Brandon Sanderson's Blog, page 20

Writing Excuses Workshop and Retreat 2019 + Weekly Update

Adam here. If you’re interested in writing you should check out the Writing Excuses Workshop and Retreat which departs from Houston and sails September 13th through 22nd and is packed with intensive seminars, writing exercises, small group breakout sessions, and more. Attendees will also be invited to attend a live recording of the Hugo award-winning podcast Writing Excuses, hosted by Brandon Sanderson, Mary Robinette Kowal, Howard Tayler, and Dan Wells.

In this week’s new Writing Excuses episode, Showing Off, Brandon, Mary Robinette, Dan, and Howard discuss how to infodump without infodumping and deliver lots of exposition without sounding expository. How to talk with the maid and the butler without having maid-and-butler dialog.

Last week, in Tor.com’s continuing reread of Oathbringer, Shallan, as Veil, goes for a walk through the marketplace. She discovers that the rich lighteyes are prioritizing giving food to the rich over the poor (surprise surprise) and runs into a familiar face telling stories to the beleaguered populace. This week, in sixty-eight, is featuring Hoid, so you just know it’s going to be full of witticisms and mysteries! Our favorite world-hopper’s never straight forward about anything, and he’s certainly in rare form this week as he drops hints about everything from his age to his role in the Cosmere. And along the way, he imparts a bit of wholesome advice to Shallan, nestled in amongst the jokes and snark.

Today’s “awesome” cosplay of Lift is brought to you by the talented Epnona Wingfeather.

The Hero of Ages leatherbound, personalizations open + updates

Adam here. We have some exciting news for those of you who have been waiting to order your Dragonsteel leatherbound edition of The Hero of Ages: you can now get your copy signed and personalized! We are still behind schedule so it may still take 8-12 weeks to get shipped out to you.

If you’re looking to order this edition of The Hero of Ages but want to support your local bookseller, you can still place an order from (most) of these bookshops:

BYU Bookstore
Subterranean Press (they have closed their orders, but should shortly be shipping out the books to those who did place orders
Mysterious Galaxy
Powell’s books
Borderland Books/li>
Murder by the Book
Ubooks in Seattle

We decided to take advantage of the huge amount of books Brandon had to sign earlier this month to do something fun, so we set up a time-lapse to capture the process behind getting all these books ready to ship. Enjoy!

In this week’s new Writing Excuses episode, Geography and Biomes, Brandon, Dan, Howard, and Mahtab Narsimhan who joins WX this year for a dozen episodes on worldbuilding, talk about geography and biomes and how settings can be central to the stories you tell, but they can also be backdrops, and the story purposes they serve may determine which tools we use to describe them.

Last week, in Tor.com’s continuing reread of Oathbringer, Kaladin and Shallan arrive back from Thaylen City after having opened the Oathgate on that side. Dalinar drops a heavy burden on Kaladin’s life—that of (more) responsibility. When the war is over, he’ll have lands and people to manage in his capacity as a Shardbearer and a brightlord. Dalinar and his retinue activate the gate and step through, finding the destruction that the Everstorm has wrought. This week, in chapter 60, Kaladin, Shallan, Adolin, Elhokar, Skar, Drehy, and three of Shallan’s followers are riding the storm towards Kholinar. When they arrive, Kaladin immediately notices that the city is still under Alethi rule, but there’s something dark and wrong with the palace—or more accurately, the oathgate platform beside it.

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Award Season, Spring 2019

All,

I’m hard at work on Stormlight 4. (No title yet—but you can read my update on Reddit a week or so ago right here, if you missed it.) In the meantime though, it’s time for the yearly roundup of stories I’ve released that are eligible for various awards.

It was a somewhat quiet year for me, with only three releases. The largest of these, Skyward, is eligible for various awards—including the Andre Norton Award and the award for Best Young Adult book that is given out alongside the Hugos, but isn’t a Hugo, and doesn’t have another name yet. (That I can figure out.)

Children of the Nameless would be eligible in various novella categories. As it was released for free, you can download it here.

Legion: the Many Lives of Stephen Leeds was released as a novel, and is eligible as such—though the third chunk of it (Lies of the Beholder) was released as a standalone novella as well, through Subterranean Press.

If you’ve had a chance to read the second volume of the White Sand graphic novel, it’s also eligible for nomination this year.

And as usual, you can nominate Writing Excuses in the Best Related Work category.

Like I said, a short list there this year. As always, thank you for your consideration!

Best,

Brandon

Hero of Ages leatherbound, Children of the Nameless AMA + Updates

Adam here. I want to begin this final blog post of the year with some good news. The Dragonsteel leatherbound edition of The Hero of Ages has arrived! Many of the Dragonsteel Minions have been working long (and often very late hours) to get these books ready to ship out next week—or as quickly as Brandon can get them signed. If you’re not familiar with these versions, these are special editions that we release to celebrate the book’s original publication ten years earlier. You can see all of them on Brandon’s website store.

If you’re hoping to get a personalized copy of this book, we will open the personalization option again once all the pre-ordered leatherbound Hero of Ages have shipped. I’m sure we will announce when personalizations are again available on Brandon’s social media channels, so watch there.

Brandon was able to hop over and do an earlier this month for his Magic the Gathering novel Children of the Nameless (which is free to download). If you’re not familiar with this book, you should check out this post from Brandon from a few weeks ago. While Brandon isn’t answering any further questions from this AMA I thought many of you would find it interesting to browse. While you’re there, you can read Brandon’s first update for Stormlight 4.

In this week’s new Writing Excuses episode, Working Dad is a Spaceman, Howard, Mary, and Dan, with NASA astronaut Thomas Marshburn who is both spaceman and parent, talks about what it’s like to be both.

Last week, in Tor.com’s continuing reread of Oathbringer, Taravangian is having a genius day. He fools his testers into thinking that he’s not having a “so intelligent he’s dangerous” day and proceeds to begin tearing up the Diagram, looking for hints and codes that cannot be deciphered when the pages are bound. When Adrotagia calls him out for his deception, he shoves her out of the room and continues, finally coming to the conclusion that Dalinar is not to be killed, now—they’re past that point. Now he must be dethroned as leader of the Coalition, to make room for Taravangian to take his place and hence be in a better place to negotiate directly with Odium. This week, in Interlude 6, Venli and several of the remaining Listeners await the coming Everstorm, promised by Ulim that it will bring them more power. But when it passes, Venli realizes that they had been misled. Her friends are gone, their souls destroyed and their bodies claimed by the ancient Listener gods. She alone remains, destined for some greater purpose by Odium. In the aftermath of her grief, a strange spren appears, which Venli hides, certain that the creatures residing within the bodies of her friends will destroy it.

State of the Sanderson 2018

Introduction

Another year has passed, and Koloss Head Munching Day is upon us again. It’s been a fun year, full of me working on interesting side projects, so expect quite the list of updates in this (very long) post. But first, let me give a hearty thank you to the community of readers that continues to put up with my sometimes insane writing process. I realize it results in me having a lot of projects, necessitating posts like this one to keep everyone up to date. For many writers, this might be an overwhelming number of irons in the proverbial fire—but it is exactly what I need to keep me excited about the process, and to keep me from burning out.

Know, however, that I realize this can be a little frustrating if you’re waiting for one specific update that keeps not happening. It’s quite the challenge to keep all this straight, but I do my best to keep in mind that by beginning something, I make an implicit promise that I will finish it. I take this promise seriously. I will do my best to balance my artistic needs with the trust you’ve all shown me by continuing to support my work. I consider this post, along with updates on places like my subreddit, to be essential parts of this process. I often cannot rush the artistic process, but I can keep you all informed of what is causing delays, or what projects I find exciting. This is how I make myself accountable to you, as you are the means by which I even get to do this wonderful job in the first place.

So, introduction done, here we go! Let the circus commence.

My Year

January-March: Skyward and Legion Revisions

I kicked off the year quickly doing a second draft of Skyward. Pulling The Apocalypse Guard from the publisher, then promising them Skyward to publish in the fall of 2018, meant that I had to scramble. It wouldn’t do to pull a book I judged to be of inferior quality, only to replace it with a book that I didn’t have time to revise up to my standards. So you’ll see a number of months dedicated to Skyward. (Which, if you somehow missed it, did come out—and is still sitting quite happily on the New York Times bestseller list many weeks later, so thank you all very much!)

Another thing I’d been putting off for months was the necessary revisions of the third Legion story. Tor was quite patient with me on this one, considering the Legion collection was scheduled for publication in the fall as well. But during these three months, I did multiple revisions of both books, eventually getting Legion into a polished state. (There was one more draft of Skyward still to do.) Legion Three, Lies of the Beholder, can be found in the Legion collection that was published earlier this year.

Finally, somewhere in here, I squeezed in an outline and world guide for Death Without Pizza. (Yes, that’s a name change—no it’s not the final name, but just a placeholder.) More on that later.

April: Children of the Nameless

Sometime around March of last year, Wizards of the Coast sent me an exploratory email. It being the 25th anniversary of their card game, they were wondering if I’d be interested in doing a story with them. As most of you know, I’m quite the fan of Magic: The Gathering. It’s my primary hobby, and I have way too many cards. (Which still aren’t enough, of course.) I was enthusiastic, and you can read more about the process I used to approach the story in this blog post.

I knew that by doing so, and by writing the story as long as it ended up, it would make getting to some of my other projects later in the year more difficult. (Namely, the fourth Wax and Wayne book, which I’ll talk about shortly.) But this was kind of something I had to do, so I ask your forgiveness in taking this detour to Innistrad. I’m exceptionally pleased with the story and the response it has gotten, so if you haven’t read it, I present it to you here! Reading it requires no prior knowledge of the card came or the lore surrounding it.

May: Skyward Final Draft

How long it takes to write a story depends on a lot of factors, but in general, three months gets me around 100k words. Shorter stories, with fewer viewpoints, tend to be faster—while longer stories with more intricate plotlines (like Stormlight) tend to take longer. But that’s just for the rough draft. Generally, doing all the other drafts takes an equivalent amount of time to the first draft. (So, if the first draft takes three months, the second through fourth drafts will together take another three months.) You can see this at play in Skyward, which took about three months to write in the end of 2017, then took three additional months of revision to polish up.

I did sneak in a little time to do an outline for a piece called The Original in here as well, which took about a week. I’ll update you on that in the secondary projects section.

June–August: Starsight First Draft

And, speaking of three month first drafts, here we get me buckling down and doing the sequel to Skyward. It’s finished in its first draft form, and dominated my summer. In here, I also did detailed outlines for the third and fourth books of the series. (And this is where I determined for certain that the series would need to be four books instead of three.)

September–October: Odds and Ends

In these months I had some travel to record episodes of Writing Excuses, I did a quick second draft of Starsight to send to my publisher, and I did some revisions to Children of the Nameless. I also did more work on The Original, Death Without Pizza, and Alcatraz Six (AKA Bastille vs. the Evil Librarians, or Alcatraz vs. His Own Dumb Self). Finally, I slipped in some brainstorming with Dan Wells on how to fix The Apocalypse Guard.

Basically, I knew that November would be mostly lost to touring, and I was scrambling to get some work done on small projects to clear my plate for 2019, which will be dedicated to working on Stormlight Four.

November: Skyward Tour

I spent most of November on tour for Skyward, and quickly finishing up final revisions on Children of the Nameless. I got to see a lot of you while touring for the book, and had a blast—but these tours get more and more difficult as the lines get longer and longer. The tour for Stormlight Four in 2020 might require me to do some things I’ve been dreading, such as limit the lines to a certain number of tickets. It makes me sad to contemplate, but I’ll keep you all in the loop about what we decide to do.

That said, here are some pictures from my tour! Let the costume parade commence:

Syl – Barnes & Noble, El Cerrito

Mistborn – University Bookstore, Seattle

Shallan and Jasnah – University Bookstore, Seattle

Cobalt Guard – University Bookstore, Seattle

Spensa Nightshade – Anderson’s Bookshop, Chicago

Mistborn – Barnes & Noble, Atlanta

Wax – Barnes & Noble, Atlanta

Shallan – Murder by the Book, Houston

Australia(?) and Bastille – Murder by the Book, Houston

Mistborn – Murder by the Book, Houston

December: Death Without Pizza

I needed a break from all the other things I’ve been doing, so in classic Brandon style, I worked on something fresh and new to give myself a breather. This was where I was going to do Wax and Wayne Four, but doing Children of the Nameless meant that instead of three months extra space at the end of the year, I only had one month. (As CotN had taken one month to write, and one month to revise.) I had the choice of pushing back the start of Stormlight Four, or doing something else for this month and trying to sneak in W&W 4 sometime next year. I chose the latter. It’s important to me that I let myself do side projects to refresh myself—but I also think it’s important to keep to my Stormlight schedule. It would be too easy to keep putting off the big books until they stretch to years in the making. I told myself I was going to divide my time in half between Stormlight and other projects.

The truth is, I’m getting really anxious about getting back to Stormlight. That’s a very good sign, as once I finish a Stormlight book, I’m usually feeling quite burned out on the setting, and need a number of months to recover.

Anyway, that’s where the year went! Now, on to the exciting part. The big list of projects and updates to them.

Updates on Main Projects

Stormlight

As you just read about above, I am on track for starting this book on January first. I’ll begin with a reread of the first three books, as I find I need a periodic refresher, even on my own novels. This will also be important for helping me really nail down the outlines for books four and five.

As I’ve worked on the Stormlight series, I’ve shifted a lot of things around in the outlines. Famously, I swapped Dalinar’s book and Szeth’s book (making Book Three have Dalinar’s flashbacks instead of Szeth’s). But along the same lines, I moved a chunk of Book Three into Book Two, and then moved around smaller arcs for Three, Four, and Five.

The Stormlight series has a very odd structure. Each novel is outlined as a trilogy plus a short story collection (the interludes) and is the length of four regular books. This lets me play with narrative in some interesting ways—but it also makes each volume a beast to write. The other superstructure to the series is the spotlight on the ten orders of Radiants, with each book highlighting one of them while also having a flashback sequences for a character tied to one of those orders. If that weren’t complicated enough, the series is organized in two major five-book arcs.

What this means is that I need to do some extra work on books four and five, as they together tie off an arc. There are some small plot lines I’ve been pushing back from book to book as I nail down what each volume will include—but I can’t do that with Book Five, as it will be the capstone of this sequence. So I need the outlines to be tight to make certain I get everything into them that needs to be there.

Anyway, that’s a long way to say, essentially, I’ll start posting updates to the Stormlight subreddit in January, and you can follow along there or on the progress bar we’ll post here on my website on January first. I’ve commissioned a special piece of artwork to be used in Stormlight Four blog posts, which we should be able to reveal next year. (I’m pretty excited about it.) So you have that to look forward to as well!

Note that while I’m optimistic about this being my fall 2020 release, delays could happen if the book doesn’t come out smoothly on the first draft. I’ll keep you updated with regular posts. A lot will depend on how long the revisions take.

Status: Book Four is my main project for 2019, for an anticipated 2020/2021 release.

Mistborn

My big failure in 2018 was not getting to Wax and Wayne Four. But all is not lost! I am going to do whatever I can to squeeze this in next year. I’m feeling I might need a break in the middle of Stormlight Four, as I sometimes do. If so, I might squeeze this in there. But it will depend on a many factors. So, we’ll have to take a wait-and-see attitude.

I’m going to try to hold myself back from doing any other side projects, like Children of the Nameless or The Original from this year, until Wax and Wayne is finished. Book Four will be the conclusion of their story, and the wrap-up of era two of Mistborn. (And I have big things planned for Era Three, which I am planning to write between Stormlight Five and Stormlight Six.)

Status: Pushed off for now, but to be written very soon. No release date yet.

Skyward

Book Two, Starsight, is done, and I’ll be noodling on revisions for it in the early part of next year while I write the Stormlight Four and Five outlines. It’s scheduled for October of next year.

Stormlight Four taking all of my 2019 will likely mean that Skyward Three won’t be written until 2020, for a spring 2021 release. (At least, that would be my best guess at this point.) So you’ll have a larger-than-usual wait between Books Two and Three, unless something happens to let me squeeze Book Three in early. As I mentioned above, it’s a four-book series, and when I get back to it, I anticipate doing Book Four soon after Book Three. (Like I did in writing Books One and Two very close to one another.)

Status: Book Two ready to go in 2019. Book Three likely in 2021, Book Four likely in 2022.

Death (Without Pizza)

A major bombshell update here: we have finished a first draft of this book! I’m moving this up to major projects, as I anticipate a release of this novel in the coming two years. It is a Dresden Files-esque urban fantasy series set in London, starring a necromancer. (With a very Sanderson-style take on necromancy.)

Many of you have been following along with this project, which I’ve mentioned for many years in the State of the Sanderson posts. I wrote a rough draft of a big chunk of this book back some years ago now, but didn’t like how it was going, so I shelved it. The idea stuck with me though—and I really wanted to give it another chance. Over the years, one part I didn’t like was actually the pizza aspect. The original pitch was for a pizza delivery man who became a necromancer.

Well, over the years, I found I wanted a stronger character for the protagonist. Starting with the title Death by Pizza had pushed me to make the story more jokey than I wanted, and had led me to cut corners on the worldbuilding in ways I didn’t like. So when I went back to the drawing board, I started going in different directions with the storytelling. A more intricate, interesting magic system. And a character with more heart. Where I eventually ended up going was studying metal music culture.

The subculture of heavy metal music is fascinating to me. I really like how passionate the fans are about it, and how often outsiders are wrong about those inside it. (Do a little reading on the topic, and you might find that a lot of your stereotypes of metal fans are wrong—like mine were. The more I read about and talked to metal fans, the more fascinated I became by the subculture.) It seemed to me that a metalhead who finds out he’s a necromancer could be a cool hook.

Well, around the time I was really getting into this, I was chatting with Peter Orullian, a novelist who is a friend of mine. He’s mostly known for his epic fantasy series The Vault of Heaven, but he also happens to be a metalhead and a musician. (He’s toured internationally fronting metal bands, and recently composed an entire rock opera in the style of Trans-Siberian Orchestra. He’s even written a book with the band Dream Theater, in conjunction with one of their concept albums.)

Well, the match seemed perfect. He could bring the expertise on metal music, and I could provide the worldbuilding. So we jumped into a collaboration. I wrote out a lengthy world guide and outline, and Peter did a lot of experimenting to find the right voice for our character. We worked on the first volume all during the summer and fall, and the resulting book is quite promising. It’s the story of an American metal singer living in London whose day goes from bad to worse as he gets kicked out of his band, then makes his way to his favorite pub to lick his wounds—only to end up getting shot in the head during an apparent robbery. And after that, things start to go really badly for him.

Peter finished the first draft in November, and I’ve been spending my December doing a second draft. After that, I’ll kick it back to him for a third draft so that we can make sure our different voices are smoothed out. We’ll see where it goes from there! In any case, though, Death Without Pizza will not be the final title for the story. We’ll pick something a little less silly; I’m a little worried people will expect something over-the-top metal like Brütal Legend—which was great, but not the direction this story ended up going. Anyway, I’ll post updates as we go along!

Status: Being revised. After that, we’ll look for a publisher.

Updates on Secondary Projects

The Original

I’m moving this novella (which I don’t think I’ve mentioned before in a State of the Sanderson) into the Secondary Projects section. A while ago I had an idea for a story about a world where, if you committed a crime and went on the run for it, the government could create a clone of you (with your memories and personality) to hunt you down. After all, who better to hunt a criminal than a copy of that criminal? The copy would have strict controls in place so they could be killed by the government with the press of a button, but would be given the promise that they could take their Original’s place if they succeeded in hunting them down and killing them.

Earlier this year, the idea developed into a full-fledged outline, which I wrote out during time when I needed a break from other things. It worked out well, and so you might see progress on this in future years. Right now, I like the idea of doing it as an audio original, perhaps with a coauthor who is more experienced in audio or voice acting. So watch for updates here.

Status: Outlined.

The Apocalypse Guard

I do someday want to do something with this book. I’ve given it to Dan Wells, my long-time friend and sometimes partner in crime. He’s come back with some suggestions on how I could fix it, along with some brainstorming on where it could go as a series.

I’m going to give you fair warning, though. Every time Dan and I brainstorm together, weird things happen. Legion was the result of one of those sessions, as was Dan’s book I Am Not a Serial Killer. (Which you should all go read, if you haven’t.) The two of us are odd enough on our own, but together we’re downright strange. (You should see the two of us in role-playing sessions, where we constantly try to out-bizarre one another with our character concepts.)

I fully expect something to come out of The Apocalypse Guard sessions I’m doing with Dan, but…well, don’t expect it to be normal by any stretch of the word.

Status: In revisions, getting weirder.

Alcatraz

I’ve been tweaking Alcatraz Six. I did a partial draft a few years ago that went off the rails, and this year, I trimmed that back with some help from a friend into the parts that worked. From there, we’ve been trying to figure out how to get Bastille’s character voice right. It’s moving. Slowly, but it’s moving. Book Six, written from Bastille’s viewpoint, will be the end of the series.

Now that Legion is done, the next series I want to make sure gets tied up is Alcatraz. It shouldn’t be too much longer.

Status: Book Six made some small progress this year.

White Sand

Graphic Novel Two came out this year, and was very well received. (Save for the forced artist change, something I hated to have to do. That said, the new artist is doing a fantastic job.) Graphic Novel Three is the end of this sequence, and is well on its way to being completed.

The prose version is still available if you sign up for my mailing list. Though remember, we’ve made numerous updates to the story during the adaptation process.

I have no immediate plans to do sequels to this in graphic novel form, though you can expect stories set on Taldain to happen in the future.

Status: Final graphic novel is well under way. Release in 2019 or early 2020 likely.

Dark One

My outline for this drew a lot of buzz around both Hollywood and New York. The story, if you aren’t familiar with it, is about a young man in our world who discovers that a fantasy world has declared him to be the Dark One, and starts sending hit squads into our world to assassinate him. Pitched as “Harry Potter from Voldemort’s viewpoint,” the story follows this young man as he is forced to confront the possibility that he might do what the prophecies say.

We have a graphic novel in the works, and I’ve been doing pitches in Hollywood for a potential television show. So movement is certainly happening here.

Status: Going well. Might have art to show soon from the graphic novel.

Elantris, Warbreaker, Rithmatist

No updates from last year, I’m afraid. There was no intention to make progress on these this year. Once Alcatraz is wrapped up, I’ll turn my attention back to The Rithmatist as the last looming series that needs a wrap-up that hasn’t gotten one. Elantris and Warbreaker sequels aren’t to be expected until Stormlight Five and Wax and Wayne Four are done.

Status: Keep waiting. (Sorry again.)

Updates on Minor Projects

The Reckoners, Legion

These are both finished, and I don’t foresee any future updates anytime soon. Do note, however, that the Reckoners board game has been shipping, and it turned out great. You should soon have a chance to buy copies if you missed the Kickstarter, and I suspect there will be expansions in the future.

Status: Completed

Adamant

No change from last year. This space opera series of novellas is in limbo until I find the right time to work on them. It will happen eventually.

Status: No movement.

Soulburner

No motion on this space opera that I might rename Starburner once I get around to doing something with it. I have a cool worldbuilding document, but no novel specifically. I’ve been tempted to see if it would work for a video game setting.

Potential Cosmere Stories

Keep the following on your radar, as they may happen someday. However, as I’ll be knee-deep in Stormlight in 2019, don’t expect anything to happen on any of them until it is done. The list includes: Dragonsteel/Liar of Partinel, Sixth of the Dusk sequel, Silverlight novella, Threnody novel, Aether of Night, Silence Divine.

Movie/Television Updates

So, let’s talk about movies.

People tend to get really excited about news of my books being adapted—and rightly so. I’d be very excited to someday see one of my properties turn into a film, and I think it’s inevitable that some day, we’ll see it happen. However, the process of a book becoming a film or television show is a long one, involving the input of a lot of people. And fans tend to get very excited when something is being developed, but often don’t realize that the stages of development can often take a long time.

I thought it might be helpful here to go over what some of those steps are, so you can get a better idea of how far along my various properties are. Understand that this is a rough guide, and individual properties might follow a different route. This is also kind of an outsider’s take on it all, as I don’t consider myself an expert in Hollywood. Those who know more about the ins and outs of the business would probably consider this a gross over-simplification.

Step One: Producers Option a Story

In Hollywood terms an “option” is kind of like a rental agreement. The most common way a story starts on its path to an adaptation is with an option. (Sometimes, there’s even a step before this called a Shopping Agreement.) Basically, someone (usually a producer, but sometimes a studio) comes in and offers to pay an author every year to “option” their work, meaning the producer/studio gets exclusive rights to make a film on that work. They don’t buy the rights completely, however. Usually, they set a buyout price, then pay 5/10% of that price every year or so to keep the option locked up. This gives them time to put all the other pieces together for a film without needing to commit to paying the full buyout price until they’re certain the film is going to happen.

My agent once told me that about 1 out of 30 of the properties he saw get optioned eventually got made into a film or show. An option is absolutely an important step, but a lot of times fans see an option agreement in place and start expecting a film any day—when really, this is just the first exploratory step in the process. Sometimes, producers even option rights they never intend on making into films. (I once had a producer brag to me that he—in order to make sure nobody in town was trying to sell something similar to his property—had bought up all rights to similar books for cheap, with the intention of sitting on them for five years to make sure he didn’t have any competition. I was not impressed, to say the least.)

Step Two: Screenplay

Usually, after the option agreement is signed, a screenplay is commissioned for a film. For a television show, it will either be a screenplay for a pilot, or some kind of series bible or “treatment,” a kind of outline that talks about the process the group would use in adapting the property.

This screenplay, treatment, or bible is what the producers will take around town to try to get studios, directors, and actors interested in a property. A book being successful is interesting to Hollywood, but what they rightly want to see is if that book can be made into a workable screenplay. Often, this process takes years, as a screenplay/teleplay will be commissioned—then go through several rewrites. Sometimes, the producers will decide to hire a second or even third screenwriter to do a pass on the script, if they decide it needs another take or specific revisions.

Step Three: Studio Interest

With screenplay in hand, the producers will approach the studios or larger production companies. (Or sometimes content distributors, like Netflix.) The goal here is to get interest from parties with deep pockets and the power to actually make a film. This step can occasionally be skipped if a studio was involved from the beginning. (This has happened with several of my properties.) Sometimes, the studio might be interested—but send the producers back to step three to do more revisions before offering any kind of official deal or promise of distribution. Sometimes, the producers will need to secure promises from multiple parties—like, for instance, they might get a smaller studio in the US interested, then have to get a foreign partner interested to provide funding for overseas distribution promises.

Step Four: Attaching Talent

With a screenplay in hand and the backing of a studio or similar group, the producers can now try to get a director or actor on board with the film. This crucial step will have a big influence on how/if the film will get made. Obviously, if you get a major director interested, that makes the studios sit up and take notice. Likewise if a major actor attaches to the project. For television, this often involves getting an established show runner attached. (In my experience, with television, sometimes this sort of thing happens in Step Two instead—with the showrunner being involved in the pitch documents. In that case, Step Three is the big one: getting someone big in the business to fund a pilot.)

Step Five: Actual Green Light

Finally, if all the pieces come together, you get what is called a green light. The film is scheduled for shooting, the studio commits a large chunk of money to the project, and people start getting hired. This is when the option actually gets exercised, and the author gets the payment for the contract they likely signed years and years ago. Once in a while, a group of producers will decide that the property they hold is big enough that (once their option period runs out) they decide to pay the buyout price to get more time to try to get the film made. Sometimes, instead, they’ll just agree with the author to extend the option period for another payment.

Step Six: Film Gets Made

I’ve never gotten here, but I hear it’s a lovely experience.

So, with that in mind, I can tell you where each of my properties are. Unfortunately, I won’t be able to name a lot of names. For instance, if a director is interested but hasn’t signed on officially, it’s not my place to announce them as being involved. Likewise, if some producers have offered to option something, but we don’t have signed paperwork, it’s generally best if I stay quiet about the details so that they can do publicity on the deal in the way they would like.

Anyway, here’s where we stand for each of my properties.

Snapshot

It might be odd to see this one at the top of the list, but I think right now the best chance we have at a film would be one based on my story Snapshot. MGM announced their option of the rights almost two years ago, which is great—because it meant that we already had studio backing, cutting out one of the steps in the process. The producers were impressive in their enthusiasm, and they jumped right into commissioning a screenplay with a very talented writer.

I’ve read the screenplay, and consider it the best I’ve ever read based on one of my books. It helps that Snapshot itself is a shorter work, more easily adapted to a film. The Snapshot screenplay is an improvement on my story in virtually every way, something that I discovered with both joy and a little bit of shame. (Really, the screenwriter did some things with the story I probably should have figured out myself.)

With this great screenplay, I hope there will be a lot more good news to share really soon.

The Cosmere

DMG Entertainment optioned the rights to the Cosmere, and they have been wonderful to work with. They commissioned screenplays for The Emperor’s Soul, Mistborn, and The Way of Kings. They’re currently in Step Three above, trying to get studio interest for the properties. Mostly, they’ve been pitching Mistborn as a film series and The Way of Kings as a television series.

Likely, the success of things like the new Lord of the Rings show and the Kingkiller Chronicle will influence how this goes in the future.

Steelheart

The Reckoners series was optioned some years ago now by 21 Laps, Shawn Levy’s company, using backing from Fox. We were happy when they renewed their option this past summer, as we weren’t certain what the status of this would be in light of the Fox–Disney merger. It seems they’re planning to take the Reckoners with them through the process, which is good news.

This was an exciting deal, as Mr. Levy has done some great work—including the film Real Steel, which was an excellent adaptation of the original story. (And, of course, he was heavily involved with Stranger Things on Netflix.) Beyond that, it came with the implicit promise of support from Fox, meaning that we could skip the “finding a studio” step. That said, this is still in the screenplay stage.

Stephen Leeds/Legion

The Stephen Leeds stories have recently been optioned for a television series by a new production company. This is the property’s third time being picked up for an option, so I’m hopeful we’ll make it work this time. I don’t believe the company has been announced officially yet, so we’ll hold off on mentioning them for now. But we’re probably in the middle of Step Two for this one.

Dark One

Dark One, based on an outline and worldbuilding guide from me, is being shopped (in a Step Three kind of way) by FremantleMedia and Random House Studios, with an impressive showrunner attached. There has been movement since that announcement in June, but I can’t say anything publicly yet.

Bonus Mention: The Wheel of Time

As The Wheel of Time does not belong to me, I like to be careful about what I do and say with it. I don’t want to overstep my bounds. But for those who haven’t been paying attention, this series has progressed into a full-blown green light at Amazon Studios—with actual episodes being written and filming soon starting.

I don’t know what role, if any, I’ll have in this. Like I said, I like to be respectful of Team Jordan. It’s not my place to try to muscle in and pretend I’m in charge. At the same time, I do think I could offer something to the production, and the showrunner (who is quite sharp) has reached out to me multiple times for conversations about the adaptation. I’m impressed with everything I see, and hope to at the very least be able to pop over to the set when filming happens and grab some photos for you all.

For most of my own properties, I’d say to not hold your breath. I think they’ll happen eventually, but you shouldn’t start to get hyped up until Step Five happens for something. Well, we’re past Step Five with the Wheel of Time, and you can officially begin to feel hyped. It’s actually happening, and it looks great so far.

Games and Other Licensed Work

I’m interested in doing some more video game work. Ever since I got to be part of the Infinity Blade games, I’ve had the itch to do this again. Right now though, there is nothing in the works that I can announce—I’ve had some short preliminary conversations with game studios, but no contracts. I’ll continue to look at doing this, and will announce what I can, when I think something might actually be happening.

Unfortunately, Mistborn: Birthright never came together. (Though I’m on very good terms with the folks there.) And you can ignore any rumors about CD Projekt Red. Some fans got hyped when I said I liked them as a studio—and some news sites even picked it up as a story, for some reason. But that was just me mentioning in a random post that I think they do good work. I’ve never met with them—or talked to them—and have no reason to believe they even know who I am.

Video games aside, we do have some exciting and fun licensed properties that we’ve been working on, and I figured I should have a section in the State of the Sanderson for updates on these.

Board Games

We’ll keep looking at doing more board games. The Reckoners game, from Nauvoo Games, and Mistborn: House War, from Crafty Games—who also developed the Mistborn Adventure RPG—all of which turned out very well, and (equally important) were shipped in a reasonable timeframe to the backers on Kickstarter. We had a Stormlight game in the works, but have backed up a few steps on that one for various reasons. I hope to have one of those finished at some point. You may have seen my announcement from a few months ago, but we’ve partnered with Brotherwise Games to bring you the that should be out fall of 2019. I would also be interested in doing a deckbuilding card game based on my works eventually. (After all, you know how addicted I am to Magic: The Gathering.)

Jewelry

Badali Jewelry continues to do an excellent job creating a variety of awesome artwork pieces based on my various books. They approached me to do this way back when I was basically a nobody, and have been with me all this time, creating beautiful and detailed works.

Coins

Shire Post, creator of many fantasy-themed coins for various different properties, did a very successful Kickstarter for Mistborn coinage, and I’m quite pleased with both their professionalism and artistry. We here at Dragonsteel did the designs so that they’d be 100% in continuity with the books. We’re looking at doing more with Shire Post in the future.

Music

Black Piper’s Kaladin album has been shipping its physical rewards for backers, and are finishing up the last steps of their Kickstarter. I’m very pleased with the music, which you can find on Spotify, iTunes, Amazon MP3, and many other digital outlets. I think they did a great job, and suggest that it would make a great accompaniment to your next Stormlight reread. Due to the complexities of fitting in the album around the windows for some of our other licenses, if you’re interested in owning this we’d encourage looking at it before year-end.

Amazon

We’ve recently partnered with Amazon to help bring you more apparel options. As of now, it’s the only place other than my website store to sell officially licensed clothing. And in the not-to-distant future we’re going to expand our selection to include hoodies and other things as time allows.

Projected Schedule of Releases

Starsight (Skyward Two): November 2019

White Sand Three: Sometime 2019–2020

Stormlight Four: Fall 2020

Skyward Three: 2021

Wax and Wayne Four: Sometime 2020 or 2021

Conclusion and TL;DR

Whew. That’s quite the list, eh? This post gets longer and longer each year. The short version is actually very simple. I’m dedicating most of my efforts to Stormlight Four next year, with occasional short deviations to work on Skyward or Mistborn.

Once again, thank you all for joining me on this journey.

Brandon Sanderson

December 2018

A Christmas Present

Introduction: The Short Version

I’ve got a new story out for you to read. It’s free, and you can dive into it by going to this link. Enjoy! Once you’ve read it, here are some links of places to talk about it, all of which are likely to contain spoilers.

Discussion on
Discussion on the 17th Shard

I’ll be doing an on Reddit and I’ll also be appearing on the Wizards of the Coast Twitch stream tomorrow, talking about the story.

Introduction: The Longer Version

Back in January this year, Wizards of the Coast approached me. Knowing of my love for their game, Magic: The Gathering, they were wondering if I would be willing to write a tie-in story for them. They mentioned since it was the 25th birthday of Magic, they wanted to do something special—and might be able to splurge on a Brandon Sanderson story.

I was, of course, interested—but went back to Wizards with a proposal that I think surprised them. You see, I knew they’d been doing some very interesting things with their stories in recent months. (The multi-part Dominaria sequence by Martha Wells is a good example, if you are interested.) I liked how they were using free stories on their website to both enhance the lore and give some work to talented writers.

Way back in the beginning of my career, one of the things I liked to do was periodically release free stories. Defending Elysium, Firstborn, and even Warbreaker are examples. Over the years, though, I’ve gotten busy enough that I haven’t found a good opportunity to do this again. I liked the idea of doing a story for Wizards in part for this reason.

So I went back to them with a proposal: I didn’t actually want payment for this story. I just wanted them to put it up for free on their website, and then if (later down the road) it generated any money by being in a collection or in print on its own, I wanted my portion of that donated to charity. In exchange for doing it for free, I wanted to be allowed to write the story my way. That meant me picking one of their settings, then developing my own characters and plot to happen there. (As opposed to writing the story for one of their official releases, as most of the other writers they hired were doing.)

It wasn’t that I had anything against writing one of the main-line-setting stories. I just felt that in this case, I wanted greater flexibility. Beyond that, for several years now, I’ve had a story brewing in my head that I felt was a perfect match for one of their settings—a story I couldn’t make work in the Cosmere, but which I really wanted to write.

Wizards was on board immediately—and so, “Secret Project” was born.

Regarding the Story

Wizards has a lot of great settings for the card game, so I had plenty of options. The story I’d been brewing was specifically inspired by their Innistrad set—a gothic horror setting with some magepunk elements underpinning it. It has had a very interesting evolution over the years, and was the setting for one of the best Magic sets of all time. Ever since writing Shadows for Silence in the Forests of Hell, I’ve wanted to do another horror/fantasy hybrid, and so I dove into what became Children of the Nameless.

I don’t know exactly what Wizards was expecting of me, but I suspect a 250-page behemoth of a story wasn’t it. (At 50k words, the story is roughly half the size of something like Skyward.) I have to say, though, working with them was an absolute pleasure. They jumped on board with the main character pitch I made, integrating him right away into the larger Magic story. They even went so far as to loop me in on conference calls, where I could explain my character concepts so they could develop art. I’d thought they might be worried about letting me go off on my own like this, but they were instead enthusiastic and supportive.

So, it is with great pleasure I present Children of the Nameless. Consider it a Christmas present from me and from Wizards of the Coast to you. I hope you enjoy it!

PFAQ (Possible Frequently Asked Questions)

Q: Do I have to know anything about the Innistrad setting to enjoy this story?

A: No. The story was written to be a standalone, and though it uses a MTG setting, everything you need to know about that setting is presented in the story itself. Just like you don’t need to know Roshar before picking up The Way of Kings, you don’t need to know Innistrad before picking up Children of the Nameless. (And as an aside, if you’re unfamiliar with Magic, you should at least check out some of the art books they’ve done for their settings. The creative team over at Wizards includes some of the best worldbuilders in fantasy, and their settings are incredible.)

Q: What about the game itself? Do I need to know anything about Magic to enjoy the story?

A: Again, no. Going into the story, I was a little worried about how I’d balance the card game mechanics with a story—but the creative team quickly put me at ease. They explained that they find stories in their worlds work better without the author trying to present game mechanics. The explanation I got was something along the lines of: Imagine that the card game is trying to represent things happening in a fantasy story—rather than the fantasy story trying to represent things happening in a card game.

If you are a fan of Innistrad and MTG, you might be able to catch some nods I made to cards, but many of my alpha readers had never played a game of Magic before in their lives—and they loved the story. In fact, most didn’t realize this story was a tie-in piece until I explained it to them. Note that I’m not trying to say that Wizards doesn’t care about continuity. In fact, they provided a large number of lore resources to me, and sent my story through numerous continuity fact-checks. They worked with me from the get-go to make sure that I didn’t break lore or continuity, and were quick to offer suggestions of things I could change to make sure the story worked in their setting.

The end result is a story that’s in line with their overarching lore, and doesn’t break the fundamental magic system rules of their universe. At the same time, it’s a story that’s very much a Sanderson piece.

Q: Can I get this on my Ereader of choice?

A: Yes! I’ve been told that the page for the story will include a downloadable version in epub and PDF. That said, the intention was always to put it up for free on Wizards’ website—so we didn’t even talk about propagating it to places like the Kindle/Nook/Kobo stores. I don’t anticipate it appearing there, but maybe we’ll decide to do so eventually.

Q: What about a physical edition?

A: I suspect that we’ll do one of these eventually. Wizards did, after all, commission some awesome cover art for the story—and they have a publishing deal with Random House (one of my publishers) for releasing novels. (Including the upcoming Ravnica novel.) I have told everyone I’m fine with this, so long as the free version remains available, and I have asked for my proceeds from any physical editions to be donated to Child’s Play. That said, we haven’t really talked about this, so it will depend on numerous factors.

Q: Will these characters or places get their own cards?

A: That’s up to the card design team to decide. I worked primarily with the creative team, and can’t really say when/if cards related to this story will appear in the game. (Though a little bird tells me that fans should keep an eye on upcoming sets.)

Q: When will we get the sequel?

A: I’m putting this question on here because, dear readers, I know you very well. But let’s not put the cart before the horse. I would not be opposed to doing something more with these characters in the future, if Wizards is amenable, but I’ve also got a lot on my plate. I suspect that if I were to do something more with Magic in the future, it wouldn’t be for several years. (I have Stormlight 4 to write, after all.)

Anyway, enjoy the story!

A larger State of the Sanderson update will be released next Wednesday (aka Koloss Head Munching day).

Brandon

The Hero of Ages leather bound, Cyber Monday sale + Audible sale

The Hero of Ages Leather Bound

Adam here. We have some exciting news for all of you who have been “patiently” waiting the arrival of the Mistborn: The Hero of Ages leather bound. Well… we still don’t have them and we just found out that the national paper shortage is going push back our receipt by an additional week. But, we did just receive our proof copy and are ecstatic with the final results.

Now, the copy we received has everything the final print will have excepting this is neither bound nor covered. But we think it looks great enough to give you a glimpse of this magnificent book.

One of our favorite parts of making these leather bound editions is gathering our favorite covers, fan art, and—the occasionally—commissioned pieces to help bring Brandon’s books to life. We hope you enjoy them as much as we do. One of this editions standout pieces is by the incredibly talented Miranda Meeks—whom you may know from the covers of Shadows of Silence in the Forest of Hell and Legion: The Many Lives of Stephen Leeds—who created this wonderful piece for us to include.

Pre-ordering Numbered Copies

Though we don’t have physical copies in yet, we know that many want to get their copy ordered as soon as possible. So we’ve decided to work with the BYU Bookstore, Subterranean Press, and Mysterious Galaxy to make it so you can get your copy pre-ordered beginning Cyber Monday (11/26). We will open up orders on Brandon’s site the following Saturday (12/1) at 12:01 a.m. with numbers being shared with each of the stores (rotating every 4th number). That being said, with this paper shortage wreaking havoc on our anticipated reception (they were supposed to arrive in October), we still won’t be able to guarantee anything for Christmas.

These pre-order links will not be active until 12:01 a.m. on Monday Morning

BYU Bookstore
Subterranean Press – Closed for preorders.
Mysterious Galaxy
Murder by the Book

Cyber Monday Sale

We are having a little Cyber Monday Sale on Brandon’s website store where you can earn some sweet bonus swag. If you spend $30, we will send you this awesome DDF patch with your order.

If you spend $60, you will get this Cobalt Guard patch AND the DDF patch.

If you spend $100, we will send you the DDF patch, the Cobalt Guard patch, AND this Bridge Four pin that you can’t buy.

Not to mention the awesome swag we already have on sale for the holidays!

Warbreaker Audiobook Sale

If you’re an U.S. Aubible Member, Warbreaker—narrated by Alyssa Bresnahan—is on sale for just $6.95 so if you’ve been looking for the right moment to give Warbreaker a listen, now’s a good time!

Skyward is out today!

Once in a while, an idea takes hold of me, and I just can’t be satisfied until I sit down and write it. Skyward was one of those books. Some of the initial ideas had been floating around in my head for years, but once everything clicked together in my mind, it consumed me. I had to write this story and I could not be satisfied until it was written. I abandoned the other book I was working on and started banging out chapters on my laptop, actually writing a big chunk of Skyward while flying around the country on tour.

It was as if I—like Spensa, the protagonist of Skyward—had found a broken-down spaceship in a cavern, and I couldn’t rest until I knew what it felt like to fly the thing. Her story was inspired by tales I loved as a child: when someone would find a dragon egg and then raise the hatchling to soar with them in the air. Skyward didn’t really come alive until I re-imagined this style of story in a science fiction setting, taking my own spin on the idea—a spaceship taking the role of the dragon, pointing the story in a new direction.

People often ask me my favorite part of being a writer. I have a tough time deciding. I delight in the original inspirations—the beginning of an idea, and imagining what could happen with it in a book. I love writing the first chapters, then love the ending chapters even more. But hands down my favorite part is being able to say, “The book is out and you can read it right now!” That trumps everything else.

So, I present to you Skyward (out today worldwide in print, audio, and ebook). May it consume your life as fully as it did mine.

As always, I hope to see you while I’m on tour (you can see my full tour schedule on my Upcoming Events page), but if you can’t make it, that’s okay. The greatest compliment you can give me is to read my books.

Skyward is out next week!

Adam here. With Skyward being released next week I wanted to go over the few options you have to get a signed and numbered copy as well as the release party details.

If you’ve been paying attention to Brandon’s social media channels none of what I’m about to tell you will come as a surprise. And don’t forget: by pre-ordering Skyward, and filling out this form, you can receive an exclusive map print featuring the world of Skyward signed by Brandon!

Option One

The first option is to “pre-order” your book by calling or visiting the Orem Barnes & Noble. You don’t need to pay for it when ordering but it gets your name on the list so you are guaranteed a book for the release party.

I will go into more details on this later.

Option Two

For those unable to attend the release party in Orem—or if you like to donate to charity—your best option is to order a copy from Weller Book Works. There are only 500 copies available and they can only be ordered from their website. Specific details are on their website, but these few points will give you the gist.

They ship internationally
Continuing the tradition we started with Oathbringer, we are asking for small donations for inscriptions. If you’re looking for just your name and a quote of Brandon’s choosing, it is $5.00. If you’re looking for anything other than that (some have asked for limericks in the past), we’re asking for a $20.00 donation.

Details for the release party

9:00 a.m. – Doors open and wristbands will be distributed on a first-come-first-served basis. Your line number is your book number with the first 300 book numbers being reserved for those on the pre-order list.

6:00 p.m. – Readers can begin to assemble at the Orem Barnes & Noble. There will be a raffle, game, and picture op available.

7:00 p.m. – Brandon’s presentation followed by a Q&A. The signing will begin as soon as Brandon is finished.

A few additional notes

One numbered wristband per Skyward book. One companion wristband may be requested per number.

If you are bringing your own copy of Skyward, you may request a book number, but it will be after all the Barnes & Noble numbered books.
If you are coming to the signing and you are not planning to bring a Skyward book to be signed, you may receive a wristband for the event but will be asked to wait until the numbered wristbands have been asked to line up. A purchase is not required, but encouraged.
If you do not want a Skyward book signed, but have other books you would like signed by Brandon, you will receive a different colored wristband and will be admitted into the line after all the line numbers have been called.
All books will need to be paid for before you leave the event. Not prior to the event.

A note about numbered copies of Skyward:

Skyward book numbers will be shared with other bookstores (like Weller Book Works), so the book numbers available for the release event are as follows:

The Orem Barnes & Noble event will have the following book numbers for copies of Skyward pre-ordered through them:

1-99, 200-299, 400-499

Those who wait to buy the book at the Orem Barnes & Noble on the day of release will have the following book numbers:

600-699, 800-899*

Those who are bringing a Skyward book NOT purchased from the Orem B&N will be given these book numbers:

1000-1099, etc.*

*These numbers will be pushed back if pre-orders exceed 300.

Voices in My Head: Part Three

Hello, all! This is my third and final essay tying in with the release of my new book, Legion: The Many Lives of Stephen Leeds. The book has been released for about a week now, and I hope you’ve all had a chance to check it out. This story is something special to me, particularly the third part—which might be the most personal story I’ve ever written.

But how did it start? The Legion stories seem, at first glance, very self-referential. They are about a man who hallucinates a wide variety of characters—but unlike many protagonists of his ilk, Stephen knows that his hallucinations aren’t real, and doesn’t (for most of the stories) resist the fact that he is like this. Instead, he uses this ability to help him, acting like a one-man team of experts.

The parallels are obvious. Stephen is very much like me, in that he imagines a large cast of people who accompany him. It’s quite the metaphor for being a writer, though when I was working on the first story, I didn’t really see this connection. I just wanted to see if I could change something that is often portrayed in film as a huge liability into (instead) a huge advantage.

The original cast of hallucinations—specifically JC, Ivy, and Tobias—were based on actors. This is rare for me, as I don’t often “cast” my characters in stories. But to me, it felt like Stephen would have used people he’d seen in film as a jumping-off point to create these personas, much as many of my characters have their roots in the pop culture I consumed when young. Ivy, then, looks roughly like Gwyneth Paltrow, Tobias like Morgan Freeman, and J.C. like Adam Baldwin—with the name J.C. being a reference to the fact that he’s played multiple characters with those initials.

But, like any characters I create, these were just jumping-off points, used to spin me into unique characterizations. JC went into this fun mix of self-aware, playing up his quirks, while Ivy became a representation of the fight within Stephen between cynicism and sincerity.

The more I wrote, the more this became a metaphor for the complex relationship between a writer and the characters in their head. The voices that they know aren’t real—but still depend on convincing readers to buy as real people. The stories deal with mental illness, yes, but the further I wrote, the more Stephen became a stand-in for the way our perceptions—and our hopes—shape the world we perceive. And maybe for the crisis that can be caused when we realize there’s a misalignment between the two.

Going back to the points I made in the first essay, however, it isn’t that I was trying to express anything specific by writing these stories. And yet, by the end of the third one, I had indeed expressed something that was deeply personal—and real in ways that it is still strange to me that a piece of fiction can reach.

But that’s the point of stories, or at least one of them. A medium through which we can all connect in ways that we never could solely by explaining ourselves. Because art reaches inside us, and expresses aspects of ourselves that aren’t deliberate, there’s a truth and genuineness to it. A raw sincerity that isn’t always about which part of the three-act structure you’re crossing right now, or which part of a character arc this event is fulfilling. Those are important to give us a framework. But it is not itself the art.

The structure is the skeleton, but the art is the eyes. The part you can see into and feel it looking back at you. The part that somehow—despite my best attempts to quantify it—is a soul that lives on its own, and defies explanation.

Brandon