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“Copyright law has got to give up its obsession with 'the copy.' The law should not regulate 'copies' or 'modern reproductions' on their own. It should instead regulate uses--like public distributions of copies of copyrighted work--that connect directly to the economic incentive copyright law was intended to foster.”
Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy
“Every generation welcomes the pirates from the last.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“Why should it be that just when technology is
most encouraging of creativity, the law should be most restrictive?”
Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy
“That tradition is the way our culture gets made. As I explain in the pages that follow, we come from a tradition of "free culture"—not "free" as in "free beer" (to borrow a phrase from the founder of the freesoftware movement[2] ), but "free" as in "free speech," "free markets," "free trade," "free enterprise," "free will," and "free elections." A free culture supports and protects creators and innovators. It does this directly by granting intellectual property rights. But it does so indirectly by limiting the reach of those rights, to guarantee that follow-on creators and innovators remain as free as possible from the control of the past. A free culture is not a culture without property, just as a free market is not a market in which everything is free. The opposite of a free culture is a "permission culture"—a culture in which creators get to create only with the permission of the powerful, or of creators from the past.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“If “piracy means using the creative property of others without their permission- if “if value, then right” is true- then the history of the content industry is a history of piracy. Every important sector of “big media” today- film, records, radio, and cable TV-was born of a kind of piracy so defined. The consistent story is how last generation’s pirates join this generation’s country club-until now.”
Lawrence lessig, Free Culture: The Nature and Future of Creativity
“If the law imposed the death penalty for parking tickets, we’d not only have fewer parking tickets, we’d also have much
less driving.

Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“Overregulation stifles creativity. It smothers innovation. It gives dinosaurs a veto over the future. It wastes the extraordinary opportunity for a democratic creativity that digital technology enables.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“Technology means you can now do amazing things easily; but you couldn't easily do them legally.”
Lawrence lessig, Free Culture: The Nature and Future of Creativity
“Politics is that rare sport where the amateur contest is actually more interesting than the professional.”
Lawrence Lessig, Republic, Lost: How Money Corrupts Congress--and a Plan to Stop It
“And with a practice of writing comes a certain important integrity. A culture filled with bloggers thinks differently about politics or public affairs, if only because more have been forced through the discipline of showing in writing why A leads to B.”
Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy
“Code will be a central tool in this analysis. It will present the greatest threat to both liberal and libertarian ideals, as well as their greatest promise. We can build, or architect, or code cyberspace to protect values that we believe are fundamental. Or we can build, or architect, or code cyberspace to allow those values to disappear. There is no middle ground. There is no choice that does not include some kind of building. Code is never found; it is only ever made, and only ever made by us.”
Lawrence Lessig, Code version 2.0
“Freedom is about stopping the past.”
Lawrence Lessig
“Free culture depends upon vibrant competition. Yet the effect of the law today is to stifle just this kind of competition. The effect is to produce an over-regulated culture, just as the effect of too much control in the market is to produce an over-regulated-regulated market.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“If “piracy” means using value from someone else’s creative property without permission from that creator–as it is increasingly described today – then every industry affected by copyright today is the product and beneficiary of a certain kind of piracy. Film, records, radio, cable TV… Extremists in this debate love to say “You wouldn’t go into Barnes & Noble and take a book off of the shelf without paying; why should it be any different with online music?” The difference is, of course, that when you take a book from Barnes & Noble, it has one less book to sell. By contrast, when you take an MP3 from a computer network, there is not one less CD that can be sold. The physics of piracy of the intangible are different from the physics of piracy of the tangible.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“[The Internet] affects democracy... As more and more citizens express what they think, and defend it in writing, that will change the way people understand public issues. It is easy to be wrong and misguided in your head. It is harder when the product of your mind can be criticized by others. Of course, it is a rare human who admits that he has been persuaded that he is wrong. But it is even rarer for a human to ignore when he has been proven wrong. The writing of ideas, arguments, and criticism improves democracy.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“Overregulation corrupts citizens and weakens the rule of law.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“On December 17, 1903, on a windy North Carolina beach for just shy of one hundred seconds, the Wright brothers demonstrated that a heavier-than-air, self-propelled vehicle could fly. The moment was electric and its importance widely understood. Almost immediately, there was an explosion of interest in this newfound technology of manned flight, and a gaggle of innovators began to build upon it.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“It is said that those who fail to remember history are doomed to repeat it. That’s not quite correct. We all forget history. The key is whether we have a way to go back to rediscover what we forget. More directly, the key is whether an objective past can keep us honest.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“In the 1970s, 3 percent of retiring members became lobbyists. Thirty years later, that number has increased by an order of magnitude. Between 1998 and 2004, more than 50 percent of senators and 42 percent of House members made that career transition.”
Lawrence Lessig, Republic, Lost: How Money Corrupts Congress--and a Plan to Stop It
“But, like all metaphoric wars, the copyright wars are not actual conflicts of survival. Or at least, they are not conflicts for survival of a people or a society, even if they are wars of survival for certain businesses or, more accurately, business models. Thus we must keep in mind the other values or objectives that might also be affected by this war. We must make sure this war doesn't cost more than it is worth. We must be sure it is winnable, or winnable at a price we're willing to pay.”
Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy
“Economics itself offers a parallel that explains why this integration affects creativity. Clay Christensen has written about the “Innovator’s Dilemma”: the fact that large traditional firms find it rational to ignore new, breakthrough technologies that compete with their core business. The same analysis could help explain why large, traditional media companies will undermine our tradition of free culture. The property right that is copyright is no longer the balanced right that it was, or was intended to be. The property right that is copyright has become unbalanced, tilted toward an extreme. The opportunity to create and transform becomes weakened in a world in which creation requires permission and creativity must check with a lawyer.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“Liberty in cyberspace will not come from the absence of the state. Liberty there, as anywhere, will come from a state of a certain kind. We build a world where freedom can flourish not by removing from society any self-conscious control, but by setting it in a place where a particular kind of self-conscious control survives. We build liberty as our founders did, by setting society upon a certain constitution.”
Lawrence Lessig, Code version 2.0
“But as well as copy-shop piracy, there is another kind of "taking" that is more directly related to the Internet. That taking, too, seems wrong to many, and it is wrong much of the time. Before we paint this taking "piracy," however, we should understand its nature a bit more. For the harm of this taking is significantly more ambiguous than outright copying, and the law should account for that ambiguity, as it has so often done in the past.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“We take this for granted in America today: a democracy in which the first test of credibility is not votes, or broad public support, but money.”
Lawrence Lessig, Republic, Lost: How Money Corrupts Congress—and a Plan to Stop It
“So, ignorant we are. But we're not stupid. Indeed...remaining ignorant about politics and our government is a perfectly rational response to the government we have. The question isn't what we know. The question is what we're capable of knowing, and doing, if we have the right incentives, and the right opportunity.”
Lawrence Lessig
“But sometimes they're just oblivious, and their obliviousness brings out the worst in me. I remember once talking to one about the principle of 'one person, one vote' -- the Supreme Court's doctrine that forces states to ensure the weight one person's vote is equal to the weight of everyone else's. He had done work early in his career to push that principle along, and considered it, as he told me, 'among the most important values now written into our Constitution.' 'Isn't it weird then', I asked hime, 'that the law would obsess about making sure that on Election Day, my vote is just as powerful as yours, but stand blind to the fact that in the days before Election Day, because of your wealth, your ability to affect that election is a million times greater than mine?' My friend -- or at least friend until that moment -- didn't say a word.”
Lawrence Lessig, Republic, Lost: How Money Corrupts Congress--and a Plan to Stop It
“The obvious point of Conrad’s cartoon is the weirdness of a world where guns are legal, despite the harm they can do, while VCRs (and circumvention technologies) are illegal. Flash: No one ever died from copyright circumvention. Yet the law bans circumvention technologies absolutely, despite the potential that they might do some good, but permits guns, despite the obvious and tragic harm they do.”
Lawrence Lessig, Free Culture: The Nature and Future of Creativity
“But it is to say that a basic idea of a representative democracy—one that argues over fundamental choices of policy, through the battle between differently committed representatives—is not the reality of our democracy anymore. We’ve settled into what Francis Fukuyama calls a “vetocracy,” where change of almost any kind, whether from the Right or the Left, is practically always stopped.”
Lawrence Lessig, Republic, Lost: How Money Corrupts Congress—and a Plan to Stop It
“Existe um outro motivo para o fato dos blogs terem um ciclo de vida diferente dos principais meios de comunicação. Como Dave Winer, um dos pais desse movimento e um desenvolvedor de software por várias décadas, me disse, uma outra diferença é a ausência de "conflitos de interesses" provocados por motivos financeiros. "Eu penso que você tem que remover esse conflito de interesses" do jornalismo, Winer me disse. "Um jornalista amador simplesmente não tem tal conflito de interesses, ou o conflito de interesses é tão facilmente detectável que você pode o remover do caminho facilmente".”
Lawrence Lessig, Cultura Livre
“Mas além da arquitetura, os blogs também resolveram o problema das regras. Não existe (ainda) nenhuma regra no meio dos blogs que diga que não deve-se falar de política. Na verdade, o meio está repleto de discussões políticas, de direita e de esquerda. Alguns dos mais populares blogs são conservadores, outros liberais, mas há blogs de todas as tendências políticas, e mesmo blogs em que não-políticos falam de política quando a situação torna interessante.”
Lawrence Lessig, Cultura Livre

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Republic, Lost: How Money Corrupts Congress--and a Plan to Stop It Republic, Lost
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Free Culture: The Nature and Future of Creativity Free Culture
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Remix: Making Art and Commerce Thrive in the Hybrid Economy Remix
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Code: And Other Laws of Cyberspace, Version 2.0 Code
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