Kristen Lamb's Blog, page 101

February 28, 2012

We Are Not Alone–Vol. 1


Hey, there! I know it's only Tuesday, but today I am doing something a little different. I know that I'm tough with you guys about trying new things. What is it I say? "Nothing great happens in the comfort zone." Wait. I probably poached that off NYTBSA Bob Mayer. Anyway, the sentiment remains. We don't grow when we are comfortable, and trust me when I say that vlogging was NOT at all comfortable. And I am TOTALLY bummed that the editing process cut off my T-shirt that said "Geek Chic." Sigh. What is the point of dressing up if no one can see your fancy clothes?


Oh well.


One thing I've always tried to impress upon you guys is that I am not above my own advice, and I will never ask anything from y'all that I am unwilling to do as well. So this is my first vlog, and there will be more to come. This is my chance to say hello to all of you and make that digital kick in the tuchus feel much more special and personal, because it is. I love you guys and want to help all of you reach your dreams. Thanks for your time, and thanks for helping spread WANA-The Love Revolution. In fact, feel free to REBLOG this and help spread the love!



So what questions do you have that you might like for me to address on the vlog? Questions about social media? Craft? Which brand of tin foil is best for blocking the alien transmissions? Throw it out there.


I LOVE hearing from you!


And to prove it and show my love, for the month of…heck it is close enough for March, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.


I will pick a winner every week for a critique of your first five pages. At the end of March I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!


I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer's Guide to Social Media and Are You There, Blog? It's Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.



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Published on February 28, 2012 06:18

February 27, 2012

What "Finding Nemo" Can Teach Us About Story Action


From one of my favorite movies EVER Finding Nemo


Storytelling is in our blood, it binds us together as humans. On some intuitive level, everyone understands narrative structure, even little kids. All good stories have a clear beginning, middle and end. Ever try to skip parts of a story with a toddler? Even they can sense on a gut level that something is wrong if we miss a fundamental part of the story. Thus, often when I am teaching new writers how to understand narrative structure, I use children's movies. Frequently the narrative structure is far clearer, as well as the Jungian archetypes that are present in all great fiction. Additionally, all fiction can be boiled down to cause, effect, cause, effect, cause, effect. But, beyond that, novels are broken into scenes and sequels. For those who missed this post a few months ago, I highly recommend you go here.


So how do we know when to cut a scene? How do we knew when to begin and end chapters? How do we know what to trash and what to keep? Structure and conflict are like two gears.


Gears cannot turn unless there is another key wheel turning the opposite direction. No opposition, no power, no momentum. Same with a story.



All scenes have action. Action is more than a car chase or a bomb being diffused. Action does not mean a "bad situation." All stories must have one main story goal, a core problem that must be resolved for the story to end.


Find Nemo.


I love studying children's movies because they make it very easy to see and understand fundamental story structure.


In the Pixar film, Finding Nemo, what is the story goal for Marlin (the Clown fish father and protagonist)? Find his only son. How do we know when the movie is over? When Marlin and Nemo are reunited and safe at home, right?


Who is the Big Boss Troublemaker in Finding Nemo? The BBT is the character responsible for the story problem. The BBT is Darla the Fish-Killer, who we, the viewer, don't even see until Act II. Darla is the horrid little niece of a dentist who likes to go diving. The dentist (Minion) collects little Nemo from the ocean as a birthday gift, beginning the adventure of a lifetime for Marlin and Nemo.


In Normal World, Nemo and Marlin live in a sea anemone. Overprotective father Marlin finally allows little Nemo to go off school (pun intended), even though everything in his life revolves around keeping his son safe. This decision to let Nemo go to school is the inciting incident. If Nemo never went to school then he would never have been taken by the diver dentist.


The turning point into Act One is when Nemo is taken. That gives the clear story goal and the journey of the story is clear—Finding Nemo.


Today we are only going to look at scene antagonists who drive the action.


Obviously Marlin will not find Nemo right away. That would make for very boring fiction. No, there are a series of sub-goals that must be met to find his son.


Marlin takes off after the boat, but then fails to catch up.


He loses the boat and all seems lost, when he runs into another fish, Dori, who says she knows which way the boat went. Marlin follows, renewed in the chase and hopeful he will find Nemo, but then his new ally turns on him wanting to fight. She is unaware why Marlin is following her. Marlin soon realizes the only link to finding his son is a fish ally who suffers short-term memory loss.


Great.


We, the audience, think the journey is over, but then she tells him she does remember where the boat went. Marlin wants to go after his son, but then Bruce the Great White interrupts.



At first Marlin and Dori look doomed, but then Bruce collects them to join him in the Fish are Friends Not Food meeting (think shark AA—Fish Anonymous). So instead of Marlin being able to continue on his journey, he must stop to attend this Shark FA meeting. He has to play along lest he get eaten and not be able to continue his journey. To make matters worse, the FA meetings are held in a sunken sub that is surrounded by mines. So we have outside obstacles—mines—and character obstacles—the Great White addict needing a Fish Friend for his meeting.


Marlin wants to look for his son. Bruce wants a fish friend to attend his FA meeting. This is what Bob Mayer teaches as a conflict lock. Please check out Bob's books if you want to learn more.


At this point, Bruce is not Marlin's enemy, but see how he is the antagonist? Bruce's wants are in direct conflict with Marlin's. Only one party can get his way. Marlin is held back from achieving his goal.


Through a fun series of events, Bruce ends up losing it and going after Marlin and Dori with the fervor of any addict as his shark buddies try to keep him from totally "falling off the wagon." Marlin and Dori swim for their lives and while running, Marlin spots the diver's mask (The diver dentist who took Nemo dropped his mask). The journey, otherwise, would have ended, but a wild twist of fate has renewed the search.


They have a clue and apparently Dori, the Forgetful Fish Ally that Marlin was going to dump at the first opportunity, can READ. He needs her.  But they must escape Bruce and get the mask.


They escape Bruce by detonating all the underwater mines, but then both Marlin and Dori are knocked unconscious. They awaken and realize that they are pinned under the sub, which is now sitting precariously off an undersea trench. The mask and only clue to finding Nemo is wrapped around Dori. As they try to look at the mask, the sub starts to slide and they lose the mask.


Scene goal. Marlin wants to get the clue, but then the submarine sends them fleeing for their lives. Just as they grasp for the mask, it drops down into the deep.


See how Marlin is progressively worse off as the story progresses? He seems farther away from finding his son, when in reality these are the necessary steps to FIND Nemo.


All looks as if it is lost. Marlin goes to give up, but his unlikely ally encourages him to go on and swim down in the deep to find the mask. Marlin has a chance to give up. He could at this point go home and give his son up for lost, but that would make a seriously sucky story. Marlin is a control freak who is ruled by his fears. He has to learn to be the master of his fears in order to rescue his son. Hemust press on in order to find Nemo. He swims down into the abyss as all good heroes should.


Marlin WANTS to find the mask, but then he and Dori soon realize it is nothing but blackness and they cannot see to find the mask. All seems lost. Ah, but then they spot a pretty light in the darkness…which turns out to be an angler fish that wants to eat them both.



Marlin wants to find the clue (mask).


Angler fish wants dinner.


Do you see how every break the protagonist gets comes with a new test? This is why it is so critical for us to at least start out with our story's log-line. What is our story about? Learn more about log-lines (BIG story goal), here.


If the screenwriters didn't know that the overall goal was for a neurotic fish father to swim to Sydney, Australia to rescue his son from a dentist's fish tank before Darla the Fish-Killer's birthday…this would have been a booger to plot. In ways it still is. How do we get Marlin from the Great Barrier Reef to a dentist's office in Sydney? This is where setting sub-goals (scenes) makes life easier. When we know the ending, the main goal then it is far easier to plot the course.


Each scene needs a key wheel—an antagonist—to provide the opposition that will drive forward momentum.


Bruce the Great White and fish-addict in recovery is not Darla the Fish-Killer (the BBT), but he does keep Marlin from his journey…finding Nemo, so he IS an antagonist. In retrospect, Bruce's intervention was fortuitous in that they never would have been in the area of the ocean where the one clue—the mask—was dropped.


Every scene needs an antagonist. Scenes MUST have conflict. No conflict? Not story. No forward momentum. We must always take a good hard look at our scenes and ask the tough questions. Ask, "What is it my protagonist wants? Who is in the way?" If no one is in the way, then who can we put in the way? Conflict can even be as simple as allies disagreeing about a course of action—chase after bad guys or call the police and play it safe? Will the Elves take the Ring of Power to Mount Doom or will the Dwarves?


If everything is happening easily and all our characters are getting along? That's a formula to bore a reader. Scenes where we have our protag thinking? That isn't a scene, that's a sequel. If a character is thinking, it better relate to something that just happened (a scene) and what to do next (next scene).


A "scene" that has characters talking about other characters is contrived information dump, not a scene. We can offload information in dialogue, but that cannot be the only purpose. Scenes are sub-goals—action blocks—that lead to solving the final problem.


I highly recommend reading Bob's books for more about understanding antagonists and conflict. Then, watch movies and practice. Break apart movies. Who is the BBT? Who are the antagonists for each scene? What purpose does the antagonist serve other than standing in the way of the goal? We will talk more about this next week. I know these are lessons we've had before, but a good refresher never hurt anyone.



I LOVE hearing from you!


And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.


I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!


Note: I had a rough weekend. My son had an accident and was injured pretty badly. Will announce winner later this week. Sorry for the delay.


I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer's Guide to Social Media and Are You There, Blog? It's Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.





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Published on February 27, 2012 05:36

February 24, 2012

Finding Inspiration from Unlikely Sources


Happy Friday! I have a real treat for you guys, but, first, let's have a quick chat. Be honest. We writers wear a lot of hats. We, of course, have the Writer Hat, but then comes the Mom or Dad Hat, the Employee Hat, the Maid Hat and Taxi Driver Hat, the Therapist Hat, the Friend Hat, the Police/Enforcer Hat (especially if you have small children, teenagers or needy pets), and on and on. We have many roles, and switching personalities so often and so many times a day can wear us out. In time, we might find that in the pile of all the "hats" we cannot find our Inspiration Hat anywhere. Likely it was put in with the whites and now everything will be pink. Sigh.


So when we do lose our inspiration, what can we do? How do we find it? My pal, and very talented writer Natalie C. Markey has some amazing solutions and is here to teach us to find inspiration from even the most unlikely places.


Take it away, Nat!


Thank you Kristen for having me back again! Last time I spoke about balancing writing with burp rags and Sesame Street.  Today I'm discussing writing inspiration. A topic that interests all writers, but still the toddler mom in me will sneak in a "Sesame Street" reference. Can't you tell what plays on my office/playroom television more than CNN or the very fascinating History Channel?


I love quotes about inspiration. Dan Poytner once said, "If you wait for inspiration to write; you're not a writer, you're a waiter." I also love, "I write when I'm inspired, and I see that I'm inspired at 9 am every morning," said Peter De Vries. Or in my case, I'm inspired each morning at 4:30 am but everyone has his or her own routines because we are all different.


Writers are people. We have jobs, families and many other obligations. With that being said we must write whenever our schedules dictate, unless you are lucky enough to have tons of free time. I didn't think so ;) .


So what if a lack of inspiration is keeping us down? In truth, inspiration is not this complicated object that many have made it to be. Inspiration is all around us. I have found that sometimes the answers may be easier to find than you believe. "Relax, don't over think it," says my husband. And he is right but don't tell him I said that! You can easily find inspiration or discover the answer to a troublesome scene by just living your life.


Just the other day I was stuck on a particular scene in a young adult fantasy manuscript. I write from home with my 19-month-old daughter so my writing breaks are always spent with her and the fun little monsters on Sesame Street.


Just the other day Snuffy (short for Mr. Snuffleupagus) said a simple word that lit a light bulb in my head. As I watched my daughter hum along to "Elmo's World" in her cozy coup (because it's more cool to watch "Sesame Street" drive-in Little Tikes style) I grabbed my iPAD, tapped on the notes applications and began jotting down ideas. It's not the word that counts but the smallest thing that can set off your inspirational writer mojo.


My dog, Oscar is also very inspiring to me. Since I am a published author of a non-fiction dog book and working on another, he reminds me everyday about my audience and how I can make a difference. And he make a fantastic foot warmer while I write!


Always keep your eyes, ears and senses open as you go through life—not just when you're in front of a keyboard. And I say senses because yes I was inspired by the smell of manure once but that's another LONG story!


Staying open to your surroundings is especially important for the busiest of writers. Writer's that must make the most of the precious writing time they get. If you're a writing mom like I am, then I'm preaching to the choir. I'm returning to teach my month-long course presented by Write It Forward Workshops next month. It's titled, Writing Moms: How to have it all without losing your mind. Hopefully it can help you manage the chaos and learn how you can fit your writing career among diapers, tantrums, homework, concerts, games, and your "paying job" if you have that too. Click here to learn more or to register.


I am giving away a FREE "seat" to someone who comments on this blog. Simply share your story of how something simple and seemingly unrelated created writing inspiration for you. I will put your names in my virtual hat and announce the winner on February 28.


Natalie C. Markey is a seasoned freelance writer including popular columns like The Mortal Instruments Examiner and Special Needs Dog Care Examiner. She is the author of "Caring for Your Special Needs Dogs." Follow her on Twitter, Pen to Publish blog, and her website.


Thanks so much for taking time to help us out! I hope you guys will share your thoughts, feelings, stories because not only can you win this really cool prize from Natalie, but you also still get a chance to win my contest.


I LOVE hearing from you!


And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.


I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!


I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer's Guide to Social Media and Are You There, Blog? It's Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.






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Published on February 24, 2012 08:03

February 22, 2012

Amazon–Beware of Greeks Bearing Gifts


Last week, I picked on The Big Six in Bracing for Impact–The Future of Big Publishing in the New Paradigm, so today we are going to talk about Amazon. There seem to be two camps when it comes to Amazon. Either they are a tool of Satan and are actually responsible for the cute kitten trafficking to fund drug cartels in Guatemala, or they are the great and benevolent Optimus Amazon Prime, the one to free the enslaved creatives from their oppressive Big Six Masters.


Which is the truth? More on that in a moment. A little story first to help this sink in…


Some of you may or may not care know that I actually earned my B.A. in International Relations with a heavy emphasis on political economy (specifically dealing with the Middle East and North Africa). Back in the day, I wanted to be a foreign service officer or an analyst. So what did I do? I booked a flight to Syria.


The day after graduation, a cohort and I boarded a plane to Damascus. Our goal was to modernize a small paper company. We sought to streamline production and minimize inefficiencies. We were young, we were smart, we were…seriously dumb out of our depth.


Our plan was to help a paper plant stuck in the 60s come join the rest of the world in the 90s. We believed we could help them become competitive in a digital world so they could be competitive in the 21st century. (Sound familiar?)


Yes, that was the plan. What did we actually do?


We spent most of our time waiting on our driver to come pick us up from the refugee camp where we were staying. Yep, waiting…and more waiting…and counting goats. And, beyond that? We tried to chew ourselves free from the bureaucratic red tape that kept us from doing anything meaningful…and we drank a lot of Turkish coffee.


Why the trip down Memory Lane? 


Little did I know back in 1999, that, a decade later I would become a voice for writers in a new paradigm. See, back then I thought my passion was politics, but it was actually people all along. I traveled halfway across the globe to one of the most dangerous places for a blonde with a big mouth and zero common sense to be. And, though I failed back then, I am better prepared now…to help you guys.


Huh? I'll explain.


The Problem with a Monopoly


Here is the thing. Syria is a dictatorship, and being a dictatorship, they really don't care for a free market system despite any rhetoric about wanting to modernize. The paper company we wanted to streamline? They were the ONLY paper company, so anyone who wanted to wipe their tush or blow their nose, HAD to buy it from this company.


Those at the top were, well, on top. They didn't need to listen to well-meaning college graduates who might have actually helped them be more efficient and make more money. They already had a lot of money and they controlled anything paper.


Failure will teach us far more than success ever will…


That time in Syria taught me a lot. Aside from the sound pop on the snoot to teach me I didn't know as much as I thought I did, I got a solid dose of the downfalls of a monopoly. You see,  success was the paper company's worst enemy. They had a lock on an important commodity and no competition. With no competition, they got lazy. There were gross inefficiencies in production and distribution and quality control was dismal at best.


But why would they change? There was no one else consumers could go to.


Talk is Cheap


I also learned that talk is cheap. Companies can say they care, that they want to be efficient, that they want to offer good products. Heck they can say it until the cows come home and that doesn't mean a thing. It is generally only when there is an outside threat that these companies will get their act together.


So what does this have to do with publishing?


Part of why The Big Six have been able to be so grotesquely inefficient has been due to the fact that, historically, they've controlled distribution. They held the keys to the kingdom. Big Publishing didn't have any decent competition, so no credible threat, thus there was no real impetus to do things faster, better, cheaper.


Oh, but that has changed. Yet with all these changes and innovations, does the future look brighter for the publishing industry and for writers?


Not so hasty…


Beware of Greeks Bearing Gifts


Amazon is the 500 pound gorilla in the room, only we can't see it because it is hidden neatly inside a giant digital Trojan Horse. Don't get me wrong, I buy plenty of stuff off Amazon, and they have done a lot to help shake up the industry and get New York hopping. Without them, I don't believe we would have seen so many miraculous changes so quickly.


Ah, but every fairy tale has a dark side…


I really hope New York gets its act together, because, once the competition falls away and Amazon burns New York to the ground? What happens to the writer? What happens when we fall asleep and it is safe for Amazon's Trojan Horse to unleash the gorilla?


Amazon right now is in the courting phase with writers, and it is using us (writers) as a weapon to kill our former masters. Ah, but if Amazon really gets its way…what then?


When NY is razed and Amazon has no real competition, do they have to keep giving us the same sweet royalty rate? And they already have a nasty reputation. They pulled that little stunt with a publisher who dared to cross them. Two years ago, they removed all the "Buy Buttons" off all the Macmillan titles. So, if Amazon will use the brass knuckles on a major publisher that crossed their path…what about us? The little guys? What happens when a writer miffs them and they unleash the gorilla?


Lord Acton so eloquently said, "Power corrupts and absolute power corrupts absolutely," and that statement is as relevant today in 2012 as it was in 1887, because while industries change and technology changes, humans are timeless. So what happens when it's Amazon's turn to hold all the keys to the kingdom? Will they use them any differently than those they crushed to gain them?


The Perks without the Works


Unlike NY, Amazon isn't searching through all the millions of wanna-bes for a handful of investments. Anyone can publish quickly and cheaply. Writers are running to them! The problem with this is they get all the benefits of being a publisher without any real sacrifice.


A lawyer friend of mine noted that when writers publish on Amazon, we all agree to the same blanket contract. This gives Amazon all the perks of being a publisher without concerning itself with any of the traditional protections for the writer.


And, I understand that writers haven't been treated all that great in the past, but we need to ask the tough question. Is this future better? Is trading one dictator for another a good plan?


Amazon having total control is a particularly frightening scenario for indie and self-published authors, because many aren't repped by agents with the legal know-how to fight any injustice. Oh, I suppose we could sue, but Amazon has armies of high-powered attorneys to make a lesson out of any of us who tried.


I know this sounds a little Orwellian, but when everyone else is gone, what is to stop Amazon from having "technical errors" that just happen to lose YOUR books? What's to stop another "Buy Button" glitch? What's to stop them from demanding we all sell our books for $2.99 and if we don't comply, we suddenly start having "technical errors"?


Yes, I read a lot of Asimov in my formative years.


Amazon is great at selling the cheapest stuff. They sell everything from camping equipment to push-up bras. Books are just another commodity…right?


Books are not TVs and Writers are not Camping Equipment


See, NY has its share of problems, but one thing NY has going for it is the LOVE of the written word. They VALUE it. Now, they might be valuing it in a way that isn't competitive, but at the end of the day, they still VALUE it in a way that I believe eludes Amazon.


To Amazon? The gorilla doesn't have the same sentimental connection. The bottom line and making money is all that matters, and, sure, they love selling motorcycles, but the romance genre alone is worth BILLIONS.


Caveat Emptor


Some people say, "It's just business." Yet, Amazon has not had any problem going to the mattresses to dominate the market and drive competitors out of the game. I guarantee you that, if Amazon does manage to finish off the major competition, they will soon open their own brick-and-mortar bookstores on Barnes & Noble's grave. Why do I say this? In my book, the best indicator of future behavior is past behavior. How will we writers feel about this type of "business" when we land in the cross-hairs?


You will know them by their works…


Great, Amazon wants to bring affordable and convenient shopping to the consumer. Awesome. But the question becomes, what are they willing to do to increase their profit margin?



Publishers Weekly announced on February 1st of 2012 that:


Amazon is continuing to report record growth. The electronic and general merchandise segment that includes the Kindle devices posted a 51% fourth quarter increase and a 57% gain for 2011.




So, as a former wanna-be analyst and paper salesperson (post-Syria), what do these numbers say to me? They spell potential big trouble in the future. See, I know what it is like to be the sales guy. Sure, when you are opening up into a new territory with no competition and you have a 57% gain in a quarter, you are hailed a genius! A hero!


Ah, but the numbers always look good when penetrating a new market. It's like turning on a water hose to fill an empty pool. Every drop looks awesome. But once the pool is full?


Those numbers don't look as impressive and the board of directors want to know where you, the salesperson failed. Why aren't we seeing the same profits? What do we need to do to see 57% gains every quarter? The shareholders want to see profits!


And this is usually where the trouble begins.


This is the point that the benevolent dictatorship monopoly turns into a tyrant, because it is all about the bottom line and the spreadsheets. They lose all sense of reality and fail to see that no company can make 57% gains every quarter into perpetuity. This is where they start gutting geese writers for golden eggs best-selling books.


Sure, Amazon is great now that everyone is allowed to publish, but what if, in a few years, they no longer like that business model and they only want shiny darlings like Eisler and Konrath? What's to stop them from becoming Big Six 2.0? What's to stop them from jerking around our royalty rates? What's to stand in their way and keep them from trafficking cute kittens to fund Guatemalan drug cartels?


Writers


We seem to be the ones that get left out, but we are the most important. We weren't well-represented at Digital Book World or even the recent ToC (Porter Anderson explores this in depth in the latest Writing on the Ether.) Yet, without writers there are no stories, no books to sell.


Take heart, my peeps. We hold more power than we know.


How do we make New York wake up, snap in line and treat us better than they have in the past? How do we keep the belly of the Amazon Trojan Horse closed and the greedy gorilla at bay? How can we help ensure that the indies popping up all over have a viable marketplace to grow and put down roots and fairly compete?


We band together, we get educated, and we become empowered. Our author platform is the most powerful tool at our disposal. It makes NY take us seriously, and it will help keep Amazon playing nice. I would even be so bold as to say that our platforms will determine the future landscape of publishing.


An author with a platform is a citizen, an author without one is a subject.


There are too many authors who want to just write and hand the books and the business to someone else. That is a dangerous and risky plan.


No Platform=No Options


An author with a viable social media platform is empowered, and is more than just an author. Writers plugged into the WANA community are transformed. They are a new breed of faster, smarter and strangely good-looking writers. They are a WANAuthor. WANAuthors are citizens of the new publishing paradigm with a voice and a vote.


Never doubt that a small group of thoughtful, committed people can change the world. Indeed, it is the only thing that ever has. ~ Margaret Mead


We Are Not Alone


Writers! Remember, We Are Not Alone (WANA) and together we are stronger. This is a great time to be a writer, and the future looks bright, but we are in this together. We are no longer indie, self-pub or traditional…we are WRITER-KIND. One global race comprised of storytellers, inspirers and educators with one mission…to fill the world with amazing books.


In a world where power corrupts and talk is cheap, we need each other more than ever. Our platforms and our voice keep the despots in check because we have the power to remove them from office take our business elsewhere.


What are your thoughts? Fears? Concerns? What do you see on the horizon and what are your solutions or suggestions? Hey, together we are stronger, but we are also smarter. I read every comment, so raise your voice!


I LOVE hearing from you!


And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.


I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!


I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer's Guide to Social Media and Are You There, Blog? It's Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.


This Week's Mash-Up of Awesomeness


Those Who Can't Self-Publish, Really? by Girls with Pens


The Big Six Publishers are Dead-6 Critical Factors for the Future by Richard Monro


Speak Strength to Yourself by Shelli Johnson


100 Tips to Alleviate Self-Doubt by Matthew Turner at Jane Friedman's place


NYTBSA Bob Mayer has another perspective about Amazon over at his place.  The Reality of Amazon and the Digital Publishing World.


Publication–Perfection Not Required by the amazing Jody Hedlund.


25 Things I Want to Say to So-Called 'Aspiring Writers' by the word-pirate Chuck Wendig


Let the Good Times Roll AWESOME post by the talented Ingrid Schaffenburg


Women Peeing Outdoors by Natalie Hartford. Hey! It's funny and makes the mash-up eclectic.


Jenny Hansen has an AWESOME lesson about Triberr (Triberr is a tool to manage all those blogs you like to read).




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Published on February 22, 2012 02:32