Harold Davis's Blog, page 160

My Easter Bunnies

Phyllis keeps the Davis Easter bunnies hopping, and a good time is had by all!

Davis Easter Bunnies

My Karate Kids

My Karate kids and Karate spouse, Phyllis, Julian, Nicky, Mathew, and Katie Rose are shown at the Rohai Dojo in Berkeley, California where my family learns Cuong Nhu, a Vietnamese form of Karate that blends “hard” and “soft” for a complete, well-rounded martial art.

Photographing the Point Reyes boat with my iPhone and the Waterlogue app

Over the years, I have photographed the beached and slowly decaying Point Reyes trawler, located near Inverness, California, by starlight and by daylight in the afternoon. This photo was by iPhone, made while my boys clambered over the wrecked vessel.

Point Reyes Boat © Harold Davis

Photographed on my iPhone, and processed on my phone on the spot with the nifty Waterlogue app. Here’s another one:

Point Reyes Boat 2 © Harold Davis

Inversions (and lions, and tigers, and bears, oh my!)

From the humble Echinacea photographed for its delicate petals, the miracle of LAB channel inversions and adjustments leads straight to the drug-crazed and colorful versions you see here (just as they used to think soft drugs led to harder ones). Poppies will put them to sleep, and their little dog too! Even though the Echinacea is a simple, calming herb, and it is certainly no relative of Morpheus or his fearsome descendants.

Echinacea Inversion © Harold Davis

I plan to print these images as a quadtych. In other words, four images, with the original Echinacea and the three shown here.

Inversion in Blue © Harold Davis

What a great word “quadtych” is! Almost as nice as “quidditch.” I often create sequences using the creative power of LAB, and these seem like a natural for printing quadtychs—and even pentaptychs and hexaptychs!

Inversion on white © Harold Davis

Echinacea

Last year I bought an Echinacea and planted it in a pot on the porch, assuming it would essentially be an annual. Somewhat to my surprise, it has come back strongly for a second year in its pot. We water it with recycled water—such as unfinished water bottles started by the kids. The young flowers are translucent and striated, like the day-old blossom shown. As the flowers mature, the petals become opaque, and a mono-colored shade of pink magenta.

 

Echinacia © Harold Davis

New Iris Macros

I’ve been having fun with some photography of a kind I haven’t done in a while: relatively straight macro photography of flowers. The photography is straightforward (as I explain below), but the aesthetic goals are a bit different than the last time I tackled photographing Iris in this way (for example, in Winged Iris): if my work is going to be confused with Georgia O’Keeffe, I may as well consciously try for a painterly effect.

Iris Petals © Harold Davis

To make this photos, I placed the individual Iris on a black background, and lit them from the side using sunlight. I photographed with my Zeiss 100mm f/2 macro lens, to which I added a Nikon PN-11 52.5mm extension tube so I could get close enough.

Iris Translucency © Harold Davis

There are so many wonderful and creative ways to tackle flower photography. It is fun to have this as my “job,” and get to come up with new approaches to the glorious and sexy subject that the flora around us presents. I hope if you have followed the flower photography stories on my blog, read my book about flower photography, and perhaps viewed my Photographing Flowers online course that I’ve given you some ideas how you might creatively approach photographing flowers.

Blue Iris © Harold Davis

 

Artist Harold Davis Uses Moab Paper for Artisanal Inkjet Prints

Renowned photographer-artist-author-teacher Harold Davis can’t imagine letting someone else print his images. Printing is how he fully realizes the image he envisions before he even snaps the camera shutter or opens Photoshop. Read more of this profile.

Review: Domke Next Generation Chronicle Camera Bag

If you are like me—and most other professional photographers that I know—you will have acquired over time an extensive collection of camera bags. Some bags fit some gear, but not other gear. Some are backpacks—which means better ergonomics for trekking, but less access to gear on the fly—and others are shoulder bags. Still others are hybrids, or designed particularly with transiting through airports, or being able to submerge in water, in mind.

I am always looking for the perfect camera bag, and with my Domke Next Generation Chronicle I may have finally hit the jackpot.

The Domke bags were originally created by photojournalist Jim Domke, whose hobby was collecting camera bags. Started in 1976, the Domke company was acquired by Tiffen, a leading manufacturer of photo accessories, in 1999. You can visit the Domke page on the Tiffen website by clicking here (opens in a new window).

I used my Domke Chronicle Bag on a workshop I led across the Atlas Mountains in Morocco—Ait Benhaddou © Harold Davis

Over the years, many professional photographers have provided input into the design of the Domke camera bags, and they have received numerous professional accolades, such as being named the official bag of the White House News Photographer Association.

It’s clear that no one bag will ever fulfill all of my photographic needs, or hold all my camera gear—and, as Jim Domke would be the first to admit, it is highly unreasonable to have this as an expectation. Within the constraints of a soft-sided journalist-style shoulder bag, my Domke Chronicle Camera Bag is truly wonderful. This is not an inexpensive camera bag (the discounted retail price is probably about $300), but the old saw about getting what you pay for applies, and the materials, finish, and detailing are top-of-the-line throughout.

The outer material is a durable, water repellent form of thick coated cotton duck, manufactured to military standards. Hardware, such as zippers and clips, are very high quality. One thing I like best is that the exterior, while attractive, is non-descript. If you remove the external Domke badge, which is easy to do, no one would ever know this was a camera bag. I carry thousands, or tens of thousands, of dollars of camera gear through all kinds of environments, and an extremely important component of personal security is not giving away what I have with me unnecessarily (partly for this reason, I also replace the branded straps on my camera bodies with plain straps).

Inside, the bag is flexible and expandable, and also protects my gear. Did I mention that this is a softside bag that is lightweight? I’ve carried it happily with one camera body and two lenses, and I’ve also used it fully loaded with several bodies and five or six heavy lenses. The customizable divisors allow a great deal of flexibility about how much gear I carry, and how it is laid out.

The layout of pockets for things like filters, memory cards, extra batteries, iPad and iPhone, and so on is very well thought out. Two features I particularly like are the excellent and secure strap for placing the bag on a wheeled suitcase extension handle, and the closure of the main compartment. The main compartment is secured with heavy-duty steel clips, but if you forget to clip it and just throw the top over, velcro takes over, and your gear will still be safe.

My one complaint about the bag, and I have only one, has to do with waterproofing. The material the bag is made of is inherently highly water resistant, and the main compartment is designed with flaps that can be arranged so that water does not leak into the bag. This arrangement is probably more than sufficient for the intended primary users of the bag, who are photojournalists. If it starts to rain hard, the photojournalist probably stops into a handy cafe and interviews sources while sipping a Pernod or Ouzo, and maybe puffing on a cheroot.

In contrast, my way of working sometimes requires me to be out with my gear in extremely foul weather. My requirements for a bag include a completely waterproof (not water resistant) cover, either included as integral to the bag, or carried as an accessory in a pocket. Domke does not provide this, so Phyllis helped me sew a jury-rigged elasticized waterproof raincoat for the bag that I always carry in a pouch in one of the pockets.

Full disclosure: I was provided a Domke Next Generation Chronicle Camera Bag for the purposes of writing a review by the Tiffen Company, and tested it under many widely varying field conditions. While I didn’t pay for my Chronicle Bag, I never would have trusted my gear to it on several continents if I didn’t think it was a great, convenient, and well-made camera bag, and my opinions are always honest and outspoken.

As a matter of principle, and so I can stay objective, I do not carry advertising or affiliate marketing links on my blog. Domke Camera Bags can be purchased from most quality professional photo suppliers.

Photographer’s Dream Tour of Italy

Peter

Peter is a neighbor and a good man. These days, he mostly takes care of his disabled adult son.

Peter © Harold Davis

Photographed hand-held with my Zeiss Otus 85mm lens at 1/3200 of a second and ISO 500, wide open at f/1.4. The Zeiss Otus 85mm f/1.4 is a masterful portrait lens.