Mayra Calvani's Blog - Posts Tagged "suspense"

Dear Readers,

I’d like to announce the release of my paranormal suspense novel, EMBRACED BY THE SHADOWS, now available on Kindle for $2.99.

Here’s a blurb:

In a bazaar in Istanbul one evening, ten-year-old Alana Piovanetti sees a man standing in the shadows. He smiles, and over time she convinces herself that it was just her imagination that placed sharp fangs amongst those flashing teeth.

Twelve years later, Alana is surprised when she is chosen to manage a new restaurant opening in her home city of San Juan. She has neither training nor experience to justify her success. But La Cueva del Vampiro has the kind of ambience she adores, for Alana has always had a penchant for horror and the dark side of life. Yet she is also plagued with dreams of dark sensuality, dreams that take on shattering reality when she meets the stunningly handsome, charismatic Sadash.

For Sadash is the man she saw in the shadows so many years before…and Sadash isn’t human….

You may read the prologue and first chapter here: http://twilighttimesbooks.com/Embrace...

The link to Kindle is:

http://www.amazon.com/Embraced-by-the...

The story features a Latina protagonist and a Turkish vampire. I hope you’ll give it a try!

To celebrate the release of my novel, I’m giving away two of my other books for free. This offer will run until Halloween night only. Of course, I hope you’ll consider supporting my work by purchasing a copy of Embraced by the Shadows, but if for whatever reason you decide not to, the two free ebooks are still yours to download. This is my Halloween gift to you! :-)

The FREE ebooks I’m giving away are: Dark Lullaby and Cat Cellar and Other Stories and they’re available in various formats on Smashwords:

Dark Lullaby https://www.smashwords.com/books/view...

The Cat Cellar and Other Stories https://www.smashwords.com/books/view...

Enjoy! Happy reading and happy Halloween!

MayraEmbraced by the Shadows

A board-certified internist, Dr. Allen Malnak served as chief of medicine at Fort Sill, OK, and was medical director of a number of organizations, including the Emergency Department of Chicago’s Mount Sinai Hospital. During his long medical career in the Chicago area, he was also a clinical investigator in liver disease as well as an assistant clinical professor at the Stritch School of Medicine, and a practicing internist. Following retirement, he and his wife Patricia moved to Bonita Springs, Florida. His interest in the Holocaust was sparked by the fact that all the men, women and children of his father’s large Lithuanian family were sent to a death camp by the Nazis and murdered.

Thanks for this interview and congratulations on the release of your suspense thriller, Hitler’s Silver Box. What compelled you to write this story?

When my father came to America in 1906 at age 16, he had only one distant relative in this country. He left behind in Kovno, Lithuania a large family, including his parents, eight brothers and sisters, cousins, aunts and uncles. They ranged in age from the elderly to babies. 

Dad died of natural causes during the Second World War and immediately following the war, my late brother Lewis and I began to try to track down our father’s European family. I was just 16 when the war ended. We wrote letters to everyone we could think of and after about a year received a detailed reply from the International Red Cross. Nazi records as well as witness reports indicated that all members of dad’s family had been murdered either in or near Kovno or after transfer to a death camp. Every man, woman and child! 

So, one entire side of my family was destroyed by the Nazis. Of course, I became interested in the Holocaust and began reading articles about it even during my high school and college years. During my internship at Chicago’s Cook County Hospital, I read a short book, Doctors of Infamy, which covered many horrendous medical experiments performed on concentration camp prisoners by Nazi physicians. The book was so disturbing that after reading it, I tossed it into a garbage can. My next book on the subject was Elie Weisel’s NIGHT.  I then became occupied with my professional career as well as with my growing family for many years. When I reached the age of forty, I decided I owed it to my dead family members to engage in a real study of that terrible time. I then spent perhaps two or three years of my limited free time reading every book I could find on the Holocaust. 

Years later, I retired from the practice and teaching of internal medicine, and my wife and I moved to Bonita Springs Florida. I noticed in the Naples Daily News an article describing a course in writing fiction being held at the Naples Philharmonic. The teacher was Hollis Alpert a well known novelist, biographer, short story editor as well as a movie critic. 

I took classes with Hollis for a couple of years. He would give us assignments, often listing several subjects that we should use as the basis of a short story. He would critique each story and at the next weekly session read some of them to the class. 

One topic I picked was titled “A Silver Box.” For some reason, I decided to write it about a concentration camp prisoner at the Theresienstadt Concentration Camp who was forced by a Nazi colonel to make a silver box which would be a present for Adolph Hitler. 

After reading the story in class, afterwards, Hollis suggested that this story could be expanded into a novel, and that started the process that eventually lead to Hitler's Silver Box—A Novel. 

What parts of the novel are actual historical facts? 

While Hitler's Silver Box—A Novel is a work of fiction, it’s loosely based on the fact that during the Second World War, Nazi scientists worked up to the war’s end on a multitude of secret weapons on which Hitler pinned his hopes for a last ditch victory. 

These weapon systems ranged from very long range rockets that could be fired from underground bases to alternative physics, robotic warriors, new energy sources, radical germ warfare and of course, nuclear weapons. 

In the novel, the facts were modified to suggest that many objects which were later called UFOs were also developed by Nazi scientists in concealed locations, and various secret laboratories were set up around the world including in areas of both Arctic and Antarctic wastes where explorers had never trekked. 

What was your writing process like while working on this novel? Did you have a disciplined schedule? 

Because of various acute and chronic illnesses, I could not keep to a writing schedule. I followed the mantra of “write—rewrite—get it right.” Unlike many expert suggestions, I constantly re-edited my previous work, then edited it again and again.

From conception to typing ‘The End,’ how long did it take you?

About ten years.

The story takes the reader from Chicago to Paris to the Czech Republic. Did you travel to Europe as part of the research?

I have visited many countries in Europe and Paris is my favorite city in the world. I had many plans to visit the Czech Republic, but like Max in the book, health problems kept canceling the plans.

What was the hardest part of writing Hitler’s Silver Box?

Dialogue and careful descriptions were difficult crafts to understand and learn, but the hardest part was describing the conditions that Max went through in the concentration camp using the “particular” silver, the provenance of which nearly drove him and me mad. The dramatic ER scenes were easier because they were based on my personal experiences. Since like Bruce in the novel, I also have claustrophobia in tunnels, writing that scene caused me some discomfort.

What’s in the horizon for Allen Malnak?

If my health holds up, I just might write a sequel to Hitler’s Silver Box. If the Spielberg types come sniffin; around to make the novel into a movie, well I just might be forced to interview Charlize Theron to see if she’s “hot” enough to play Sari.

Any last words to my readers?

The incidents that pushed me to finish Hitler’s Silver Box were linked to the website of one of our local newspapers. Two anonymous neo-Nazis constantly spewed their racist, ant-Semitic slurs, bragging about their continued worship of Adolph Hitler and the murderous Waffen SS, while denying every aspect of the Holocaust.

I’ll close with a quote from a novelist, Jerry Ahern, who reviewed my book for “Gun World Magazine.”  

“Future generations have serious responsibilities, chief among these not to repeat past mistakes. Sadly, these days, there are still those who, out of ignorance or foul intentions, somehow revere the scourge that was National Socialism. That’s why, it’s good for the rest of us to get reminded from time to time, at least, how truly despicable the Nazis were.”

Read more about the author and Hitler's Silver Box:  

http://naples.floridaweekly.com/news/2012-01-12/PDF/Page_080.pdf

http://naples.floridaweekly.com/news/2012-01-12/PDF/Page_081.pdf

Website: www.hitlerssilverbox.com

Purchase from Amazon.

This article originally appeared in Blogcritics.

The story opens during a diving salvage operation with experienced divers and treasure hunters Sam Lyons and Chase Cohen. Though they’re working on the Griffith wreckage, Sam believes the site also contains the wreckage of none other than the Wanli II—the Ming Dynasty Emperor’s lost dragon ship containing an ancient figure head, a fierce dragon in gold leaf and preserved in resin for all posterity—the gift Mai Le intended for her lover.

Unexpectedly, however, things turn bad for Sam while he’s underwater: he suffers cardiac arrest for no apparent reason. Indeed, the circumstances surrounding his death appear more than a little mysterious.

Chase, who had loved him like a father, feels responsible and doesn’t know what to make of it. Did something malfunction or did something scare Sam down there? He'd been an experienced diver with over 20 years of experience under his belt. What had Chase missed? Sam was the only man Chase had allowed himself to trust. He and his daughter Rachel were the only two people he really cared for. But now all had changed: Sam was dead, and Rachel would forever blame him for his death.

Move four years forward. Rachel Lyons, Sam’s Daughter, is working at a grant foundation. All is pretty quiet and routine in her life…until she’s approached by a museum director asking for a grant to conduct another diving salvage operation, run by none other than Chase’s Trident Ventures.

Though Rachel has no intention of helping Chase, Chase is set on convincing her. Since the operation focuses on discovering the Wanli II, if they succeed, her father would receive his long overdue reward and the museum would fund a permanent exhibition to honor his memory.

Yet, Rachel is still hesitant. Then, a twist of fate puts Rachel's brother in danger, forcing her to change her mind about funding Chase's project. Chase is more than suspicious about her sudden change of heart, but he isn't about to say no to this opportunity which could help him leave his mark upon the world as a renowned treasure hunter.

Thus, she grants him the money and insists on joining the underwater expedition. Can she put aside pride and work with Chase on a daily basis?

Severed Threads is an engaging, entertaining read! I've always enjoyed stories about lost treasures and underwater archaeology and this one didn't disappoint. The hero and heroine are realistic and sympathetic and there's a sizzling chemistry between them. The plot is believable with a fair share of exciting twists and turns. I found the workings of a grant foundation and a diving salvage operation quite interesting and informative. Pacing is fairly quick with a nice balance of action, dialogue, description and the inner thoughts of the characters.

In short, Severed Threads is an exciting novel featuring danger in the high seas, romance, action and adventure, murder, and even a sprinkle of the paranormal for good measure. Recommended.

Please welcome my special guest, romantic suspense author Kaylin McFarren. I recently had the chance to read and review her latest novel, Severed Threads, and I have to say it is an entertaining, thrilling read. Kaylin was generous enough to take time out of her busy schedule to answer my questions about her book and her writing. I hope you'll enjoy the interview!

About the author

A native of California, Kaylin McFarren has traveled around the world and is now settled in Oregon.

As the director of a fine art gallery, she assisted in developing the careers of numerous visual artists who under her guidance gained recognition through promotional opportunities and in national publications. Eager to unleash and develop her own creativity, she has since channeled her energy toward writing novels. As a result, she has earned more than a dozen literary awards and was a 2008 finalist in the prestigious RWA® Golden Heart contest. She is a member of RWA, Rose City Romance Writers, and Willamette Writers.

Thanks for this interview, Kaylin! Do you consider yourself a born writer?

Definitely. Since the age of eight, I've loved to write stories and have been filled with an active imagination.

What compelled you to start writing professionally?

Like many authors, I was originally inspired to write my first novel after reading a great book and seeing an amazing movie. Mine happened to be Memoirs of a Geisha and The Notebook, which will always be my favourites.

Severed Threads  is full of romance, suspense and danger. What was the most challenging aspect of writing this romantic thriller?

The most difficult task to writing a suspense story is to keep the action moving while revealing character traits and emotions along the way. Severed Threads contains an array of characters and each serve their purpose in revealing a twisting and turning plot that ultimately leads to a pleasant resolve. However, keeping the voices of each person unique also proved to be a challenge.

Tell us something about your hero and heroine that my readers won't be able to resist.

Chase Cohen is a handsome, womanizing, thrill-seeking treasure hunter who has found his greatest challenge and true love in Rachel Lyons. But she doesn't trust Chase for good reasons and won't be easy to win over.no matter how hard he tries.

What did you find most fascinating while researching underwater archaeology and ancient Chinese treasures?

I had no idea how much gold had been lost at sea. According to Greg Stemm, co-founder and co-chairman of Odyssey, there's billions of dollars scattered beneath the ocean. However, much of the ocean floor is unexplored and unmapped and global imaging shows crushing depths ranging up to six miles. And there could even be gold or diamond mines that far surpass what anyone on earth could imagine. Since trade included priceless collectibles and dishware from China as well as gold and silver, these were lost along with ships that sank during storms and battles hundreds of years ago and many will never be recovered.at least not in our lifetime.

How long did it take you to write the novel and did you work from an outline?

It took me close to two years to write Severed Threads. This included the time needed to research details and edit my final manuscript. I typically create a synopsis and then write by the seat of my pants. I'm not big on storyboards and planning, as I'm too anxious to get my stories on paper.

What was the editing process like?

Although I tend to edit as I go, I eventually asked three published authors and two experienced readers to assist with my initial editing before hiring a professional editor to review my manuscript. After taking all of their advice into consideration, I fine-tuned my writing and sent it in for publication, hoping I'd done my best in creating a fast-paced, entertaining tale.

What advice would you give to first-time novelists who are just starting to market their books?

Spend a little extra time in researching your options. If you chose to approach a publishing house, be sure the agents you contact are experienced in your genre and have a great track record. If you decide to self-publish, be prepared to spend a little extra money and time in promoting your titles as well as yourself.

What's on the horizon for Kaylin McFarren?

I'm currently completing the second book in the Threads series - Buried Threads - and will be following this with a third - Banished Threads. I've enjoyed my characters so much in my first installment that I decided to take them on adventures around the world and have been urged to do so by readers who follow my stories.

Is there anything else you'd like to share with my readers?

Keep reading and if you enjoy the work created by an author, be sure to let them know. Your praise and support encourages every author to write!

Thanks, Kaylin!

Find out more about Severed Threads on Amazon.

View the original article on blogcritics.org

My guest today is Gabriel Valjan, author of the Roma series, published by Winter Goose Publishing. The first book, Roma, Underground , came out earlier this year. The sequel, Wasp’s Nest, was just released this week. The third installment is scheduled for August 2013.

Valjan attended the University of Southern California for his undergraduate education and completed graduate school in England at the University of Leeds. Ronan Bennett short-listed him for the 2010 Fish Short Story Prize. Valjan’s short stories continue to appear in print and online literary journals. He recently won ZOUCH Magazine’s inaugural Lit Bits Contest. He lives in New England.

Find the author on the web: Website/blog / Winter Goose Publishing Author’s page / Pinterest for Wasp’s Nest

Wasp’s Nest is available on Amazon Paperback / Barnes & Noble Paperback / Kindle / Nook

Read my review of Wasp’s Nest on The Dark Phantom Review.

Thanks for this interview. Tell us a little about what got you into writing?

Like most things in my life the road was not always obvious or straight. I didn’t always know that I wanted to be a writer. As a child I read voraciously, so I was quite awed, quite intimidated, by the great talents on the bookshelves at my local library. I began with a lot of self-doubt about my ability to sustain an idea, create multidimensional characters, and capture the tics of dialogue. I knew what I enjoyed in literature, understood to some degree how it all worked. I was convinced (still am) that nobody could teach the idea that starts a short story, a novel, or a poem. When I had set aside the initial excuses and insecurities, I discovered that I was having fun and I had stories within me.

What was your inspiration for Wasp’s Nest?

After I wrote the first in the series, Roma, Underground, I knew that I had created my cast of characters. Two things happened then: one, I wanted to see how each of my characters would grow and evolve, interact with each other, the world around them, and bond emotionally; and two, I wanted to take my own sense of ‘what if’ thinking and create situations and see how my characters would negotiate them. I believe what makes my characters interesting is that they each of them has their own ‘issues,’ as we all do in life, but mixed in it all is a cultural collision of American and European. In Wasp’s Nest, the ‘what if’ has to do with cancer research and technology. What if someone had a way of detecting cancer at the level of DNA and prevent cancer from occurring without chemotherapy, radiation, and disfiguring surgeries? Since the majority of us will die either from heart disease or some form of cancer, there is that ‘what if.’ And then there is the ‘what if’ in Wasp’s Nest of the threat a potential cure poses to those industries that profit from chronic illness. I don’t suggest that ‘what if’ is a pure either/or. Dance with the angel of a cure, but don’t forget that the Devil was also once an angel.

For those readers who haven’t read this or the first book yet, what is the blurb of the series as a whole and how many instalments are you planning?

I haven’t committed to an exact number, but I had planned six novels. The overall arc of the series is watching friends learn how to love and trust each other, learn how to move within a morally compromised world. The main character Alabaster (or Bianca if you prefer her alias) is difficult to know, extremely intelligent, and dichotomous at times in her thinking. She sees things others do not, yet she struggles with intimacy and trusting another person. Dante, her boyfriend, is a nice guy, a little too patient with her at times. Farrugia is a stoical investigator with an edge to him. His peer Gennaro is a widower who has never forgiven himself for causing his wife’s death. Alessandro has brains but picks the wrong women. Then there is Silvio, the ambitious and humorous interpreter. In Wasp’s Nest, readers will be introduced to Diego Clemente, a garrulous, very Boston character. Throughout the Roma Series I try to infuse authentic Italian culture and food.

In this novel, you dive into the controversial world of biotechnology, genetics, and pharmaceutical companies. Is the theory about wasps, the methyl toolkit, and their connection to cancer in your story a real thing?

The Nasonia wasp is real. There are three species indigenous to the U.S. and a fourth was indeed discovered in Brewertown, New York. In the novel I mentioned Mendelian genetics, which should return readers to basic biology. I try to keep it simple. I address the reason why this wasp was selected and why the fruit fly is an imperfect model. The reader will discover that the Nasonia wasp is no pleasant creature, but what I said about its genetics is true; it is easy to study, easy to manipulate, but the ‘what if’ is that current research in Nasonia is devoted to the development of pesticides. The concept of the methyl toolkit is real. The ‘what if’ I propose is pointed at oncology. I don’t think that it is misleading to say that we all have the potential for cancer. Women with a familial predisposition to cancer, for example, can be tested for the BRCA1 and HER2 genes for ovarian and breast cancers, respectively. A while back, the actress Christina Applegate tested positive for the BRCA1 gene, which was unexpressed, but she opted for a double mastectomy as a pre-emptive strike. This is an example where technology exists and the ethical debates begin. While some sophisticated ideas do exist in Wasp’s Nest, I tried to not make them inaccessible. I believe readers are intelligent and seek intellectual engagement while they enjoy a story.

How much research did the book required?

I always do a great amount of research, but I hope that what I decide to include is articulate and not beyond the grasp of the reader, or so implausible that it is science fiction. I research technology online and in technical libraries. While I don’t have a Ph.D, I’ve retained a working vocabulary from my scientific education. With the methyl toolkit I did speak with an immunologist and instructor who researches cancer and teaches at the graduate level. While I was remiss in thanking him in the Acknowledgements I had him in mind when I introduce readers to Portuguese food in Wasp’s Nest.  I should also mention that another form of research necessary to the Roma Series is cultural in nature. Two of my friends act as my editors. Dean proofreads all my work; and Claudio does the ‘cultural editing.’ Both men are far more knowledgeable in Italian than I. Claudio is a native speaker, a linguist, a journalist and a professional translator, with northern and southern Italian culture in his veins. While I can read Italian with respectable facility, only the native speaker can give you the authentic phrases and turns of phrase. This ‘cultural editing’ was crucial to the third novel, out in August 2013, since it deals with a volatile part of recent Italian history, with an unfortunate American connection.

I love the title, which of course suits the story well because it works on two levels. Did you come up with it right away or did you have to brainstorm?

I knew the title from the start. I had wanted to create a story in Boston. The title does work on many levels. It alludes to the insect, the Bostonian stereotype of the White Anglo-Saxon Protestant, and the colloquial expression of getting into a mess, although I think the proper phrase has to do with a ‘hornet’s nest.’ One of the particular joys with Wasp’s Nestwas working with Winter Goose in designing the cover art. I should point out that the wasp on the cover is not a Nasoniacritter, but a yellow jacket wasp.

How long did it take you to write the novel and did you plot in advance?

I wrote Wasp’s Nest in four to six weeks, BUT I spent longer editing and shaping it before I submitted it to Winter Goose, where it underwent more editing with James Logan. Fellow Winter Goose authors Jessica Kristie and Sherry Foley provided me with invaluable feedback and suggestions before James touched the manuscript. Jessica is a poet so her contribution around imagery was helpful. Sherry is the author of two Winter Goose thrillers: A Captive Heart andSwitched in Death. She taught me other “suspense tricks.” I can’t emphasize how helpful they were for both Wasp’s Nest and for me as a writer. In terms of plotting, I knew where I was going with this novel. It did feel at times like “seat of your pants” writing, but I advocate getting the story down on paper and then editing afterwards.

What made you decide to make your main character a woman? Has this been challenging? If yes, in what way?

The genesis for the Alabaster character came from a dare. I was talking to a work colleague whom I’ve known for over ten years. Margaret knew that I was writing short stories at the time so she suggested that I try my hand at writing a female character.  The result was a short story entitled “Alabaster.” Yes, it is challenging to write out of gender and I would add that it is also difficult to write from a child’s perspective. I have a deep respect for children’s authors since they have to modulate story and vocabulary to their audience. I don’t think writing from a female point of view is insurmountable. Research can get you the answers. The skill is in transforming the knowledge into believable action and dialogue.

In Book I, it was Rome. Now, it is Boston. In both novels your locations are fleshed out in vivid detail. How important is a sense of location in a story?

In the Roma series I try to make the location a character. We can take our environments for granted. Wasp’s Nest takes place in Boston, the third, fourth, and fifth novels take place in Milan, Naples, and Boston. Cities change all the time: think of Whitman’s Manhattan and New Jersey, T.S. Eliot’s London, and Baudelaire’s Paris. The modern metropolis provides a remarkable backdrop to our individual and social conflicts and pleasures.

How do you keep up with what’s out there in terms of spy gadget technology?

I hope readers don’t think that they are getting Jane Bond. John le Carré Tinker, Tailor, Soldier, Spy proved that spy-craft is a slow game of chess. As I mentioned earlier, I read a lot so I read the geek articles whenever I find them, rummage in the libraries when an idea takes root, but in terms of gadgetry I think I use a remarkable device called the ‘intelligent brain,’ and it happens to belong to a woman.

As it’s the case with book I, there’s a lot of marvellous food description in Wasp’s Nest. 

Starving is not an option in Italy. How could you not love the food and the attitude of La Dolce Vita?

If you could narrow down the three main elements of a good spy story, what would they be?

Ambiguity. Misdirection. Movement. A story has to move; the pages have to turn. Ambiguity in character and motivation is true to life. Human beings are not selfless creatures; that is why I think altruism is a virtue. One of the joys of a good mystery is watching intelligent people being intelligent.  This is damned difficult to write, since your protagonist has to be smart enough to spot something that neither the other characters nor your readers can see, even though it’s right in front of them.

You also write poetry and short stories, having published many in literary journals. What do you find more enjoyable: working in a poem, a short story or a novel?

Each has its appeal. Poetry is a house with all the necessary language; and by its nature, not often natural language. The short story is an airplane with a short runway and flight is imminent or the plane crashes. The novel is an endurance race, where there are miles to go, numerous paths to take, but you have only so much water and food: use them wisely. For me poetry is intimate and personal. While I enjoy the short-fiction format, I have noticed that what was once acceptable – twenty to fifty pages is now impractical, with most stories clocking in at 5,000 words. Flash or micro fiction is challenging. Is it a story or a vignette? I’ve only had one flash-fiction piece published; it was a 111-word story that I did for a contest for ZOUCH Magazine.

Congratulations on winning first prize in ZOUCH Magazine’s Lit Bit contest. Can you tell us about it?

I was searching for the “calls for submission” web pages and I saw page after page of requests for flash fiction. I felt dismayed but then I thought: What can I tell in a short, SHORT piece? I wrote one sentence that told a hero’s journey. The brevity of the form drew upon my experience in writing poetry.

What’s on the horizon for you?

I’m almost done writing the fifth book in the Roma Series. I’m trying to find a publisher for a three-volume noir series that I have written. It has two main characters, an American and a British woman, who are part of the American intelligence community. The novel starts in Vienna and continues in McCarthy-era Los Angeles and New York, highlighting the time, the mores, and the dark rivalry between the CIA and FBI.

Is there anything else you’d like to share with my readers?

Write because you love to write. No matter how great you think the writing is, please have someone edit it for you. Respect your reader and try to understand that not everyone will like you, that criticism, while an opinion, is an opportunity for improvement. If you find a writer that you like then write a balanced review on Amazon, Barnes & Noble, and Goodreads. Last but not least – thank you for reading.

This interview originally appeared in Blogcritics. 

A native of Chicago, former police detective and now romantic suspense author Chris Karslen grew up with a love of history and books. Her parents loved traveling, a passion they passed on to her. She's had the good fortune to travel extensively throughout Europe, the Near East, and North Africa.

Though her desire to write began in her teens, Chris spent twenty-five years in law enforcement with two different agencies before she decided to pursue her dreams. Chris is the author of the romantic thrillers Golden Chariot, Byzantine Gold and numerous other romance novels.

Now a fulltime writer, she lives in the Pacific Northwest with her husband, four rescue dogs and a rescue horse.

Learn more about Chris and her work on her website and blog.

Read my review of Byzantine Gold here.

Her mission as an author...

I want to entertain the reader with my stories. I want to share my love of certain things, like places, history, and time travel. It’s my way of saying, this is why I love England or Turkey or history etc. I like using the characters to present a “what if” question and have the reader join me in asking it to.

Her inspiration for Byzantine Gold...

Charlotte and Atakan from Golden Chariot—I like them and wanted to show how their relationship progressed. I also liked many of the support characters. I wanted to bring them back. The best way is another shipwreck. I liked using Turkey, as I did in Golden Chariot but also liked the idea of keeping the setting in that region but not necessarily Turkish waters, but someplace a bit different. I needed it to be a place that Atakan still had authority. I set it in the Turkish Republic of Northern Cyprus. The setting is beautiful and it still, for Americans, has an unusual flavour.

The next thing was what to do with Atakan and Charlotte. I had to resolve the issue of Tischenko and I welcomed the idea of fleshing him out more. I knew I’d set him on a path of revenge but I needed something more for the plot. Terrorism is a global problem. Artifact smuggling is one source of funding for terrorist organizations. I did not want to do the usual Al-Qaeda situation. I chose a terrorist organization that originated in Turkey and is in Iraq and Iran now too, the PKK. The extreme militant wing of the PKK presents an on-going problem in Turkey.

I picked a Byzantine ship because I love some of the art and jewellery from the period.

Her hero and heroine...

Atakan Vadim is an agent for the Turkish Ministry of Culture and Tourism. He has his PHD in archaeology. Fact: The Turkish Ministry of Culture and Tourism has a representative present at all legitimate archaeological sites in the country. Their job is to oversee the safe handling of recovered artifacts along with site safety and preservation.

He is from a middle class family and grew up near the town of Milas in the Mugla Province. His father was a career military man and his mother oversaw the family orchards in his father’s absence. Atakan has a married sister. He’s close to his family but can’t see them often due to distance. Istanbul is over 400 kilometres from Milas.

Atakan is a consummate professional. He is a reserved man unless he knows you well, then he shows his dry sense of humour and with Charlotte his very sensual side. He has a strong sense of honour and ethical code. He’s not a man driven to “obtain or possess” things. His apartment is functional although he has an interesting display of collectibles which are family heirlooms.  His apartment has a beautiful view of the Bosphorus Strait and that is more important to him than high end furniture. Nice suits are his one very expensive taste. He likes to dress well on the job.

Charlotte Dashiell is an American nautical archaeologist who just received her PHD. She’s outspoken and extremely determined in her pursuits, which sometimes disturbs, sometimes worries and sometimes amuses Atakan.

She’s the daughter of a Chicago policeman and a homemaker. Her parents divorced when she was a teen and her father remarried to a Chicago policewoman and her mother is remarried to a wealthy businessman. Charlotte also has an older brother who’s a member of the Chicago Police Department SWAT team She too is close to her family and tries to visit once a year.

Like Atakan, she is the consummate professional when working a shipwreck recovery team. She’s not overtly vain as her job requires her to keep her hair simple, she’s diving most days and not concerned with makeup. Conservation work on the relics is hard on a manicure. That said, she has a jealous streak when it comes to Atakan. She’s not above passing an acerbic comment or two when she’s introduced to a former girlfriend of his. When she has the opportunity, she does take pride in her appearance and dresses nicely.

Her guilty pleasure is belly dancing for Atakan. She takes lessons in Istanbul, where they live. Atakan is a big fan.

About the cover art...

The overall concept was mine. Although most of the story takes place in Cyprus, Istanbul has such distinctive architecture and buildings I wanted something of it on the cover so a reader knows the story has a different setting. I wanted the shipwreck and divers because of the nature of the story.   This is what draws the characters to this place. I worked closely with the designer. I asked her to look at my previous cover, and the trailer for Byzantine Gold, which I was very happy with, and to look at my book boards for both this and Golden Chariot on my Pinterest page. She had the idea for the bullets and crosshairs in the lettering. She put all my wishes together and came up with a cover I love.

Her advice to aspiring authors...

Do join a critique group. You need other eyes to read your work. Your family and friends will avoid hurting your feelings and as a result are often not as honest as you need them to be.

Take classes or if you can afford it, go to conferences and seminars to learn the craft. If you can’t afford workshops, then buy books from the experts. Three I like and keep in my desk and reference are: Writing the Breakout Novel and The Fire in Fiction by Don Maass, and Goal, Motivation, and Conflict by Deb Dixon.

Develop a tough skin and accept the fact that your early drafts (and that’s what they are, drafts) are not ready to send to an editor or agent or to self-publish. Every new writer believes what they’ve written is perfect. Perhaps there’s someone out there this is true for but I can’t think of any. Hemingway said, “There’s no such thing as writing, only rewriting.” Stephen King in his book, “On Writing,” said, he never lets anyone see his first draft.

Read books in the genre you want to write in. This is important. You need to have an idea of how stories in that genre flow, how tension and action and characterization is handled. Literary fiction is generally not the same style as a thriller. The readership of different genres have different expectations.

When you read a scene that is especially moving or well done, or one that stands out to you, then dissect it. See what it is that “makes” the scene work so well for you and try to do the same but with your own spin.

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Book Description

A sunken warship from the Byzantine Era carrying an unusual cargo of gold has been found off the coast of Northern Cyprus. News of the valuable cache has attracted the attention of a terrorist cell. They plan to attack the recovery team’s campsite and steal the artifacts. On the Black Market, the sale of the relics will buy them additional weapons.

Charlotte Dashiell, an American archaeologist, and her lover, Atakan Vadim, a Turkish government agent, are scheduled to be part of the recovery team that brings up the artifacts. While en route to Cyprus, they find themselves caught in the crosshairs of Maksym Tischenko, a Ukrainian contract killer bent on revenge. Charlotte, Atakan and Tischenko share a grim history. As a result, Tischenko is a man who will stop at nothing to achieve his goal—seeing them both dead.

Read the first chapter / Purchase from Amazon 

Cheryl Kaye Tardif is an international bestselling Canadian author, who is best known for Submerged, a psychological thriller that had over 49,000 downloads on Amazon in March 2013, Children of the Fog, a supernatural suspense thriller that has sold over 50,000 copies (Sept 2012) and made Amazon's Top 100 bestsellers list (overall list) multiple times out of nearly 2 million ebooks; and Whale Song, a much-loved, inspiring family tale with a hint of mystery, which is now available in its third edition--plus a school edition with a discussion guide.

Cheryl has not only held hundreds of book signings, she has organized multi-author signings, held a virtual book tour and taught others how to do their own, and she has presented at conferences in Canada and the US. Cheryl is known amongst her peers for her creativity and knowledge regarding book marketing, and has worked as a Book Marketing Coach. She is a member of various social networks, including Twitter, Facebook, MySpace, Goodreads, Shelfari, LibraryThing, AmazonConnect and Chapters Online Community.

Cheryl has been interviewed by numerous TV and radio stations in Canada and the US, and she has been featured in a variety of newspapers and magazines in both countries. According to photojournalist, Heather Andrews Miller, who interviewed the author for a Real Estate Weeklyarticle, Cheryl is a “gem in the literary world”. And according to Graham Hicks of the Edmonton Sun, "Cheryl Kaye Tardif specializes in mile-a-minute pot-boiler mysteries, usually set in Western Canadian locales."

Cheryl is also the publisher at Imajin Books, a venture that is dear to her heart. Imajin Books publishes quality international fiction at affordable prices, with a focus on ebooks.

Born in Vancouver, BC, Cheryl Kaye Tardif was a "military brat" and a "military wife" who has lived all across Canada and in Bermuda. She now resides in Edmonton, AB, with her husband Marc and the family dog.

Q: It's great to have you as my guest on The Dark Phantom, Cheryl! Tell us why readers should buy SUBMERGED.

A: SUBMERGED is not a story of perfect people. In fact, it's the opposite. It's about people with flaws, like you or me. If you're looking for a fast-paced psychological thriller with real-to-life characters, then SUBMERGED is for you. Not only will it keep you turning the pages until late into the night, you won't want to put it down until you know who exactly is responsible for pushing Rebecca's car into the river, trapping her and her two young kids.

Q: What makes a good thriller?

A: Fast pacing, unexpected twists and memorable characters are what makes for a good thriller. A great thriller will also connect with you on an emotional level.

Q: What is a regular writing day like for you?

A: I usually start with a writing goal, perhaps 3000 words. Then I go over my notes, read the chapter I left off at and carry on writing. Sometimes I have music on; sometimes not. Most often I exceed my word goal for the day. If I'm on a real roll, I won't stop until I feel I'm at a good place to stop. I'll take breaks when I need them, but they're usually short. And quite often I'll edit along the way.

Q: What do you find most rewarding about being an author?

A: The rewards are two-fold. First, seeing my characters come to life in a story is very rewarding. But even more rewarding is receiving emails from readers who have enjoyed my books, especially if they "get" the often deeper meanings in my works—or when they tell me my work affected their lives in a positive way.

Q: What’s the best writing advice you’ve ever received that you’d like to pass to other authors?

A: Determine if you want to put out a book as a hobby or write as a career author. Then learn everything there is to know about writing and publishing, and treat this like a business. Because that's what it is.

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From Cheryl Kaye Tardif, the international bestselling author that brought you CHILDREN OF THE FOG, comes a terrifying psychological thriller that will leave you breathless…

  SUBMERGED  

"Submerged reads like an approaching storm, full of darkness, dread and electricity. Prepare for your skin to crawl."

—Andrew Gross, New York Times bestselling author of 15 Seconds 

Two strangers submerged in guilt, brought together by fate…

 After a tragic car accident claims the lives of his wife, Jane, and son, Ryan, Marcus Taylor is immersed in grief. But his family isn't the only thing he has lost. An addiction to painkillers has taken away his career as a paramedic. Working as a 911 operator is now the closest he gets to redemption—until he gets a call from a woman trapped in a car.

Rebecca Kingston yearns for a quiet weekend getaway, so she can think about her impending divorce from her abusive husband. When a mysterious truck runs her off the road, she is pinned behind the steering wheel, unable to help her two children in the back seat. Her only lifeline is a cell phone with a quickly depleting battery and a stranger's calm voice on the other end telling her everything will be all right.

*SUBMERGED has a unique tie-in to Tardif`s international bestseller, CHILDREN OF THE FOG.

Get SUBMERGED today.

Learn more about Cheryl Kaye Tardif at http://www.cherylktardif.com and follow her on Twitter.

Enter Cheryl’s March Giveaway – 60 Prizes! http://www.cherylktardif.blogspot.com

I'm thrilled to have  Anne K. Edwards as my guest today. Not only has Anne been my online friend for many years, but she's also a wonderful writer. Find out more about Anne and her books from her website, www.AnneKEdwards.com. 

Thanks for this interview, Anne! Why don't you start by telling my readers about our latest book and what inspired you to write it?

Shadows Over Paradise was written to show a heroine can stand on her own two feet and does not always need a man to make her a whole person or to rescue her in all situations.  Julia Graye is such a woman, however she does accept help if offered and needed. The inspiration comes from my youth when almost every female character ever written was incomplete without a man to make her decisions and tell her what to think and do. It was the day of when a real man could spank a woman or even slap her in the face and this was considered appropriate behavior. This was and is abuse and I could never understand how a woman would or could love such a man whether in real life or fiction.  Yet these same men weren't above leaving a woman to raise a batch of children alone while they went on to a new life. I had to ask could a weak, incompetent woman do this and survive?  Yes! Because they did.  So I modeled my heroine after that type of woman, yet she is able to love and look  forward to marriage and a family. Julia Graye, the heroine of Shadows Over Paradise must make some fast decisions when she finds herself kidnapped, accused of murder, and nearly  killed. The act of merely walking down a street puts her in danger.

Do you use index cards to plot your book?  No, because my plots are so full of twists and turns and I don't outline at all when I begin to write. However I use these cards for notes, clues, a list of loose ends to tie off before the last page is written so  I do recommend keeping a bunch handy.

Have you suffered from writer's block?  Yes. There are just some days or weeks when I lose interest in writing and even reading and am content to sit and stare at anything on the TV.  I call this a creative burnout and it never lasts long. It's as if the mind just wants a change of scenery for a while, then goes back to work.  There is no time in particular for it to happen or length of time to last.

How was your experience looking for a publisher. What words of advice would you offer those novice authors who are in search of one?  My experience was varied with several lessons.  I learned to ask other authors about publishers, to check submission times, to query about submitting and to read contracts before signing.  Would you believe I had a book tied up for seven years by one publisher because I thought their contract was standard? I know others who did this too. Some contract points can be negotiated also, so if you have questions or doubts, get them out in the open. Don't believe verbal promises. Get it in  writing. I had to buy the rights back from one publisher that posted the book on the site and let it sit.  That same publisher made a book into a multi partnership. They didn't pay artists or editors, but gave them a part of the proceeds when the book sold. Does the publisher edit a book? This is very important in smoothing lapses and bumps in an author's writing. My advice to any writer is to proceed with care.  I'm sure its such experiences that leads some authors into self publishing and all the work it entails, but I lucked out when I discovered Twilight Times Books. I've been with them for over ten years and never had any doubts that I was satisfied.  There are many good presses out there and I heartily recommend authors give them a try.

What author or type of books do you read for fun?  I read Anne Macaffrey for fantasy and real adventure with real people but not necessarily those written by others under her name. I love a good mystery like Agatha Christie. I have read some great historicals, but the romances I read must not be full of love scenes, but have a good story. There are several different subgenres here and almost any reader can find one or two to please them.

Do you think a critique group is essential for a writer?  This depends entirely on the author and their needs or what they expect from such a group.  If the author wants honest feedback, they should search out like minded writers for such a group. In other words, a children's author is not the best judge of a slaughterhouse thriller, but they can give helpful comments on related genre writers' work, just as another thriller author can helpfully critique the slaughterhouse thriller. The author must realize that any critique group members may give widely varied comments to the work. One may merely be jealous and seek to make the author feel less able than they are, one may overpraise because they are afraid of hurting an author's feelings, and yet another may offer advice that actually is parroted from the group leader or founder if it has a founder who thinks he or she knows all there is to know about writing and is yet unpublished. The group is meant to be an ego trip for that person.

Do you have another novel in the works? Yes. It a second in the series of Hannah Clare's investigations.

Is there anything else you'd like to tell my readers?  Yes, if you are a reader, insist on a well told story and if you  are an author, insist on crafting a well told, edited, well written story. This way everyone who loves books will be satisfied. A writer writes for the reader and the reader will look for that writer's work to enjoy.

R. Barri Flowers is an award winning criminologist and internationally bestselling author of more than sixty books–including thriller and suspense fiction, relationship fiction, young adult mysteries, true crime, and criminology titles.

Bestselling mystery and thriller fiction, including SEDUCED TO KILL IN KAUAI, MURDER IN MAUI, MURDER IN HONOLULU, KILLER IN THE WOODS, DARK STREETS OF WHITECHAPEL, STATE’S EVIDENCE, PERSUASIVE EVIDENCE, and JUSTICE SERVED.

Other novels by the author include the bestselling relationship novel, FOREVER SWEETHEARTS, and young adult novels, COUNT DRACULA’S TEENAGE DAUGHTER, GHOST GIRL IN SHADOW BAY, and DANGER IN TIME.

Flowers has also written a number of bestselling true crime books, including THE SEX SLAVE MURDERS, THE PICKAXE KILLERS, SERIAL KILLER COUPLES and MASS MURDER IN THE SKY. He was editor as well of the bestselling anthology, MASTERS OF TRUE CRIME.

The author has been interviewed on the Biography Channel and Investigation Discovery.

Official Website: http://www.rbarriflowers.com/

Q: Tell us why readers should buy BEFORE HE KILLS AGAIN: A Veronica Vasquez Thriller.

A: BEFORE HE KILLS AGAIN is a crime thriller written by an award winning criminologist and bestselling author of such true crime books as THE SEX SLAVE MURDERS and thriller fiction, including MURDER IN MAUI and DARK STREETS OF WHITECHAPEL.

This book is about an FBI profiler and criminal psychologist who returns to her hometown of Portland, Oregon, to assist the police in tracking down a serial killer, who murders beautiful women in pairs.

As someone who has written extensively about real life serial killers, BEFORE HE KILLS AGAIN brings verisimilitude to the perpetrator and his psyche as he pushes the boundaries in handpicking his victims.

For readers who love thriller fiction where the villain is a frightening serial killer who matches wits with the beautiful protagonist and homicide detectives on the case—or are fans of TV series such as Criminal Minds, Dexter, and Hannibal-- this is a novel you are sure to enjoy.

Q: What makes a good thriller novel?

A: A good thriller novel is one in which there is a constant sense of danger and a suspenseful whodunit, with three dimensional characters who bring you along for the ride as they converge for a heart pounding conclusion.

Within this regard, the thriller should also convey a strong plot with smart twists and turns and deft pacing that will allow the story to play itself out while keeping the reader thoroughly engaged.

Some great thrillers that come to mind include Robert Ludlum’s The Aquitaine Progression and John Grisham’s The Pelican Brief. I believe that BEFORE HE STRIKES AGAIN also fits in this category.

Q: What is a regular writing day like for you?

A: A regular writing day for me involves getting up at 6 a.m. and heading to my computer at 7 a.m. (after an hour of working out and having breakfast)—where I spend the next five hours writing and rewriting my latest book.

After a noontime lunch and chores, I am back at it by 1 p.m., where I go at it on computer till 5 p.m. (sometimes 6 p.m., if really on a roll), typing away in faithfully sticking to the plot in my head.

I call it quits for the night after that and am back in the grind the next day.

This is a routine I follow seven days a week. I am the type of writer who is not easily distracted by other things—understanding that I get out as much as I put in as an author.

Q: What do you find most rewarding about being an author?

A:  What is most rewarding to me as an author is being able to successfully write in multiple genres (thriller, true crime, young adult mysteries, and criminology). As such, I have fans in these different genes, giving me a good reason to try and keep up with them in bringing out fresh material they can take pleasure in reading.

Aside from that, I enjoy the camaraderie with other authors, having found some great friends over the years to seek advice and words of wisdom from while returning in kind.

Q: What’s the best writing advice you’ve ever received that you’d like to pass to other authors?

A: That’s a great question. Hmm… I’d have to say that the best writing advice I’ve ever received and have passed along to other authors came from a bestselling crime writer who told me when I first got started: “The thing that separates serious writers from those who aren’t in it for the long haul is the ability to shake off rejections and look at as constructive criticism rather than personal attacks—making yourself a better writer in the process with each rejection letter.”

Definitely words to live by for any writer willing to work at it to hone your craft till you get where you’re going in finding success in the business.

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Book Description:

From R. Barri Flowers, award winning crime writer and international bestselling author of Dark Streets of Whitechapel and Killer in The Woods, comes a gripping new psychological thriller, Before He Kills Again: A Veronica Vasquez Thriller.

FBI psychologist and criminal profiler Veronica Vasquez returns to her hometown of Portland, Oregon to assist police in apprehending a ruthless serial killer dubbed “The Rose Killer,” who kills beautiful women in pairs, leaving a rose on top of each corpse.

Heading the investigation is homicide Detective Sergeant Bryan Waldicott. Veronica must win him over, along with the entire task force, and prove herself worthy of the job. Since losing her husband three years ago, Veronica had been focused on her work to escape the pain of loneliness and separation. A romance with Waldicott, who has issues of his own, complicates things for them both as they try to stop a serial murderer before he kills again.

When she begins to suspect that the new husband of her estranged sister Alexandra could be the killer, Veronica pursues that delicate angle and, in the process, becomes a target herself.

Before He Kills Again is tense thriller that will keep readers on edge till the very end.

 Purchase:

Amazon Trade Paperback / Kindle /Kindle UK / Kindle CA / Barnes and Noble Nook eBook / Smashwords / Kobo

It's a thrill to have here Alexandra Sokoloff as my guest today, not only because her books are awesome, but because she happens to be one of my favorite writers. Needless to say, I've read all of her books.

Alexandra is the Thriller Award-winning and Bram Stoker, Anthony, and Black Quill award-nominated author of multiple supernatural thrillers, and the Top Ten Amazon bestselling Huntress/FBI thriller series (Huntress Moon, Blood  Moon), which has also been nominated for a Thriller Award for Best E Book Original Novel.

The New York Times Book Review has called her a "daughter of Mary Shelley," and her books "some of the most original and freshly unnerving work in the genre."

As a screenwriter, Alexandra she has sold original horror and thriller scripts and adapted novels for numerous Hollywood studios. She has also written two non-fiction writing workbooks: SCREENWRITING TRICKS FOR AUTHORS (highly recommended, by the way!) and WRITING LOVE, based on her internationally acclaimed workshops and blog, and has served on the Board of Directors of the WGA, west and the Board of the Mystery Writers of America.  

Find the author: her website, blog, on Facebook , Twitter andPinterest.

Q: Hi there, Alexandra. Tell us why readers should buy BLOOD MOON.

A: If you’re at all interested in unusual psychological crime thrillers, this one will probably grab you. The main character is an FBI agent who is on the trail of what looks like a female serial killer, which Agent Roarke knows very well doesn’t occur in real life.  So there’s a real psychological mystery about who this female killer is and why she does what she does. Readers find their expectations challenged and their sympathies conflicted, just as Roarke does.

Q: What makes a good thriller?

A: I think different people are looking for different things in thrillers. There’s such a wide variety of experiences and sensations available from different books in the genre. Personally I am bored senseless by car chases and gun battles and international intrigue. What I love in a thriller is nail-biting suspense and psychological game playing and sexual tension and mystery and moral dilemmas and twists. So that’s the kind of thing I write, of course!

Q: What is a regular writing day like for you?

A: I start by seven or eight a.m. and write for seven or eight hours a day, much more if I’m on an intense deadline. Some of those hours are business, of course. But I’m a full-time writer, I treat it like a job because it IS my job.  One thing that is not like a regular job is that I change clothes a lot during the day.  Some days I am quite dressed up. I need to entertain myself some way other than eating!

Q: What do you find most rewarding about being an author?

A: Without question, having readers read my books and experience the world and the characters just as if they’re caught up in a film. And then being able to dialogue with them about the story and characters and their experience of the story. It’s such an intimate relationship. Incomparable.

Q: What’s the best writing advice you’ve ever received that you’d like to pass to other authors?

A: For aspiring authors, “Find a small room in a big city and sit down at your desk in front of the window. When you stand up ten years later, you will be a writer.” That’s from Saroyan.

And for authors in general, “E-publish.”  It’s more complicated than that, of course, but you asked for the best advice!

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Book II of the Huntress/FBI Thrillers

Twenty-five years have passed since a savage killer terrorized California, massacring three ordinary families before disappearing without a trace.

The haunted child who was the only surviving victim of his rampage is now wanted by the FBI for brutal crimes of her own, and Special Agent Matthew Roarke is on an interstate manhunt for her, despite his conflicted sympathies for her history and motives.

But when his search for her unearths evidence of new family slayings, the dangerous woman Roarke seeks – and wants – may be his only hope of preventing another bloodbath.

Purchase BLOOD MOON

Amazon US / Amazon UK / Amazon DE

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