Mark Anthony Neal's Blog, page 605
June 21, 2016
Nate Parker's The Birth of a Nation (Official HD Trailer)
Published on June 21, 2016 16:42
How Barbershops Can Keep Black Men Healthy

Published on June 21, 2016 16:31
Malian Singer Rokia Traore Advocates for Refugee Rights Through Music

Published on June 21, 2016 16:18
A Thunderbitchin’ Good Time: Brittany Howard’s Feminist World-Making

Brittany Howard is just badass. She’s flamboyant and complex, yet also precise and simple. Her vocals are crushing, her performances mesmerizing, and her energy contagious. This is probably why she was named Billboard’s 2015 Women in Music ‘Powerhouse’ Artist. She is best known as the frontwoman, guitarist, and primary songwriter for the Grammy-winning blues rock band, Alabama Shakes, who rose to the spotlight in 2012 with their debut LP Boys & Girls and then peaked again with their follow-up record, Sound & Color.
A lot of people know Howard and Alabama Shakes. Less folks, though, know about her practically secretive side-project, Thunderbitch, and their self-titled debut LP released in August 2015.
Howard was born in 1988 in Athens, Alabama to a white mother and black father. When asked if she identifies as Black or mixed, she responded, “I’m both. Everything and nothing.” Her response so aptly captures her as a musician too: she’s rock and roll and blues, emotionally deep and a party animal, tender and tough, sense and non-sense. But then again, she’s none of this because she just does her thing. This is quite evident in Thunderbitch, a group comprised of four other members from Nashville acts. They’re mysterious. Their website says little (see here), they wear white face paint, wigs and all-black outfits, and the band members have taken pseudonyms.
Howard is Thunderbitch. It’s clear that the band is bringing back the theatrics of rock and roll. And the party. The most refreshing aspect, however, is that it’s all about the music and it’s largely Howard’s making. (A solid musical review of the album can be found here.)
The first and most well known track, “Leather Jacket,” makes clear that Thunderbitch is out to rock and roll. She sings about the seductive and transformative allure of a leather jacket: “They said it’s gonna change me/But I think that it has saved me/Now I gonna die in, that leather jacket/Knowing all them years that I spent/Looking totally fucking awesome.” The song finishes mired in this awesomeness: “I ain’t ever gonna take it off/No, no, no, no, no, no, no.” While it may seem superficial and simplistic, the song is radically self-affirmative, especially with Thunderbitch at its helm.
“Leather Jacket” displaces the politics of respectability and acquiescence in favor of a politics of self-definition. The sex-filled track “My Baby is My Guitar” takes such a politics in a different direction, offering us a vision of a woman’s sexuality not dependent on anyone else, but realized with her guitar. She sings: “My god I take you home/I remember the first time I turned you on…Everything I wanted was just in my reach.”
It matters that Howard’s alter-ego is the voice of these songs; she’s wild, assertive, aggressive, sexy, and damn good at what she does. That Howard’s a woman of color cranking the volume, defining herself, leading a band, and running her own party matters a great deal.
In a world, including the world of rock and roll, where women, especially women of color, are often props at the party and are seldom allowed to lead the band, Howard’s thunderbitchin’ party is a welcome vision of feminist world-making.
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Megan M. Burke, PhD is Assistant Professor of Philosophy and Gender and Women’s Studies at Oklahoma State University. Megan’s work focuses on the relationship between racialized sexual violence and the lived experience of gender.
Published on June 21, 2016 05:33
Rosario Dawson: We Need to Stay the Course to Build a New Movement

Published on June 21, 2016 05:11
Why O.J. Simpson Captivates Us Still

Published on June 21, 2016 05:04
#StrangeFruit: Faith After the Violence of Orlando

Published on June 21, 2016 04:52
June 20, 2016
Gun Violence Is Now a Public Health Crisis

Published on June 20, 2016 07:43
June 18, 2016
Black Men on How They 'Learned' to Be Fathers

Published on June 18, 2016 10:58
Three South African designers hit New York with 'Deep Settle Movement'

Published on June 18, 2016 06:14
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