Chris Bohjalian's Blog - Posts Tagged "the-sleepwalker"
The Premonition -- on sale today and a bit about why I wrote it.
Dear Friends Who Read and Readers Who Are Friends,
When I finish a novel and the book works -- and heaven knows that's not always the case -- I am left with a distinct postpartum sadness. I miss the characters and spending time with them in my library everyday. The truth is, I never write from an outline: I depend upon my characters to take me by the hand and lead me through the dark of the story.
The sadness I felt when I finished "The Sleepwalker" -- on sale January 10 -- was intense. When my daughter was nineteen, she said to me after reading the rough draft of one of my novels, "Dad, take this as a compliment, because I mean it that way, but I think your sweet spot as a writer is seriously messed up young women."
She is indeed astute.
But there are a couple of young women trying desperately to navigate life in the wake of their mother's strange disappearance in "The Sleepwalker" -- not just one. The postpartum sadness I felt when I completed that book was particularly acute.
And so I returned one last time to their lives and the result is "The Premonition," a 40-page stand-alone prequel to my next book.
It tells the tale of one strange summer when a pair of horses die, an odd boy moves to a small Vermont town, and a woman rises from her bed and disappears into the night.
Lianna Ahlberg is seventeen when a thunderstorm snaps a power line to the earth, electrifying the ground, the rain spreading the current like wildfire across the wet grass. Two horses are killed in the nearby field, unnerving the neighbors, upsetting the peculiar boy who has just moved in, and filling Lianna with a deep and abiding sense of dread. This is not the first unusual thing to happen that summer—a summer when Lianna’s mother begins to sleepwalk in the smallest hours of morning—and it will not be the last.
You can download "The Premonition" today from ibooks, amazon, kobo, books a million, google play, and bn.com.
Fingers crossed you enjoy it -- and my work never disappoints you. Thank you as always for your faith in my work.
All the best,
Chris B.
When I finish a novel and the book works -- and heaven knows that's not always the case -- I am left with a distinct postpartum sadness. I miss the characters and spending time with them in my library everyday. The truth is, I never write from an outline: I depend upon my characters to take me by the hand and lead me through the dark of the story.
The sadness I felt when I finished "The Sleepwalker" -- on sale January 10 -- was intense. When my daughter was nineteen, she said to me after reading the rough draft of one of my novels, "Dad, take this as a compliment, because I mean it that way, but I think your sweet spot as a writer is seriously messed up young women."
She is indeed astute.
But there are a couple of young women trying desperately to navigate life in the wake of their mother's strange disappearance in "The Sleepwalker" -- not just one. The postpartum sadness I felt when I completed that book was particularly acute.
And so I returned one last time to their lives and the result is "The Premonition," a 40-page stand-alone prequel to my next book.
It tells the tale of one strange summer when a pair of horses die, an odd boy moves to a small Vermont town, and a woman rises from her bed and disappears into the night.
Lianna Ahlberg is seventeen when a thunderstorm snaps a power line to the earth, electrifying the ground, the rain spreading the current like wildfire across the wet grass. Two horses are killed in the nearby field, unnerving the neighbors, upsetting the peculiar boy who has just moved in, and filling Lianna with a deep and abiding sense of dread. This is not the first unusual thing to happen that summer—a summer when Lianna’s mother begins to sleepwalk in the smallest hours of morning—and it will not be the last.
You can download "The Premonition" today from ibooks, amazon, kobo, books a million, google play, and bn.com.
Fingers crossed you enjoy it -- and my work never disappoints you. Thank you as always for your faith in my work.
All the best,
Chris B.
"The Sleepwalker" is coming
in only seven days now.
Want to learn more?
Click here for the :15 second preview:
https://www.youtube.com/watch?v=uTddS...
I hope to see you all on tour later this month.
All the best,
Chris B.
www.ChrisBohjalian.com
Want to learn more?
Click here for the :15 second preview:
https://www.youtube.com/watch?v=uTddS...
I hope to see you all on tour later this month.
All the best,
Chris B.
www.ChrisBohjalian.com
An interview in which I reveal my favorite children’s book, what I did before I became a novelist, and my response to one very garish dust jacket
Greetings!
Over the holidays, I was interviewed about my work and "The Sleepwalker" by Laura Hamlett of Playback St. Louis. I thought her questions were really interesting.
Here is the complete interview. Happy reading!
All the best,
Chris B.
* * *
LAURA HAMLETT: When I read The Guest Room last fall, I found a new writer to love. I view following authors much the same as discovering musical artists. It’s exhilarating to find a new favorite; it’s icing on the cake if that favorite has a back catalog you can begin to consume immediately. In the case of Chris Bohjalian, 17 books preceded The Guest Room, and one—The Sleepwalker—is on the eve of publication. I’d better get busy.
In advance of a book tour for his impending release, Bohjallian took some time to answer my questions. Get to know him as I did—and then catch his reading when he comes to your city.
When I was in high school, all I wanted to be was a novelist. I remember being disheartened every time I read an author bio, though, as they always had “real” jobs. You’ve gotten past that stage now (congrats!), but what “real” (full-time) jobs did you have before becoming a full-time novelist?
CHRIS BOHJALIAN: It’s true: When you graduate from college, a publisher doesn’t say to you, “You look like a young writer of promise. Here’s a boatload of money. Go write us a novel.” And so I worked in advertising agencies in Manhattan and Burlington, Vermont, until I was 31, writing fiction from five to seven in the morning before going to work, on Monday and Tuesday nights when I got home, and during the weekend. I wrote my first three novels and a lot of short stories that way.
Just for the record, I also amassed a lot of rejection slips. I got 250 rejection slips before I sold a single word.
I still begin my workday early: I try to be at my desk by six a.m. The discipline of those early years served me well.
HAMLETT: With the publication of The Sleepwalker, you’ve now cranked out 19 books. What’s the secret to your longevity—to say nothing of your seemingly constant inspiration and self-control?
BOHJALIAN: I like to believe that I have never “cranked out” anything. I like to believe that each book is the very best I can do.
My goal is to never write the same book twice or write anything formulaic. I never want to disappoint my readers.
And I only write about subjects in which I have a passionate interest: something that excites me so much that I can’t wait to be at my desk at six in the morning and that will keep me deeply engaged for a year or more of my life.
After all, if the story or subject isn’t holding my interest, it certainly won’t hold a reader’s interest.
HAMLETT: What was it like the first time: (a) you saw your very first book in print? (b) your book made the New York Times bestseller list? (c) your words were made into a movie?
BOHJALIAN: The first time I held a finished a copy of one of my books in my hands, I remember thinking, “Wow. This cover is pretty garish.” Of course, I am responsible for the single worst first novel ever published, bar none. So, it probably deserved the cover it got.
The first time I saw one of my books on a bestseller list, I was in a hotel with dial-up internet speed that was glacial. But I knew what was coming because my publicist had told me, and so I recall sitting at the hotel room desk and watching my laptop screen and just smiling like a five-year-old boy on his birthday as I waited and waited (and waited) for the page to load. I felt unbelievably blessed.
I love movies. I actually watch movie trailers before I start writing in the morning to get into the right head space. And so I really enjoyed the first time I watched a rough cut of one of the movies based on one of my books. That movie was Past the Bleachers. Just for the record, it’s better than the book.
HAMLETT: When you were in elementary/high school, dreaming of being a published author, whose career did you most covet?
BOHJALIAN: That’s a great question. But looking back, I don’t think I coveted anyone’s career—at least not in elementary or high school. I don’t think I thought about being a novelist in terms of a “life.” I just knew that I loved to write and wrote all the time.
I did think a lot of about Scott and Zelda Fitzgerald in high school. But even at 15 or 16—even when I was holding a red cup in my hand at a keg party—I was likely to view their end as hauntingly sad.
It was only in college that I may have begun to “covet” a career. I probably imagined John Updike in his New England study: tall walls of books, a desk the size of a putting green, and (yes) a black Smith-Corona typewriter.
HAMLETT: What is/was your favorite children’s book? (I was—and am—extremely partial to the Frances series, especially Bedtime for Frances.)
BOHJALIAN: Johnny Tremain by Esther Forbes. I still think about that last line: “A man can stand up.” (Always emphasize that “can.”)
HAMLETT: How much research do you have to do for each book to factually and honestly represent the realities of the characters and their worlds?
BOHJALIAN: I do a lot of research. As John Gardner observed—and here I am paraphrasing—one of the ways you can wake a reader from the fictional dream is a lack of authenticity or a stupid mistake. Homework matters.
But research isn’t everything. E. M. Forster once said, “We all know that fiction is truer than history because it goes beyond the evidence.”
No one reads my books because of the research. Yes, they may learn something about an issue or a moment in history. But I think people read novels because they are emotionally invested in the characters or fascinated with the story.
HAMLETT: What do you like to do away from writing/reading?
BOHJALIAN: I’m a pretty serious bicyclist: I ride 25 to 60 miles most afternoons between April and October.
But when I’m not riding or writing, I am likely to be reading, binge-watching TV with my wife, or hanging around with my wife and daughter.
I’m fortunate that I only need about six hours of sleep.
* * *
Chris Bohjalian is on a 2017 book tour to promote The Sleepwalker, making a stop in Denver at Tattered Cover – Littleton January 11.
01.07 | Controls Auditorium, Burlington VT
01.09 | Ritz-Carlton Golf Resort, Naples FL
01.10 | The Bookmark, Neptune Beach FL
01.11 | Tattered Cover, Littleton CO
01.12 | Warwicks Books, La Jolla CA
01.13 | Santaluz Club – author lunch, San Diego
01.13 | Vroman’s Bookstore, Pasadena CA
01.17 | Parnassus Books, Nashville
01.18 | St. Louis County Library, St. Louis
01.19 | Westerville Public Library, Westerville OH
01.20 | Books & Company, Dayton OH
01.21 | Fox Tale Bookshoppe, Atlanta
01.23 | Carnegie Library of Pittsburgh, Pittsburgh
01.24 | Barnes & Noble, New York
01.25 | Barnes & Noble, Warwick RI
01.26 | The Northshire Bookstore, Manchester VT
02.15 | Dallas Museum of Art, Dallas
02.25 | Southern Voices Festival & Authors Conference, Hoover Public Library, Hoover AL
04.03 | Sage College, Bush Memorial Hall, Troy NY
04.20 | Claremont McKenna College, Claremont CA
Over the holidays, I was interviewed about my work and "The Sleepwalker" by Laura Hamlett of Playback St. Louis. I thought her questions were really interesting.
Here is the complete interview. Happy reading!
All the best,
Chris B.
* * *
LAURA HAMLETT: When I read The Guest Room last fall, I found a new writer to love. I view following authors much the same as discovering musical artists. It’s exhilarating to find a new favorite; it’s icing on the cake if that favorite has a back catalog you can begin to consume immediately. In the case of Chris Bohjalian, 17 books preceded The Guest Room, and one—The Sleepwalker—is on the eve of publication. I’d better get busy.
In advance of a book tour for his impending release, Bohjallian took some time to answer my questions. Get to know him as I did—and then catch his reading when he comes to your city.
When I was in high school, all I wanted to be was a novelist. I remember being disheartened every time I read an author bio, though, as they always had “real” jobs. You’ve gotten past that stage now (congrats!), but what “real” (full-time) jobs did you have before becoming a full-time novelist?
CHRIS BOHJALIAN: It’s true: When you graduate from college, a publisher doesn’t say to you, “You look like a young writer of promise. Here’s a boatload of money. Go write us a novel.” And so I worked in advertising agencies in Manhattan and Burlington, Vermont, until I was 31, writing fiction from five to seven in the morning before going to work, on Monday and Tuesday nights when I got home, and during the weekend. I wrote my first three novels and a lot of short stories that way.
Just for the record, I also amassed a lot of rejection slips. I got 250 rejection slips before I sold a single word.
I still begin my workday early: I try to be at my desk by six a.m. The discipline of those early years served me well.
HAMLETT: With the publication of The Sleepwalker, you’ve now cranked out 19 books. What’s the secret to your longevity—to say nothing of your seemingly constant inspiration and self-control?
BOHJALIAN: I like to believe that I have never “cranked out” anything. I like to believe that each book is the very best I can do.
My goal is to never write the same book twice or write anything formulaic. I never want to disappoint my readers.
And I only write about subjects in which I have a passionate interest: something that excites me so much that I can’t wait to be at my desk at six in the morning and that will keep me deeply engaged for a year or more of my life.
After all, if the story or subject isn’t holding my interest, it certainly won’t hold a reader’s interest.
HAMLETT: What was it like the first time: (a) you saw your very first book in print? (b) your book made the New York Times bestseller list? (c) your words were made into a movie?
BOHJALIAN: The first time I held a finished a copy of one of my books in my hands, I remember thinking, “Wow. This cover is pretty garish.” Of course, I am responsible for the single worst first novel ever published, bar none. So, it probably deserved the cover it got.
The first time I saw one of my books on a bestseller list, I was in a hotel with dial-up internet speed that was glacial. But I knew what was coming because my publicist had told me, and so I recall sitting at the hotel room desk and watching my laptop screen and just smiling like a five-year-old boy on his birthday as I waited and waited (and waited) for the page to load. I felt unbelievably blessed.
I love movies. I actually watch movie trailers before I start writing in the morning to get into the right head space. And so I really enjoyed the first time I watched a rough cut of one of the movies based on one of my books. That movie was Past the Bleachers. Just for the record, it’s better than the book.
HAMLETT: When you were in elementary/high school, dreaming of being a published author, whose career did you most covet?
BOHJALIAN: That’s a great question. But looking back, I don’t think I coveted anyone’s career—at least not in elementary or high school. I don’t think I thought about being a novelist in terms of a “life.” I just knew that I loved to write and wrote all the time.
I did think a lot of about Scott and Zelda Fitzgerald in high school. But even at 15 or 16—even when I was holding a red cup in my hand at a keg party—I was likely to view their end as hauntingly sad.
It was only in college that I may have begun to “covet” a career. I probably imagined John Updike in his New England study: tall walls of books, a desk the size of a putting green, and (yes) a black Smith-Corona typewriter.
HAMLETT: What is/was your favorite children’s book? (I was—and am—extremely partial to the Frances series, especially Bedtime for Frances.)
BOHJALIAN: Johnny Tremain by Esther Forbes. I still think about that last line: “A man can stand up.” (Always emphasize that “can.”)
HAMLETT: How much research do you have to do for each book to factually and honestly represent the realities of the characters and their worlds?
BOHJALIAN: I do a lot of research. As John Gardner observed—and here I am paraphrasing—one of the ways you can wake a reader from the fictional dream is a lack of authenticity or a stupid mistake. Homework matters.
But research isn’t everything. E. M. Forster once said, “We all know that fiction is truer than history because it goes beyond the evidence.”
No one reads my books because of the research. Yes, they may learn something about an issue or a moment in history. But I think people read novels because they are emotionally invested in the characters or fascinated with the story.
HAMLETT: What do you like to do away from writing/reading?
BOHJALIAN: I’m a pretty serious bicyclist: I ride 25 to 60 miles most afternoons between April and October.
But when I’m not riding or writing, I am likely to be reading, binge-watching TV with my wife, or hanging around with my wife and daughter.
I’m fortunate that I only need about six hours of sleep.
* * *
Chris Bohjalian is on a 2017 book tour to promote The Sleepwalker, making a stop in Denver at Tattered Cover – Littleton January 11.
01.07 | Controls Auditorium, Burlington VT
01.09 | Ritz-Carlton Golf Resort, Naples FL
01.10 | The Bookmark, Neptune Beach FL
01.11 | Tattered Cover, Littleton CO
01.12 | Warwicks Books, La Jolla CA
01.13 | Santaluz Club – author lunch, San Diego
01.13 | Vroman’s Bookstore, Pasadena CA
01.17 | Parnassus Books, Nashville
01.18 | St. Louis County Library, St. Louis
01.19 | Westerville Public Library, Westerville OH
01.20 | Books & Company, Dayton OH
01.21 | Fox Tale Bookshoppe, Atlanta
01.23 | Carnegie Library of Pittsburgh, Pittsburgh
01.24 | Barnes & Noble, New York
01.25 | Barnes & Noble, Warwick RI
01.26 | The Northshire Bookstore, Manchester VT
02.15 | Dallas Museum of Art, Dallas
02.25 | Southern Voices Festival & Authors Conference, Hoover Public Library, Hoover AL
04.03 | Sage College, Bush Memorial Hall, Troy NY
04.20 | Claremont McKenna College, Claremont CA
