Harold Davis's Blog, page 204

Keeping in Touch

I wanted to touch base before I leave for France on Sunday. As you likely know, I will be leading a photography workshop in Paris. This is one of my dreams come true! My plan is to keep in touch by posting photos and stories from Paris about the ongoing adventure. You can also check the Photograph Paris with Harold Davis meetup group for updates and photos from the workshop.

Before I leave I also wanted to alert you to a few opportunities related to Botanique, my Monochromatic Visions Kickstarter project, and my workshops.

Thanks always for your support, interest in my work!

My very best wishes for adventure and photography,

Harold Davis

 

Copies of Botanique ARE available

Acclaimed as “origami in a box” and said to be “destined for major museums,” Botanique is an innovative artist project that astutely blends old craft and cutting edge new technologies to create an exquisite limited edition art book and art object that is completely unique.

Here’s how one viewer put it: “That would have to be the most beautiful floral photography I’ve seen…evident in the fact that I sank down onto my keyboard, totally relaxed thinking “oh how beautiful”. I can only dream of owning such a beautiful book.”

A washi Unryu fold-out print within Botanique

Although Botanique is selling well, and despite some stories that the edition has been sold out, we do have some copies still available. The current price (for numbers 12-15) is $1,200. The Botanique presentation ships with white gloves for handling and a signed print of Red Poppies on Kozo Washi. The fine print: $50 shipping is additional. Sales tax is also additional (for CA residents only).

According to Popular Photography Magazine, the floral prints of Harold Davis “border on the spiritual.” Botanique contains twenty-one luscious floral prints that emerge delicately and seductively from the hand-assembled presentation box. The clam shell box measures approximately 9.25″ X 12.5″ X 1″ deep.

Click here for more information about Botanique.

If you are interested in a copy of Botanique, please contact Phyllis, phyllis@bearhome.com.

Red Poppies © Harold Davis

The Monochromatic Visions and Beyond

The original idea of my Monochromatic Visions Kickstarter project was to fund the creation of a new monochromatic portfolio edition of my prints. This goal was very quickly reached, so I added a second “stretch goal”—to go to Japan and create a second washi portfolio of images from the old Japan road, Kumano kodo.

This goal is well underway, and I’d appreciate any support you can give it.

Currently, the Monochromatic Visions portfolio is available on Kickstarter for $1200, and there are two $650 copies available of the Kumano kodo portfolio.

I want to point out that prints from the individual portfolios are also available, starting as low as $200 including shipping. You can choose any of the prints from the Monochromatic Visions portfolio at this price, which represents a very substantial discount off the normal price for prints from my studio (it is $550 and up).

You can only take advantage of this offer via the Monochromatic Visions Kickstarter project.

Click here to visit the Monochromatic Visions Kickstarter project.

Workshops

I have rescheduled the Composition in Night Photography webinar for Thursday, July 11, 2013. Click here for information and registration.

There are currently limited spaces available in the following workshops:

2013.06.22—Full Moon Workshop: Photograph the Golden Gate Bridge Like You Never Have Before: hands-on adventure with Harold Davis (one space available)
2013.06.23—Full Moon Workshop: Photograph the Golden Gate Bridge Like You Never Have Before (second session): hands-on adventure with Harold Davis (four spaces available)
2013.12.07—2013.12.08—Photographing Flowers for Transparency: Two Day Workshop with Harold Davis—a unique opportunity to learn Harold’s techniques, workshop location is Berkeley, California. Limited space is available.

Ancient Music of the Stars © Harold Davis

What folks have said about Harold Davis workshops and events:

 “A great artist and speaker!”—W. Anglin
 “Harold is genuine, generous, and gracious – He has a world of knowledge and expertise that he loves to share – his wonderful books show his monumental talents and skill set- his workshops shows the depth of his connecting with others in a very real and personal way.”—P. Borrelli
“Awesome! He patiently addressed questions from the audience which contained photographers of all levels , molding his answers to the level of understanding for each of us. His presentations covered a wonderful range of technical knowledge as well as emphasizing the need for images to have an emotional quality. The images he shares are breathtaking and he is generous in sharing many facets of how he captures such beauty.”—J. Phillips
“Not all photographers are good verbal communicators. Harold is someone who can DO and TEACH. A rare combination of talents.”—B. Sawyer
“Inspiring!”
“He was very giving of his talents and time. The course was very organized and thorough. Loved it! Learned so much!”—L. Beck
“Very creative and a marvelous instructor.”—Kay S.

About Harold Davis:  Harold Davis is a professional photographer whose work is widely admired and collected. He is the author of many bestselling photography books. Harold Davis is a Moab printmaking Master.

The Unphotographed Photos

What happens when a photo is a file that languishes in a folder? It may be a little like the tree falling in the forest without recognition. Here are some of my “unseen” photos, published for the first time on my blog.

Granite Sea © Harold Davis

I shot this image of rolling, and roiling waves, from the pier in Pacifica, California the other day. Roaring towards me in a steady wind-blown progression, these waves look almost like a rock face—hence the title, Granite Sea.

Bolinas Beach © Harold Davis

A bright winter day found the clouds reflected at low tide on Bolinas Beach, California—captured with my lens aided by a polarizing filter to bring out the strength of the reflections and contrast in clouds and sky.

Ruined Stair © Harold Davis

Near sunset, I found this ruined stair under a crumbling pier in the old harbor of Port Richmond, California—looking for all the world like something out of an etching or drawing by M.C. Escher or Giovanni Battista Piranesi.

Katie Rose in Tiger Paint

Up at Step One, Amber face-painted all the pre-schoolers. Our Katie Rose became a tiger—not inappropriate for someone born with her fierce life force and will to survive. She’s also very sweet, at least when she gets her way!

Katie Rose in Tiger Paint © Harold Davis

I’ll miss Katie and her brothers very much while I am away—but I’m glad to know they’ll be doing well, and that I’ll be coming home to Phyllis and the kids.

Windswept Sea

Last week I spent some time wandering on Point Reyes with my oldest son Julian (he was off from school for the week). The land and sea were swept by a strong wind, which made photography difficult, but we had a great time being out in the weather.

Windswept Sea © Harold Davis

Looking at these wind-tossed waves reminded me that soon I will be across a different ocean, and far from home. Next week I am leaving for France, where I am leading a workshop in Paris. I’ll try to keep images and stories coming to this blog.

To make this image I stacked two fast shutter speed captures (each was shot hand held at 1/640 of a second at f/13 and ISO 200). In the strong wind a tripod was hopeless, and I couldn’t hope to stack more than two hand held exposures. I next increased the contrast and tonal range by multi-processing the RAW files to add additional layers of light and dark.

I like the way the Windswept Sea image has become an abstraction, an alternating pattern of lights and darks, that only comes into resolution as the ocean when I shift my eyes away from the image, and then back again.

Please check out my Monochromatic Visions Kickstarter project, and if you are able to do so, I would greatly appreciate your support of my photographic goals.

New $10,000 Stretch Goal for Monochromatic Visions

I’m very excited that our Monochromatic Visions Kickstarter was funded in less than 24 hours! Thanks so very for your support.

Because of all the excitement around the Monochromatic Visions portfolio, I’ve added a dream “stretch goal”—with an ambitious $10,000 goal. This goal will fund sending me on a photographic pilgrimage to create a unique portfolio of old Japan with the intention of creating a monochromatic portfolio based on my journey.

Road Less Traveled © Harold Davis

Here’s how we put it on Kickstarter:

If the Monochromatic Visions Kickstarter raises $10,000, Harold, his creativity, his camera, and his tripod will take a pilgrimage to the temples of Kyoto, Japan, and on foot to the world heritage Kumano kodo (old road of Japan).

The Kumano kodo is a network of trails leading south from Kyoto into the remote and mystical Kii Peninsula. This has been a route of pilgrimage for over 1,000 years, and includes a number of arduous trails, among them Nakahechi-do, Kohechi-do and Ohechi-do (these trails are known collectively as the Kumano kodo). Harold’s destinations will include the Grand Shrine of Hongu, and the Nachi Grand Shrine at the Pacific Ocean.

On his return from this photographic pilgrimage, Harold will create a portfolio of unique monochromatic images based on work photographed during his journey. This portfolio will be lovingly printed on traditional Japanese Kozo washi produced by a Japanese paper mill that has been in the same family for 700 years.

Harold says, “Thank you for supporting my work. I am so excited by the early funding of Monochromatic Visions. This stretch goal is a photographic journey that I’ve wanted to fulfill for many years. The opportunity of photographing rural Japan and some of Japan’s most sacred shrines would deepen my photographic life-journey and help me to reach further into my spiritual creativity. Thank you for supporting a living artist and for helping me to realize my artistic dreams!”

We’ve added some exciting new rewards related to the stretch goal (including the unique opportunity to walk with Harold in Japan while he creates the new Kumano Kodo portfolio), please check them out. And thanks ever so much for your support.

New Harold Davis Kickstarter: Monochromatic Visions

We’re pleased to announce my new Kickstarter project, Monochromatic Visions. Monochromatic Visions is a highly collectible, limited edition portfolio of twelve prints by master photographer Harold Davis. The Monochromatic Visions portfolio presentation is strictly limited to twelve numbered copies, plus three artist proofs. Here are thumbnails of the twelve images in the portfolio:

The photographs in Monochromatic Visions were created using high-dynamic range (HDR) techniques that will be explained in my forthcoming book Monochromatic HDR Photography from Focal Press. This process involves sequential multiple digital RAW exposures, or a single RAW exposure processed multiple times. The blended exposures or processes are then rendered into a single color master file. The final color version of the image is then remastered to monochrome, using innovative layering and processing techniques of my own invention.

Check out Monochromatic Visions on Kickstarter.

Calypso orchid

Hard to see among the debris at the forest floor, the tiny Calypso orchid can be photographed when conditions are right on the slopes of Mount Tamalpais for brief periods in the spring. I have been photographing the Mt Tamalpais Calypso orchid, Calypso bulbosa, also sometimes called a ‘Fairy slipper,’ for years. You can see a couple of my other photos of this marvelous flower, and read a bit about its background, in Close Encounters with Calypso.

Calypso Orchid © Harold Davis

Yesterday Mark and I headed in search of the elusive Calypso as a dense fog swirled around Mount Tamalpais. By the time we found the first specimens, hiding among old leaves beneath tall trees on a steep and muddy slope, the clouds were intermittently breaking up.

As I got to work I found that I was struggling to get my tripod low enough to the ground. Photographing this flower from above just didn’t work. So I improvised a sling made of my hat, twigs, and some raw earth, and finally got the camera stable enough to snap this fairly long exposure (2/5 of a second).

Here’s an iPhone photo Mark snapped of me at work photographing Calypso:

Exposure data: 105mm macro lens, 36mm extension tube, 2/5 of a second at f/18 and ISO 200, improvised earth-and-hat camera platform.

The infinitesimal and the infinite

I think perhaps that The Incredible Shrinking Man, a 1957 film about a man who shrinks to nothing following an encounter with a radioactive cloud, had an indelible impact on a portion of my visual aesthetic. I know that The Incredible Shrinking Man was one of the first movies I ever saw (what were my parents thinking?). No doubt due to my tender years, I took the pseudo-profundities uttered by Grant Williams, the actor who plays the shrinking man as, well, profundities.

Death Valley Badlands © Harold Davis

It’s hard to resist lines like this one: “So close — the infinitesimal and the infinite. But suddenly, I knew they were really the two ends of the same concept. The unbelievably small and the unbelievably vast eventually meet — like the closing of a gigantic circle.”

To this day, I enjoy playing with scale in my imagery. It’s one of my goals to create iconography that compels at least a second glance, and using indeterminate scale is one way to get there.

Sand Dollar © Harold Davis

For example, the Sand Dollar shown above is captured at near microscopic level. But the vista of badlands in Death Valley (far above) could easily be an enlargement of the pattern in the shell. You see, it’s all a circle, with the large and vast ultimately smaller than the small and tiny—or vice versa.

For the record, the other movie I remember well from my early years was Some Like It Hot. My brother and I were supposed to be asleep in the back of the family station wagon at the drive-in movie theater. Now what artistic influence did Some Like It Hot have?

Living at the border of immensity

I looked out over the vast Arizona plateau leading to the great canyon made by the Colorado Rover. The late autumn sun was setting quickly, creating shadows in the undulating up-country. If you look at the image sized larger it is easy to see tracks that extend across this apparently trackless waste. What would it be like to live here at the border of immensity?

Arizona Plateau at Sunset © Harold Davis

Exposure data: 120mm, three exposures at shutter speeds between 1/80 of a second and 1/320 of a second, each exposure at f/8 and ISO 200, tripod mounted; exposures combined and converted to monochromatic in Photoshop.

New Harold Davis Workshops, Events, and Webinars Too!

Full Moon Golden Gate Workshops in June 2013

I’m pleased to announce two new June sessions of our Full Moon Workshop: Photograph the Golden Gate Bridge Like You Never Have Before.

Saturday June 22 (two spaces available), information and registration: http://www.meetup.com/Harold-Davis/events/110974782/

Sunday June 23 (four spaces available), information and registration: http://www.meetup.com/Harold-Davis/events/110975982/

Golden Gate Moonrise © Harold Davis

What participants have said about previous Harold Davis full moon Golden Gate workshops:

“The workshop was wonderful!!! Harold is a fantastic teacher and photographer. I love the small group size as it allows everyone to ask questions and get the help they need to learn.”
“Fun, informative, well organized. I had good time and got some great photos. Harold really knows where to go to get the shots you want.”
“Very helpful to have the evening planned on where to go and what settings might work.”
“Very enjoyable and informative session….Shooting the bridge after sunset resulted in spectacular images, as did the reflections of moonlight on the water.”
“What a great experience! The small group, the individual attention from Harold, the incedible locations, and to top it all off – the most perfect weather anyone could possibly want surrounding the Golden Gate Bridge. The entire event was so well organized and executed.”

Night Photography Webinars

Two new Harold Davis webinars of interest specifically to night photographers, sponsored by Star Circle Academy, are now open for registration.

Thursday April 18, 2013 at 6:30PM PT, Composition in Night Photography, details and registration: http://events.starcircleacademy.com/events/110719152/

This webinar addresses the compositional issues that are unique to night photography with the goal of helping you to create stunning night photos. Topics addressed include:

Understanding the wide range of possible night photography targets
Using underexposure to your benefit
Knowing when “day for night” is right
Solving “unsolvable” night photography exposure problems
Using exposure time as an element in creative night photo compositions
Creating riveting and compelling night photography images

Ancient Music of the Stars © Harold Davis

Thursday May 23, 2013 at 6:30 PM PT, Creative Night Photography Post-Production, details and registration: http://events.starcircleacademy.com/events/110716882/

Full Moon Rising © Harold Davis

Remembering Jack Tasoff

We are sponsoring a free photo shoot in honor of the memory of Jack Tasoff, a member of the Photography with Harold Davis Meetup group, on Sunday June 2, 2013. If you knew Jack, or just want to honor his memory doing something he loved (photographing animals) please consider joining us. Details: http://www.meetup.com/Harold-Davis/events/110726082/. Read more about Jack Tasoff on my blog.

Seeing the Light © Harold Davis

Photographing Flowers for Transparency (two-day workshop)

Master photographer Harold Davis is well-known for his often imitated—but seldom equaled—digital images of luscious transparent and translucent flowers.

In this unique workshop offering master photographer Harold Davis shows the techniques he uses to create his floral masterpieces. Arrangement, composition, photography, post-production will all be covered, as will Harold’s special techniques for shooting on a light box. In response to many requests, this workshop has been expanded to two days to allow participants to fully shoot and post-process their own images under Harold’s guidance. Limited to sixteen participants.

Saturday December 7, 2013 and Sunday December 8, 2013; We have folks coming from all over the country for this workshop here in Berkeley, California, but there are still some spaces left. Registration and info: http://www.meetup.com/Harold-Davis/events/96580162/

Red Poppies © Harold Davis

What folks have said about Harold Davis workshops and events:

 “A great artist and speaker!”—W. Anglin
 “Harold is genuine, generous, and gracious – He has a world of knowledge and expertise that he loves to share – his wonderful books show his monumental talents and skill set- his workshops shows the depth of his connecting with others in a very real and personal way.”—P. Borrelli
“Awesome! He patiently addressed questions from the audience which contained photographers of all levels , molding his answers to the level of understanding for each of us. His presentations covered a wonderful range of technical knowledge as well as emphasizing the need for images to have an emotional quality. The images he shares are breathtaking and he is generous in sharing many facets of how he captures such beauty.”—J. Phillips
“Not all photographers are good verbal communicators. Harold is someone who can DO and TEACH. A rare combination of talents.”—B. Sawyer
“Inspiring!”
“He was very giving of his talents and time. The course was very organized and thorough. Loved it! Learned so much!”—L. Beck
“Very creative and a marvelous instructor.”—Kay S.

About Harold Davis:  Harold Davis is a professional photographer whose work is widely admired and collected. He is the author of many bestselling photography books. Harold Davis is a Moab printmaking Master. To learn more:

About Harold Davis
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Botanique