Dave Gorman's Blog, page 8
October 21, 2014
Yoyoing

There are two reviews from the Dublin show, one in the Herald and one in the Irish Independent and a third from the Nottingham Post for last Sunday's show.
The spoiler-free pull quotes would be:
"Observational comics are supposed to say what we're all thinking, but Gorman has made an art form out of digging deeper and picking apart the obscenities of modern life through actual research and analysis. It's an inventive approach, but his greatest talent is that he is naturally funny, with effortless comic timing and delivery. Dave Gorman gets straight to the point, all right. He's also a deadly teacher."The Herald
"Contemporary comedy is populated by the good, the bad and the unfunny. The circuit is full of chancers trying to shock and chicken 'n' chips charlatans telling willy jokes.Dave Gorman brings something fresh and exciting to the table. It is an absolute joy to behold."The Irish Independent
and"...had the crowd it fits of laughter from the get go, and using PowerPoint to hit home his observations, the subtle social commentary stayed away from preaching and just made everyone laugh at their own behaviour."The Nottingham Post
Incidentally, I'm not sure I really understand the Nottingham reviewer's definitions of mainstream and cult and I had no idea that I was a regular on panel shows but there you go. Perception is often more powerful than reality.
I've been studying the patterns of our tour travels, hitting a reset button every time we return home. Block One was really rather gentle:

Then Block Two was kind of exhausting... mainly because the show is, naturally, quite technical and working out how to hire things in for an overseas show while still having our regular kit ready for us on our return adds a layer of time and effort...

Block Three is starting to look like one of those spider's webs made by a spider on amphetamines...

This week's travels - Wednesday = Southend, Thursday =

And of course, there are plenty of dates left after that as the tour continues through til mid-December.
And while we're yoyoing around the country, the TV show continues for another two weeks also. Episode 7 contains some yoyoing of a different kind. You have been warned.
I've got a new TV Show: Modern Life Is Goodish
I've written a new book: Too Much Information
I'm on tour: Dave Gorman Gets Straight To The Point

Published on October 21, 2014 06:43
October 14, 2014
Two Spoonfuls Of Sugar

I've had a lot of emails and tweets from people who have, naturally enough, assumed that this will be the last episode of the series. Six episodes is pretty standard in the UK. And six is the number of episodes contained in series one.
But when Dave commissioned series two and three, they asked for eight episodes apiece... and we were more than happy to oblige. So, including tonight's, there are three more still to go out for this series.
In tonight's episode, I return to a topic from series one. By which I mean... Alan Sugar gets another mention. When we decided on the running order of our shows we had no idea that this episode would be landing on the same day as the return of The Apprentice. But there you have it. If you want two spoonfuls of Sugar tonight, you can watch that and then turn over to Dave at 10pm...
New TV Show: Modern Life Is Goodish
New Book: Too Much Information
I'm on tour: Dave Gorman Gets Straight To The Point

Published on October 14, 2014 03:39
October 7, 2014
Goodish News

I was really proud of series 1 of Modern Life Is Goodish. It did a rare thing in telly terms: its audience grew. And Dave (the channel) have been brilliant with the way they've got behind it - and showed real faith in us by commissioning two more series. And not just two more... where series 1 was 6 episodes, series 2 and 3 are eight episodes apiece.
And right now, we're half way through series 2 and I've just been told that episode 4 of series 2 is the best performing episode of both series, so far. Which is fantastic news. And makes me feel very grateful to everyone who's tuned in. If you're one of them: thanks.
When the show's on air, I normally try to be around so that I can reply to tweets and so on. But that's not really been possible since the tour started. When episode four was going out for the first time last Tuesday I was onstage doing a preview show in Wolverhampton. But when I came off stage and looked at my tweets I found myself chuckling. There were lots of tweets like this
@DaveGorman you just got me with that QR reader thing I almost had a heart attack! Had to go ask my brother what I should do! Haha good one!and this...
— amy (@L3STRADE) October 3, 2014
@DaveGorman Fell for the Barcode joke on MLIG. So much so that I checked my bank a/c thinking I'd bought two Lawnmowers!!Often they were in pairs, with one expressing outrage at the apparent purchase of a lawnmower and another a few minutes later, basically saying, "Okay... you got me."
— John Clark (@B16jay83) October 3, 2014
I don't think we expected quite so many people to actually have (or get) a QR code reader on their phone and to go through with it. I expected most people to watch it passively, and thought that they'd find the knowledge that someone, somewhere must have done it, abstractly amusing. But for so many people to have interacted with the joke feels really special. And odd. Because we played a practical joke on people in the future.
I haven't replied to that many of those tweets because I didn't want to leave any spoilers lying around the internet for people who were yet to watch it on one of the week's repeat screenings. But as the last of those went out last night - and the latest episode will be on the box tonight (10pm, thanks for asking) I figure now's as good a time as any to mention it. But, whether I replied or not, please know that the lawnmower-tweets have been making me giggle all week. Thanks.
I've just sent an email to my mailing list with a competition question that relates to episode five. (10pm, tonight, thanks for asking). As there wasn't really a souvenir from episode 4 that I could give away, I'm going to give away a couple of books. My latest book, Too Much Information and the Found Poetry book. (Which is more of a booklet, truth be told).
I'll try and do the same for each of the remaining four episodes this series. If there's something from the show to give away, I will... if not, I'll make it a book or two. I do it via my mailing list for several reasons. I kind of dislike those, "retweet to enter" competitions because they seem like a way of artificially boosting some measure of twitter activity. They also exclude the people who don't use Twitter but are on Facebook or what have you. If I ran one on Facebook that would exclude people on Twitter too. By running it for my mailing list it keeps it out of the way of people who simply aren't that interested.
And of course, I hope it encourages a few people to sign up. Because nobody sees every tweet or every facebook post... but an email lands in your inbox and so it seems like a far more reliable way of staying in touch with folks.
You can subscribe - and if it comes to it, you can unsubscribe - right here.
Join - or leave - the mailing list here:Enter your name and email address below:Name:
Email:
Subscribe Unsubscribe Get your Free Mailing List
by Bravenet.com

Published on October 07, 2014 04:45
October 3, 2014
It's Tour Day!
Here we go...
Zoom in, scroll around or see it full screen by clicking on the top right corner-------------------->
While I'm here, congratulations to Daniel Armstrong who won the mailing list competition for the jigsaw from episode 3. An impossible jigsaw with a slightly unsavoury picture will be winging its way to him shortly.
If I find time while I'm on tour - or more to the point - if I have a workable wifi connection on Tuesday - I'll run another competition for the next show. But as there's not really a souvenir from show 4 that I can give away, I'll make the prize a book instead. Not just any book. My latest book.
This one:
As the question is asked in an email to my mailing list... you have to be on that to be in with a chance of winning...
Hope to see you on tour...
Zoom in, scroll around or see it full screen by clicking on the top right corner-------------------->
While I'm here, congratulations to Daniel Armstrong who won the mailing list competition for the jigsaw from episode 3. An impossible jigsaw with a slightly unsavoury picture will be winging its way to him shortly.
If I find time while I'm on tour - or more to the point - if I have a workable wifi connection on Tuesday - I'll run another competition for the next show. But as there's not really a souvenir from show 4 that I can give away, I'll make the prize a book instead. Not just any book. My latest book.
This one:
As the question is asked in an email to my mailing list... you have to be on that to be in with a chance of winning...
Hope to see you on tour...

Published on October 03, 2014 01:41
October 1, 2014
Well This Plug Isn't Annoying At All...
Published on October 01, 2014 03:12
September 30, 2014
So Really, We're Already On Tour...
For the first batch of work in progress shows it's been me trying out different bits of material and shuffling the order of things around to find the most pleasing flow and so on. It's a part of the process I really enjoy. And the shows have all been fun.
Last night a whole new ingredient was stirred into the mix, in the shape of Nick Doody, who's joining me on the tour. Nick's a brilliant comic. I'm a huge fan. He was one of the first people I turned to when the first series of Modern Life Is Goodish was commissioned. You'll see his name on the credits of every show. On a show like that, it's no use working with people who think exactly like you - you're already doing that for yourself, it's about finding people who think differently, but who have ideas that can work alongside your own. So it's no surprise that Nick's material blends nicely with my own.
And it means that last night was the first show where all the ingredients have been in place. It didn't really feel like a warm up show. Which is the point of the process, really. For the final work-in-progress shows to display enough progress. For the finished article to emerge before the deadline.
Not that things won't change some more. The more familiar I get with things, the better some of it will be. There'll always be tweaks I want to make. But the show is now, I think, the right things happening in the right order. It doesn't officially kick off until Friday, but in essence, we've already started the tour. It's just that tonight - (Wolverhampton again) and tomorrow (Tring) the venues are a little smaller.
I think about 20 of the 50 dates are sold out now. (Apologies if my website isn't completely up to date on this.) I get a lot of people asking me for information about whether there will be extra tickets here or there... the truth is, I only know what a venue tells me. I'd always recommend contacting a venue direct. Call them. Speaking to someone is always going to be more informative than just looking at what the website says.
I wrote before about how the tour, book and TV show all arriving at the same time was more down to coincidence than any Machiavellian scheming on my part. The timing has led a lot of people to ask whether the tour show contains material that will also be in the current series of Modern Life Is Goodish. It doesn't. It's a whole new show.
In any case. I hope you can join us. It's more fun when you do. And if not you, someone like you.

Last night a whole new ingredient was stirred into the mix, in the shape of Nick Doody, who's joining me on the tour. Nick's a brilliant comic. I'm a huge fan. He was one of the first people I turned to when the first series of Modern Life Is Goodish was commissioned. You'll see his name on the credits of every show. On a show like that, it's no use working with people who think exactly like you - you're already doing that for yourself, it's about finding people who think differently, but who have ideas that can work alongside your own. So it's no surprise that Nick's material blends nicely with my own.
And it means that last night was the first show where all the ingredients have been in place. It didn't really feel like a warm up show. Which is the point of the process, really. For the final work-in-progress shows to display enough progress. For the finished article to emerge before the deadline.
Not that things won't change some more. The more familiar I get with things, the better some of it will be. There'll always be tweaks I want to make. But the show is now, I think, the right things happening in the right order. It doesn't officially kick off until Friday, but in essence, we've already started the tour. It's just that tonight - (Wolverhampton again) and tomorrow (Tring) the venues are a little smaller.
I think about 20 of the 50 dates are sold out now. (Apologies if my website isn't completely up to date on this.) I get a lot of people asking me for information about whether there will be extra tickets here or there... the truth is, I only know what a venue tells me. I'd always recommend contacting a venue direct. Call them. Speaking to someone is always going to be more informative than just looking at what the website says.
I wrote before about how the tour, book and TV show all arriving at the same time was more down to coincidence than any Machiavellian scheming on my part. The timing has led a lot of people to ask whether the tour show contains material that will also be in the current series of Modern Life Is Goodish. It doesn't. It's a whole new show.
In any case. I hope you can join us. It's more fun when you do. And if not you, someone like you.

Published on September 30, 2014 04:01
September 29, 2014
Oh Neil, Did You Have To?
As I type this, there is one day left to watch the third episode of Modern Life Is Goodish online. It's repeated tonight at 8 too. If you're reading this and wondering what all the fuss is about and there's still time, watching it will help to make sense of where I'm going.
I was intending to let this whole episode pass without comment but it's somehow ended up in a place where some serious allegations have been made and I think they're worth addressing. I don't think anyone who saw the show would think anything racist or homophobic has been said - indeed, not a word was said that could even be misconstrued that way - but someone reading twitter might think so and that's serious enough...
[image error] In the show, I spent quite a bit of time dissecting the writing of a journalist and author called Neil Sean. You might not know the name but you will have read something he's written.
For years he's written a showbiz column in the Metro (although it appears to have ended at some point between the show being recorded and now) and he's been a correspondent for Sky TV here in the UK and for FOX in the States.
He's not without influence or power. He's a critic. He offers his opinions on others constantly and, well... he's just not a very good writer and some of what he says appears to be a bit disingenuous, if not downright dishonest.
The material about him was all about seeing patterns and inaccuracies in his work and pointing them out for what they are. I won't repeat it all here, but he's written a book called "How To Live Like A Celebrity - For Free" and it's not hard to demonstrate that much of its content doesn't stack up. It's a risible piece of work.
Anyway, during the show, the Sky news presenter, Stephen Dixon tweeted:
I find it far easier to defend making jokes about a professional writer's writing than about a singer's weight. His work ought to stand scrutiny and someone who makes a living being bitchy and unpleasant about others is really in the last place to complain about it. (Incidentally, all of these points were accepted with perfectly good grace by Stephen who, I think, was a little surprised to see the nature of some of Neil Sean's outgoing tweets. But that's another story.)
Meanwhile, perhaps prompted by Stephen Dixon's tweet, Neil Sean himself had decided to get involved. And, rather deliciously, his response contained the trait I was mocking him for in the show. I think 20 of the 50 dates had sold out already.
Up until this point, I hadn't seen many people tweeting Neil Sean about the show's content. There'd been one or two. But not many. But after this tweet a lot of people got involved. Naturally I was interested in what they were saying so, using tweetdeck, I created a column that showed me every tweet that mentioned Neil Sean's twitter handle.
Most of what he received was mocking him for the inaccuracy of the tweet or referring back to the way he often writes gossip about slebs who are smokers and so on. Some of it was abusive. I don't condone it. I saw the C word flying around. That makes me uncomfortable. The criticism of him in the show was done with a smile, after all. It was never abusive. It was factual. I certainly wouldn't describe it as a bashing. I'd say it was a ribbing.
But then Neil tweeted this:
Like I say, I'd been monitoring the reaction on Tweetdeck so I'm pretty sure I hadn't missed anything. I hadn't seen a single reference to his sexuality. Or race for that matter. But I was naturally concerned that maybe I'd missed something.
Neil told me that I wouldn't be able to see them because they had been sent as private messages. Which seemed odd. Because you can only receive private messages on Twitter from people that you've chosen to follow. And Neil was only following 33 people. It seemed unlikely that people he'd been following since before the show was broadcast had suddenly turned homophobic and abusive. I explained as much to him. And he blustered something along the lines of, "well I am getting them".
We chatted for a while after that. It was all perfectly civil. I understand that he's upset at being criticised by me. I think that, given his line of work - and given that the criticism wasn't personal or abusive - he ought to be able to take it. I'm afraid, I can't conclude anything other than he's invented the homophobic abuse as a defence mechanism.
If I'm wrong about that then he obviously has my sympathy. I would never condone such abuse and anyone who sends it has nothing to do with me. It certainly doesn't relate to anything said in the show. (I don't even think someone who watched the show would come away knowing anything about his sexuality either way.) I'm confident that if it did happen and it was sent in the form of direct messages then it certainly had nought to do with the show. And if it wasn't sent as direct messages, well, then why would he tell me it was? Odd.
Unsurprisingly, it hasn't been hard to find evidence that he hasn't always been sympathetic to others who've been on the receiving end of Twitter abuse:
My worry, having written this, is that, this being the internet, some people will misunderstand and see this as some kind of incitement to send him more abuse. Or more abusive abuse. That really isn't the point. Really. I just wanted to spell out what I think has occurred. (And what I think hasn't.)
Please play nicely. [image error]
I was intending to let this whole episode pass without comment but it's somehow ended up in a place where some serious allegations have been made and I think they're worth addressing. I don't think anyone who saw the show would think anything racist or homophobic has been said - indeed, not a word was said that could even be misconstrued that way - but someone reading twitter might think so and that's serious enough...
[image error] In the show, I spent quite a bit of time dissecting the writing of a journalist and author called Neil Sean. You might not know the name but you will have read something he's written.
For years he's written a showbiz column in the Metro (although it appears to have ended at some point between the show being recorded and now) and he's been a correspondent for Sky TV here in the UK and for FOX in the States.
He's not without influence or power. He's a critic. He offers his opinions on others constantly and, well... he's just not a very good writer and some of what he says appears to be a bit disingenuous, if not downright dishonest.
The material about him was all about seeing patterns and inaccuracies in his work and pointing them out for what they are. I won't repeat it all here, but he's written a book called "How To Live Like A Celebrity - For Free" and it's not hard to demonstrate that much of its content doesn't stack up. It's a risible piece of work.
Anyway, during the show, the Sky news presenter, Stephen Dixon tweeted:
Can't quite understand Dave Gorman having a go at @neilsean1 Leave him alone. He's a nice fellaHe didn't contain my @ so I didn't see it initially... but it didn't take long for a few people to reply and include me and bring it to my attention. I have no problem with Stephen's tweet, by the way, he's obviously worked with Neil, liked him and so felt sorry for a friend. That's a perfectly natural reaction. It sparked a little dialogue that, I think, covers an important topic... because Neil isn't always that nice about others. He tweets jokes about a singer's looks, for example. And worse.
— Stephen Dixon (@StephenDixonTV) September 23, 2014
I find it far easier to defend making jokes about a professional writer's writing than about a singer's weight. His work ought to stand scrutiny and someone who makes a living being bitchy and unpleasant about others is really in the last place to complain about it. (Incidentally, all of these points were accepted with perfectly good grace by Stephen who, I think, was a little surprised to see the nature of some of Neil Sean's outgoing tweets. But that's another story.)
Meanwhile, perhaps prompted by Stephen Dixon's tweet, Neil Sean himself had decided to get involved. And, rather deliciously, his response contained the trait I was mocking him for in the show. I think 20 of the 50 dates had sold out already.
@StephenDixonTV @DaveGorman I note not one of your tour dates is a sell out ! lets hope my bashing creates some interest then #comedyfail
— neil sean (@neilsean1) September 24, 2014
Up until this point, I hadn't seen many people tweeting Neil Sean about the show's content. There'd been one or two. But not many. But after this tweet a lot of people got involved. Naturally I was interested in what they were saying so, using tweetdeck, I created a column that showed me every tweet that mentioned Neil Sean's twitter handle.
Most of what he received was mocking him for the inaccuracy of the tweet or referring back to the way he often writes gossip about slebs who are smokers and so on. Some of it was abusive. I don't condone it. I saw the C word flying around. That makes me uncomfortable. The criticism of him in the show was done with a smile, after all. It was never abusive. It was factual. I certainly wouldn't describe it as a bashing. I'd say it was a ribbing.
But then Neil tweeted this:
@DaveGorman "fans " I have reported all your homophobic/racist abuse to twitter /police @lgfoundation @LondonLGBTPride @AllOut #gay... and that's a far more serious allegation.
— neil sean (@neilsean1) September 25, 2014
Like I say, I'd been monitoring the reaction on Tweetdeck so I'm pretty sure I hadn't missed anything. I hadn't seen a single reference to his sexuality. Or race for that matter. But I was naturally concerned that maybe I'd missed something.
@neilsean1 @lgfoundation @LondonLGBTPride @AllOut I’d be upset if there was anything as you describe. I’ve not seen any. Examples?No reply came. And a bit of time passed. And slowly the tweet started to get under my skin. What would the casual reader think if they alighted on that tweet without any of the context? Without having seen the show? The suggestion that I've done or said things to encourage that kind of abuse is deeply unpleasant. And untrue.
— Dave Gorman (@DaveGorman) September 25, 2014
@neilsean1 Actually, the inference that this is to do with me is a bit off. I’m sure you’ll clarify? @lgfoundation @LondonLGBTPride @AllOutNo reply came. No clarification. So I called Neil's place of work and asked to speak to him. I was put through. We had a perfectly friendly chat. I explained that I was calling to express my concern about the idea that he was receiving homophobic abuse. I also explained that I hadn't actually seen any.
— Dave Gorman (@DaveGorman) September 25, 2014
Neil told me that I wouldn't be able to see them because they had been sent as private messages. Which seemed odd. Because you can only receive private messages on Twitter from people that you've chosen to follow. And Neil was only following 33 people. It seemed unlikely that people he'd been following since before the show was broadcast had suddenly turned homophobic and abusive. I explained as much to him. And he blustered something along the lines of, "well I am getting them".
We chatted for a while after that. It was all perfectly civil. I understand that he's upset at being criticised by me. I think that, given his line of work - and given that the criticism wasn't personal or abusive - he ought to be able to take it. I'm afraid, I can't conclude anything other than he's invented the homophobic abuse as a defence mechanism.
If I'm wrong about that then he obviously has my sympathy. I would never condone such abuse and anyone who sends it has nothing to do with me. It certainly doesn't relate to anything said in the show. (I don't even think someone who watched the show would come away knowing anything about his sexuality either way.) I'm confident that if it did happen and it was sent in the form of direct messages then it certainly had nought to do with the show. And if it wasn't sent as direct messages, well, then why would he tell me it was? Odd.
Unsurprisingly, it hasn't been hard to find evidence that he hasn't always been sympathetic to others who've been on the receiving end of Twitter abuse:
Celebrities who moan about twitter trolls just block rather than trying to shore up PR no one buys it #blue #marybeard #twitterThere isn't a lot of high ground to occupy when you've been that unsympathetic to Mary Beard. And there's simply no comparison in the level of abuse the two of them have been subjected to.
— neil sean (@neilsean1) August 23, 2013
My worry, having written this, is that, this being the internet, some people will misunderstand and see this as some kind of incitement to send him more abuse. Or more abusive abuse. That really isn't the point. Really. I just wanted to spell out what I think has occurred. (And what I think hasn't.)
Please play nicely. [image error]
Published on September 29, 2014 01:58
September 25, 2014
Jigsaw
The tour previews are going well, the book seems to be doing just fine and the reaction to the series has blown me away. If you've been a part of one or more of the above; thanks.
One thing that got a big reaction in episode three was the jigsaw. If you haven't seen that show you obviously won't know what I'm talking about and I don't want to go into too much detail because I don't want to spoil the show for those who are planning to watch it on Saturday night or on Dave On Demand or what have you.
But there were lots of tweets like this:
But I have it and, as lots of people have expressed a desire to get hold of one, I thought it might be a good time to revive the competition. I'll email the mailing list on Tuesday with a question relating to that night's show. There'll be an email address for you to send an answer to. And a time to get it in by and, y'know, whatever else I can think of that makes it feel like a proper competition and then someone will win the, um, rude version of the special jigsaw.
If you're the kind of person who would like to know what I'm up to without gambling on whether or not you see a particular tweet or an ad in the paper then you can sign up to the mailing list here.
One thing that got a big reaction in episode three was the jigsaw. If you haven't seen that show you obviously won't know what I'm talking about and I don't want to go into too much detail because I don't want to spoil the show for those who are planning to watch it on Saturday night or on Dave On Demand or what have you.
But there were lots of tweets like this:
@DaveGorman is your jigsaw available to buy? My mum would love one for Christmas!and this
— Karen Tuplin (@KarenTuplin) September 23, 2014
@DaveGorman I WANT TO TRY THAT JIGSAW!and this
— Mog ™ (@mindofgeekness) September 23, 2014
@DaveGorman will the jigsaw go on sale? Looks fun.And it reminded me that, during the first series I often used to give away little souvenirs from the show through competitions for my mailing list. Here's the thing. There is another jigsaw. It's very like the jigsaw but it's not exactly the same. It's a little cruder. It doesn't contain an eagle. It contains something a bit more childish and rude in place of the eagle. (Which is why, when it came down to it, we didn't send it to you know who.)
— Teario (@Teario) September 23, 2014
But I have it and, as lots of people have expressed a desire to get hold of one, I thought it might be a good time to revive the competition. I'll email the mailing list on Tuesday with a question relating to that night's show. There'll be an email address for you to send an answer to. And a time to get it in by and, y'know, whatever else I can think of that makes it feel like a proper competition and then someone will win the, um, rude version of the special jigsaw.
If you're the kind of person who would like to know what I'm up to without gambling on whether or not you see a particular tweet or an ad in the paper then you can sign up to the mailing list here.

Published on September 25, 2014 05:16
September 21, 2014
Getting Straight To The Tour...
The tour is almost upon us and I'm delighted to say that the first few shows - and quite a few beyond them - have sold out already.
The first couple of work-in-progress shows at New Greenham Arts a few days ago went well. Which is a relief. The first time you perform a new show, you have no real idea as to what you're dealing with. Will it need a complete re-write or will it just need a few nuts and bolts tightening? There's no way of knowing with any certainty until it's been put in front of an audience.
Now that I've done so and discovered that it doesn't need a complete re-write, I can roll my sleeves up and get stuck in to the show. It's why I often do these work-in-progress shows in pairs - because it means I have a day without travel in which to tinker with the powerpoint... which currently stands at 629 slides. It's a time-consuming thing to tinker with. But in lots of ways this is the fun bit.
The remaining work-in-progress shows start tonight and tomorrow in Braintree... followed by Andover, Wolverhampton and Tring...
September 21st and 22nd Braintree Arts CentreTicketsSeptember 23rd and 24th Andover,
The LightsTicketsSeptember 29th and 30th Wolverhampton, The Slade RoomsTicketsOctober 1st Tring, The Court TheatreTickets
I've had a lot of emails, tweets and facebook messages asking me if the tour will contain material from the current TV series. It doesn't. If you like the series, I reckon you'll like the tour... but there's no crossover of material. (Of course, I might take stuff from the tour and use it in series 3... but that's a different matter.)
And then the tour proper kicks off a week on Friday...
WhenWhereVenueTicketsBox OfficeOCTOBER 3, 2014
FRIDAYWINCHESTERTheatre RoyalSOLD OUT
contact venue for returns01962 840 440OCTOBER 4, 2014
SATURDAYHEREFORDCourtyard TheatreSOLD OUT
contact venue for returns01432 340 555OCTOBER 5, 2014
SUNDAYSHREWSBURYTheatre SevernSOLD OUT
contact venue for returns01743 281 281OCTOBER 6, 2014
MONDAYNORWICHPlayhouseSOLD OUT
contact venue for returns01603 598 598OCTOBER 7, 2014
TUESDAYNORWICHPlayhouseSOLD OUT
contact venue for returns01603 598 598OCTOBER 8, 2014
WEDNESDAYNORWICHPlayhouseSOLD OUT
contact venue for returns01603 598 598 OCTOBER 10, 2014
FRIDAY DUBLIN Vicar Street get tickets00353 (1) 775 5800OCTOBER 11, 2014
SATURDAYBRIGHTONComedy Festivalget tickets01273 709 709OCTOBER 12, 2014
SUNDAYMARGATETheatre Royalget tickets01843 292 795OCTOBER 14, 2014
TUESDAYYEOVILOctagonget tickets01935 422 884OCTOBER 15, 2014
WEDNESDAYALDERSHOTPrinces Theatreget tickets01253 329 155OCTOBER 16, 2014
THURSDAYHARROGATERoyal HallFRIDAYIPSWICHCorn Exchangeget tickets01473 433 100OCTOBER 18, 2014
SATURDAYCOVENTRYWarwick Arts Centreget tickets024 7652 4524OCTOBER 19, 2014
SUNDAYNOTTINGHAMPlayhouseSOLD OUT
contact venue for returns0115 941 9419OCTOBER 22, 2014
WEDNESDAYSOUTHENDCliffs Pavillionget tickets01702 351 135OCTOBER 23, 2014
THURSDAYWIMBORNEThe TivoliSOLD OUT
contact venue for returns01202 885 566OCTOBER 24, 2014
FRIDAYWREXHAMWilliam Aston Hallget tickets01978 293293OCTOBER 25, 2014
SATURDAYCARDIFFSt Davidsget tickets029 2087 8444OCTOBER 27, 2014
MONDAYST ALBANSAlbans Arenaget tickets01727 844 488OCTOBER 28, 2014
TUESDAYTUNBRIDGE WELLSAssembly Hall get tickets01892 530 613OCTOBER 29, 2014
WEDNESDAYHIGH WYCOMBEWycombe Swanget tickets01494 512 000OCTOBER 30, 2014
THURSDAYSTAFFORDGatehouse TheatreSOLD OUT
EXTRA SHOW
ADDED ON NOV 5 01785 254 653OCTOBER 31, 2014
FRIDAYPRESTONGuildhallget tickets0844 844 7710NOVEMBER 1, 2014
SATURDAYABERDEENAberdeen Music Hallget tickets01224 641 122NOVEMBER 4, 2014
TUESDAYDERBYDue to a fire in the venue, this show has been cancelled.
We tried to reschedule, but it wasn't an option.
01332 255 800NOVEMBER 5, 2014
WEDNESDAYSTAFFORDGatehouse TheatreSOLD OUT
contact venue for returns01785 254 653NOVEMBER 6, 2014
THURSDAYBEDFORDCorn Exchangeget tickets01234 718 112NOVEMBER 8, 2014
SATURDAYDURHAMGala TheatreSOLD OUT
contact venue for returns03000 266 600NOVEMBER 9, 2014
SUNDAYNEWCASTLETheatre Royalget tickets08448 11 21 21NOVEMBER 11, 2014
TUESDAYLIVERPOOLPhilharmonicget tickets0151 709 3789NOVEMBER 12, 2014
WEDNESDAYSWINDONWyvernget tickets01793 524 481NOVEMBER 13, 2014
THURSDAYLEICESTERDe Montfort Hallget tickets0116 233 3111NOVEMBER 15, 2014
SATURDAYLONDONEventim Apolloget tickets0844 249 4300NOVEMBER 19, 2014
WEDNESDAYCHELTENHAMEveryman Theatreget tickets01242 572 573NOVEMBER 20, 2014
THURSDAYGUILDFORDG Liveget tickets0844 7701 797NOVEMBER 21, 2014
FRIDAYREADINGHexagon Theatreget tickets0118 960 6060NOVEMBER 22, 2014
SATURDAYST ALBANSAlbans Arenaget tickets01727 844 488NOVEMBER 23, 2014
SUNDAYSALFORDThe Lowry4pm: get tickets
8pm: get tickets0843 208 6000NOVEMBER 24, 2014
MONDAYBIRMINGHAMSymphony Hallget tickets0121 345 0600NOVEMBER 27, 2014
THURSDAYISLE OF WIGHTShanklin Theatreget tickets01983 868 000NOVEMBER 28, 2014
FRIDAYBRISTOLColston Hallget tickets0844 887 1500NOVEMBER 29, 2014
SATURDAYBELFASTUlster Hallget tickets028 9033 4455DECEMBER 2, 2014
TUESDAYDARTFORDOrchard Theatreget tickets01322 220 000DECEMBER 3, 2014
WEDNESDAYDORKINGDorking Hallsget tickets01306 881 717DECEMBER 5, 2014
FRIDAYCAMBRIDGECorn Exchangeget tickets01223 357 851DECEMBER 6, 2014
SATURDAYSHEFFIELDSheffield City Hallget tickets01142 789 789DECEMBER 16, 2014
TUESDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073DECEMBER 17, 2014
WEDNESDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073DECEMBER 18, 2014
THURSDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073DECEMBER 19, 2014
FRIDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073
Hopefully see you there...
The first couple of work-in-progress shows at New Greenham Arts a few days ago went well. Which is a relief. The first time you perform a new show, you have no real idea as to what you're dealing with. Will it need a complete re-write or will it just need a few nuts and bolts tightening? There's no way of knowing with any certainty until it's been put in front of an audience.
Now that I've done so and discovered that it doesn't need a complete re-write, I can roll my sleeves up and get stuck in to the show. It's why I often do these work-in-progress shows in pairs - because it means I have a day without travel in which to tinker with the powerpoint... which currently stands at 629 slides. It's a time-consuming thing to tinker with. But in lots of ways this is the fun bit.
The remaining work-in-progress shows start tonight and tomorrow in Braintree... followed by Andover, Wolverhampton and Tring...
September 21st and 22nd Braintree Arts CentreTicketsSeptember 23rd and 24th Andover,
The LightsTicketsSeptember 29th and 30th Wolverhampton, The Slade RoomsTicketsOctober 1st Tring, The Court TheatreTickets
I've had a lot of emails, tweets and facebook messages asking me if the tour will contain material from the current TV series. It doesn't. If you like the series, I reckon you'll like the tour... but there's no crossover of material. (Of course, I might take stuff from the tour and use it in series 3... but that's a different matter.)
And then the tour proper kicks off a week on Friday...
WhenWhereVenueTicketsBox OfficeOCTOBER 3, 2014
FRIDAYWINCHESTERTheatre RoyalSOLD OUT
contact venue for returns01962 840 440OCTOBER 4, 2014
SATURDAYHEREFORDCourtyard TheatreSOLD OUT
contact venue for returns01432 340 555OCTOBER 5, 2014
SUNDAYSHREWSBURYTheatre SevernSOLD OUT
contact venue for returns01743 281 281OCTOBER 6, 2014
MONDAYNORWICHPlayhouseSOLD OUT
contact venue for returns01603 598 598OCTOBER 7, 2014
TUESDAYNORWICHPlayhouseSOLD OUT
contact venue for returns01603 598 598OCTOBER 8, 2014
WEDNESDAYNORWICHPlayhouseSOLD OUT
contact venue for returns01603 598 598 OCTOBER 10, 2014
FRIDAY DUBLIN Vicar Street get tickets00353 (1) 775 5800OCTOBER 11, 2014
SATURDAYBRIGHTONComedy Festivalget tickets01273 709 709OCTOBER 12, 2014
SUNDAYMARGATETheatre Royalget tickets01843 292 795OCTOBER 14, 2014
TUESDAYYEOVILOctagonget tickets01935 422 884OCTOBER 15, 2014
WEDNESDAYALDERSHOTPrinces Theatreget tickets01253 329 155OCTOBER 16, 2014
THURSDAYHARROGATERoyal HallFRIDAYIPSWICHCorn Exchangeget tickets01473 433 100OCTOBER 18, 2014
SATURDAYCOVENTRYWarwick Arts Centreget tickets024 7652 4524OCTOBER 19, 2014
SUNDAYNOTTINGHAMPlayhouseSOLD OUT
contact venue for returns0115 941 9419OCTOBER 22, 2014
WEDNESDAYSOUTHENDCliffs Pavillionget tickets01702 351 135OCTOBER 23, 2014
THURSDAYWIMBORNEThe TivoliSOLD OUT
contact venue for returns01202 885 566OCTOBER 24, 2014
FRIDAYWREXHAMWilliam Aston Hallget tickets01978 293293OCTOBER 25, 2014
SATURDAYCARDIFFSt Davidsget tickets029 2087 8444OCTOBER 27, 2014
MONDAYST ALBANSAlbans Arenaget tickets01727 844 488OCTOBER 28, 2014
TUESDAYTUNBRIDGE WELLSAssembly Hall get tickets01892 530 613OCTOBER 29, 2014
WEDNESDAYHIGH WYCOMBEWycombe Swanget tickets01494 512 000OCTOBER 30, 2014
THURSDAYSTAFFORDGatehouse TheatreSOLD OUT
EXTRA SHOW
ADDED ON NOV 5 01785 254 653OCTOBER 31, 2014
FRIDAYPRESTONGuildhallget tickets0844 844 7710NOVEMBER 1, 2014
SATURDAYABERDEENAberdeen Music Hallget tickets01224 641 122NOVEMBER 4, 2014
TUESDAYDERBYDue to a fire in the venue, this show has been cancelled.
We tried to reschedule, but it wasn't an option.
01332 255 800NOVEMBER 5, 2014
WEDNESDAYSTAFFORDGatehouse TheatreSOLD OUT
contact venue for returns01785 254 653NOVEMBER 6, 2014
THURSDAYBEDFORDCorn Exchangeget tickets01234 718 112NOVEMBER 8, 2014
SATURDAYDURHAMGala TheatreSOLD OUT
contact venue for returns03000 266 600NOVEMBER 9, 2014
SUNDAYNEWCASTLETheatre Royalget tickets08448 11 21 21NOVEMBER 11, 2014
TUESDAYLIVERPOOLPhilharmonicget tickets0151 709 3789NOVEMBER 12, 2014
WEDNESDAYSWINDONWyvernget tickets01793 524 481NOVEMBER 13, 2014
THURSDAYLEICESTERDe Montfort Hallget tickets0116 233 3111NOVEMBER 15, 2014
SATURDAYLONDONEventim Apolloget tickets0844 249 4300NOVEMBER 19, 2014
WEDNESDAYCHELTENHAMEveryman Theatreget tickets01242 572 573NOVEMBER 20, 2014
THURSDAYGUILDFORDG Liveget tickets0844 7701 797NOVEMBER 21, 2014
FRIDAYREADINGHexagon Theatreget tickets0118 960 6060NOVEMBER 22, 2014
SATURDAYST ALBANSAlbans Arenaget tickets01727 844 488NOVEMBER 23, 2014
SUNDAYSALFORDThe Lowry4pm: get tickets
8pm: get tickets0843 208 6000NOVEMBER 24, 2014
MONDAYBIRMINGHAMSymphony Hallget tickets0121 345 0600NOVEMBER 27, 2014
THURSDAYISLE OF WIGHTShanklin Theatreget tickets01983 868 000NOVEMBER 28, 2014
FRIDAYBRISTOLColston Hallget tickets0844 887 1500NOVEMBER 29, 2014
SATURDAYBELFASTUlster Hallget tickets028 9033 4455DECEMBER 2, 2014
TUESDAYDARTFORDOrchard Theatreget tickets01322 220 000DECEMBER 3, 2014
WEDNESDAYDORKINGDorking Hallsget tickets01306 881 717DECEMBER 5, 2014
FRIDAYCAMBRIDGECorn Exchangeget tickets01223 357 851DECEMBER 6, 2014
SATURDAYSHEFFIELDSheffield City Hallget tickets01142 789 789DECEMBER 16, 2014
TUESDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073DECEMBER 17, 2014
WEDNESDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073DECEMBER 18, 2014
THURSDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073DECEMBER 19, 2014
FRIDAYLONDONQueen Elizabeth Hall - Southbank Centreget tickets0844 875 0073
Hopefully see you there...

Published on September 21, 2014 04:24
September 20, 2014
Chuffed Mum
Published on September 20, 2014 13:31
Dave Gorman's Blog
- Dave Gorman's profile
- 202 followers
Dave Gorman isn't a Goodreads Author
(yet),
but they
do have a blog,
so here are some recent posts imported from
their feed.
