Ruchi Acharya's Blog, page 7
April 25, 2024
Surviving Solitary Confinement: Writing Your Novel
Being a writer and having three pending novels lying in the dust on my bookshelves, I can understand how difficult it can be to live in solitary confinement and stay motivated to finish at least one page every day.
When you're having a showdown with solitary confinement while working on your novel, it's important to maintain a sense of routine and creativity. Having a routine in your life will forge discipline which is required to keep your activities in check and to ensure that you're utilising your time to the fullest. On the other hand, Creativity is the magical pixie dust that needs to be sprinkled from time to time to curate a masterpiece flowing through your soul and getting inked straight onto the papers.
Start by establishing a daily schedule that includes dedicated writing sessions, breaks for physical activity or relaxation, and regular meals. Use this time alone to seep deeper into your characters and plot, allowing your imagination to flourish without distractions. Sometimes, your brain needs a change of view apart from the screen to let the creative juice flow. You may never know the significance of perspective change until you put it into practice. By taking a break and returning to your literary piece you will be able to see your work from a fresh perspective. Do it more often. Let's discuss how to attain all this below one by one:
START YOUR DAY WITH MORNING SWEAT
Begin your morning with sweat—yes, you heard that right! Morning sweat is crucial for awakening your dormant mind and body. Without igniting that adrenaline rush from the depths of slumber, you won't be able to produce the work of an English laureate. So, no matter how much you despise morning exercise, in the name of English Literature, you must sacrifice your comfort and spring into action. You don't have to necessarily hit the gym; even jogging, running, home workouts, or swimming will suffice as long as you exert yourself and break a sweat.
2. RELAX YOURSELF AND CONNECT TO YOUR SPIRITUAL SENSE
Relaxation isn't always as straightforward as it appears. Many people mistakenly believe that simply doing nothing qualifies as relaxation, but its meaning goes much deeper. True relaxation is essential for maintaining our overall well-being and nurturing a profound connection to our spiritual selves. In today's fast-paced, commercialized world, we often find ourselves weighed down by stress, experiencing frequent mood swings, developing indecisiveness, and feeling disconnected from our inner selves and the peaceful world around us. This can lead to a blockage in our creative flow and limit our ability to see beyond the predictable.
By cultivating a sense of inner quietude, balancing our thoughts and actions, and tapping into inner peace and tranquility, we can release tension from our bodies and achieve genuine relaxation. Here are a few activities and techniques you can try:
3. COOKING HEALTHY MEALS
One of the perks of eating your favourite meal is that it releases one of the happy hormones called Dopamine. Consuming your favourite food triggers the release of dopamine, a neurotransmitter associated with pleasure and reward. This surge in dopamine can elevate mood and provide a sense of happiness and satisfaction. Treating yourself to your favourite food is a form of self-care and self-indulgence. We all need to feel loved from time to time, after all, we are social animals. Taking the time to enjoy something you love can promote feelings of self-worth and fulfilment, contributing to overall mental wellness. Practising mindful eating while enjoying your favourite food can enhance the experience and promote mindfulness. Being fully present and savouring each bite can increase feelings of gratitude and contentment, leading to a mental boost. So, do take time to cook your favourite meal.
"66 days Challenge"
As a peak performer, it's crucial to prioritize the well-being of your heart, mind, and stomach, as they are key to unlocking your creativity. Remember, it typically takes about 66 days for a behavior to become a habit. By taking small steps every day, you'll start to see positive changes within yourself. Don't allow negative thoughts or demotivation to take control. Instead, consciously choose to do the opposite and nurture a positive mindset.
ABOUT THE BLOGGER
Ruchi Acharya is a multi-talented author hailing from India who has a passion for writing poems on nature, war, and love. Despite having a strong background in Electrical and Electronics engineering, English Literature, and Business Analytics, Ruchi pursued her creative side and found her love for writing. Currently studying Shakespearean Literature, Ruchi has always had a deep appreciation for the literary arts.
Ruchi is the owner of Wingless Dreamer, an international publishing company that focuses on helping writers and artists find their footing in the industry. Her work with Wingless Dreamer reflects her dedication to the betterment of the writing and art communities.
In her spare time, Ruchi volunteers for social services and enjoys spending time outdoors, finding inspiration for her poetry in the natural world. With her many talents and interests, Ruchi continues to be a rising star in the literary world, with many eagerly anticipating her next work.
April 15, 2024
How can personal loss inspire powerful writing?
I know it hurts. I understand the pain. I didn't grasp the power of words in the midst of grieving. I lost a friend last week and it took me another week to finally write about it. While my heart is still processing the grief I've accumulated over the past few days, I thought, why not discuss the significance of writing about personal loss? Well, I am here now constantly hitting "backspace" after every sentence and trying to express my sentiments. This is my first time so, kindly, bear with me.
When I heard the news, I felt like a surge in my heart, turning it blue as it fought against the flow of deoxygenated blood. For the first few hours, I was praying to God, let this news turn out to be a hoax, but, unfortunately, my gravest fears rose to the surface and the dark secluded energies surrounded me with the indefinite feeling of helplessness, sadness and agony. How do I process that? In all honesty, for the first 24 hours, I cried alone in my apartment. I didn't respond to any calls and hung in there in my solitary confinement. Going through her images and videos on Instagram and reading captions made me realise that time is ticking and this world is not becoming a better place to live in. Just like any other mourner, I begin blaming society for how hostile environment we humans have created for ourselves that has the potential to take away even the brightest star away from our sky.
She was a kindred spirit, a woman full of life living her dreams in her late 20's. I won't talk more about her but I would like to share this poem I wrote especially for her.
COUPLET - BRAVE-HEARTED MAIDEN BY RUCHI ACHARYA
In the loving memories of Shraddha Ghosh
She was like free verse, unforeseeable and unkissed, a strong-headed maiden
Her friends say, “We’re not close, though distant, she resonated within us somewhere.”
She never wanted me to share her story, so my grief remained silent for thousands of years
She's gone now, but I can see her in the amber sky and in the green leaves trekking to heaven
She mastered hiding her pain behind flawless laughter and a driven stare
I must never place trust in myself for interpreting people's emotions through their fake gestures
Plain in sight, right in front of my eyes, she suffered, oh, boy! She suffered
Each time my heart sinks, ponders at the thought of the world forever losing a brave daughter
Skilled and polished was she, now dancing in the moonlight among the gnomes and fairies
Through this poem, I will let her go and flow in these words, for she was a lover of poetry
Just like summer in Italy, English winter, she was an emotional seesaw within
In weighted steps, she freed her soul from the depths of misery's hold and life’s mystery
I stopped wondering about the reasons "why?" Instead, healing and helping in awry
I see her mother's eyes, hear her best friend's heavy voice—both helpless, yet she well lived her life
Before we jump into the discussion of why writing is one of the most important tools during the process of grief, let us all unanimously come to the agreement that
It's not a state, it's the process. Henceforth, a few of the key points must be taken into consideration:
There are no shortcuts or remedies to bereavement. Go through the whole process. Cry, scream, show disapproval, isolate (sometimes it helps greatly), and self-talk.
Show some compassion towards yourself. I know it's extremely difficult to follow up the daily routine but keep pursuing it even though you hate it. Avoid self-blame.
Avoid negative self-talk and push yourself deliberately towards the darkness
Music helps to a certain point. Let your pain flow like a river along with the rhythmic effects of the music.
Validate your feelings and share your agony with your family, friends or someone trustworthy. We are social animals, we do need warmth in such ground-breaking and heart-throbbing life events.
With that out of sight, let's indulge in the power of writing.
It' 's alright, if you're behaving out of your character because experiencing personal loss can evoke a range of intense emotions such as grief, sadness, anger, and longing. Henceforth, emphasises more on why writing plays a mere tool to activate resonancy with readers on a deep emotional level.
Writers who have experienced personal loss often develop a heightened sense of empathy for others who are going through similar experiences. This empathy can help them connect with readers who have also experienced loss, creating a sense of solidarity and understanding.
Personal loss often prompts individuals to reflect on their own lives, values, and beliefs. This process of introspection can lead to profound insights and self-discovery, which can be expressed through writing.
Writing about personal loss can serve as a form of catharsis, allowing writers to process their emotions and find meaning in their experiences. By transforming their pain into art, writers can find a sense of closure and healing.
While personal loss is inherently individual, it also touches on universal themes such as love, loss, resilience, and the human condition. By tapping into these universal themes, writers can create writing that resonates with a wide audience and has the power to evoke empathy and understanding.
Ruchi Acharya, an Indian-born writer born in 1995, is the Founder and CEO of Wingless Dreamer Publisher, a global platform dedicated to uplifting writers and artists. Holding a summer graduation in English Literature from the University of Oxford, Ruchi's poetic prowess shines through her acclaimed work, including the poetry book "Off the Cliff," available on Amazon. Recognized in over 100 journals worldwide, she advocates for the preservation of literature, culture, and history.
Her literary knowledge has been widely applauded and shared on InterNations, Viewless Wings Podcast, and on various other reputed platforms. Ruchi, a passionate explorer of historical sites, resides in Mumbai, immersing herself in its vibrant culture. Her dedication to fostering creativity and encouraging aspiring writers positions her as a leading figure in the literary realm.
Website: https://www.ruchiacharya.com
March 24, 2024
Top 5 Morning Rituals to Boost Your Brain Power
Expanding the words of Voltaire, the human brain is a brilliance of nature, a testament to the immortal creativity of evolution and the complexities of the mind. Our brain’s power lies in its ability to question, learn, and structure the world. At its most meaningful, its power includes the ability to sense beauty in the ordinary, to unveil truths in the gloom, and to harmonise varying ideas.
Think of Jorge Luis Borges, William Shakespeare, and Leo Tolstoy, whose sharp brains, deep insight into human nature, philosophical and psychological depth, complex plots, and mastery of language made them some of the most eminent authors.
Today, we live in a world plagued with intricacy and suspense, and the power to think critically and creatively is more important than ever. We have to boost our brain’s capacities and empower it to steer the challenges of life with stability. We have to harness the power of logic and vision to crush blocks and grab opportunities.
The brain's plasticity appears as a wonder, where neural links can be developed and redone in response to learning. Like a sculptor, we can shape our brains, adjusting them to new challenges and domains with versatility. Boosting brain power is a journey of self-discovery and maturation. We have to delve into activities aimed at unfurling the full potential of our minds.
Enliven the brain with a rejuvenating gulp of a morning detox drink that is rich in antioxidants, vitamins, and vital nutrients that can help wash out toxins and raise blood gush to the brain.
Stimulate the brain’s power with a sunrise stroll through nature and morning exercises; breathing in oxygen that is vital for cognitive rendition. Simply do it in the convenience of the home and stretch the body to the tune of an optimistic brain and heart in the tranquillity of the dawn.
Devot a few mindful hours for the perfect mind-body consonance. Engage in cogent breathing patterns and guided meditation to boost neuroplasticity, which enhances awareness and equips the brain with dynamic regulation, allowing it to approach tasks with clarity and peace.
A wholesome breakfast can regulate all-around cognition. Mesmerize the mind with a medley of multicolour fruits rich in antioxidants, nuts high in omega-3 fatty acids, dark leafy greens plenty in vitamins, and food items with high-fibre carbohydrates, protein, and healthy fat.
Boost curiosity and inventiveness by melding imaginative initiatives into the morning routine. Either fix a few minutes to write a few pages of introspections to unclog the mind, sit with a spellbinding textbook, or learn a new craft. Cognitively stimulating activities can encourage neurogenesis and reinforce neural networks, boosting memory, and cognitive flexibility.
Our brain is our perfect ally, just as it stands ready to empower you, it thrives with the nurturing support we provide. Listen to its whispers and engage in the enriching activities outlined above to develop a more profound connection with it. By doing so, we can unlock the gateway to limitless potential, harnessing the transformative power to achieve wonders beyond imagination.
ABOUT THE BLOGGER
SHREYA MISHRA
Meet Shreya Mishra, she is a blend of passion and purpose, seamlessly weaving the worlds of medicine and content creation. Her love for music and dance infuses rhythm into her life, while her compassionate spirit guides her journey toward healing and expression. Every step she takes resonates with curiosity and creativity, inspiring those around her with her warmth and determination.
February 28, 2024
Exploring the Rich Tapestry of Egyptian Literature: From Ancient Epics to Modern Poetry
Egyptian literature boasts an illustrious history, spanning thousands of years and encompassing a diverse array of genres, styles, and themes. From the epic tales of gods and pharaohs carved into the walls of temples to the lyrical poetry of contemporary writers, Egyptian literature reflects the country's rich cultural heritage and enduring literary tradition. In this article, we'll delve into the evolution of Egyptian literature, exploring its ancient roots, key literary movements, and notable writers who have shaped the literary landscape of Egypt.
The origins of Egyptian literature can be traced back to the inception of civilization, with some of the earliest examples dating back to around 3100 BCE. Ancient Egyptian literature encompassed a wide range of genres, including religious texts, historical inscriptions, wisdom literature, and literary works such as poetry and stories.
Another prominent genre is the "Mythological Texts," which recounted the stories of the gods and goddesses worshipped by the ancient Egyptians. These myths were often depicted in religious texts, such as the Pyramid Texts and the Book of the Dead, and served as a guide for the deceased in the afterlife.
Poetry also flourished in ancient Egypt, with hymns, love songs, and narrative poems being composed and recited by bards and court poets. The "Great Hymn to the Aten," composed by the pharaoh Akhenaten, is one of the most famous examples of ancient Egyptian poetry, celebrating the sun god Aten as the source of life and light.
With the Arab conquest of Egypt in the 7th century CE, Arabic became the dominant language of literature and culture in the region. This period saw the flourishing of Islamic literature in Egypt, with scholars and poets producing a wealth of works in various genres, including poetry, prose, and religious texts.
One of the most influential figures of this era was the polymath Al-Jahiz, whose literary works encompassed a wide range of topics, including natural history, theology, and philosophy. Al-Jahiz's wit and intellectual curiosity made him a seminal figure in the development of Arabic literature and scholarship.The Mamluk period (13th to 16th centuries) witnessed a golden age of Arabic literature in Egypt, with prolific writers such as Ibn Khaldun, Ibn al-Farid, and Al-Maqrizi producing enduring works in poetry, history, and theology. The epic poem "The Diwan of Ibn al-Farid" remains one of the masterpieces of Arabic literature, celebrated for its mystical themes and lyrical beauty.
The modern era has seen the emergence of a vibrant literary scene in Egypt, with writers exploring a wide range of themes and styles in their works. From the pioneering feminist writings of Huda Shaarawi to the existentialist novels of Naguib Mahfouz, Egyptian literature has continued to evolve and adapt to changing social and political landscapes.
One of the most significant developments in modern Egyptian literature was the rise of the "Nahda" or Renaissance movement in the late 19th and early 20th centuries. Influenced by European literary trends and nationalist ideologies, Nahda writers sought to revitalize Arabic literature and promote social and cultural reform in Egypt.
Prominent figures of the Nahda period include Taha Hussein, who championed the cause of Arab cultural revival and modernization, and Muhammad Husayn Haykal, whose historical novels and political writings played a key role in shaping Egyptian nationalism.In the latter half of the 20th century, Egyptian literature witnessed a surge of creativity and experimentation, with writers such as Nawal El Saadawi, Sonallah Ibrahim, and Alaa Al Aswany challenging societal norms and pushing the boundaries of literary expression. Themes such as feminism, political dissent, and social injustice became increasingly prevalent in Egyptian literature, reflecting the turbulent times in which these writers lived.
Egyptian literature is a testament to the enduring power of the written word and its ability to capture the essence of a culture and society across centuries. From the epic poetry of ancient pharaohs to the contemporary novels of modern-day writers, Egyptian literature continues to inspire and provoke thought, offering a window into the soul of a nation rich in history and tradition. As new voices emerge and old themes are reimagined, the literary legacy of Egypt remains a vibrant and ever-evolving tapestry of human experience and imagination.
ABOUT THIS BLOGGER
Nadelina Agopoglu, American Armenian, is a lifelong writer. Nadelina firmly believes in unconditionally supporting creatives in their production, evident through her work at Wingless Dreamer Publisher, a company dedicated to empowering and promoting creative individuals.
With a profound love and fondness of Armenian and Women’s Literature, Nadelina explores the intricacies of these distinguished literary domains. Among her favorite literary pieces are In the Dreamhouse by Carmen Maria Macchado and The Fool by Raffi.
Nadelina Agopoglu has been preparing her debut in the literary world, having written multiple short stories and a poetry collection over the span of a few years. During her time writing, she has undertaken many opportunities in order to bring her works to their highest potential by working with other creatives and by constantly consuming various pieces of literary work. She advocates for the accessibility of creative production, and strongly believes that everyone should be able to follow their passions and have their work recognized.
February 19, 2024
ECHOES OF OLYMPUS: EXPLORING THE LEGACY OF GREEK POETRY
Greek poetry originated in the 7th century BCE with the oral tradition of epic poetry, exemplified by Homer's "Iliad" and "Odyssey." Lyric poetry emerged in the 7th to 6th centuries BCE, focusing on personal expression and emotion, as seen in the works of Sappho and Pindar. This laid the foundation for Greek literary traditions. Greek poetry also contributed to developing literary forms, language, and rhetoric, influencing subsequent literary traditions from Rome to the Renaissance and beyond, leaving an enduring legacy in world literature.
Common themes in Greek poetry include love, nature, mortality, heroism, the gods, and the human condition. Poets often explored emotions, relationships, and the interconnectedness of life and death. They also celebrated beauty, honour, and the pursuit of knowledge, reflecting the values and concerns of ancient Greek society.
Epic poetry
Epic poetry held a central role in ancient Greek culture, reflecting its heroic ideals, myths, and historical narratives. Homer's "Iliad" and "Odyssey," composed around the 8th century BCE, stand as iconic examples of this tradition. The "Iliad" recounts the events of the Trojan War, particularly focusing on the wrath of Achilles and its repercussions for both mortals and gods. Themes of honor, fate, and the complexities of human existence are woven throughout, creating a rich tapestry of heroism and tragedy. In the "Odyssey," we follow the arduous journey of Odysseus as he endeavors to return home after the war, encountering mythical creatures, divine interventions, and personal challenges along the way. Through Odysseus' trials, the poem explores themes of resilience, cunning, and the profound longing for home.
The enduring legacy of Greek epic poetry persists through the ages, inspiring subsequent generations of poets and writers. From Virgil's "Aeneid" in ancient Rome to Dante's "Divine Comedy" in the medieval period, and even into the modern era, the themes and characters of Homer's epics continue to captivate audiences and stimulate the collective imagination of humanity.
Lyric poetry:
Greek lyric poetry encompassed a diverse range of themes, styles, and forms. It was primarily performed with musical accompaniment, often on instruments like the lyre, hence the term "lyric" poetry.
One of the most renowned lyric poets was Sappho of Lesbos, whose work focused on themes of love, desire, and the complexities of human emotions. Her lyrical verses, known as fragments, have captivated readers for centuries with their beauty and intensity.
Another prominent figure in Greek lyric poetry was Pindar, celebrated for his odes composed for victors in athletic competitions like the Olympic Games. Pindar's odes were characterized by their grandeur, lofty language, and elaborate praise of the victors' achievements, serving to immortalize their feats in verse.
Elegy:
In ancient Greece, elegy was a poetic form characterized by mournful or reflective themes, often expressing sorrow for the dead or lamenting loss. It served as a vehicle for personal and communal grieving, as well as contemplation on mortality and the passage of time. Notable Greek elegiac poets include Callinus, Tyrtaeus, and Mimnermus, who composed elegies both as expressions of individual emotions and as reflections on societal upheavals, such as war and political turmoil. Elegy held a significant place in Greek literature, influencing later poets and continuing to resonate as a poignant and evocative form of poetic expression.
Greek poetry boasts a rich tradition with numerous notable poets across various periods. Here are some of the most prominent:
1. Homer:
The legendary poet of ancient Greece, is credited with composing two epic masterpieces: the "Iliad" and the "Odyssey." These monumental works narrate the Trojan War and the journey of Odysseus, respectively, shaping the foundation of Western literature and profoundly influencing subsequent generations with their timeless themes and characters.
2. Sappho:
A renowned lyric poet from ancient Greece, composed emotionally rich verses exploring themes of love, desire, and beauty. Though much of her work is lost, surviving fragments reveal her profound influence on poetry, particularly her intimate expressions of longing and the complexities of human emotion.
3. Pindar:
An esteemed lyric poet of ancient Greece, crafted choral odes, notably victory odes (epinikia), praising triumphant athletes in the Greek games. His compositions celebrated the glory of athletic achievement, intertwining myth, praise, and moral teachings, exemplifying the grandeur and splendour of Greek culture and its ideals.
4. Hesiod:
He authored didactic epic poems "Works and Days" and "Theogony." "Works and Days" offers practical advice on agrarian life and ethical conduct, while "Theogony" explores the genealogy and cosmology of the Greek gods, shaping early Greek mythology and influencing subsequent literary and philosophical thought.
GREEK DRAMA:
Ancient Greek drama occupies a significant position in the annals of literature and theater, tracing its roots back to the 5th century BCE. Thriving primarily in Athens, it became an integral aspect of the city's cultural and civic fabric. Embracing various genres such as tragedy, comedy, and satyr plays, Greek drama showcased distinctive characteristics and purposes, fostering a rich tradition that resonates through the ages.
Tragedy, arguably the most eminent form of ancient Greek drama, reached its pinnacle through the works of illustrious playwrights like Aeschylus, Sophocles, and Euripides. Aeschylus, often hailed as the progenitor of Greek tragedy, introduced groundbreaking innovations such as the utilization of multiple characters and the introduction of a second actor on stage. His renowned trilogy "The Oresteia" delved into profound themes like fate, justice, and the divine, leaving an indelible imprint on the genre.
Sophocles, another luminary in the realm of Greek tragedy, is renowned for masterpieces like "Oedipus Rex" and "Antigone." His plays are distinguished by intricate characterizations, profound emotional depth, and the exploration of moral quandaries. Sophocles' depiction of tragic heroes grappling with inexorable forces epitomizes classical tragedy, resonating with audiences across generations.
Euripides, though considered unconventional compared to his predecessors, brought a unique flair to Greek tragedy. Works such as "Medea" and "The Bacchae" challenged conventional notions of heroism and morality, delving into the darker facets of human nature with empathy and psychological acuity. Euripides' groundbreaking exploration of women's roles within his dramas offered a nuanced portrayal seldom seen in ancient literature.
In contrast, Greek comedy, epitomized by the satirical genius of Aristophanes, provided a lighter, more satirical outlook on contemporary society and politics. Aristophanes' comedies like "The Clouds" and "Lysistrata" employed humor, parody, and fantastical elements to critique social norms, political figures, and philosophical ideologies of the time. Through sharp wit and playful satire, Aristophanes skewered various aspects of Athenian life while addressing enduring themes of power, corruption, and human folly.
Satyr plays, a lesser-known genre of ancient Greek drama, amalgamated elements of tragedy and comedy, focusing on mythological themes and ribald humor. While complete examples of satyr plays are scarce, they formed an integral part of the dramatic festivals honoring the god Dionysus, contributing to the diverse tapestry of Greek theatrical tradition.
In conclusion, the legacy of ancient Greek drama and its dramatists endures, shaping literature, theater, and culture to this day. Through their exploration of human experiences, moral quandaries, and societal dynamics, playwrights like Aeschylus, Sophocles, Euripides, and Aristophanes enriched the artistic landscape of their era and bestowed timeless insights into the human condition.
IMPACT OF GREEK LITERATURE:
During the Renaissance, the revival of classical Greek texts ignited a fervent interest in ancient Greek literature, philosophy, and art. Scholars like Petrarch and Erasmus championed the study of Greek works, leading to a resurgence of humanism and a renewed emphasis on individualism, reason, and critical inquiry. Greek myths, dramas, and philosophical treatises inspired artists, writers, and thinkers to explore new ideas and modes of expression, fostering a period of intellectual and cultural rebirth.
In the Neoclassical era, which emerged in the 18th century as a reaction against the excesses of the Baroque period, Greek literature served as a model of aesthetic purity, rationality, and order. Neoclassical writers and artists sought to emulate the clarity, restraint, and moral values found in ancient Greek texts, resulting in works characterized by balance, harmony, and classical motifs. The principles of Greek literature guided the development of genres such as the neoclassical tragedy and the heroic epic, reflecting a return to classical ideals of beauty and virtue.
In the modern era, Greek literature continues to exert a significant influence on literature, philosophy, and popular culture. From the existentialist themes in the works of Nietzsche and Camus to the narrative structures of contemporary novels and films, echoes of Greek mythology, drama, and philosophy permeate modern artistic expression. The enduring relevance of Greek literature lies in its exploration of universal themes such as love, fate, morality, and the human condition, resonating with audiences across time and space.
ABOUT THE BLOGGER
MRUNAL RAJADHYAKSHA
Mrunal Rajadhyaksha is a student currently studying English Literature in Ruia College. She is the head of the editorial team of The Ruiaite Magazine, and an avid participant in cultural festivals happening around her. She is passionate about reading, art and history, and the sea. She plays the guitar as a hobby.
February 11, 2024
THE SIGNATURE BOOK OF EVERY ERA OF LITERATURE: A GUIDE TO READING CLASSICS FOR BEGINNERS
Reading classics is a journey into some very wonderful stories, which become a lot more accessible once the reader breaks through the initial barriers of the somewhat weird-sounding language, the convoluted sentences, and the unfamiliar vocabulary. As someone whose first language isn’t English, classics can sometimes become a cause for frustration at the inability to understand. However, there are a few methods for beginners, and this one has been tried and tested by yours truly, so there’s a larger chance it’ll be the one to lead readers looking to get into classics to the best way to enjoy it.
Pick up a twentieth-century novel, and then go to a nineteenth-century poetry collection, and then to an eighteenth-century essay collection, and then to a seventeenth-century play, and so on. This gives you levels of familiarity to work with as you start out, because the language used in later literature is more familiar. As you work your way back through the eras, it’ll become easier to trace the etymology of some words, and you’ll gradually develop an ability to pick up on what seemed unfamiliar or difficult to understand before.
So, today we have a few books for you that you can begin with — two for each era!
For this, we have Harper Lee’s novel To Kill a Mockingbird, published in 1960. The story is told through the eyes of seven-year-old Jean-Lousie “Scout” Finch. The novel takes on a very “innocent” approach to depict the racial tensions in 1960s America, and the various aspects of a middle-class white household during the era — education, play, religion, and values. Jean-Louise's perspective on the world as a young child questions the systems of law, racial discrimination, and “adult” secretiveness.
The second book that we have is further back on the chronology by a decade. Published in 1951, The Catcher in the Rye by J.D. Salinger became a widely read, and controversial, novel on the effects of the post-war world, with its lack of “real” meaning, on mental illness, and on the lives of the youth. Holden Caulfield, the poster boy for the “needless” rebellious spirit of the youth, narrates the story of his dropping out of school and his journey through various places in the next three days.
Going further back in time, we can talk about James Joyce’s novel Ulysses, published in 1920, which is an adaptation of the classical Greek tale of the Odyssey, written by Homer. The novel — with its length of about a thousand pages — spans one day where Stephen Daedalus, Leopold Bloom, and Molly (Leopold’s wife) are supposed to be the representations of a modern-day Telemachus, Odysseus and Penelope. The novel is rich in prose, and satire, and is often considered one of the most successful attempts at a stream-of-consciousness style of writing.
Written closely to Joyce’s novel is Marcel Proust’s In Search of Lost Time, published first in 1913. It is a book that spans seven volumes, where the protagonist — who is never really named, since it’s first-person narrative — narrates his experience of childhood and growing up in France in the early 20th century, along with reflections on time, memories, and the lack of meaning in the modern era.
Both of these novels are written in the stream-of-consciousness style of writing, which is a characteristic of the modern era. It’s a great way to get into reading longer passages and non-linear narratives.
Starting with the later period of the Victorian era, we have The Picture of Dorian Gray by Oscar Wilde, published in 1890. In this, Dorian Gray, a handsome youth, befriends a painter and an upper-class man who create a portrait of him which ends up being a lot more than just a portrait. The novel deals with issues of morality — a common theme during the Victorian era — and of guilt, youth, and regret. It’s now considered a classic in Gothic fiction.
Another novel, published about 30 years before it, is perhaps one of the best-known novels to readers. The Tale of Two Cities, by Charles Dickens, published in 1859, is a historical novel that is set in the years before the French Revolution. Known for its realism, the novel is an impressive work of fiction, although it wasn’t very engaging to me. (And I’ve read it twice!) It tells the story of the Manettes, a family who was affected by the growing unrest between the English and French relations before the French Revolution, along with the society they are living in — a society riddled with caste conflicts, poverty and hunger.
The first novel that we will be looking at is Mary Shelley’s Frankenstein, first published in 1819. It was one of the first classics I read, and I’m absolutely in love with it to this day. It tells the story of Victor Frankenstein, a student of Science and his experience with creation. It deals with themes of the God-function, creation and destruction, isolation and “fitting in”. With some very interesting monologues sprinkled with gothic elements, the novel encapsulates the romantic spirit pretty well.
Another work, which I read pretty recently, is Northanger Abbey, by Jane Austen. Although Pride and Prejudice is usually considered one of her best works, this novel by Austen also possesses the spirit of young love, a bit of gothic paranoia, and the usual charade of “people going to each other’s houses” that was popularised by Austen in her novels.
One of the novels that is widely recognised as a popular novel of the era is Jonathan Swift’s Gulliver’s Travels, published in 1726. Written in the form of a travel journal, it provides insight into Lemuel Gulliver’s travels into the fictional lands of dwarfs, giants, talking horses and more. Each race is stranger than the last, and the novel is full of scathing satiric comments about the human race.
The other work is an epic poem by John Milton, published first in 1667, titled Paradise Lost. It tells the story of Lucirfer’s fall from heaven, the story of Adam and Eve, and the deception of Eve by Lucifer. It takes an interesting perspective on biblical events, presenting the fall of the angels from Satan’s point of view, and is a novel that depicts the rational spirit characterised by the neoclassical age.
Shakespeare’s Hamlet, Romeo and Juliet, Macbeth, Much Ado About Nothing, Measure for Measure, and As You Like It, for example, are some of the plays that come to mind immediately. Shakespeare’s wit, humour, and his ability to manipulate the iambic pentameter (the meter in which most of his works are written) is impressive.
As for Christopher Marlowe, I can vouch for Doctor Faustus, which premiered as a play on stage in 1592. It is a tragedy which narrates the story of Faust, who makes a deal with the devil to acquire endless knowledge. The Elizabethan era was known for its hunger for knowledge, and its belief in the rational ability of humans — two themes which are wonderfully encapsulated in the play.
Literature available from this era is scarcer as compared to the previous eras we discussed. But, I’ll recommend two of the works I’ve read, which happen to be the most well-known works from these eras.
The first is The Canterbury Tales by Geoffery Chaucer, written in 1392 in medieval English, which is significantly different from the English spoken today. Some versions offer a “translation” into a modern version of English. The premise of the book is that travellers are making a trip to Canterbury, and they tell each other stories. The book includes themes of religion, class, and satiric comments.
The second is Beowulf, believed to have been written around 700 to 750 CE, in Old English. It tells the story of the prince of the Geats, Beowulf, and his adventures up to his death. It has some passages of wonderful descriptions, and the limitation of words leads to some interesting choices of kenning words.
So, while these works are just the surface of the ever-growing canon of English classics, they can provide you with the skills you need to make reading classics easier. So, this year, make it a goal to read these, and you’ll find several stories that are enjoyable once you get past the label of “classics”.
ABOUT THIS AUTHOR
Mrunal Rajadhyaksha is a student currently studying English Literature in Ruia College. She is the head of the editorial team of The Ruiaite Magazine, and an avid participant in cultural festivals happening around her. She is passionate about reading, art and history, and the sea. She plays the guitar as a hobby.
February 5, 2024
Exploring Christopher Bowen's Unique Storytelling and Midwestern Flair
I'm thrilled to offer you my conversation with Christopher Bowen in this blog. Brace yourself for a journey through Christopher's unique perspective and unparalleled eloquence. In the realm of words, Christopher Bowen stands as a maestro, framing verses that dive into the profound depths of our existence.
This blog is more than just a read; it's an odyssey in search of motivation, ingenuity, and the boundless expanses of the human spirit. Whether you're a budding writer or someone aspiring to leave a distinctive mark through words, this blog vows to fuel your transition.
So, let Christopher Bowen's wisdom propel you towards new heights of inspiration and make your mark in the world.
Christopher Bowen: Well Shreya, I think storytelling is a natural role for most people. Most people want to tell their story, or some version of it, even if it is just a memory. Very few ever really pursue it. I’m reminded of the quote from science fiction and fantasy writer Ursula K. Le Guin: “The creative adult is a child who has survived.”
Christopher Bowen: What makes the Midwest so enticing to me as a writer is its natural blue-collar and Rust Belt mentality. While these are elements you find throughout the Midwest, they are often expressed in my writing with a sort of brutal honesty. My fiction can be disheartening and depressing, but it looks for the opportunity in the wake of heartache and loss—for growth and change. The characters in my fiction are down-and-out, forgotten people, but often, through compromise and resolve, they are poetic, if not graceful.
Christopher Bowen: Repeatedly, it can be sadness. I was once diagnosed with bipolar disorder a long, long time ago, and although I’ve taken the same medication for, God knows, twenty years, my stories tend to have an impact on people that way. While I wrote and published a novella on my experience with it in the hospital, that book may be the singular achievement I feel the most proud of lately.
Christopher Bowen: Shorter forms hit harder, you know? I think the shorter the form, the harder the gut punch. As a writer, you want your stories to sink in with your readers. Some are slow burns. They build up, they use repetition, and then they just ‘pow’ it on you. There are a handful of flash fiction writers I have had the luck and pleasure of knowing and working with, too. While the form has consistently gotten more popular, the gut punch in a story is the best way I can describe the emotional effect.
Christopher Bowen: In most of my fiction, if not non-fiction, I want people to know the gravity of the times we are living in and that they can get up and change. I hope I connect with readers on the page at the moment, meeting them sometimes even in the first person while telling a story. My own experiences include commutes through broken-down but still functioning urban factories. Rural farm roads with horse-drawn carriages. These are elements and themes of the Midwestern U.S. Much like our winters, there is a hard-earned resilience to that.
Christopher Bowen: That can be difficult. There have been several times I have solicited writer friends for feedback, sometimes on manuscripts, essays, etc. I think this is more of a question of: Are you, as an author, comfortable sacrificing for the reader’s empathy? In the end, it is the understanding of the reader that you want to help create that artistic vision. At least in my own opinion.
I have shared a snippet of my interesting conversation with Christopher Bowen. While we touched on a myriad of topics, unfortunately, not all of them could make it into this blog. However, Christopher has assured us of his availability for more insightful discussions. His willingness to share his wisdom and experiences adds an exciting layer to our ongoing dialogue. Stay tuned for more captivating conversations down the road!
ABOUT THE BLOGGER
SHREYA MISHRA
Meet Shreya, the aspiring doctor and content creator, who seamlessly weaves life-saving skills with mood-lifting narratives, creating a healing symphony through both the art of medicine and the magic of words.
January 29, 2024
Harnessing the Power of Social Media for Writers: Tips for Effective Promotion
The emergence of digital platforms such as social media, blogs, and podcasts has significantly transformed the landscape of the publishing industry. These platforms have not only introduced innovative marketing strategies but have also fostered communities united by shared interests, sparking conversations around what engages readers with authors, bookstores, and literary events. In this digital era, self-publishers are presented with an unparalleled opportunity to leverage these tools for a triumphant book launch and promotional campaign, independent of traditional publishing support.
Drawing from my experience in collaborating with independent publishers and authors committed to a cause in organizing online events, I've identified several key strategies that are universally applicable across all publishing genres and levels, particularly for authors navigating the industry solo or without a dedicated marketing team. Below are four essential tips to effectively self-market your literary work:
Many modern authors create an active social media presence for visibility and to engage with fans. In recent years, this has become a primary source for audiences to stay updated on news and connect with the person behind the art. Therefore, a cultivated social media network should not be underestimated for its marketing power amid a generation of consumers that look to thought leaders’ social media to sway their buying decisions and overall engagement where themes of social justice, self-improvement and other nonfiction categories are involved. This goes beyond advertisements and websites by providing timely personal tidbits of information that organically entice the audience, confirming the notion that access to talent is what fans are most interested in.
Beyond simply being present on social media, it's crucial for self-publishers to actively engage in broader discussions. Platforms like Instagram, Twitter, Facebook, and increasingly TikTok, have become indispensable for anyone looking to self-promote. Additionally, blogs and podcasts offer avenues for deeper engagement through long-form content. Leveraging platforms that support interactive discussions can prove highly advantageous, particularly if the book tackles topics that resonate with readers. Encouraging and participating in these dialogues not only generates excitement but also expands the author's visibility.
Should the expense of organizing a book tour through an agency be prohibitive, authors still have viable avenues to engage with their audience and meet promotional objectives. Self-publishers should consider platforms that offer the capability to connect with fans virtually, either for free or at a minimal cost for setup and hosting. This approach ensures accessibility to the author for all fans, circumventing the logistical and financial constraints associated with physical events.
Creating content that resonates with your audience and incorporating opportunities for direct interaction during promotional periods are essential strategies. This could manifest as incentive programs, such as offering special access to the author or exclusive content in exchange for purchasing the book or writing a review. Additionally, identifying and monitoring key metrics of engagement is crucial. These metrics could include the duration of interactions with fans, the number of participants in engagements, the value derived from promotional efforts, or the cost-effectiveness of using digital platforms compared to traditional in-store events. Although these metrics may differ for each self-publisher, tracking them is vital for evaluating the campaign's effectiveness and for refining future strategies.
To execute a thriving self-promotion campaign, independent creators can harness online resources to meet their business goals, extending beyond just the publishing sector. The influence of social media has revolutionized how individuals across various fields can attain their objectives. This autonomy opens up enhanced prospects for revenue generation, eliminating the dependency on agencies and paving fresh paths for self-publishers to generate income and venture into new opportunities.
ABOUT THE BLOGGER
NADELINA AGOPOGLU
Nadelina Agopoglu, American Armenian, is a lifelong literature lover. Nadelina firmly believes in unconditionally supporting creatives in their production, evident through her work at Wingless Dreamer Publisher, a company dedicated to empowering and promoting creative individuals. With a profound love and fondness of Armenian and Women’s Literature, Nadelina explores the intricacies of these distinguished literary domains. Among her favorite literary pieces are In the Dreamhouse by Carmen Maria Macchado and The Fool by Raffi. Nadelina Agopoglu has been preparing her debut in the literary world, having written multiple short stories and a poetry collection over the span of a few years. During her time writing, she has undertaken many opportunities in order to bring her works to their highest potential by working with other creatives and by constantly consuming various pieces of literary work. She advocates for the accessibility of creative production, and strongly believes that everyone should be able to follow their passions and have their work recognized.
January 15, 2024
PROFOUND DOUBT TO NEW CERTAINTIES: WRITING IN THE ABSURD WORLD
I wanted to write something today, and my intentions were purely commercial.
I thought to myself yesterday, I’ll brainstorm on the train, and I did it. I thought, and thought — but the more I meditated on every topic, the more it felt like my brain was chewing on my thoughts and spitting them back out as a ghost of what they were. No topic seemed good enough to me. And there were some good ones, I believe: there was Cafe Culture in the Neoclassical Era and how it influenced the dominant literature of the period, or there was Why Critique is of utmost importance to writers, or there was —
Well, there were many things that I could have spun into a blog post, because, it’s not difficult to dissociate yourself from your writing and slap the label of “commercial writing” onto it. I believe a lot of writers will identify with this thought. And I have had several conversations with several writers — writers who write majorly for work — that have told me similar things. However, lately, I’ve been thinking of ways to stop putting the tape of commercial writing on my metaphorical leaking water tank of I think I’m writing something I don’t identify with.
Every writer starts out with a dream, perhaps a pipe dream, but a dream nonetheless. It’s that initial confidence that your words have meaning, importance — that your writing is a most peculiar, inimitable piece filled with idiosyncrasies that belong solely to you — that gives birth to the writer in a person. However, that dream is very soon crushed. The writer goes into the “real world”, the one where everyone is poised, ready to strike with newer, unique-er versions of their words.
This is when writing can — and, in my opinion, should — become incredibly personal.
The moment of the acceptance of the absurd (borrowing the term from Immanuel Kant and Albert Camus) is when the writer’s words stop. The writer must acknowledge the absurd, and continue to rebel against it. The best form of rebellion against the absurd is probably sheer individualism. There is nothing that can be more rebellious in the absurd world than simply being yourself. Camus also talks about the agent (he means man, but for our concern, we take it to mean “writer”) considering themselves the creator of all the opportunities and paths they create for themselves. Taking control, and asserting agency, is the best way to stop the downhill slope of dissociating yourself from your writing.
Sometimes, I, too, find writing incredibly difficult. I’m sure many people can relate to this. I’ve had a few writers tell me that writing comes as easy to them as breathing, and — well, good for them! But not me. I think in such jumbled threads of barely there thoughts that sometimes, trying to grasp a coherent sentence is like wading through thick fog, never knowing what you’ll find in front of you. This, I think, is also part of the absurd.
The pointlessness of the outside world has conditioned writers into believing in the pointlessness of their thoughts as well. Thinking has become utilitarian — “think good thoughts” is equivalent to “think useful thoughts”. This utilitarianism, however, is flawed, especially in the world of commercial writing. Because this utility — this usefulness — doesn’t necessarily imply the usefulness to the writer, but rather the usefulness to the entity they are writing for.
As AI invades the spaces of writing, art, and other creative areas, the possibility of human creativity starts to look bleak. And is there anything more absurd than machines who can write everything a writer can write? Probably not. It’s a tool that has singlehandedly asserted the pointlessness of striving for fabricated uniqueness in the twenty-first-century world. In a world where the extraordinary has become the new ordinary, and human writers are competing for the “unique” factor by going above and beyond, AI has become the new extraordinary. It can meet word counts, adjust creativity levels, write research papers, essays, poems, draw the most exquisite paintings, all in a matter of seconds. What took me days of agonising over would take a computer probably three seconds to generate.
So, screw being unique. The most unique you can be is yourself — utterly, and without remorse.
I suppose, as the new year begins, this is as much a motivational note to myself as it is to the readers: the next time you think of tagging your writing as “commercial” and tossing it onto the convertor belt of orphaned works, don’t.
ABOUT THE BLOGGER
Mrunal Rajadhyaksha is a student currently studying English Literature in Ruia College. She is passionate about reading, art and history, and the sea. She plays the guitar as a hobby.
January 7, 2024
Unveiling Mr. William David's Journey from Precision to Verses
William E. David
I am presenting to you my dialogue with Mr. William David in this blog. Every response echoes Mr. William's originality. You will experience the dialogue in its truest form! I enjoyed interviewing and later putting the conversation with this extraordinary individual in the form of a blog post.
In this blog, meet Mr. William David and make it a one-of-a-kind read. Mr. William is a true maestro with words, weaving verses that delve into the depths of the human experience. In this blog, we're seeking motivation and ingenuity and exploring the limitless realms of the human spirit. I hope this read fuels your growth, whether it's in your journey as a writer or as an individual wishing to make a distinctive and impactful mark. So, sit back, grab your cup of brew, and get ready to soar beyond the ordinary and be inspired!
Mr. William David: When I was a teenager, I became interested in two things: cars and girls. Later in life, my interests proved to be to my detriment. Along with my interest in girls came love notes and sometimes little love poems to try to woo a certain girl. It usually worked pretty well. That’s pretty much how I attracted my first wife. I guess the short answer to the first. The thing that inspired me was a girl.
Mr. William David: It seemed like in my early adult years I was just trying to make a living, living from paycheck to paycheck and going from one menial job to the next one. There was no time for daydreaming or thinking about being a poet. A friend of mine introduced me to the world of drafting. In the beginning, it was architectural drafting and designing. I already had an artistic vein in me; I took right to it, got very good at it, and loved the work. Once I retired, I had all the free time I needed to pursue a lifelong desire and passion. I did attempt to write a book of poetry while I was in the Army back in 1970 and 1971. It consisted of 100 poems I had written while separated from my first wife. Unfortunately, I only had the original typed manuscript, and somehow, over the years and many moves, it got lost. I had an English teacher read many of the poems, and she loved them. Now lost in time forever.
Shreya Mishra: As a retired senior engineer turned poet, your journey shifts from precision to emotion. Pursuing a passion like poetry can be seen as unconventional. Passion-driven endeavors can face skepticism from society. How do you perceive the importance of following one's passion, even if it might not align with conventional career expectations?
Mr. William David: There are a lot of things one may do to invoke skepticism, poetry being one of them. As I believe it is certainly with any art form or creative process, it’s all subjective. When it comes to seeing it through, one shouldn’t be too concerned with what others’ opinions may be. Naturally, you want people to like your work, but remember, there’s no way you’re going to please everybody. Have faith in your craft and continue to try to improve it as you progress in your journey. I think normally we all seek approval for what we do, especially those of us who take pride in what we do, but I don’t think everybody's approval is necessary. That would be unrealistic. There are a lot of people who think that they’re the only ones who are right. A lot of times, they’re just wrong.
A job can be just a job. A passion or calling is something different, something that needs to be followed. There don’t have to be any conflicts, necessarily. You may have to make sacrifices, you may need to make a plan "B,” or you may need to put your plans on hold for a while like I did. But never totally give up on your dreams and your passions.
William David: It seems that some people are just born with certain talents and skills. Some people have to work at it more than others. I was lucky. I think I have always naturally had a way of speaking. In school, I was always a straight “A” student in all my English and language classes. Once I was retired, I had plenty of time to start writing again. I wrote a lot of poems of all kinds. I guess I had a whole bunch of them pent up inside of me all those years while I was working in the engineering field, which, while I was engaged in it, was a passion of mine too because it involved design and illustration. I wanted to be one of the best I could be at it.
William David: I look for a poem with a message. One that’s well crafted, as in grammar, spelling, correct punctuation, and the typical stuff, goes a long way toward making an impression on me. It shows that the author is serious about his work and takes pride in his craft. Doing some editing and proofreading will help you a lot. Then I look at the structure of the poem; some are quite interesting and innovative and can sometimes enhance the piece in some way. Most of all, I want to understand what the poem is trying to convey. Does the thing make sense, or is it too vague? Some poems seem like they’re just a bunch of disconnected lines that don’t go anywhere.
William David: That is a very excellent question. For me, I think it’s darn near everything—life as a whole. The observation, the analysis, and some evaluations of life and what it’s all about. Nature inspires me; people and events inspire me; sometimes it can be an animal; really, it can be about anything, from love to hate, from peace to war.
Check out his book, Rhymes for these Tymes
William David: About my style, if you have read very many of my poems, I think the average person would pick up on the fact that I do indeed have one, and it is uniquely mine as far as I have ever read, and I’ve read a whole lot of poems over the past few years as a reviewer. To describe “my style,” I’d have to say, in my opinion, that it is diverse. The range of subjects that I write about is diverse: about good times and hard times, about when I was young and now when I’m old, and many more. I also like to experiment with form. Sometimes a particular form can reinforce the gravity of the poem. As diverse as the subjects may be, they are as recognizable as my poems. (I think.) Some of my favorite genres, though, are nature, observing wildlife, sociological subjects, an occasional love poem, and questions about the universe. I don’t employ any literary devices per se or that I am aware of; I usually just wait for an idea to pop into my head; it may be a title, a line or two, or even just an idea to sit down and write a poem about that idea; it varies.
William David: Early on, when I was a kid in school, I always liked reading Edgar Allen Poe. It wasn’t so much that they were spooky and macabre; I think it was more the unmistakable rhythm his work had. There was one more poet, which is from recent times. I once read a poem by an author named Eric Luthi. He claims to be a lousy poet, but he wrote a poem, “Cold Hearth." It consists of the title and just two lines, and with just the title and those two lines, he manages to convey a whole tragic story of a failed relationship. I don’t think I could ever do that. These poets impressed me.
William David: Creative blocks happen to me all the time. Even when all the everyday distractions are gone, I have some peace. If I sit down to do some writing and work on a poem, I will often be blocked creatively. I don’t worry about it though; the words will come whenever they come, and sooner or later they come, they always do. But there’s nothing that I've ever thought about doing to “force” me or help me write anything so far. I just have to let it come naturally, and then go with the flow.
William David: Well, with the modern technology of today—computers, the internet, and everything else—it has created a vastly larger field of opportunity for writers of all kinds. Providing more places to submit their work and have it reviewed. More chances to place their work in front of more sets of eyes for scrutiny. Here’s a tip: don’t be afraid to take some constructive criticism. If you want to get published and share your words, you have to get them out there a lot. Try to submit to publishers that are interested in your kind of writing. The more, the better, and the better your chances become. There’s a whole wide-open cyber world out there that gives you all kinds of opportunities like publication, training, writing classes, tips, and all sorts of information. One just needs to get out there and explore the possibilities.
William David: My immediate aspiration is to get my book published. It is in the final stages of development by a project team at Amazon Publishing. It should be released soon. The title is “Rhymes for These Tymes." It contains 57 of my poems, some of which have accompanying photos paired with them. It will be available on Amazon, Barnes & Noble, Kindle, and other major book retailers. I will be doing some promotion of the book for a while. But what I’m looking forward to is having some time after the book comes out to start writing some new poems and, hopefully, a second book. Only time will tell the role that poetry will play in my future.
ABOUT THE BLOGGER
SHREYA MISHRA
Meet Shreya, the aspiring doctor and content creator, who seamlessly weaves life-saving skills with mood-lifting narratives, creating a healing symphony through both the art of medicine and the magic of words.
