James Maxey's Blog, page 18
February 27, 2013
A Calvacade of Covers!
Yesterday, I mentioned that I was going to release Dawn of Dragons, the novel set 1000 years before Bitterwood, as it's own title. Today, I'm giving you a sneak peak at the cover:
Of course, this is also going to be part of the Complete Bitterwood Collection, which will include 4 novels, a short story, and an essay. For that, I've purchased the rights to use the original Bitterwood cover artwork. Currently, that cover looks like this:
Alas, I can't afford the rights to the cover for other editions of the book. My wife hates my current Bitterwood ebook covers, so I've been trying out some new designs and this is one she approves of:
Thoughts? Comments?
Of course, this is also going to be part of the Complete Bitterwood Collection, which will include 4 novels, a short story, and an essay. For that, I've purchased the rights to use the original Bitterwood cover artwork. Currently, that cover looks like this:
Alas, I can't afford the rights to the cover for other editions of the book. My wife hates my current Bitterwood ebook covers, so I've been trying out some new designs and this is one she approves of:
Thoughts? Comments?
Wise readers needed
I'm currently on the second draft of my Oz novel, Title To Be Determined. Snappy title, no? I was calling it War Upon the Heavens, but that seems pretentious. Currently my top candidate is Bad Wizard but I'm not completely thrilled with that. There's something flippant about it to my ear. A Very Bad Wizard, perhaps? But that seems heavyhanded. Sigh. I have faith the name will eventually come to me. The last novel I really struggled to give a title to was Nobody Gets the Girl, and that worked out okay.
This story is set ten years after the original novel. I skip all the Oz sequels; in my book, Dorothy and the Wizard (Oscar Diggs is his real name) have both returned to earth. Diggs has become a charismatic politician who has swiftly risen to become Secretary of War under Teddy Roosevelt. Dorothy is a muck-raking reporter bent on exposing Diggs as a fraud and a humbug, having learned of his true nature when she asked him for help as an eleven year old and he sent her off to die rather than revealing his secret. In his position as Secretary of War, Diggs is overseeing the construction of a fleet of airships. Roosevelt thinks they will be used to project American power overseas; Diggs' true intentions are to use the airships to return to Oz and take back the throne of the Emerald City. Lion, Tin Man, and Scarecrow all have major roles. The original Toto has passed away, but there's now a Toto Two. And Dorothy shares her protagonist duties with a hairy carnival aeronaut known as the Flying Monkey. Lot's of in-jokes, though the story isn't as overtly humorous as Greatshadow. The emphasis is on action and exploring how their pasts have changed all the characters.
If you'd like to read this second draft, I'll be sending out 6-10 chapters a week starting late next week. I'd like feedback on all the chapters I send out within two weeks. I'm not looking for any type of line editing. All I need at this stage is reaction to the overall stories. Do you understand the characters? Do you care about them? Does the plot flow naturally? Are there things that confuse you? What expectations am I creating as the story rolls along? At this drafting stage, there will be lots of typos and ugly sentences, but there's no point in suggesting line level changes since I could chop just about any given page on the way to the third draft.
If you're interested in reading, drop me a line at nobodynovelwriter(at)yahoo.com. Thanks!
This story is set ten years after the original novel. I skip all the Oz sequels; in my book, Dorothy and the Wizard (Oscar Diggs is his real name) have both returned to earth. Diggs has become a charismatic politician who has swiftly risen to become Secretary of War under Teddy Roosevelt. Dorothy is a muck-raking reporter bent on exposing Diggs as a fraud and a humbug, having learned of his true nature when she asked him for help as an eleven year old and he sent her off to die rather than revealing his secret. In his position as Secretary of War, Diggs is overseeing the construction of a fleet of airships. Roosevelt thinks they will be used to project American power overseas; Diggs' true intentions are to use the airships to return to Oz and take back the throne of the Emerald City. Lion, Tin Man, and Scarecrow all have major roles. The original Toto has passed away, but there's now a Toto Two. And Dorothy shares her protagonist duties with a hairy carnival aeronaut known as the Flying Monkey. Lot's of in-jokes, though the story isn't as overtly humorous as Greatshadow. The emphasis is on action and exploring how their pasts have changed all the characters.
If you'd like to read this second draft, I'll be sending out 6-10 chapters a week starting late next week. I'd like feedback on all the chapters I send out within two weeks. I'm not looking for any type of line editing. All I need at this stage is reaction to the overall stories. Do you understand the characters? Do you care about them? Does the plot flow naturally? Are there things that confuse you? What expectations am I creating as the story rolls along? At this drafting stage, there will be lots of typos and ugly sentences, but there's no point in suggesting line level changes since I could chop just about any given page on the way to the third draft.
If you're interested in reading, drop me a line at nobodynovelwriter(at)yahoo.com. Thanks!
February 26, 2013
Bitterwood Audio Update
Over the last two weeks, I've been listening to Dave Thompson's amazing reading of Bitterwood. This wasn't an easy book to bring to audio. I have a cast with a couple of dozen named characters with speaking parts, ranging from a 10 year old human girl to a 100 year old sun dragon to a 1000 year old Biblical prophet. Dave floored me with his ability to create subtle differences between all the various characters. He really captures the bluster of Albekizan, the ghostly growl of Bitterwood, and the intellectualism of Vendevorex. And wait until you hear his Blasphet! Holy cow! Exactly the right touch of creepy, over-the-top villainy without losing Blasphet's underlying dark humor.
We've uploaded the files to ACX and now have to wait out their approval process, which can take a few weeks. I'm keeping my fingers crossed they approve it quickly.
I've posted the cover above. I paid award-winning artist Michael Komark for the rights to use the original cover artwork. I altered the type to make it fit the required square format. I'm pretty pleased with the final result, and really hope that the cover will make it stand out among the new releases when it's available.
I've also shelled out the dough to use the same cover art for the Bitterwood omnibus edition. Tomorrow, I'll post an update on that. I finished editing Dawn of Dragons, over the weekend (it was a busy weekend). Dawn of Dragons is the new title of the Bitterwood prequel formerly known as Empire of Angels. I had originally planned to include the book only as part of the omnibus edition, but I felt like that would be a little unfair to all the readers who've already paid for the first three books, so I've decided to go ahead and release the novel as a standalone as well. I also plan to eventually release a print edition, though that might have to wait until I finish my Oz novel and my next superhero novel.
Tomorrow, I'll post the covers for Dawn of Dragons and the omnibus edition.
February 8, 2013
Dungeon Crawlers Radio
This week, I was a guest on Dungeon Crawlers Radio. This is a weekly hour long show featuring SF and Fantasy games, movies, comic, books, and other geeky interests. It was a lot of fun talking about my days playing AD&D and my comic book addiction, plus a curious little diversion to discuss Pride and Prejudice. I may have also mentioned my own books a time or two as well. If you'd like to listen to the interview, you can find the episode by following this link.
February 4, 2013
A return to classics
Being a writer as changed the way I read. When I was young, I devoured books visually. I would scan my eyes along a page of text and the meaning would flow into my mind. I didn't really have an intervening step where I would "hear" the words represented on the page. As a result, I was a very efficient reader, easily going through five to ten books in a week.
But when I actually started writing, my style of reading actually held me back. As the written word to me was merely a visual code, my writing has no music to it, no real flow or rhythm. It wasn't until I started reading my work out loud during my editing process that I reconnected the audible portion of writing in my own work. Now, it's second nature for me to hear the words I'm writing. A side effect of this is that I now also hear books I'm reading, and this is a much slower process of going through a book than my old habits. A book that I might have devoured in an afternoon now takes me a week or two to get through. There are advantages to this... I've discovered some of the beauty of good writing that had previously been lost to me. The downside is, I can't fit as many books into a year as I'd like.
This year, I've made a decision to devote the whole year to reading old classics that I've somehow missed reading up until now. So far, I've read Pride and Prejudice, The Time Machine, and the Island of Dr. Moreau. Now, I've started in on Tarzan of the Apes. If the book isn't at least a century old, it probably won't make it onto my list for the year.
I kind of feel guilty that I'm ignoring novels coming out this year. After all, many of them are by other writers who are my friends. And, there's something to be said for the importance of a writer understanding what work is being published currently. But, I turn 49 this year. Do I really want to turn 50 and say I've never read Frankenstein? Or Wuthering Heights? It's not as if I have no foundation among classics. I could list a hundred important books I have read. But, the number of important books I haven't read far outnumbers those I have. Of course, this will still be true even if I somehow recovered my old five novel a week speed. Still, it's a worthwhile project. I'll post my progress as the year proceeds.
But when I actually started writing, my style of reading actually held me back. As the written word to me was merely a visual code, my writing has no music to it, no real flow or rhythm. It wasn't until I started reading my work out loud during my editing process that I reconnected the audible portion of writing in my own work. Now, it's second nature for me to hear the words I'm writing. A side effect of this is that I now also hear books I'm reading, and this is a much slower process of going through a book than my old habits. A book that I might have devoured in an afternoon now takes me a week or two to get through. There are advantages to this... I've discovered some of the beauty of good writing that had previously been lost to me. The downside is, I can't fit as many books into a year as I'd like.
This year, I've made a decision to devote the whole year to reading old classics that I've somehow missed reading up until now. So far, I've read Pride and Prejudice, The Time Machine, and the Island of Dr. Moreau. Now, I've started in on Tarzan of the Apes. If the book isn't at least a century old, it probably won't make it onto my list for the year.
I kind of feel guilty that I'm ignoring novels coming out this year. After all, many of them are by other writers who are my friends. And, there's something to be said for the importance of a writer understanding what work is being published currently. But, I turn 49 this year. Do I really want to turn 50 and say I've never read Frankenstein? Or Wuthering Heights? It's not as if I have no foundation among classics. I could list a hundred important books I have read. But, the number of important books I haven't read far outnumbers those I have. Of course, this will still be true even if I somehow recovered my old five novel a week speed. Still, it's a worthwhile project. I'll post my progress as the year proceeds.
January 31, 2013
February Events-Signed Books Available.
I've got a couple of appearances coming up in February. First, next Monday, Feb 4, at 6pm Mountain Time I'll be a guest on Dungeon Crawlers Radio. You can find out more about the show and stream old episodes here. I've been listening to some of their archived episodes and can assure you they are full of geeky goodness.
My next convention appearance will be Mysticon in Roanoke, VA, the weekend of Feb 22-24. I don't have my final schedule yet, but this is going to be a pretty crazy con with big guests like Orson Scott Card and Peter Davidson. Read more about this here.
Finally, I just recorded a reading for Gail Z. Martin's Ghost in the Machine podcast. I'm not certain yet of the date this will be scheduled, but I'll let you know as soon as I know. You can find out more about Gail's podcast here.
My next convention appearance will be Mysticon in Roanoke, VA, the weekend of Feb 22-24. I don't have my final schedule yet, but this is going to be a pretty crazy con with big guests like Orson Scott Card and Peter Davidson. Read more about this here.
Finally, I just recorded a reading for Gail Z. Martin's Ghost in the Machine podcast. I'm not certain yet of the date this will be scheduled, but I'll let you know as soon as I know. You can find out more about Gail's podcast here.
January 26, 2013
War Upon the Heavens! First draft finished!
After racing through the first 50,000 words in November, December was distraction central, between car problems and multiple plumbing issues at our rental house, not to mention that every third night we were supposed to go to some holiday party or event. I kind of stopped counting, but I think I came in well shy of 20,000 words for the month. Things were more normal in January, but the last few weeks I've been trying to figure out the closing chapters. You know the expression "painting yourself into a corner?" The last chapters of a novel feel very much like this. In the opening chapters, it's easy to put words on the page because everything is new and fresh and the possibilities are endless. But, by the last four or five chapters, the possibilities shrink. You might think that having fewer options about what you need to be writing would increase productivity, but for me, this is the point in the process where writing stops feeling like creation and starts feeling like work. On every page, I confront choices I made earlier in the novel and have to decide if I'm going to write as if what's already written is canon, or whether it's time to go with a new idea. If I make choose the latter, that means big chunks of what I already have on paper are going to have to be tossed out in the next draft. I sometimes feel like the more I write, the more I'm unwriting.
Enough whining. I'm done! The first draft is 99028 words long, spread out over 21 chapters. I'm currently calling the novel "War Upon the Heavens," since that's a newspaper headline that Dorothy writes when she's breaking the story that the US is building a fleet of airships. But, it may be a bit melodramatic even for me. Fortunately, I have time to hunt for more inspiration.
The biggest challenges I anticipate in the next draft is that the balance of scenes set in Kansas versus scenes set in Oz feel off to me. Right now, it takes a full third of the book before the characters make it to Oz, and it's the middle of the novel before they actually arrive anyplace a person with only casual familiarity to Oz might recognize. Trying to figure out what to cut from the opening is going to be tough, though. I'll probably have to solve it by beefing up the second half, so that the Kansas chapters are only a quarter of the novel.
My other big, big, big challenge is giving Dorothy a more satisfying emotional story arc. Right now, a major driver of her actions is a thirst for revenge, a functional but not terribly complex motivation. She doesn't really grow emotionally over the course of the book. I have a little "moral of the story" wrap up at the end where she finds a little happiness, but it feels tacked on at the moment. I know what I'm going to aim for in the next draft, but weaving it into the plot in a way that doesn't hurt the momentum of the story or muddy the clarity of her motivations is going to be tricky.
I'm going to take a little time away from this project before I start the second draft. My next project is to do a final edit on "Empire of Angels," the Bitterwood prequel novel. My goal is to really hit that hard in the coming week. It's vaguely possible I can actually finish it in a week. All I'm doing is reading it out loud and making sentence level changes, but it's been years since I've touched the book, and it's difficult to know how much I'll be able to resist additional tinkering.
Once that's done, I'm still deciding what my next priority will be. Tackling the next draft of the Oz novel is something I'd like to do sooner rather than later. But, I also have another superhero novel, The Adventures of Cut-Up Girl, that I'm really, really eager to get to. So, I might go ahead and write the first draft of that, then return to Oz after a few months. It's possible that the intervening time will help me approach the next draft feeling fresher. But, it's also possible that I might lose momentum. It's a tough choice. I guess I'll do an update here when I figure it out.
Enough whining. I'm done! The first draft is 99028 words long, spread out over 21 chapters. I'm currently calling the novel "War Upon the Heavens," since that's a newspaper headline that Dorothy writes when she's breaking the story that the US is building a fleet of airships. But, it may be a bit melodramatic even for me. Fortunately, I have time to hunt for more inspiration.
The biggest challenges I anticipate in the next draft is that the balance of scenes set in Kansas versus scenes set in Oz feel off to me. Right now, it takes a full third of the book before the characters make it to Oz, and it's the middle of the novel before they actually arrive anyplace a person with only casual familiarity to Oz might recognize. Trying to figure out what to cut from the opening is going to be tough, though. I'll probably have to solve it by beefing up the second half, so that the Kansas chapters are only a quarter of the novel.
My other big, big, big challenge is giving Dorothy a more satisfying emotional story arc. Right now, a major driver of her actions is a thirst for revenge, a functional but not terribly complex motivation. She doesn't really grow emotionally over the course of the book. I have a little "moral of the story" wrap up at the end where she finds a little happiness, but it feels tacked on at the moment. I know what I'm going to aim for in the next draft, but weaving it into the plot in a way that doesn't hurt the momentum of the story or muddy the clarity of her motivations is going to be tricky.
I'm going to take a little time away from this project before I start the second draft. My next project is to do a final edit on "Empire of Angels," the Bitterwood prequel novel. My goal is to really hit that hard in the coming week. It's vaguely possible I can actually finish it in a week. All I'm doing is reading it out loud and making sentence level changes, but it's been years since I've touched the book, and it's difficult to know how much I'll be able to resist additional tinkering.
Once that's done, I'm still deciding what my next priority will be. Tackling the next draft of the Oz novel is something I'd like to do sooner rather than later. But, I also have another superhero novel, The Adventures of Cut-Up Girl, that I'm really, really eager to get to. So, I might go ahead and write the first draft of that, then return to Oz after a few months. It's possible that the intervening time will help me approach the next draft feeling fresher. But, it's also possible that I might lose momentum. It's a tough choice. I guess I'll do an update here when I figure it out.
January 16, 2013
Download Bitterwood for free!
There's a few big news items on the Bitterwood front.
First, I'm working with the extremely talented Dave Thompson to produce Bitterwood as an audio book. I listened to the first segments today and I'm thrilled with Dave's reading. It's still going to be several weeks before the audio book is ready, but when it is it will be distributed through Audible, Amazon, and I-Tunes. I will, of course, publish further announcements as the release draws closer.
Second, the cover above is one I created myself, since when I first started ebook publishing I was unsure of whether or not I'd make enough money to justify paying for the rights to the paperback cover. The book did pretty well, however, and I would have made my money back many times over. However, since the book was selling with my DIY cover, I still didn't see a reason to pay for the rights on the original cover. However, that's going to change when the audio book comes out. To give it the best possible chance of success, I'll be shelling out the dough to place that cover on the audio edition.
And, as long as I'm opening my wallet for that, I'm also going to pay to use the cover on a new ebook edition of Bitterwood. But not just any old edition: I'm going to put together an omnibus edition of the entire Dragon Age collection: Bitterwood, Dragonforge, Dragonseed, and the prequel short story "Tornado of Sparks." And, as an added bonus, this collection will also include the never before seen fourth Bitterwood novel, Empire of Angels. I wrote Empire of Angels after I wrote Bitterwood, but before I wrote Dragonforge and Dragonseed. Set a thousand years before the events of Bitterwood, it tells the story of the first dragon to escape into the wild as human civilization begins to collapse following the rise of Atlantis. I was never able to interest a publisher in it, mainly because it's kind of short, not even 70,000 words long. As an early novel, I was also still learning how to plot, so the story's structure is a bit more linear than what I would craft today. But, it tells the origins of Hezekiah, Jazz, Gabriel (the angel from Dragonforge), the dragons, and the city of Atlantis, so it should be of great interest to serious Bitterwood fans. I plan to release this at the same time the audio book comes available.
To whet the appetite for the audio book and the Complete Bitterwood, I've decided to try something a little radical: Today, I made Bitterwood completely free to download at Smashwords. If I could, I would change the price at Amazon and Barnes and Noble, but they don't allow me to set the price to free. It's possible they will price match Kobo or Apple once the free price filters through from Smashwords to those distributors, but there's no guarantee. I know some authors who get Amazon to price match quickly, but others have their price set at free on other channels and never get Amazon to budge.
But, even if you use Kindle, no sweat! You can download the mobi file from Smashwords. In fact, you can download the novel as mobi, epub, pdf, or even just read it directly in your browser, all completely free! Just click here. Spread the word! The price is never going to be better than this!
January 6, 2013
Tornado of Sparks now available on Nook!
Nook readers, I'm pleased to announce the Nook publication of Tornado of Sparks! This is a prequel to Bitterwood, a short story set 15 years before the main plot of the first book. It's the tale of the wizard dragon Vendevorex when he first comes to the court of Albekizan. His mysterious powers are tested when he is ordered to kill a family of human trespassers. The repercussions of the events shown in this story echo throughout the Bitterwood Trilogy.
The story is downloadable right now, though when I checked earlier the cover still wasn't showing on the website. Hopefully that will synch up soon.
I intend to get the story onto other ebook platforms as well, though nothing else is quite as easy to use as the Kindle and Nook publishing platforms and sometimes take a while to show up. If you want to read this story and aren't using Kindle or Nook, drop me a line.
The story is downloadable right now, though when I checked earlier the cover still wasn't showing on the website. Hopefully that will synch up soon.I intend to get the story onto other ebook platforms as well, though nothing else is quite as easy to use as the Kindle and Nook publishing platforms and sometimes take a while to show up. If you want to read this story and aren't using Kindle or Nook, drop me a line.
January 5, 2013
Witchbreaker Giveaway on Goodreads, Signing at Purple Crow, Illogicon
Three bits of Witchbreaker news: First, there's currently a giveaway going on at Goodreads. The drawing ends tomorrow at midnight, so act fast. Click this link to be taken to the entry page.
Next, Purple Crow Books in Hillsborough has graciously agreed to host a signing for Witchbreaker. It's scheduled for January 29th at 7:00pm. There will be dragon cookies! Purple Crow Books is a great little independent bookstore that really showcases local authors, so I'm tickled to finally have a formal signing there.
Finally, I should also mention that I'll be a guest at Illogicon in Raleigh next weekend, January 11-13. I'm on about six panels and have a reading on Saturday, so I won't be terribly hard to find if you come to the con. Last year's Illogicon was great, with excellent turnout for a first year con. If you feel a deep-seated need to come hang out with a bunch of geeky smart people (and who doesn't?), this con will be the place to be next weekend.
