Janine Ashbless's Blog, page 99
March 10, 2014
Eyecandy Monday
I want to sing the praises of photographer Michael Stokes.
He does beautiful pics of men, and specialises in military servicemen.
Go see his tmblr!
Published on March 10, 2014 04:30
March 9, 2014
TftD: Perspiration my arse
Published on March 09, 2014 03:00
March 7, 2014
Gone, gone ... to Eroticon
I'm off to Bristol today for Eroticon 2014.
It's the sex-writer/authors/bloggers convention in the UK, and it's always an inspirational and warm-hearted event.
(Also the catering is excellent...)
If you are planning to be there too, I hope to meet you soon!
Published on March 07, 2014 02:00
March 5, 2014
Bearded Lady
Yes, this is what I look like with a beard.
I sort of like it, though I suspect the men in my life may not approve ;-)
Roll up, roll up! see the Amazing Bearded Lady from the icy steppes of Russia!
I was at a LARP event last weekend. It was set in the 1930s and we were all rather down-on-our-luck carnival performers. This being a Cthulhu game, our luck did not get appreciably better, it must be said.
I spent much of the weekend hiding under various beds (Don't knock it, it works!), but then died in the final face-off against the monster when I was horribly mashed by a tentacled ex-friend and then thrown through a Gate into the Void.
There must be a moral in there somewhere...
Anyway, my character was an immigrant from Murmansk. Here's the full get-up - I was actually pretty proud of my Sami-style drum painting. And the beard survived being slept in!
What I learned about having a beard: ALWAYS check yourself in a mirror after eating. Especially soup. The debris problem is hell.
I sort of like it, though I suspect the men in my life may not approve ;-)
Roll up, roll up! see the Amazing Bearded Lady from the icy steppes of Russia!I was at a LARP event last weekend. It was set in the 1930s and we were all rather down-on-our-luck carnival performers. This being a Cthulhu game, our luck did not get appreciably better, it must be said.
I spent much of the weekend hiding under various beds (Don't knock it, it works!), but then died in the final face-off against the monster when I was horribly mashed by a tentacled ex-friend and then thrown through a Gate into the Void.
There must be a moral in there somewhere...
Anyway, my character was an immigrant from Murmansk. Here's the full get-up - I was actually pretty proud of my Sami-style drum painting. And the beard survived being slept in!
What I learned about having a beard: ALWAYS check yourself in a mirror after eating. Especially soup. The debris problem is hell.
Published on March 05, 2014 05:40
March 3, 2014
Eyecandy Monday
Well it's Shrove Tuesday this week, so here are some rather wonderful Carnival costume pics.
Maybe I'll make it to Rio one year!
Published on March 03, 2014 05:50
March 2, 2014
Like the Mann said
Published on March 02, 2014 05:26
February 28, 2014
Richard Dawkins would not approve
This is my current crop of research books dragged off my shelves.
I own a lot of books I don't believe in, you understand. A lot of them. They still have research potential.
Maybe I should file them under Fiction tho... ;-)
Published on February 28, 2014 05:10
February 26, 2014
Eyecandy Wednesday
Well, there was no Eyecandy Monday this week due to the blog-hop post ... and I did promise a coupley picture with naughty bits this February!
Published on February 26, 2014 10:48
February 24, 2014
My Writing Process blog-hop
There's no Eyecandy Monday today! That's because last week I was tagged by Kristina Lloyd for a literary blog-hop and I have to give my answers. So today - What I'm working on, How and Why:
1) What am I working on?
I'm writing the first 30K novella of four in a series I'm calling The Wheel of the Year. I've got a hard deadline for submission by the end of March, which is going to be ... testing.
The main plot-arc is about a young woman who reluctantly goes off to live with her Great Aunt Moira in a really weird old house in the middle of the country. It's just like those fantasy adventures I used to read as a kid, isn't it?
Of course, the house is not just a house, Moira is not simply - or really - a batty old relative, and there's going to be a ton-load of sex in my heroine's future as she finds herself plunged into legend that will not die, myth that is live and kicking, and a destiny that will change the world.
This is going to be supernatural erotica with a slow build, but not romance, and the idea is to take my heroine on a sexual journey from vanilla to kink as her sexual horizons expand and her self-knowledge grows. It's very pagan. I've been reading up on astrology and tree-magic and Robert Graves and I've been tearing bloody chunks out of all of them as I mold them to my evil will.
Oh, and The Wheel of the Year has turned out to be linked to Wildwood too. It's almost a prequel. This may be a lifelong plot-arc spread over many publishers!
2) How does my work differ from others of its genre?
Most hardcore erotica writers don't do fantasy - they leave that to the romanticists.
Most paranormal fantasy writers write urban, American and kickass - I've lost track of the number of gun-toting bounty hunters with vampire buddies there are out there in Seattle/Boston/Baton Rouge/NYC/wherethefeckeverUSA - but my worlds and characters are more rural, British and smartass.
So I'm niche, you might say. I'm the nichiest niche writer ever. Watch me not give a crap. Write what you love! You have a hankering for blisteringly dirty troll-sex? Well, read
3) Why do I write what I do?
Oops, I've already answered that, I think. I write my folklore-fantasy-porn because practically no one else is doing it, and that's what I want to read. I write about sex because I think it's one of the primary motivators in human existence and the most incredible joys in life. I write to make the world look more magical.
4) How does my writing process work?
My successful routine (on a good day), is to grab a cup of tea when I wake up and go straight back to bed to write, until noon and hungry dogs drive me out. I get showered, which is when creative insight will creep up me - snippets of conversation, small details that need to inserted into what's already written, and of course the vital next scene. That gives me enough material to write for a few hours again in the afternoon or evening.
I use a lot of hot water.
I don't plan ahead: I start with mental pictures (I'm very visual), and let the plot evolve on the subconscious level to weave those critical moments together.
I used to read back every day over what I'd written, but I've found that slows me down too much - so unless I have a particular detail I need to change I'm now leaving the tweaking until the first draft is done.
So that's why my blogging is likely to be pretty terse for the next month!
xxx
Janine
1) What am I working on?
I'm writing the first 30K novella of four in a series I'm calling The Wheel of the Year. I've got a hard deadline for submission by the end of March, which is going to be ... testing.
The main plot-arc is about a young woman who reluctantly goes off to live with her Great Aunt Moira in a really weird old house in the middle of the country. It's just like those fantasy adventures I used to read as a kid, isn't it?
Of course, the house is not just a house, Moira is not simply - or really - a batty old relative, and there's going to be a ton-load of sex in my heroine's future as she finds herself plunged into legend that will not die, myth that is live and kicking, and a destiny that will change the world.
This is going to be supernatural erotica with a slow build, but not romance, and the idea is to take my heroine on a sexual journey from vanilla to kink as her sexual horizons expand and her self-knowledge grows. It's very pagan. I've been reading up on astrology and tree-magic and Robert Graves and I've been tearing bloody chunks out of all of them as I mold them to my evil will.
Oh, and The Wheel of the Year has turned out to be linked to Wildwood too. It's almost a prequel. This may be a lifelong plot-arc spread over many publishers!
2) How does my work differ from others of its genre?
Most hardcore erotica writers don't do fantasy - they leave that to the romanticists.
Most paranormal fantasy writers write urban, American and kickass - I've lost track of the number of gun-toting bounty hunters with vampire buddies there are out there in Seattle/Boston/Baton Rouge/NYC/wherethefeckeverUSA - but my worlds and characters are more rural, British and smartass.
So I'm niche, you might say. I'm the nichiest niche writer ever. Watch me not give a crap. Write what you love! You have a hankering for blisteringly dirty troll-sex? Well, read
3) Why do I write what I do?
Oops, I've already answered that, I think. I write my folklore-fantasy-porn because practically no one else is doing it, and that's what I want to read. I write about sex because I think it's one of the primary motivators in human existence and the most incredible joys in life. I write to make the world look more magical.
4) How does my writing process work?
My successful routine (on a good day), is to grab a cup of tea when I wake up and go straight back to bed to write, until noon and hungry dogs drive me out. I get showered, which is when creative insight will creep up me - snippets of conversation, small details that need to inserted into what's already written, and of course the vital next scene. That gives me enough material to write for a few hours again in the afternoon or evening.
I use a lot of hot water.
I don't plan ahead: I start with mental pictures (I'm very visual), and let the plot evolve on the subconscious level to weave those critical moments together.
I used to read back every day over what I'd written, but I've found that slows me down too much - so unless I have a particular detail I need to change I'm now leaving the tweaking until the first draft is done.
So that's why my blogging is likely to be pretty terse for the next month!
xxx
Janine
Published on February 24, 2014 04:01
February 23, 2014
Beauty, by Rino Stefano Tagliafierro
This guy used tech to bring animation to lot of famous classical paintings - starting with the light and pretty, and descending into much darker places. It does a powerful job of reminding us how sensual - and frankly disturbing - high art can be when we're not blinkered by familiarity.
Published on February 23, 2014 07:04


