Franco Santoro's Blog: Astroshamanism, page 24

Dreaming parallel worlds

Dreams are shifts in parallel universes that allow you to be aware of the state of your doubles and their relationship with those of the people you know in the ordinary world.

There are different versions of you, your friends, relatives and acquaintances in every universe. Every night before falling asleep and dreaming, take a moment to bless your parallel selves in every universe.

When you dream you travel to some of those universes. Dreaming is about creating luminous connections with these parallel worlds, bringing and receiving healing.

Have a good night!

Atracción

Cuando sientes una fuerte atracción escontra daquién
o daqué, una cosa ye multidimensionalmente segura, que daquién o daqué
ye una representación d’una parte de ti qu’ames fondamente, con quien
perdisti la conexón temporalmente ya con quien deseyes realcontrate.

Cada atracción fuerte a cencielles amuésanos esto. L’atracción ye una
esperiencia bien brillosa ya dafechu lexítima. Al traviés de
l’atracción, una parte fonda de la to alma rellaciona contigo al traviés
de daquién o daqué.

Entós, nun se trata d’arrenunciar a l’atracción, sentise avergoñáu/a, confundíu/a,o ansiosu/a por eso.

L’atracción preséntase por que podamos reconocer lo que ye necesariu
atraer. Lo que nos atrai ye una manifestación divina. Si lo Divinu ye la
máxima espresión del amor, lo que nos atrai fuertemente ye una forma en
que lo Divinu revélasenos.

¡L’atracción ye sagrada!

Nunca dexes de sentila.

L’atracción ye’l signu más significativu de que tas en presencia de lo
Divinu. Tou ye absolutamente grandiosu ya poderosu sobro l’atracción,
siempres qu’entiendas la diferencia ente l’atracción ya la forma en que
respuendes a l’atracción.

El verbu “atraer” significa “tirar
escontra ún mesmu/a”. Cuando sentimos atracción, tamos averando a
daquién o daqué. Facer porque ye parte del nuesu yo multidimensional ya
ye dafechu lexítimu recuperalo.

L’atracción ye la esperiencia
multidimensional más poderosa ya sagrada, siempres qu’entiendas la
diferencia ente’l to yo tridimensional y el to yo multidimensional. La
tercer dimensión ye xuna representación ya pantalla del yo
multidimensional. Nun t’atrai la tercer dimensión, atráite lo que
representa.

Nun hai ex pareyes

Dende una perspectiva multidimensional, ¡el conceutu d’una “ex-pareya” ye un completu disparate!

Esti términu aplícase solo n’una realidá tridimensional separada basada nel tiempu llineal.

Nun hai ex-pareyes! Namá hai pareya ya eso ye tou!

Toes les pareyes que tuvisti nesta ya otres vides paraleles siguen
coesistiendo ya rellaciónense contigo, ensin importar cómo asemeyes que
tas solu/a o con otra pareya.

Anque en términos puramente
tridimensionales, pueda ser recomendable rellacionase con una sola
pareya, si crees que toles demás que tuvisti ya vas tener van dexar de
rellacionase contigo ya tu con elles, dende una perspectiva
multidimensional, ye ilusoriu.

Manicomio

Desde una perspectiva multidimensional, la mayor locura de un ser humano normal es identificarse con un cuerpo separado ubicado en una realidad tridimensional. Esta es una locura inevitable ya que si un ser humano normal no se identificara con un cuerpo separado ubicado en una realidad tridimensional, entonces él / ella no sería un ser humano normal.

Por lo tanto, se deduce que, desde una perspectiva multidimensional, este planeta es un hospital mental, mientras que un ser humano normal se entiende como demente, anormal, psicopático, mentalmente enfermo.

También se deduce que aquellos que se consideran anormales para los seres humanos normales pueden ser los enfermeros y médicos multidimensionales del hospital psiquiátrico.

Comparances

¿Cuánto tiempu ya enerxía uses pa faer comparances ente la to ya los demás?

Namá sé consciente.

Llegues a conocer la edá de daquién ya calcules de momentu la
diferencia d’edá. Atopes con daquién ya consideres quién ye más altu o
más delgáu; meyor vistíu, con más dineru, propiedaes, recursos, con
meyor tao de salú o relación, col nivel más altu o más baxu d’educación,
espiritualidá, llogros na vida; númberu de fíos, nietos; quien sía mas
miserable, intelixente, etc.

¿Cuánto tiempu pases envidiando a los demás, sintiéndote al mesmu nivel o cimeru?

Pero más allá de la comparanza colos demás, ¿quién yes?

¿Qué queda de ti cuando nun faes nenguna comparanza?

Mental Hospital

From a multidimensional perspective the greatest insanity of a normal human being is to identify with a separate body located in a third-dimensional reality. This is an inevitable insanity since if a normal human being did not identify with a separate body located in a third-dimensional reality, then he/she would not be a normal human being.
It follows therefore that from a multidimensional perspective this planet is a mental hospital, whereas a normal human being is understood as insane, abnormal, psychopathic, mentally ill.
It also follows that those who are considered abnormal for normal human beings may be the multidimensional nurses and doctors of the psychiatric hospital.

The are no ex-partners

From a multidimensional perspective the whole notion of an “ex-partner” is total nonsense!

This term applies only in a separate third-dimensional reality based on linear time.

There are no ex-partners! There are only partners and that’s it!

All the partners you have had in this and other parallel lives continue to coexist and relate to you, no matter how you pretend you are alone or with another partner.

Although in strictly third dimensional terms it may be advisable to relate to only one partner, if you believe that all the other partners you have had and that you will have will cease to relate with you and you with them, from a multidimensional perspective, you are being delusional.

Attraction

When you feel strong attraction towards someone or something, one thing is multidimensionally sure, that someone or something is a representation of a part of yourself that you love deeply, with whom you have temporarily lost connection and with whom you long to be reunited.

Every strong attraction simply shows us this. Attraction is a very bright and completely legitimate experience. Through attraction a deep part of your soul relates with you through someone or something.

So it’s not about giving up attraction, feeling embarrassed, confused, anxious about it.

The attraction comes so that we can recognize what is necessary to pull towards us. What we are attracted to is a divine manifestation. If the Divine is the maximum expression of love, what strongly attracts us is a way in which Divine reveals to us.

Attraction is sacred!

Never give up feeling attraction.

Attraction is the most significant sign that you are in the presence of the Divine. Everything is absolutely great and powerful about attraction as long as you understand the difference between attraction and the way you respond to attraction.

The verb “to attract” means “to pull towards oneself”. When we feel attraction we are pulling someone or something towards us. We do it because it is part of our multidimensional self and it is completely legitimate to retrieve it.

Attraction is a most powerful and sacred multidimensional experience as long as you understand the difference between your third-dimensional and your multidimensional self. The third dimension is a representation and screen of the multidimensional self. You are not attracted by the third dimension, you are attracted by what it represents.

Tarantella

The term “Tarantella” identifies a wide range of traditional dances, developed in Southern Italy, especially in Salento (Apulia), and Spain, originally employed for healing or trance purposes.

Various spellings have been employed to define this practice, yet they all incorporate the term tarant, which is also an anagram of tartan, the distinctive crossed and web-like design of Scottish kilts.

The dance was apparently used to cure the bite of the tarantula (Lycosa tarentula), a large hairy spider named after the Apulian city of Taranto. The spider was presumed to cause hallucinations and a series of physical disorders which were officially defined as tarantism. Extensive serious medical literature, written from the 15th to the 19th century, describes in detail symptoms and cases of this ailment, which could only be cured through a specific music based on fast rhythmic beats.

Specialised musicians were hired to play while the afflicted person (tarantolato) would dance for hours or even days until healing was accomplished. The recipient experienced deep trance and shape-shifting, behaving like kings or soldiers, simulating duels with swords, experiencing the prey’s fight in the entanglement of the spider web, becoming the spider itself, also shape-shifting into other animals like the serpent or scorpion, and covering a wide range of movements especially of a sexual nature.

The musical instruments employed in this context are mainly the violin, the tambourine, the castanets and also the bagpipe, the accordion and flute. The primary strance effect is generally caused by the tambourine (tamburello or tamburieddhu), whose alternation of double and triple beats reproduces a climax both in the painful separation of polarities and in their ecstatic unity.

This practice ritually opens up to the cathartic expression of the Sun and Moon polarities, with the aim of accessing the mysteries that exist beyond the realm of conflict and duality.

Tarantella is a significant example of cultural and religious shape-shifting of traditions dating back to most ancient times. Magna Grecia incorporated Southern Italy, which constituted a major site for the mystery practices related both to Dionysus and Apollo. These practices were the result of further adaptations and incorporated elements from ancient Egypt and pre-Celtic northern Europe.

Similar dancing practices have managed to survive in most parts of the planet, mainly thanks to the capacity to hide their original motivation and compromise with incompatible local and contemporary belief-systems.

There are currently three major types of tarantella dance: pizzica taranta, pizzica de core, pizzica scherma.

The pizzica taranta is the original individual or group therapeutic music and dance used to cure the bite of the taranta and its energetic implications.

The pizzica de core is a playful courting dance for couples.

The pizzica scherma (knives’ dance) is a duel dance between two males, in which the index and the middle finger of one hand represent the knife aimed at hitting the chest of the opponent.

The following is the traditional chant that accompanies the pizzica taranta.

O Santu Paulu meu delle tarante
che pizzichi le caruse tutte quante
O Santu Paulu meu delle tarante
che pizzichi le caruse ‘nmezz’all’anche
e le fai sante
O Santu Paulu meu de li scorpioni
che pizzichi li carusi int’a i balloni

(Oh my Saint Paul of the tarantulas
that stings all the girls
Oh my Saint Paul of the tarantulas
that stings the girls in the midst of the hips
and make them holy
Oh my Saint Paul of the scorpions
that stings the boys in the testicles)

17 November

Israel Regardie (8.1) (November 17, 1907 – March 10, 1985) English occultist, ceremonial magician, and writer who spent much of his life in the United States. Ceremonial Magic: A Guide to the Mechanisms of Ritual (1980), The Complete Golden Dawn System of Magic (1984)