Adrienne D'nelle Ruvalcaba

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Adrienne D'nelle Ruvalcaba

Goodreads Author


Member Since
October 2014


Adrienne D'nelle Ruvalcaba is currently not accepting new questions.

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Adrienne D'nelle Ruvalcaba Short answer:
My writing process is very analytical and involved. I love the actual process of writing and improving my craft more than I love the fini…more
Short answer:
My writing process is very analytical and involved. I love the actual process of writing and improving my craft more than I love the finished product. I prefer literary analysis over reviews, so I spend a lot of time thinking about the structure of the story...the themes, motifs, use of symbolism, irony, character development, expression through sentence structure, imagery, setting, and reliable vs. unreliable points of view. I spend a lot of my time trying to dig out the deeper meaning behind everything I read, and I think my writing reflects that.

The totally geeked out long answer:
My process always begins with a small idea that sparks my imagination at the oddest time. I journal about a ton of these little sparks in my handwritten journal. During my quiet time, I transform the journal sparks into detailed outlines for possible plots. Next, I write character sketches for main characters only.

The final step before starting the first draft is most involved out of the entire process. I write a detailed analysis paper with all the goals I hope to achieve from my story.

That analysis is the key for me, and it includes the following questions:
What essential changes must the characters go through for the story to be successful?
What events are most likely to cause these changes based on my initial character sketch?
Do I want the story to be more character driven, or more plot driven? What is the main theme of the entire book?
What are the secondary themes, and how much time should I spend on them?
What type of narrative would work best to support my theme?
What motifs do I want to sprinkle throughout the book?
What image am I trying to create in the readers' minds with my motifs?
How can I strike the proper balance of subjective vs. objective experience when in each character's POV?
What social justice issue can I shine a little spotlight on during the course of this story?

After that, I follow my outline and begin at Chapter 1.
From there, the story usually goes through a massive amount of organic shifts and changes as it comes to life. The analysis paper is the one thing I stay true to. If I start going in a direction that doesn't support the original essence I was going for, I force myself back on track.
When I'm deep into the actual drafting of a full length novel, I avoid reading fiction. SO much of what comes out as I write is subconscious, so I don't want to accidentally insert something in my writing that I got from a book I was reading at the time.

Thanks for this question!!! :-)(less)
Adrienne D'nelle Ruvalcaba For me, the best thing about being a writer is controlling an entire world inside my imagination. Fiction writers can reveal truths about the real wor…moreFor me, the best thing about being a writer is controlling an entire world inside my imagination. Fiction writers can reveal truths about the real world through a well crafted story. There can always be a purpose behind an action, a lesson to be learned from a character's suffering, or a cohesive theme to events that seemed random at first. Writing gives me the ability to take some of the cacophony of the real world and turn it into something harmonious. (less)
Average rating: 4.05 · 538 ratings · 104 reviews · 14 distinct works
The Officer's Wife (Because...

3.99 avg rating — 99 ratings — published 2012 — 5 editions
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The Prostitute's Daughter (...

4.04 avg rating — 53 ratings — published 2014 — 4 editions
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Her Darkest Day (My Best Fr...

4.02 avg rating — 50 ratings2 editions
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The Entrepreneur's Widow (B...

4.32 avg rating — 44 ratings3 editions
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Redemption (Reunion Book 1)

3.58 avg rating — 52 ratings — published 2015 — 3 editions
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The Endgame (My Best Friend...

4.14 avg rating — 35 ratings2 editions
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Beautiful Beginnings (My Be...

4.03 avg rating — 30 ratings2 editions
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The Second Chance

3.96 avg rating — 23 ratings — published 2013 — 4 editions
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The Sleepover

4.41 avg rating — 17 ratings — published 2012 — 2 editions
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Tomorrow

4.06 avg rating — 18 ratings2 editions
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Creole Nights Anthology

Creole Nights AnthologyPRE-ORDER NOW for 99 cents!10 Paranormal Stories that bring the heat.Ten original sexy tales from ten best-selling authors. When the sun goes down in New Orleans the heat will rise. Take a sensual exploration of those Creole nights with our hosts of humans, witches, vampires, shifters, wolves, sorcerer, ghost, reapers, voodoo priestess, warlocks, demons, priests and angels. Read more of this blog post »
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Published on August 18, 2017 06:40
The Officer's Wife The Prostitute's Daughter The Entrepreneur's Widow
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The Bullpen Gospe...
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Centennial
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The March of the ...
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Her Christmas Surprise by Stephanie  Morris
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Goodreads Authors...: The Introverted Indie Author Podcast 3 20 Jun 04, 2016 01:03PM  
David Foster Wallace
“The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
David Foster Wallace

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