Mark Anthony Neal's Blog, page 834
March 8, 2014
W. Kamau Bell On The Danger Of The White Obsession With Lupita Nyong'o

Comedian W. Kamau Bell sits down with Marc Lamont Hill to chat about his new stand-up tour 'Oh Everything', comedy and White obsession with Lupita Nyong'o.
Published on March 08, 2014 09:23
Portlandia's "History of Hip-Hop"
Published on March 08, 2014 06:41
March 7, 2014
Historian Peniel Joseph Talks New Book 'Stokely: A Life'
Published on March 07, 2014 14:41
Summer @ Duke: Black Cinema from Spike Lee to Tyler Perry to Ava Duvernay

Duke UniversityAfrican & African American Studies—AAAS 390s-01Program in Art of the Moving Image—AMI 390s-01Visual and Media Studies—VMS 290s-01
Summer Session OneM.T.Th—12:30 pm – 2:35 pmPerkins LINK 2 – 060
The release of Spike Lee’s She’s Gotta Have It (1986) began a relative renaissance of mainstream Black filmmaking—a dynamic that was furthered with the emergence of accessible digital technology in the 1990s. As Lee has maintained his status as a pseudo-Hollywood outsider (with measured critical acclaim), Tyler Perry has leveraged the spending habits of his base-audience to become the most commercially successful Black filmmaker of his generation. Within these two narratives are the struggles faced by Black independent filmmakers.
The course will examine contemporary Black film, with an emphasis on the role of Black film in the hyper-visuality of Blackness in the digital era, as well as the debates over what constitutes “Black” film, the distribution and promotional challenges faced by independent Black filmmakers, and the role of non-Black filmmakers in presenting the Black experience in film.
Directors examined may include: Spike Lee, Tyler Perry, Kasi Lemmons, John Singleton, Ava Duvernay, Dee Rees, Tonya Hamilton, Haile Gerima, Charles Burnett, Leslie Harris, Mira Nair, and Tim Disney.
Published on March 07, 2014 10:42
Left of Black Preview: Black, Gay, Southern Men Embodied in 'Sweet Tea'

Giving voice to a population too rarely acknowledged, Sweet Tea collects more than sixty life stories from black gay men who were born, raised, and continue to live in the South. E. Patrick Johnson challenges stereotypes of the South as 'backward' or 'repressive' and offers a window into the ways black gay men negotiate their identities, build community, maintain friendship networks, and find sexual and life partners--often in spaces and activities that appear to be antigay. Ultimately, Sweet Tea validates the lives of these black gay men and reinforces the role of storytelling in both African American and southern cultures.
The stage version of Sweet Tea will be touring this spring at Williams College, Morehouse College, Spelman College and Brown University.
Published on March 07, 2014 06:20
March 6, 2014
Ava DuVernay's 'Black Women in Hollywood' Speech

Ava DuVernay speaks on why the pre-Oscars event gives Black women in Hollywood a sense of validation.
Published on March 06, 2014 13:25
Prince on the 'Arsenio Hall Show': Hair and Omelettes

Prince sat down to answer questions from his fans in Arsenio's audience. They asked him about his pet peeves and chores he does around the house. You won't believe the things people to do Prince and what he'll make you for breakfast--it's not pancakes.
Published on March 06, 2014 07:43
Book Trailer: 'The Cultural Impact of Kanye West' (edited by Julius Bailey)

The Cultural Impact of Kanye West (Palgrave Macmillan) ed. by Julius Bailey
The ability of popular art to offer societal critiques and challenge received ideas has been recognized throughout history. Through rap and hip-hop, composers, singers, and entertainers have recently provided a voice questioning and challenging the sanctioned view of the times. This book offers an in-depth reading of the works and cultural impact of Kanye West. Looking at the moral and social implications of West's words, images, and music in the broader context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them.
Published on March 06, 2014 07:11
March 5, 2014
The Ebony Fashion Fair: Changing History On The Catwalk
Published on March 05, 2014 10:24
March 4, 2014
Left of Black S4:E22: Archibald Motley—Jazz Age Modernist

On location at The Nasher Museum of Art, Left of Black host and Duke University Professor Mark Anthony Neal is joined by noted Art Historian Richard J. Powell, curator of the new exhibit Archibald Motley: Jazz Age Modernist, the first retrospective of Motley’s work in two decades. Powell is the John Spencer Bassett Professor of Art, Art History & Visual Studies at Duke University.Left of Black is a weekly Webcast hosted by Mark Anthony Neal and produced in collaboration with the John Hope Franklin Center at Duke University.
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Episodes of Left of Black are also available for free download in @ iTunes U
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Follow Left of Black on Twitter: @LeftofBlack Follow Mark Anthony Neal on Twitter: @NewBlackMan
Published on March 04, 2014 17:00
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