Kirk Demarais's Blog, page 10

BRITISH "GHOST TRAIN" FACADES FROM THE 1970s AND 80s

 Dick Price photograph, Ramsgate Amusement Park, 1980
  Dick Scott-Stewart photograph, Ghost Train artwork, 1974
Thanks to my ongoing efforts to gain pleasure by looking at old dark ride facades, I recently discovered the National Fairground Archive of the University of Sheffield. Their collection of old carnival images is literally overwhelming. It's so overloaded with enjoyable images that I've actually found myself wishing that I could arrive at the end because it's just too much to take in. Though I have yet to explore the entirety of this mother lode of carnival eye candy, I'd like to go ahead and share some of my favorite dark ride photographs.  Please enjoy (in moderation)...


  Stephen Smith photograph, Kirkcaldy Links Market Fair, 1981
Jack Leeson photograph, Daventry Mop Fair, 1983

Jack Leeson photograph, Kettering Feast Fair, 1980
 Jack Leeson photograph, Long Buckby Feast Fair, 1978
Jack Leeson photograph, Rugby Fair, 1986

Paul Angel photograph, Blackpool Pleasure Beach, 1980
Paul Angel photograph, Brussels Meli Park, 1977 Paul Angel photograph, Hereford Fair, 1983
Paul Angel photograph, Clacton Pier Amusement Park, 1980 Paul Angel photograph, Hull Fair, 1978
 Paul Angel photograph, Hull Fair, 1979
Paul Angel photograph, Derby Fair, 1979 Paul Angel photograph, Morecambe Pleasure Beach, 1980




 Paul Angel photograph, Lincoln Fair, 1985
Paul Angel photograph, Nantwich Fair, 1980

 Paul Angel photograph, Newcastle Town Moor Fair, 1989
Paul Angel photograph, Wednesbury Fair, 1975 Paul Angel photograph, Worcester Fair, 1980 Stephen Smith photograph, Blackpool Pleasure Beach, 1984 
 Stephen Smith photograph, Newcastle Exhibition Park Fair, 1981
 Stephen Smith photograph, Newcastle Exhibition Park Fair, 1981 Stephen Smith photograph, unidentified Ghost Train, 1981

LINK: WALL MONSTERS KICKSTARTER

Here's a cool Kickstarter project that carries on the tradition of great Halloween wall decorations.

BAD ROBOT HALLOWEEN DECOR

Yet again, rather than writing a real blog post I'm treating the site like a virtual refrigerator door and sticking up my latest piece of artwork. This time the occasion is The Official Bad Robot Art Experience at LA's Gallery 1988 (Bad Robot being J.J. Abrams' production company which is behind stuff like Lost, Alias, Fringe, Cloverfield, Super 8, and the new Star films, both Trek and Wars.) This one fits in better than usual because it's inspired by spooky fun from the past.

During my childhood nothing marked the Halloween season like die-cut, cardstock decorations. At school they constantly tempted my eyes towards the bulletin board, and back home they hung on my living room walls, re-reminding me that it was October during each commercial break. These two were among my favorites...



One of the joys of being a visual artist is wondering what some non-existent thing might look like and then discovering the answer through your work. So as I reflected on the fact that Bad Robot has been slowly building a new generation of movie monsters, I wanted to know what they might look like as classroom-friendly illustrations, hanging in the newly stocked Halloween aisle against a glorious pegboard backdrop.

It made even more sense when I realized that these three monsters echo certain spooky perennials. Clover the Cloverfield monster has bat-like characteristics, Super 8's Cooper borrows from the spider family, and Smokey the smoke monster from Lost has a lot in common with a good ol' ghost. (Incidentally, none of these names were used onscreen, but they are known among film crew and fans alike.)

There's something to be said for creating a one-of-a-kind piece of art without the aid of a computer, specifically things like: "Man, this is hard." and "That's not the way I wanted that to look." and "I've ruined it, where's the undo button?!" That's what inspired my foray into the overcrowded world of digital prints, but boy, oh boy, was it nice to have such control, and yes, that sweet undo button.

I did make it a point to do much of the work away from the computer so I drew the decorations with pencil and ink and scanned them in. I wanted the line quality to have a human touch. When I closely inspected real vintage Halloween directions I was surprised to see how imperfect the line work is.

Anyway, should you wish to purchase one of these prints (it's a signed edition of 40) you can get it here on the gallery's web site.

And if you'd like to see all the art from the show then click on this.


Close inspection of my faux-packaging indicates they originated from The National Typewriter Company. That's the "secret" location of the Bad Robot headquarters seen here...


This is actually just a segue to make it known that my first book is displayed in their trophy room! Think of all the secret plot points it has heard.


J.J. Abrams is a huge fan of the beloved S.S. Adams Prank and Magic company as indicated in the photo below by the tower rack of products seen on the far right (featuring the packaging I designed!)
 
He even had the artwork from Adams' patented "Mystic Smoke" from fingertips trick enlarged and applied to this editing suite.

More photos of the place can be seen on this site.  It's all so cool and yet somehow agonizing. A tiny piece of me is there, and yet I am not.

BOOK STUFF

If you like reading blog posts of a guy boasting about who's done what with his work then this will be a major treat for you!

The painting above is by a British artist named Stuart Semple who immortalized the cover of Mail-Order Mysteries, which I designed, as part of his Daily Doodle series wherein he draws something each day and puts it up on ebay. The piece inspired by my cover fetched about ninety dollars. I can get ninety bucks too, I just have to sell like, um, around.. ninety...books.  I'm actually super jazzed by this. I've been thinking a lot about "remix culture" lately (to which I am a big contributor) and I love seeing my own work in the mix.
______

Also, if you look closely at this photo you'll see an arrow (Photoshopped, not real!!)...


It's pointing to a Mail-Order Mysteries cameo on AMC's Comic Book Men, Season 1, episode 3. (My friend Kevin (not Smith) sent me this screen grab. I saw the episode and completely missed it!) I'm honored that it's among Kevin Smith's Secret Stash, and we didn't even have to pay for product placement. If you ever visit their store please buy the book while doing something extremely entertaining.

PAINTING OF M. GORDON NOVELTY BY ADOLF

In April of 2001 I spent about twenty unforgettable minutes in the endangered M. Gordon Novelty shop of New York City. (I wrote an account of my visit here.) I have often cursed my camera-less self for failing to document my experience that day, especially after I learned that the shop closed its doors one year later.

Thankfully a Barcelona artist known as ADOLF visited M. Gordon the very year that I did, and he brought along his camera. Furthermore, he translated his photograph into the wonderful oil painting shown above.  His piece offers answers to my questions concerning the window dressing and the faded decor, which has freed me to stop chastising my own memory for its failures. While the web offers numerous photos of the storefront in its defunct state, ADOLF's work serves as practically the only record of the place as it appeared when it still had a pulse.

Here are a couple detail shots... 



As a bonus gift for your eyes, here are a couple of their wholesale catalog covers...

MY SELF PORTRAIT FOR GALLERY 1988'S TRIBUTE TO SNL

Gallery 1988 is currently featuring their third comedy-based art show, "Is This Thing On #2 Too." This year's event features a Saturday Night Live theme (which was kept secret until opening night.)

My piece retells a moment from my childhood living room. That's me behind the couch where my dad relaxes amid the deepest hours of the weekend. Naturally, SNL's content compounded with its you-better-be-in-bed time slot made it unequivocally forbidden, which necessitated tactics like the one seen above.

This moment marked my introduction to the world of late night sketch comedy, and Mr. Bill was my unfortunate, clay usher. Just the sight of the cartoon-ish character was enough to demand my attention, but the brutal nature of his segments intrigued me. Though I was well versed in comic violence, Mr. Bill's existence seemed hellish compared to say, Tom and Jerry's because he was utterly defenseless in the face of his tormentor, Sluggo. But most disturbing was the giant godlike hands which offered no protection, rather they sided with his enemy to further torture him.

My art is typically a pop-cultural tribute, and meant to get a smile (this piece included), but covering something with personal meaning this time felt surprisingly good. It's especially dear to me because my son modeled as young me, so in an odd way I get to see him with his grandpa, whom he never got to meet.


All of the show's artwork is available for viewing and purchasing here (although, my piece has already sold, woo hoo!)

BEAUTIFUL 1974 JOHNSON SMITH CATALOG COVER

Via ebay. Someone bought it for fifty-six bucks.

MAIL ORDER MYSTERY: 88 POSTERS FOR 65 CENTS

I just spotted this ad in a horror comic from the 1970s, and as it turns out, the product already resides in my own collection of stuff. This would have been an easy entry in Mail-Order Mysteries , but oh, well. So here goes...
What We Imagined: The ad itself challenges us to imagine owning a set of 88 full color posters, however the next sentence clearly reveals the "miniature reproduction" detail.
What They Sent: A satisfying stack of very cool "mini posters" with adhesive backs and black light responsive ink. Offering the surplus of display decals as a stand-alone product was an ingenious idea. Kids without the funding or the wall space could still enjoy psychedelia at it's finest.
Customer Satisfaction: Day-Glowing.

(How did I get these? I ordered them years ago from a catalog called Don and Chris' Old Stuff which is now a web site. Although they only have one design left.)

RETURN OF BATTLE MOUNTAIN

I'm happy to report that yet another round of classic TimMee toys has been recently reissued using the original molds, including their prehistoric, yet timeless set of 48 Cavemen...
  The armored military scout vehicle (for use with their set of Army Men)...
and yes, Battle Mountain!

I'm particularly excited about the mountain because as a dad I've noticed that toy environments are not all that common these days, while action figures and vehicles remain abundant. My childhood Star Wars guys had the Death Star to hang their hats in, my MASK figures had Boulder Hill, my GoBots had their respective good and evil command centers, and my Secret Wars figures had a Tower of Doom. But my son and I often end up resorting to toy blocks and cardboard boxes when in need of a hideout. Imagination shimagination, we finally have a proper domicile!
The greatest strength of Battle Mountain is its versatility.  Over the years it's been incorporated into numerous playsets, from dinosaurs to military to jungle...

Now that it's mine, the mountain shall serve countless new purposes...
  Galaxy Laser Team battleground (which were also reissued.)
 M.U.S.C.L.E Men Haven
Skeleton's Delight
 Terrifying monster cave
 The Land of Jeff Goldblum

The mountain and the rest are all available on Amazon.

CAPTAIN CORNELIUS CARTOON'S CARTOON LAGOON

I think a lot of you will enjoy Captain Corneilus Cartoon's Cartoon Lagoon, a show in which cool looking puppets riff on cool old cartoons.  I really like the aesthetic they've struck, from the puppet design to the logo, and I'm for any excuse to watch more obscure cartoons. It just came out on DVD, and is available on Amazon.
You can check out the trailer by looking literally less than an inch below this sentence...


Captain Cornelius Cartoon's Cartoon Lagoon 2012 NYTVF trailer from Cartoon Lagoon Studios on Vimeo.