Ray Harmony's Blog, page 5

August 25, 2023

How to Write Beautiful Arpeggios • Music Theory from Swedish House Mafia "Ray Of Solar"

 

How to Write Beautiful Arpeggios

 

If you play all the notes of a chord simultaneously, you’ll create an instant emotion in your listener. This is a powerful technique, and the most common way to play chords. While allowing a chord to unfold and reveal its emotion one note at a time is arguably less powerful, in the right context, it can be even more beautiful.

 

One such context is the new single “Ray Of Solar” by Swedish House Mafia. I’ll be honest, I don’t think I’ve ever listened to Swedish House Mafia before, and I don’t know anything about them, but when I was going through the new releases on Spotify, this song instantly stood out thanks to its beautiful arpeggio intro.

 

And yes, arpeggios are widely used, but they’re almost always boring. Most producers clearly don’t know how to be creative with arpeggios. And as Swedish House Mafia uses so many clever hacks to make their arpeggios creative, we simply had to share them with you. So, inspired by “Ray Of Solar”, here’s our 6-step method for writing beautiful arpeggios that will definitely stand out. But first… Tea!

 

 

Download PDF Tutorial
 

 

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Ray Harmony
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Published on August 25, 2023 11:30

August 18, 2023

How to Write a Melodic Bass Drop • Music Theory from Grabbitz "Hero"

 

How to Write a Melodic Bass Drop

 

 

EDM producers didn’t invent the bass drop, but it’s easy to argue they perfected it!

Having said that, though, the bass drop has long since gone stale. After becoming so popular, it was sadly turned into a formulaic cliché. However, every now and then a creative producer comes along with a fresh angle. The recent single “Hero” by Grabbitz (who’s probably my favourite EDM producer), contains an exciting example of this. At 57 seconds into the track, he drops an absolute beauty!

So, inspired by Grabbitz, here’s our 5-step method for making melodic bass drops. But first… Tea!

 

 

Access Tutorial
available on Producer tier

 

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Ray Harmony
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Published on August 18, 2023 12:40

August 11, 2023

How to Write a Rhythmic CHORD Progression • Music Theory from Maribou State "Midas"

 

How to Write a Rhythmic CHORD Progression

 

One of the most common mistakes producers make when writing chord progressions is focusing exclusively on the notes (i.e. the harmony). Now, it obviously goes without saying that the notes are a vital ingredient in chord progressions, however, another vital ingredient that is often ignored is rhythm.

 

As a result of this widespread oversight, it’s normal to hear chord progressions that are entirely lacking in vital energy. This lack is more obvious in certain genres than others, but the problem most certainly occurs in all genres.

 

British electronic duo Maribou State has a great example of what a lively chord progression sounds like. You can hear it in their song “Midas”. It’s a super chill track and the chords are not at all dominant, yet they’re full of vital energy.

 

So regardless of whether you want to write something uptempo or something chill, the 3-step method in this tutorial (inspired by Maribou State “Midas”) will guide you through making a chord progression that’s full of life, by using a creative rhythm, inversions, add chords, and 7th chords. But first… Tea!

 

 

Access Tutorial
available on Producer tier

 

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Published on August 11, 2023 11:31

August 4, 2023

How to Write "Peaceful Piano" Music • Music Theory from Ludovico Einaudi "Experience"

 

How to Write "Peaceful Piano" Music

 

I’m just old enough that I got in my Grade 1 to 12 school years before computers and the internet took over. If you’re a Gen X like me, and there wasn’t a computer in your school building either, then our schooling experience was pretty much the same as our grandfathers’ schooling experiences in their youth. How crazy is that?!

 

And the deeper you go back into the past, the longer those stretches of time are where nothing changed. Fast forward to today, and robots are making music and cars are driving themselves! It’s not surprising that there’s a tidal wave of nostalgia sweeping industrialised countries. People are desperate to find anything that can lessen the unpredictable nature of this relentlessly-changing modern world.

 

For most people, an unpredictable world causes anxiety. And the opposite is true too: A predictable world causes calm. It’s totally understandable that this desperate desire to find some predictability in our world has resulted in “Peaceful Piano” being one of the most popular playlists on Spotify. Every track on this playlist creates a predictable musical environment, which counterbalances all the change.

 

If you’ve been in the Hack Music Theory family for a while, you’ll probably be amused right now, as I’ve spent decades teaching people how to make music that’s not predictable haha! Well, my views on music have evolved over the decades, and I now see (and hear) the benefit of well-written predictable music. For the record though, I don’t mean the manufactured “content” that makes up most of the new releases every week, I’m talking about artistic music that’s predictable, like Mozart.

 

One of the most popular composers in the Peaceful Piano “genre”, who’s been paving the minimal path since the mid-90s, is the Italian pianist and composer Ludovico Einaudi.

 

So, inspired by “Experience”, one of Einaudi’s most popular songs, here’s our 5-step method for writing “Peaceful Piano” music. But first… Tea!

 

 

Access Tutorial
available to all subscribers

 

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Published on August 04, 2023 16:31

July 28, 2023

How to Write in 2 Modes Simultaneously • Music Theory from The Brooks "Pain & Bliss"

 

How to Write in 2 Modes Simultaneously

 

Humans are walking paradoxes! You know those times when you’re feeling two contradicting emotions at the same time? Like when you’re in a difficult situation but you feel hopeful about the future, while simultaneously doubting your own optimism. How on earth would you reflect those contradicting feelings in music?

 

As we cover in our Songwriting & Producing PDF, each mode conveys a general emotion. Feeling optimistic in a difficult situation would be well represented by the Dorian mode, which is the natural minor scale* with a major 6th (i.e. the cloud’s silver lining). Cancelling out that optimism with doubt would revert back to the natural minor scale, where the cloud doesn’t have a silver lining.

 

So you may be thinking now that it can’t be too difficult to write something using the Dorian mode then switch to the Aeolian mode. And you’re right, that’s not difficult. However, using one mode first and then moving into the other one, does not reflect the paradox of feeling both of the contradicting emotions simultaneously.

 

But you can’t use two modes at the same time, can you? Yes my friend, yes you can!

 

This is where things get juicy. Are you ready? Right, so in the title-track of their album “Pain & Bliss”, The Brooks play in both the Dorian and Aeolian modes at the same time. The guitar plays in Dorian while the bass simultaneously plays in Aeolian. It’s awesome!

 

So, inspired by this great song, here’s our 6-step method for writing music in two modes that will be played at the same time. But first… Tea!

 

*Natural minor scale is another name for the Aeolian mode.

 

 

Access Tutorial
available on Producer tier

 

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Published on July 28, 2023 11:22

July 21, 2023

How to Write a Mixolydian MELODY • Music Theory from Sigur Rós "Klettur"

 

How to Write a Mixolydian MELODY

 

Music in a major key is uplifting, but the downside is that it often sounds childlike.

 

This is because the major scale is the most predictable scale. Predictable things are comforting and reassuring, so it is indeed used in almost all children’s music. The ease at which children can sing along with melodies in the (predictable) major scale is one reason, but an equally important reason is its innocent and naive sound. This is due to its consonant intervals, but that’s acoustic science, so I won’t bore you.

 

Here’s the problem so many producers face when trying to make uplifting music: How do you write a song that’s happy but not childlike? Or, far worse than childlike… Cheesy. Urgh! And yes, it’s scary/funny how many songs we hear that were obviously intended to be uplifting, but just ended up sounding cheesy instead.

 

Listen to Example from Tutorial

 

So how do you make uplifting music that sounds beautiful and mature? Just ask Sigur Rós, as that’s exactly what they did with their song “Klettur”, from the beautiful new album “Átta”. This song has a wonderfully uplifting melody, but instead of sounding like children’s music (or cheese), it sounds solemn.

 

In case you ask Sigur Rós but don’t get a reply, here’s the answer: their secret is the Mixolydian mode. There’s a few other brilliant tricks they use as well, like the two different ways they deal with tension and resolution, and you’ll learn all these in our 4-step method for writing Mixolydian melodies, which is in our new PDF tutorial. But first… Tea!

 

Access Tutorial
available on Producer tier

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Ray Harmony
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Published on July 21, 2023 12:20

July 14, 2023

How to Write Calming CHORDS • Music Theory from Portishead "Roads"

 

How to Write Calming CHORDS

 

Within seconds of hearing the opening chords in Portishead “Roads”, you can feel your cortisol levels dropping and your body’s tension releasing. This intro has to be one of the most calming moments in the entire popular music catalogue.

 

Unlike the mad rush that songs are in nowadays to grab your attention with a catchy hook (in order to avoid the dreaded skip!), the “Roads” intro unfolds at a pace so leisurely that it feels delightfully pre-internet. Aaah… Remember those days? Back when humans had attention spans longer than goldfish!

 

On that note. According to Spotify data, about 25% of listeners skip a song within five seconds. If those people skipped “Roads” a mere five seconds in, they wouldn’t even get halfway through the chord progression. Oh well, their loss.

 

Listen to Example from Tutorial

 

In this dizzyingly fast-paced world, if you want to cater to the distracted listener, then it’s impossible to create a calming atmosphere, as that takes time. For almost the whole first minute of “Roads”, all your hear is the legendary sound of a Fender Rhodes organ. Rumour has it that the song is actually named after the Rhodes.

 

The vintage sound of a Rhodes organ obviously adds to the atmosphere, but in terms of music theory, what makes these chords so relaxing? Well, it’s not just one thing, it’s many! And in this tutorial you’ll learn them all, as well as our 5-step method for making your own calming chord progression. But first… Tea!

 

Access Tutorial
available on Producer tier

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Ray Harmony
Multi award-winning college lecturer

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Published on July 14, 2023 14:33

July 6, 2023

How to Write Standout DRUMS • Music Theory from Aphex Twin "Blackbox Life Recorder 21f"

 

How to Write Standout DRUMS

 

 

A standout drum beat can make or break a song. Want proof? Listen to the new Aphex Twin single “Blackbox Life Recorder 21f”.

He’s actually reversed the roles of the instruments in this song, as the melody, chords and bass step into the background while the drums take centre stage. In other words, if this song was played by a live band, the spotlight would be exclusively on the drummer. Drummers rejoice!

So, what makes the drums deserving of the spotlight? Well, compared to the “regular” beats you hear in most songs nowadays, Aphex Twin has added a whopping 5 standout features to his drum beat.

 

 

Listen to Example from Tutorial
 

 

Each standout feature elevates Aphex Twin's drums to the next level, and in this tutorial you’ll learn all 5 levels of that standout-ness. But, these levels are totally independent (they’re not accumulative), so you can use only the levels that your song requires.

And remember, if you use all 5 levels, your drums will demand the spotlight too, so your other instruments will have to step back. If they don’t, you’ll have a fight on your hands, and no producer wants an instrument fight, not in your DAW at least.

Right, click the link below and subscribe to learn how to make your drums worthy of the spotlight. But first… Tea!

 

 

Access Tutorial

 

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Ray Harmony
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Published on July 06, 2023 13:40

June 30, 2023

How to Write BASS Lines That Move People • Music Theory from Nine Inch Nails "Closer"

 How to Write Bass Lines
That Move People

 

I remember the first time I heard “Closer” by Nine Inch Nails in a club back in the ‘90s. I’d never before seen people literally running to the dance floor. Running!

My fellow Gen Xers will remember this, but by the time the bass line starts after about 20 seconds of drums, the dance floor would be completely packed. And this phenomenon happened in every club! The power of a great bass line to move people (even over a simple four-on-the-floor beat, like in “Closer”) still amazes me.

Listen to Example from Tutorial
link opens in new tab

Ever since then, I’ve felt that the ability to get people physically moving is probably the most fun aspect of making music. So, inspired by “Closer”, here’s a step-by-step method for writing bass lines with the power to move bodies, minds, and hearts. But first… Tea!

 

Access Tutorial

 

Lastly, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing. Enjoy!

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Published on June 30, 2023 13:42

June 11, 2023

How to Write Heavy BASS Lines • Music Theory from Front Line Assembly "Purge"

 

 How to Write Heavy BASS Lines 

 

Step 1. Syncopated Octaves

Set up one bar of 4|4 with your grid on 1/16 notes, and your tempo at 110 BPM. You’re gonna start by using only one note, and the octave of that note. We’re using A in our example. So, draw in every 1/16 note on the low A. Now, play around with moving a handful of them one octave up.

These high notes will make accents in your bass line, so you want them to create a cool rhythm all on their own. And one of the best ways to do that is to syncopate most of them. In other words, most of them will not be on the main beats. All that syncopation adds tons of energy!

 

Step 2. High Line

Your bass line actually consists of two lines now: a high line, and a low line. So in this step you’re gonna add a melodic element to your high line. A great note to start on is the ♭3 (which is C in our example), as it’s super strong and moody! And by the way, if these flats and numbers confuse you, no problem, just read hack 8 in our free book (link below).

Right, so what other notes should you use in your high line? Well, as we’re writing a heavy bass line, you wanna crank up the dissonance, so throw in a ♭2 somewhere (which is B♭ in our example). And if you use the ♭3 and the ♭2, then you could also use the 2, which is the note in between. And feel free to repeat notes. In our example, we played the ♭3 twice, the 2 twice, and the ♭2 once. And a shoutout to local Vancouver BC legends Front Line Assembly, as this lesson is based on the song “Purge” from their 2021 album “Mechanical Soul”.

 

 

Free Book

Also, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing.

[image error]

 

 Step 3. Low Line

So as you could hear, the bass line is already sounding good. And to be honest, most producers would think it’s now complete, but not Front Line Assembly! No, they’ve got one more trick up their sleeves, and that’s the dissonance they add to their low line.

Most of their low line remains on the root note, however, they’ve moved a few notes down one semitone to the 7 (which is G♯ in our example). Also, at the very end, you could throw in a ♭3 for a little variation. This makes the bass line loop more smoothly as well.

Adding this dissonance to your low line is a game-changer, as it’s super subtle (seriously, most people won’t even notice it), but it adds a feeling of heaviness that you simply can’t achieve without it!

 

 

PODCAST

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Published on June 11, 2023 12:12