Pat Bertram's Blog, page 243
February 16, 2013
Giving Readers a Stake in Your Story
I don’t like stories about gambling. They set my teeth on edge because of the inevitable slough of despair the character falls into when the addiction gets the better of him. Despite that, Let It Ride is one of my favorite movies, probably because although the story takes place as Hialeah amid the horse racing culture, it is not a movie about gambling. It’s the story of how the forces of the universe align to give Jay Trotter (Richard Dreyfuss) one perfect day, and how he had the courage to accept the gift.
My favorite lines are when Pam (Teri Garr) says, “I don’t know why people have to gamble. Why can’t they just watch the horses run?” Trotter responds, “Without gambling, there is no horse racing.”
I’m with Pam — someday I’d like to go to a racecourse and watch the horses run, but I can also see why there is no horseracing without gambling. First, there would be no income, and second, no one but those directly involved — racecourse owners, horse owners, trainers, and jockeys — would have any stake in the matter. Gambling gives anyone who has the price of a bet a stake in the outcome of the race.
This is similar to writing — if an author doesn’t give readers a stake in the outcome of the story, then there is no reason for anyone to read the book. Since there is no gamble when it comes to a book (well, except for the gamble of whether the reader will enjoy it or whether they will feel cheated for having wasted the money) the stake has to be an emotional one. For example, Kendra, the main character in Mickey Hoffman’s mystery, School of Lies, is a special education teacher in an inner city school. The book’s true-to-life atmosphere is appealing to anyone who enjoys mystery and mayhem, but it’s especially appealing to special education teachers. Special education teachers — or any teacher — who have been in similar schools and situations perhaps wish they could have said the same things or done the same things Kendra did, which gives them a stake in the outcome of her dilemma. Of course, anyone who ever went to high school would also have a stake in the story, if for no other reason than to see the truth of what they suspected — that much intrigue was going on behind the scenes.
For this same reason, a popular main character in many books is a mother juggling home life and career, which immediately gives a large section of the population a stake in the story. You see the same thing dozens of times a day in your sidebar ads — “mother in (the name of your city, which supposedly gives you an added stake in the matter) gets skinny”; “mother discovers secret to youthful skin”; “mother earns a fortune working at home.”
Your choice of characters and their predicament are not the only ways to give readers a stake in the outcome of your story. You can make readers a part of the story by giving your characters characteristics that people can identify. You make readers involved by stirring up their emotions. You show them what is happening instead of explaining every detail, and let their own reactions to the action become part of the story.
Giving people a stake in your story is not exactly the same thing as getting them to bet a bit of cash on a horse race, but getting them to pony up a bit of emotion while reading your story will give them greater winnings in the long run.
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: a stake in your story, gambling, Hialeah, horse racing, Let It Ride, Mickey Hoffman, School of Lies
February 15, 2013
Embracing My Inner Crone
My sister claims I must have a lot of karmic debt to pay off since the past five years of my life have been mostly spent taking care of the sick, dying, and aged — first helping with my mother, then my life mate/soul mate, now my father — but I have a hunch it’s more that I’m going through my crone stage a bit earlier than normal. Although “crone” has become a pejorative term, crone is one of the mythological stages of a woman’s life (maiden, mother, crone). Crones cared for the dying and were spiritual midwives at the end of life, the link in the cycle of death and rebirth. They were healers, teachers, way-showers, bearers of sacred power, knowers of mysteries, mediators between the world of spirit and the world of form.
Sounds wonderful, doesn’t it? Something to look forward to becoming — a wise woman — and yet crone is a word few women embrace, and no wonder since over the centuries, crone has come to mean “ugly old woman.”
It seems strange that there are so many derogatory words for ugly old women — witch, hag, crone, harridan, battle-ax, beldam, shrew, termagant — yet not a single derogatory to word to describe ugly old men. (At least, I can’t think of any.) And why are such wise women considered ugly, anyway? Apparently, after men have had their way with young maidens, then used up their youth in bearing and rearing children, they somehow expect women to still be attractive. Nowadays, of course, with creams and lotions and make-up and hair-dyeing and all the other beauty treatments available, most women do retain at least a semblance of their youthful looks. And yet those ancient terms for “wise old woman” still retain their pejorative connotations.
But no matter what she looks like or what she is called, a woman who calmly listens to the crotchets of the old folks, who patiently sits by the bedside of the dying, who deals with life’s unpleasant chores with a minimum of complaint, has an aura of beauty. I would be willing to be that no one who is ministered to by one of these “crones” thinks she is ugly. I bet her beauty shines through to them, if no one else.
I also bet she isn’t aware of her beauty. Like me, she is probably simply doing what needs to be done as calmly as possible.
It seems odd that so many of us who have lost our mates end up taking care of aged parents, but perhaps we are the ones who have the patience for dealing with the slow and inexorable ways of age and death.
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: crone, dealing with death, ugly old men, ugly old woman, wise woman
February 14, 2013
Bloody Valentine Blog Hop
A. F. Stewart is hosting this blog hop to celebratate heartbreak, love gone wrong, romantic mayhem and tragedy, hopefully with that little splash of humour and blood. There is no blood in the following short story of mine, but there is plenty of hearbreak in only 100 words.
The Kiss (100-Word Story) by Pat Bertram
When Jack entered her flower shop, all Jen could do was stare. It had been years since she’d seen him, years she’d spent regretting their final quarrel, yet she still felt the same attraction. His heavy-lidded gaze told her he felt it, too.
He held out a hand, and she let him draw her close for a kiss that spanned the years. She snuggled into his embrace. Everything would be perfect now that they were together again.
“How did you know I was here?” she asked.
“I didn’t. I just came in to buy flowers.”
“For me?”
“For my wife.”
***
“The Kiss” and five more of my 100-word stories were published in the Second Wind Publishing anthology Love is on the Wind, which you can download free from Kindle or Smashwords today.
I hope you will check out these other blogs participating in today’s Bloody Valentine Blog Hop. There should be plenty of mayhem to satisfy your both your romantic and unromantic desires.
Keith Pyeatts Horror with Heart Blog
Bestiary Parlor: The Musings of a Zoologist
Tagged: 100-word story, A. F. Stewart, Anthology, Bloody Valentine Blog Hop, Love is on the Wind, Second Wind Publishing
February 13, 2013
Celebrating the Sweet and Sour Sides of Valentine’s Day
This Valentine’s Day, Second Wind Publishing is celebrating romance with an ebook giveaway. If you have not yet shot cupid’s arrow to get your romance ebook in the ebook format of your choice, click on the target and it will take you to the game where they will give you what you want this Valentine’s day — romance, tender sentiments, and true love. The rules are simple, and everyone wins!
If you’re expecting to win one of my books, though, I’m sorry to disappoint you. Although each of my novels has romantic elements, none of them are romances. More people tend to die in my books than fall in love, which is why tomorrow I will be participating in A. F. Stewart‘s Bloody Valentine Blog Hop to celebratate heartbreak, love gone wrong, romantic mayhem and tragedy, hopefully with that little splash of humour and blood.
I hope to see you at one of these events!
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: A. F. Stewart, Bloody Valentine Blog Hop, ebook formats, ebook giveaway, free ebook, romance ebooks, Second Wind Publishing, Valentine's Day giveaway
February 12, 2013
Becoming the Vibrant Person You Will Remember Being
I woke feeling tired today. Even though I would just as soon have lounged around all morning doing nothing, I got dressed, took a walk, and now I’ve turned on the computer to work on this blog post. After having watched my life mate/soul mate push through the impossible exhaustion of dying from cancer in order to do something, anything each day and now watching my father dealing with the infirmities of old age, including being unutterably weary all the time, I understand the truth. No matter how tired I feel today, in twenty years, I will look back on this time in my life as one of strength and vibrancy, and in thirty years, I will look back at this time as one of incredible youthfulness.
As I mentioned in a previous post, current research by Harvard psychologist Daniel Gilbert shows that while we can see how much we have changed in the past, we never think we will change in future. But this isn’t always true. There does come a time when we know that our advancing years will bring many changes. We know we will not always be feeling the way we do today.
Someone who is dealing with an enervating illness or the weariness of old age, for example, will no longer have an interest in physical activities such as bungee jumping. (Of course, it won’t take old age to rid me of such interests since I don’t have any to begin with. Even if I wanted to participate in such daredevilish activities, my body has a strong sense of self-preservation that simply would not let me step into nothingness.)
Dwelling on the future is as futile as dwelling on the past and brings about as much satisfaction — none. And even if you know what changes will be coming, they probably will not be exactly as you imagined (and maybe you won’t be exactly as you imagined, either), so there is no point in thinking about it. But. . . being aware of a future where you will look back on the person you are today as one who is vibrant and youthful has its advantages. It allows you to do what you want to (or need to) despite your tiredness, and in so doing, become the vibrant person the future you will remember being.
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: bungee jumping, dying of cancer, exhaustion, getting old, Harvard psychologist Daniel Gilbert, old age, weariness
February 11, 2013
What Works When It Comes to Book Promotion?
A new author asked me if I ever found a series of steps to take that have at least a small chance of working when it comes to book promotion.
That is a very good question, one I have been pondering for a long time. I have been doing various promos online for more than five years (I started with my blog in September 2007), and I don’t sell very many books, though my publisher assures me that ultimately I will sell many thousands of copies of each of my titles. I have come to the conclusion that promotion is what we do until luck finds us. If you don’t write erotic romances, horrifyingly violent thrillers, or vampire stories (or whatever the current fad is) that can catapult you into bestsellerdom, you will need luck to get your book discovered. Many authors who have found success will tell you they did it on their own through hard work, but almost every time, a bit of luck played into the equation. And it’s always possible to get discovered — the media (which includes online and offline means of communication) has a fickle and roving eye, and it’s anyone’s guess where that glittering gaze will fall.
It used to be that you could do giveaways and contests to get attention, but there are tens of thousands of books being given away every day, so it’s almost as hard to give a book away now as it once was to sell it. And unless a contest somehow captures the imagination of people, they will pass on taking a chance (even if it’s a sure thing that they will win something) because they are inundated with hundreds of such promos every day.
It used to be that blogging would bring you a readership, but now blogging is so common that it is simply an expected part of being an author. Blogging can be a satisfactory and fulfilling means of writing and communicating, and it does help to create an online presence, but by itself blogging doesn’t sell books.
It used to be that MySpace was a good way to find a readership — the first authors who promoted on MySpace became instant successes, but when other authors signed up for the site by the thousands, hoping for similar results, no one paid attention to them.
It used to be that Facebook was the best place to find and connect with readers. The first authors who used Facebook to promote made a fortune. One guy became a best selling author by maxing out Facebook accounts (5000 friends is all you are allowed, so he had several accounts), and he will sell you a book telling you how he did it, but recently it came out that he also paid for reviews, so who knows what the truth of his success is. One thing I do know is that most authors are not selling tons of books via Facebook because Facebook continually changes their algorithms to keep that from happening. Where once I’d get hundreds of people seeing what I posted, I get maybe thirty now if I’m lucky. And of that thirty, maybe one or two respond. (Respond to the post, I mean.)
The first authors on Twitter, Pinterest, and all the other sites also made a name for themselves, but the rest of us? Not so much.
As for offline: authors who do book signings and festivals and such do well to a certain extent, but you have to be careful — I know several authors who sold thousands of books that way, but when it came time to figure out profits and losses, it turns out they didn’t make enough to pay for all their expenses. They’d have been better off just standing on a busy corner and giving the books away.
So, what do you do until luck comes calling? The best advice I can give you is to do three things to promote every day. It can be something as simple as signing up for Facebook if you haven’t already done so, adding a few friends if you have signed up, posting a photo on the site, or commenting on someone else’s photo. You could do a blog post on your blog or ask someone if they will let you be a guest on their blog. You can comment on the posts of other bloggers so that everyone who reads those posts will also read your words. You could sign up for Twitter, Pinterest, LinkedIn or any of the other currently popular social networking sites.
You can get bookmarks printed up with your book cover, a brief blurb, and an online address or website where people can contact you or buy your books, then pass the bookmarks out to everyone you see. You can get business cards printed up with your book cover on the front side and information on the back where they can find you and your book. You can get addicted to Vistaprint — once you are on their emailing list, you will receive sales notices, and over time you can get all sorts of great stuff such as t-shirts and mugs, stickers and posters, for free or for a nominal fee. Then give those out or offer them as incentives for people to buy your books.
You can do book signings and other events such as fairs, festivals, and craft shows. You can offer your services as a speaker.
The best promotion is one that captures people’s imaginations, so maybe one of your promos for the day could be nothing more than brainstorming with someone to come up with a totally unique idea. Or you can check out my Book Marketing Floozy blog for tips from other authors. Book Marketing Floozy is an indexed blog of sixty-five different articles by various authors about book marketing.
I don’t think it really matters what you do. Just do three things to promote your book every day.
My final suggestion — keep writing. The more books you have, the greater the chance of having sales snowball, but you also have to keep improving your craft. Just throwing out any old thing in the hopes of making it big won’t help you stand out from the crowd.
And that’s all promotion is — trying to find a way to stand out from the crowd.
Tagged: book promotion, book promotion ideas, Facebook promos, giveaways and contests, MySpace, social networking
February 10, 2013
Today I will be . . . seeing red
I’ve been posting daily resolutions on my Facebook status as a way of focusing my attention on something positive rather than the truth. For example, if I have a hard time putting one foot in front of the other, I will write, “Today I will be . . . energetic.” Or if I know I’m going to have to rise to a challenge, such as coming to an agreement with someone who refuses to see my side of the situation, I will write, “Today I will be . . . flexible.” Or forgiving, or whatever the situation calls for.
Today I discovered a great new word: apolaustic, which means “seeking enjoyment,” and that seemed an appropriate resolution for the day since fun hasn’t been part of my life much lately.
The trouble is, I think the goblins out there got things confused, and they’ve been having a bit of enjoyment at my expense. When I opened the pantry this morning, I noticed there were two boxes of cherry Jello-O where yesterday there were three. Unless I walk in my sleep (or unless my father does, since he’s been spending most of his time sleeping lately), that box of red gelatin powder simply disappeared. (And since he doesn’t know how to make it and I don’t eat it, it couldn’t have been consumed by either of us in a wild bout of sleepeating.)
I wouldn’t have thought anything more of the missing red gelatin (well, that’s not true at all — I’ve spent hours searching for the ridiculous thing because something cannot disappear for no reason and the puzzle puzzles me) but an hour or so later, a red vehicle went missing. (No, not mine — whew! And anyway, I’m not exactly a red car sort of person, though that might be something to think about in the future as I’m trying to decide who I want to be.)
I was out walking in the desert when I saw, about a tenth of mile in front of me, a bright shiny new red pickup truck parked on a rise. I hesitated about going forward because vehicles parked in the middle of the desert take away from the enjoyment (ah! My apolaustic moment!) of my solitary walk, and besides, they make me nervous. Maybe I’ve spent too much time in my fictional community of Rubicon Ranch where my character has a penchant for finding dead bodies in the desert, or maybe I’m just careful. Either way, after the moment of hesitancy, I went forward.
I lost sight of the vehicle for a minute or two as I went around a bend, and when again I looked for the red pickup, it was gone. From where I was standing, I had a panoramic view of the desert, and no red truck was in sight though it wouldn’t have been able to drive out of sight in the brief time it was out of my view. About a quarter of a mile away, a white pickup, a much older model, was slowly making its way along a rutted desert road, but no red truck. I climbed to higher ground, and still couldn’t catch a glimpse of red, and in that stark beige world, even a touch of crimson would have been readily apparent.
So, who is stealing red from my life, and why? Are goblins or other tricksters playing games at my expense? Usually, when I get back from my walk, my cheeks are red from the cold, but today, they were barely pink. Had the goblins also taken the color from my blood? If I had pricked a finger, would I have bled blue or green?
Maybe a better status update on Facebook would have been, “Today I will be . . . seeing red.”
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: apolaustic, daily resolutions, goblins, red, seeing red, things going missing, tricksters
February 9, 2013
The Dower House of Grief
While doing a word puzzle, I came across the clue “widow,” which gave me pause since I couldn’t think of anything that means the same as widow, but then it came to me: dowager. According to the dictionary, “Dowager” can apply to any elderly widow who behaves with dignity, though generally the word is used in historical, monarchical, and aristocratic contexts.
In previous eras, when an estate owner died and a married son took over the estates, the widow was often moved out of the principal family house and relegated to a dower house, a separate abode on the estate. If the heir wasn’t married, the dowager sometimes stayed in the main house until he got married, and then she was shunted off to the dower house, leaving the new bride as mistress of the family home.
Many of us today who have lost our mates have also been shunted off to a dower house of sorts. Without a husband or young children still living at home, we are often relegated to taking care of our elderly parents. Or, almost as frequently in these uncertain financial times, a daughter with a new baby moves in with us. This seems to be the “dower house” of grief, a way for us to still be part of the world, to still be useful, though we are no longer in our primary life of having our mates to care for and love.
Unlike the dowagers of old, the exile in our dower house of grief will come to an end, and then what? Most of us long for freedom and the resources to enjoy it. As one bereft friend says, “We need adventure and excitement and something different. A change of scenery, throwing caution to the wind or anything to get us “out of the parking lot” of our lives (which a friend claimed I’m stuck in).”
Maybe what we need is to embrace dowagerhood. Despite the definition of dowager as an elderly widow who behaves with dignity, I always had the impression of a dowager as a not-so-old, imperious and outspoken woman in outrageous hats, who sailed through life like an icebreaker, pushing ahead regardless of whatever obstacles floated in her path.
Sounds good to me. Meantime, I’ll go for a walk in the desert. That’s about the only adventure I get nowadays, and it’s better than sitting here coming up with (and mixing) metaphors for my life.
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: caregiver, caring for elderly parents, dowager, dower house, metaphors for life, widow
February 8, 2013
What writer influenced you the most?
I’ve spent my life reading, so from a young age, ”story” seeped into my conscious mind and steeped there until I began writing. In that way, all of the writers whose books I have ever read have influenced me, but if I had to pick a single author, it would be Taylor Caldwell. Caldwell told wonderful stories that showed history in the context of fiction, and I’ve tried to do the same. She also used a hundred words when a single sentence would have sufficed, and I’ve tried to do the opposite. And she overused words. In one novel, she used the word “inexorable” about a hundred times, and a couple of times I used the word in my own writings as an homage to her and a reminder to myself not to repeat unusual words. Such echoes resound in readers minds, as “inexorable” did in mine, and detract from the overall impression of the book.
Here are some responses from other authors about the writers who influenced them the most. The comments are taken from interviews posted at Pat Bertram Introduces . . .
From an interview with Rami Ungar, Author of “The Quiet Game: Five Tales To Chill Your Bones”
I’d have to say Anne Rice, Stephen King, and James Patterson. I discovered the first two when I was in junior high and high school, and they blew my mind. I knew after reading them, horror was what I wanted to focus on. I discovered James Patterson shortly before graduating high school, and I think he was the one who taught me how to write thrillers. To this day, I think of Alex Cross and James Patterson when I think about how I was able to write my thriller novel “Snake”.
From an interview with Juliet Waldron, Author of “Roan Rose”
At the moment, I’d say Cecelia Holland.
From an interview with Sherrie Hansen, Author of “Love Notes”
Maud Hart Lovelace, author of the Betsy Tacy books, set in fictional Deep Valley, Minnesota, my home state, greatly impacted my life as a young person. (Think Little House on the Prairie but set during the Victorian era.) Maud’s main character, Betsy Ray, longed to be a writer, and set the stage – really formed the expectation in my mind – that I would write a novel one day. The Betsy Tacy books are wonderful (and back in print thanks to Harper Collins). One of the guest rooms at my B&B is named “Heaven to Betsy” in honor of the tomes.
From an interview with Noah Baird, Author of Donations to Clarity
I picked up Still Life with Woodpecker by Tom Robbins when I was about 21. It was the book which really spoke to me. I’d always enjoyed reading, but it was the first book I felt like it was written to me. I loved Steinbeck, Twain, etc, but they were from another generation. Woodpecker was the literary equivalent of hearing Nirvana’s Smells Like Teen Spirit or Don McLean’s American Pie for the first time. I felt like someone else out there saw the world like I did. Christopher Moore, Tim Dorsey, and Carl Hiaasen are larger influences on me now, but Tom Robbins was the first to knock me down the rabbit hole.
What about you? What writer influenced you the most?
(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)
Tagged: author interviews, influential writers, what writer influenced you, writers and their readers, writing for yourself
February 7, 2013
Finding a New Life that Fits Properly and Looks Good
In a conversation with a friend about my father, who is still going strong at 96, I said, “I take after my mother, which is good because there is no way I want to live to such an advanced age, particularly since I won’t have a widowed daughter to come stay with me. It’s kind of spooky thinking of having to grow old alone.”
She said, “You never know what will happen. Maybe a new love will drop into your life. I can imagine you at some writer’s festival and a distinguished stud with salt and pepper hair and a sweet smile flirts with you. He asks for your number and the next thing the rest of us know, Pat’s out dancing and dining every Saturday night and she’s suddenly submitting romance novels for publication…”
I laughed. “I love the ‘sweet smile’ part. Who knows, with or without a stud, I might go out dancing every Saturday night. I desperately need a new life.”
She responded, “I think you need a new life too. I’m afraid you’re just wilting away. So — how do you get a new life? What do you want your new life to be?”
And that’s where the conversation stalled. How do you get a new life? It’s not as if you can go to the mall and search the aisles at Lifes ‘R’ Us until you find a new life that fits properly and looks good. (Though that does sound like an interesting concept.)
What-we-can-become is dependent on whether what-we-are is an integral part of our genetics, keeping us always “us,” or if we are infinitely mutable and can become whatever we wish to be despite our inborn proclivities. In other words, can we really get a new life or are we always “us”?
For me to go out dancing every Saturday night, I’d need a personality transplant. I’ve always been drawn to quiet activities, such as dinner and conversation that dances from one topic to another. If somehow I did overcome my natural inclination for such sedentary pursuits, where would I go dancing? I’m too old for nightclubs and too young for senior citizens groups.
Still, I will need a new life of some sort. My father will not live forever, and I will need to decide where to go and what to do. And the truth is, I haven’t a clue.
Current research by Harvard psychologist Daniel Gilbert shows that while we can see how much we have changed in the past, we never think we will change in future. (Hence that ill-advised tattoo you got when you were young and now wonder what you were thinking.) But this isn’t always true. I know how much I have changed in the past. I have a photo of me as a baby, and I can see the vast changes between me and that poor befuddled creature. I can also see how different I am today from what I was four years ago when I watched my life mate/soul mate’s slow descent into death, and I can see how different I am from what I was almost three years ago when grief catapulted me out of that shared life into a new one. I can extrapolate from those experiences of change that I will also drastically change in the future.
I always feel the same, of course. — just me. (There must be some sort of mechanism, like an internal gyroscope, that keeps us “us” no matter how we change.)
The point is that I cannot figure out now what I want my life to be when I am free to pursue that life because I don’t know who or what I will be at the time. Maybe by then, I’ll miraculously have developed grace and style, and will have become a dancing queen. Or not.
***
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+
Tagged: a new life, changing, expecting to change, getting a new life, grace and style, personality transplant
