Ambrose Ibsen

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Kay Oliver
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Ambrose Ibsen

Goodreads Author


Born
The United States
Website

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Member Since
April 2016


Once upon a time, a young Ambrose Ibsen discovered a collection of ghost stories on his father's bookshelf. He was never the same again.

Apart from horror fiction, he enjoys good coffee, brewed strong.
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Popular Answered Questions

Ambrose Ibsen Karl--

Right now my books are only available as ebooks, however I hope to start rolling out paperback versions in the next few months. I'm also looking…more
Karl--

Right now my books are only available as ebooks, however I hope to start rolling out paperback versions in the next few months. I'm also looking into the possibility of hardcover books as well. Stay tuned!(less)
Ambrose Ibsen Thank you for your question, Rebecka!

When creating a setting, I always try and reach for the familiar. Thankfully, I've never been in any of the haunt…more
Thank you for your question, Rebecka!

When creating a setting, I always try and reach for the familiar. Thankfully, I've never been in any of the haunted places I've written about, but in crafting them I've sought to include details that jibe with places I've actually visited. This, I think, tends to infuse some much-needed realism. Think of the view outside your own bedroom window, or the way the shadows seem to gather in your own living room. If you can apply details like those to your story, you'll write from a more authentic place.

When building a setting, I like to aim for a Goldilocks level of detail; not too much and not too little. Going overboard on the detail will overwhelm the narrative and being too sparse won't give the reader enough to work with. I like to highlight the most important fixtures in a given setting as richly as possible, and then to point out an aberrant detail or two that'll prop up whatever atmosphere I'm aiming to create.

Example: A character finds himself alone in a small house. It's a generic little thing, with a cramped kitchen and only one, maybe two, bedrooms. The windows have been shut up for too long and the air is sour. The carpet is horribly dusty. And... is that a water-stain on the ceiling? Why, maybe it's just the low lighting, but the shape seems all wrong--it almost looks like a grinning face...

That's a ham-fisted effort on my part, but the point is to transition as seamlessly as possible from scenery that will be familiar and comfortable to the reader, to scenery that is less-so. This allows a writer to gradually transport a reader from a merely realistic setting into a realistic AND creepy one. Scaring someone in print is very hard to do; the writer of horror tales succeeds at this by slowly transforming a "normal" setting, and, by extension, ratcheting up an atmosphere of impending dread.

Lastly, when I have the broad strokes of a place down, I like to imagine myself there. What is the light like in this space? And the shadow? What's the air like here, and what noises might I normally hear in said place? Peppering a scene with a few minor setting details can really make it pop and bring it to life.

I hope that's helpful!(less)
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More books by Ambrose Ibsen…

NEW: Dreams in Black Static

NEW from Velox Books. Available in ebook, paperback and hardcover editions. Audiobook edition produced by Tantor Audio.

8 TALES OF TERROR!

The static hisses. The darkness deepens. Bestseller Ambrose Ibsen invites you to stare into the shadows, though you may not like what you see…

Roommates obsessed with VHS tapes and nostalgia discover a mysterious unmarked tape containing disturbing

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Published on March 07, 2025 23:42
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Ambrose’s Recent Updates

Ambrose Ibsen answered Queen Crafter's question: Ambrose Ibsen
Thank you for your question!

It would be hard to pin down which was my favorite to write. Deep Night, Dreams in Black Static and The Other Woman are three that come to mind when I think about my "favorite" writing experiences. I associate those three See Full Answer
More of Ambrose's books…
Quotes by Ambrose Ibsen  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Breathing through his mouth, he found he could taste the air. It was the taste of an old, abandoned book; of a damp cemetery in autumn.”
Ambrose Ibsen, The Sick House

“I brought a hand to my tightening chest and kneaded at my heart like a lump of brioche dough.”
Ambrose Ibsen, The House of Long Shadows

“Inanimate things like buildings, possessing no moral faculty, are always innocent parties; and yet, how often they are discolored and lent something of the odious by the misdeeds of their occupants.”
Ambrose Ibsen, The Haunting of Rainier Asylum

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