood, including actor Jack Lemmon.

"I've gotten some pretty bad reviews along with the good ones from Chuck, but he's always been honest and constructive," Lemmon, who died in 2001, said in Don Widener's 2000 book "Lemmon: A Biography."

Director Arthur Hiller, then-president of the Directors Guild of America, offered his praise in 1992, when Champlin received an honorary Life Member Award from the guild.

Champlin, Hiller said, was "the epitome of a film critic [who] has shown an incredible knowledge of films, a deep caring about films and filmmakers."

The veteran journalist was in charge of arts coverage when the Begelman case broke into the headlines at other papers.

For more than two months after Columbia's initial announcement that it had launched "an inquiry into certain unauthorized financial transactions between David Begelman and the company," The Times ran only three brief stories — two just a paragraph apiece — buried inside the paper.

It was not until the Wall Street Journal and the Washington Post published articles on the Begelman case that The Times entered the fray by running an edited version of the Post article.

And it was not until an ensuing flurry of newspapers and magazines latched onto the Begelman case as evidence of widespread corruption in Hollywood that The Times assigned a team of four reporters to the story in an effort to catch up.

"We were absolutely in a state of panic," Champlin recalled in a 1979 Times article by Shaw that chronicled the paper's poor coverage of the Begelman case.

Three months after the story broke, The Times published its first major piece on the scandal. Written by Champlin after a telephone interview with Begelman, the piece was seen as "sympathetic" to the producer and referred to the forgeries as "crimeless crimes" and Begelman as "a culprit who doubles as a victim."

Champlin, who years later said that he "couldn't pretend it was a piece of reporting," was criticized for the article, which outside observers viewed as an apologia.

In his analysis of The Times' failure in the Begelman case, Shaw noted a lack of communication between The Times' entertainment department and the news department. It also showed that, while the entertainment section's critics and feature writers covered the artistic side of Hollywood, it was, as Sunday Calendar section editor Irv Letofsky said in 1979, "not equipped to do hard-news investigation."

The fact that Champlin's article on Begelman didn't follow any investigative stories, Shaw wrote, "contributed to an already widely held perception that the Times had deliberately ignored the Begelman affair because the paper was 'protective' of Hollywood."

Champlin was born March 23, 1926, in Hammondsport, N.Y., a hamlet on Keuka Lake in the Finger Lakes region, where members of his family had long owned a winery that was effectively closed during Prohibition.

In 1943, Champlin headed to Harvard, where he joined the Army's Enlisted Reserve Corps in early 1944. That May — two months after he turned 18 — the self-described "bookish, introspective and fairly unassertive" college student volunteered for induction into the Army.

While serving in a mortar squad in March 1945, he was wounded in the right hip by a German artillery shell and returned stateside after about three months in combat.
lRelated William F. Thomas dies at 89; former Times chief editor


After his discharge, Champlin returned to Harvard, where he graduated with a bachelor's degree in English in 1948. On a recommendation from a writing instructor at Harvard, he was quickly hired by Life magazine as a "trainee" in its picture bureau in Manhattan.

A year later, after moving up to a job as a researcher, Champlin was assigned as a correspondent in Life's Chicago bureau. After three years in Chicago and two years as a correspondent in the Denver bureau, he returned to New York City as a writer for the magazine.

In 1959, having become the senior writer in domestic news, he was assigned to Life's Los Angeles bureau. Before joining The Times, Champlin was a London-based arts correspondent for three years.

Over the years, Champlin brought his arts and film expertise to television, including hosting "At One With" on KNBC-TV Channel 4, "On the Film Scene" on the Z Channel in Los Angeles and "Champlin on Film" on the Bravo cable channel. He also co-hosted "Citywatchers," a public affairs program on KCET-TV in Los Angeles, with the late Times columnist Art Seidenbaum.

Among Champlin's other books are "The Flicks: Or, Whatever Became of Andy Hardy" (1975), which was revised and republished in 1981 as "The Movies Grow Up, 1940-1980"; "George Lucas: The Creative Impulse" (1992); and "A Life in Writing: The Story of an American Journalist" (2006).

His slim (69-page) 2001 book "My Friend, You Are Legally Blind" dealt with his struggle with macular degeneration.

Besides son Charles Jr. of Santa Barbara, Champlin is survived by his wife of 66 years, Margaret (Peggy) Derby Champlin; daughters Katherine Laundrie of Vista, Calif., Judith Desmond of San Anselmo, Calif., Susan Champlin of New York City and Nancy Cecconi of Eagle Rock; son John of Valencia; half sister Nancy Kreis of Camillus, N.Y.; 13 grandchildren and six great-grandchildren.

Reposted from the Los Angels Times

McLellan is a former Times staff writer.
Copyright © 2014, Los Angeles Times

Jerry Amernic author of The Last Witness asks university students what they know about the Holocaust and World Wars. Their answers may alarm you.

Check out this feature interview with Dr. Warren Woodruff and Rashan Ali on Atlanta and Company!

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Marilyn Horowitz's Book of Zev Reading at Mysterious Bookshop November 18th

Tome Tender Gives Jerry Amernic's The Last Witness Fives Stars!

The Last Witness by Jerry Amernic
My rating: 5 stars

Publication Date: October 1, 2014 (paperback)
Publisher: Story Merchant Books
ISBN-10: 0990421651
ISBN-13: 978-0990421658
Paperback: 334 pages
Genre: Historical Fiction
Available from: Amazon | Barnes & Noble

Synopsis:

The year is 2039, and Jack Fisher is the last living survivor of the Holocaust. Set in a world that is abysmally complacent about events of the last century, Jack is a 100-year-old man whose worst memories took place before he was 5. His story hearkens back to the Jewish ghetto of his birth and to Auschwitz where, as a little boy, he had to fend for himself to survive after losing his family. Jack becomes the central figure in a missing-person investigation when his granddaughter suddenly disappears. While assisting police, he finds himself in danger and must reach into the darkest corners of his memory to come out alive.

My ReviewIn a word, riveting. Let’s fast forward to the near future, where people are more concerned with the present than the pivotal moments in time that shaped the world and its people. The horrors of World War II are long forgotten, few are left alive that lived through the genocide performed by Nazi Germany on Jews at Auschwitz and other death camps under their reign of terror. Slowly, these survivors are dying from freak accidents, suicide, old age, or is it murder? Only one survivor remains, Jack Fisher, a 100 year old man, whose body may be failing, but his mind is intact. Within his memories lay the truth of what happened so long ago. But who will listen? Even the educators are saying the Holocaust was overblown, exaggerated. Any source of information has disappeared, but why? What evil has sprung up to end the lives of the last survivors?

People who question history are mysteriously dying, and when Jack’s great-granddaughter goes missing after raising issues about this historical travesty, its Jack the police come to for answers. The story Jack reveals is far more heinous than believable, but deeply buried facts back his story, but will it help find his great granddaughter? Raising more questions, suspicions, and awareness to the true history, Jack has placed a bullseye on his frail back. This time, even his Aryan appearance, converted Catholicism and very American name will not save him. Perhaps the young boy he once was will come forward in the fight for survival, but will it be enough? Will the true past die with Jack before the world finally opens its eyes?

Jerry Amernic took one of humanity’s darkest moments and fictionalized it in a way that brings history to life, personal, human and brutally raw. The Last Witness comes to life as part mystery, part history, and one hundred percent spellbinding. His characters range from the delightfully cogent Jack Fisher to the almost caricature-like police detective that befriends him. The seamless travel back through Jack’s memories is almost too vividly real as he tells his life as a young child through the eyes of a much older man.

Parts of our history are ugly, brutal, but these stories must be told and remembered. Through fiction, Jerry Amernic has done just that with The Last Witness and done it with heart and respect for those who suffered.

Reposted from Tome Tender

The Houston Lawyer Reviews Last Plane Out of Saigon

Guest Post: Why I Wrote This Book by Jerry Amernic, Author of The Last Witness

The year is 2039, and Jack Fisher is the last living survivor of the Holocaust. Set in a world that is abysmally complacent about events of the last century, Jack is a 100-year-old man whose worst memories took place before he was 5. His story hearkens back to the Jewish ghetto of his birth and to Auschwitz where, as a little boy, he had to fend for himself to survive after losing his family. Jack becomes the central figure in a missing-person investigation when his granddaughter suddenly disappears. While assisting police, he finds himself in danger and must reach into the darkest corners of his memory to come out alive.

Amazon / Amazon UK / Amazon CA / Barnes and Noble



What inspired this book?
Guest post by Jerry Amernic

The Last Witness is a novel that has been germinating in my mind for a long time. It’s about the last living survivor of the Holocaust in the year 2039, with a protagonist who is 100 years old and still in possession of his faculties. But the near-future world I devise here is abysmally ignorant and even more complacent about events of the past century. Let’s make it clear right off the bat; this is not sci-fi – not even close, I don’t write sci-fi – but rather a commentary on what is already happening in the world today, albeit in the guise of a thriller that packs a lot of history between the covers.

My central character, Jack Fisher, is a man whose worst memories took place before he was 5. After the sudden disappearance of his granddaughter, actually his great-granddaughter who is a schoolteacher, he becomes the central figure in a missing-person investigation that winds up involving two countries – the United States and Canada. A sympathetic NYPD detective takes on the case and, in the process, befriends him. While all this is going on, there is a mysterious string of murders of old people taking place around the world.

It  isn’t long before Jack finds himself in danger and must reach into the darkest corners of his memory to come out alive. Indeed, some of those memories have been repressed through years, decades, of torment and suffering.

Jack’s story hearkens back to the Jewish ghetto of his birth as a hidden child, and then to the death camp at Auschwitz where he had to fend for himself after losing his family. These are all captured as flashbacks in my novel.

While there have been many books about the Holocaust, including works of fiction, I don’t believe anyone has taken a futuristic slant quite like this. But the seeds for despair about the level of knowledge out there are all around us right now.

In researching this book, I met with real-life child survivors, including some who were liberated by the Red Army in 1945; one of these survivors was as young as three and his memories are very sketchy, but the others were older at war’s end, and the things they remember are etched in stone. I had former child survivors tell me that after coming to North America they were put into classrooms and told by their teachers not to talk about their experiences. One woman who now goes into schools doing talks about the Holocaust had a particularly gut-wrenching story; she was visiting a school only to have a number of Muslim students turn their backs on her when she spoke; they had been told at home that the Holocaust never happened.

I also met with eminent British historian Sir Martin Gilbert who has written extensively about the Holocaust and who is the official biographer of Winston Churchill; one of his suggestions really piqued my imagination and found its way into my novel.

So why did I write The Last Witness? Well, I have been seized by the idea that one day in the not-too-distant future, there will be one last remaining survivor of the Holocaust. If this individual was a child survivor who had been born in 1939, in the year 2039 he would be 100 years old. And that is my Jack. What will the world be like in 2039?

Aye, there’s the rub, as the Bard would say.

Consider this. A Gallup Poll done just a few years ago found that knowledge of the Holocaust was pathetically feeble in the United States. For example, only 46 per cent of Americans polled could say how many Jews were killed, and only 44 per cent could properly identify Auschwitz, Dachau and Treblinka as Nazi death camps. It is a sad commentary when less than half of Americans can answer these questions. In another poll some 70 per cent of Americans said they knew what the Holocaust was, but the sorry flipside of that is that 30 per cent apparently had no idea.

Yet another poll, this in the United Kingdom, found that 28 per cent of people aged 18 to 29 claimed to not know if the Holocaust ever happened at all. Then there was the survey done five years ago in Israel which said that 40 per cent of Israeli Arabs do not believe the Holocaust took place.

In my own country, Canada, knowledge is also on the wane, especially in the province of Quebec. Where I live in Ontario, the school system is such that any young person can graduate from a public high school with but a single credit in history during that whole time, and it doesn’t even have to be North American or European history.

This means we have spawned an entire generation that is abysmally ignorant of history, and the future does not hold good prospects.

The McCormick Tribune Freedom Museum in Chicago was America’s first museum dedicated to the freedoms guaranteed by the First Amendment. It opened in 2006, but closed its doors only three years later and took its displays on the road. In 2008 the museum did a survey. Are you ready for this? Close your eyes. According to the study, while more than half of Americans could name at least two members of TV’s fictional cartoon family The Simpsons (22 per cent could name all five of them), only one in four Americans could identify more than one of the five freedoms guaranteed by the First Amendment.

So consider The Last Witness not so much a commentary on what the near future will look like, but a warning about profound ignorance and complacency just a quarter-century down the road. For what it’s worth, the very first person to post a review on Amazon said she read the entire book through the night, that she could feel the pain of the memories of the witness, and even cried during some parts. If there is one thing an author wants from a reader, it’s an emotional gut reaction.

Stay tuned for my next historical thriller. Qumran. That is the place in the Holy Land where the Dead Sea Scrolls were discovered back in 1947. But the discovery in this story has the potential to make that one pale by comparison.



Jerry Amernic is a Toronto author of fiction and non-fiction books. In doing his research for The Last Witness, he interviewed such people as noted Holocaust historian Sir Martin Gilbert, and met with real-life survivors who were children when they were liberated in 1945.


Reposted from Quiet Fury Books Blog

A Conversation with Mystery Author Dennis Palumbo

with Dennis PalumboWe are delighted to welcome author Dennis Palumbo to Omnimystery News today.

Dennis is the author of a mystery series featuring psychologist and Pittsburgh Police Department consultant Daniel Rinaldi. The fourth book in this series is Phantom Limb (Poisoned Pen Press; September 2014 hardcover, trade paperback, audiobook and ebook formats) and we recently had the opportunity to talk with him more about it.
— ♦ —Omnimystery News: Introduce us to Daniel Rinaldi.


Photo provided courtesy of
Dennis PalumboDennis Palumbo: My series character is Dr. Daniel Rinaldi, a psychologist and trauma expert who consults with the Pittsburgh Police. His specialty is treating the victims of violent crime: those who've survived the kidnapping, the rape, or home invasion, but still suffer from the traumatic after-effects. Rinaldi himself suffered such a trauma when his wife was murdered during a mugging. Though he himself was also shot, Rinaldi lived and struggled with survivor guilt. Now his mission is to help others deal with their own trauma symptoms. However, he also manages to get involved in some of the crimes himself, much to the consternation of his police colleagues. There have been four books in the series so far: Mirror Image, Fever Dream, Night Terrors, and the latest, Phantom Limb.

OMN: How has the characters changed over the course of these four books?

DP: I've had my characters age and change, and plan to continue to do so. People get married, fall off the wagon, get romantically involved with other characters in the series, etc. In fact, if the comments I get from readers is any indication, they're very interested in the lives of my supporting characters. Especially that of Noah Frye, a paranoid schizophrenic who also happens to be my lead character's best friend; Sgt. Harry Polk, the detective who bumps heads with Daniel Rinaldi during each case, and Polk's partner, Det. Eleanor Lowrey, with whom Rinaldi has an on-again/off-again romantic relationship.

OMN: Is Daniel Rinaldi based on anyone you know?

DP: Daniel Rinaldi bears a remarkable similarity to his author: both are Italian-American males, born and raised in Pittsburgh, and graduates of the University of Pittsburgh (the first in their respective families to go to college). We also share a beard and glasses, the same point of view about the mental health industry and how to conduct psychotherapy, and a love of jazz and the Steelers. However, Rinaldi is much cooler, braver and more resourceful than his author! He's also a former amateur boxer, another aspect of his character where he and his creator part company.

OMN: Into which genre would you place this series?

DP: I would call them mystery thrillers, or crime thrillers.

OMN: Tell us something about Phantom Limb that isn't mentioned in the publisher's synopsis.

DP: Though the main story concerns a suicidal patient who is kidnapped right outside Rinaldi's office, the subplot of the novel deals with a returned Afghan vet who lost a leg to an IED in combat. The younger brother of Charlene Hines, Noah Frye's girlfriend, the vet suffers from "phantom limb" syndrome, the sense that his missing limb is still "there." That it itches sometimes, or feels cold. As the novel progresses, I use the phantom limb syndrome as a metaphor for the felt sense of loss we all feel when something or someone is wrenched from our lives. The death of a loved one, perhaps, or a divorce. That experience we often have after such a significant loss that the person is still "here." Still walking the earth. Having lost his wife to murder, and his cop father to alcoholism, Rinaldi can easily relate to the unhappy vet's experience. Whether he can help him or not is another matter, especially when it seems the vet might be linked somehow to the kidnapping.

OMN: You mentioned that Daniel Rinaldi bears a remarkable similarity to yourself. How much more of your personal or professional experience have you included in your books?

DP: Certainly my twenty-seven years as a therapist in private practice, as well as my training at a psychiatric clinic, influence my characters: how they relate, the issues they confront. Especially how Rinaldi works with them as a therapist. Moreover, my childhood and college years in a heavily-industrial Pittsburgh serve as a vivid counter-point to contemporary Pittsburgh, whose steel mills and factories have been replaced by state-of-the-art technology firms and world-class medical facilities. I don't base my plots on things that have actually happened to patients (who thankfully have few cases of murder, bank robbery and kidnapping in their backgrounds!), though I use what actually transpires emotionally in a therapy session to inform the way Daniel Rinaldi relates to his patients. Also, my five years of training with Dr. Robert Stolorow, one of the nation's leading trauma experts, lends credibility (I hope) to those aspects of trauma and its treatment that are woven into the narratives.

OMN: Tell us more about your writing process.

DP: My writing process is completely open-ended. I neither write outlines nor character bios. I usually start with a character or situation in mind, and then just start typing. The truth is, I'd rather write than think! Of course, this means the first draft takes me down a lot of blind alleys and into assorted brick walls, but I don't mind. For one thing, you never know what such a detour will produce: a nice exchange of dialogue or a vivid description that can make its way into the final manuscript. For another, even if I write myself into a corner, I always learn something that informs the rest of the book. Maybe a character does something surprising that gives me an idea of how to use him or her in a different manner later in the story. Whatever. This is a dangerous way to write, I must admit. Sort of a high-wire act without a net. In fact, I usually don't know who the bad guy is until about halfway through the book. Then I have to go back and seed in the kinds of details that make the reveal of his or her identity credible. On the plus side, I figure that if I'm surprised, the reader will be, too.

OMN: How accurate are you to the setting of Pittsburgh in your books?

DP: I make every effort to be accurate as to setting. Though I've lived in Los Angeles for the past 40 years, I still visit Pittsburgh regularly. I also rely on maps, Google, and my family and friends still living in the Steel City to help me with certain details. While my memory of the Pittsburgh I grew up in is vivid and reliable, the new, "gentrified" Pittsburgh has changed so much that I need these resources to make sure my depiction of the city as it is now is accurate. But you bring up a funny point: whenever I hear from Pittsburgh residents about my books, it's rarely to discuss the plot or the characters. Usually it's to point out things like, "Hey, you have Rinaldi make a left on Second Avenue. You can't do that during rush hour!" Or "Nobody crosses the river on the Fort Pitt Bridge to get to Mt. Washington! What's wrong with you?" It keeps me humble, that's for sure.

OMN: What is the best advice you've received as an author?

DP: The best advice I ever got about writing actually came from an acting class I took, over three decades ago, back when I was a working Hollywood screenwriter. The teacher was Darryl Hickman, and his advice about pursuing any kind of show business career was simple but profound: "Keep giving them YOU, until YOU is what they want." In terms of writing, I think this means just write what you want, in your voice, in your own way, about things that interest you. Don't chase trends in writing, trying to emulate the latest books on the best-seller lists. Just write from the core of your authentic self, and do your best to get the work out into the world. If it's your karma, and the stars align, you'll eventually find your audience. I also very much agree with famed golfer Ben Hogan, who was asked once, given his great success, if he considered himself lucky. He answered, "Yes. And the harder I work, the luckier I get." I think that should be pasted up on every writer's wall, right above where they write.

OMN: What's next for you?

DP: As an author, I'm looking forward to writing the fifth book in the Rinaldi series. One of the pleasures of my writing process, as I mentioned previously, is how I get to surprise myself as the narrative unfolds. In other words, I can't wait to see what kind of trouble Daniel Rinaldi is going to get into next. He and I will find out together! On the personal front, the big excitement around our house pertains to our son's first year away at college, three thousand miles from home. Though our excitement is tempered by that gnawing "empty nest" syndrome that everyone warned my wife and me about. Luckily, we now have FaceBook, texts and Skype, and stay in pretty good contact with him. Which means that, to the relief of my friends and colleagues, I can point to something positive about all this new technology, instead of continuing to view it as evidence of the end of Western Civilization. (Though I think the jury's still out …)
— ♦ —Dennis Palumbo, M.A., MFT is a writer and licensed psychotherapist in private practice, specializing in creative issues. Formerly a Hollywood screenwriter, Palumbo’s credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots. A graduate of the University of Pittsburgh and Pepperdine University, he serves on the faculty of UCLA Extension, where he was named Outstanding Teacher of the Year.

For more information about the author, please visit his website at DennisPalumbo.com and his author page on Goodreads, or find him on Facebook.



Reposted From Omnimystery News

— ♦ — Phantom Limb
Dennis Palumbo
A Daniel Rinaldi Mystery
Psychologist and Pittsburgh Police Department consultant Daniel Rinaldi has a new patient. Lisa Harland, a local girl, once made a splash in Playboy and the dubious side of Hollywood before bottoming out. Back home, down and out again, she married one of the city's richest and most ruthless tycoons. Lisa's challenge to Danny is that she intends to commit suicide by 7:00 PM. His therapist skills may buy some time — but, exiting, she's kidnapped right outside his office.

Summoned to the Harland estate, Danny is forced, through a bizarre sequence of events, to be the bag man on the ransom delivery. This draws him into a deadly cat-and-mouse game with a brilliant, lethal adversary. Complicating things is the unhappy Harland family, whose members have dark secrets of their own along with suspect loyalties, as well as one of Danny's other patients, a volatile vet whose life may, like Lisa's, be at risk. What is really at stake here?