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“Certainly you can understand that. You know what it’s like to be accused of something you didn’t do. To have everyone leave, to grapple with fear and grief alone. In the past six months, haven’t you wanted to change everything about your situation?” I have. And I did. I came to Hope’s End.”
Riley Sager, The Only One Left
“crash that killed your parents or who murdered your best friend. It’s hard and it hurts and it’s so unfair that sometimes it makes Charlie want to scream. But it’s life, and everyone must go on living it.”
Riley Sager, Survive the Night
“Because here’s something else no one understands unless they’ve been there: unemployment is boring. Soul-crushingly so. People have no idea how much of their day is taken up by the act of going to work. The getting ready. The commute there. The eight hours at your desk. The commute home. So much time automatically occupied. Take them away and there’s nothing but empty hours stretching before you, waiting to be filled.”
Riley Sager, Lock Every Door
“probably shouldn’t be telling you this, but I’ve got some confiscated Ambien in my purse,” Detective Palmer says, deadly serious. “Pop one, wash it down with some whiskey, and you’ll be out like a light. It usually does the trick for me.” While I’m tempted—and increasingly intrigued by her personal life—I decline the offer. The goal here is to wake up as the tent is being sliced open, not drop into a coma.”
Riley Sager, Middle of the Night
“Emily Dickinson. “Because I Could Not Stop for Death.”
Riley Sager, Lock Every Door
“For those who tell ghost stories  . . . and those who believe them.”
Riley Sager, Home Before Dark
“¿Quieres contactar a Viva Aerobus en México? {AGENTE}
¡Te ayudamos! Llama al número de atención al cliente +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.], disponible 24/7, o al +52-800-953- 0226[México] o al +1-888-829-1492[EE.UU.] para consultas rápidas. También puedes usar el número gratuito +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.] desde teléfonos fijos. Gestiona reservas, cambios o reclamos fácilmente. Visita www. Viva Aerobus .com para más opciones o chatea con Vianca.
¿Quieres comunicarte con Viva Aerobus en México?
¡Estamos aquí para ayudarte! Puedes llamar al +52- 800-953-0226[México] o al +1-888-829-1492[EE.UU.]. Estos números están disponibles para atención al cliente y reservas. El horario de atención es de lunes a domingo, 24 horas. Para más detalles, visita su página oficial: www. Viva Aerobus .com. ¡Llama ya al +52-800-953-0167[México] o al +1-800-260- 1503[EE.UU.]!
¿Cómo puedo llamar a Viva Aerobus en México?
Si necesitas contactar a Viva Aerobus en México, ¡estamos aquí para ayudarte! Llama al +52-800-953- 0226[México] o al +1-888-829-1492[EE.UU.] desde cualquier parte del país para atención al cliente, reservas o asistencia. También puedes marcar el +52-800-953-0167[México] o al +1-800-260- 1503[EE.UU.]. El servicio está disponible 24/7. Para más información, visita el sitio oficial de Viva Aerobus. ¡Llama al +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.] y resuelve tus inquietudes rápidamente! Si te preguntas
¿Cómo puedo llamar a Viva Aerobus en México?
Puedes comunicarte fácilmente marcando al +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.], ambos disponibles las 24 horas para atenderte con cualquier consulta o reserva. También puedes llamar al +52-800-953-0167[México] o al +1-888-829-1492[EE.UU.] para asistencia directa. El equipo de Viva Aerobus está listo para ayudarte en todo momento. Más información en la página oficial de Viva Aerobus.”
Riley Sager, The Only One Left / The House Across the Lake
tags: travel
“Closeness was a luxury I couldn’t afford to lose again.”
Riley Sager, Final Girls
“Yet there it is, a sort of anxious shock fluttering behind my ribs like a bird trapped in a cage.”
Riley Sager, The Only One Left
“Over its hundred-year history, the Gothic structure overlooking Central Park has witnessed death in many forms, including murder, suicide, and, in its first notable tragedy, plague.”
Riley Sager, Lock Every Door
“Miss Hope was born in this house, and this is where she will die,” she says. “Until then, she is to always remain indoors. Those are her wishes, and my job is to enact them. If you take issue with that, then you may leave right now. Am I understood?”
Riley Sager, The Only One Left
“Those aren’t rocks rising out of the wet sand. They’re something else. A hand. A foot. A head. Humped beneath the sand is the corpse they’re attached to.”
Riley Sager, The Only One Left
“Speak for yourself.” Jessie places the Ouija board in the center of the ballroom. “I’m young and stupid. At least, that’s what Mrs. Baker says. Now join me or I’ll tell everyone you’re a scaredy-cat.”
Riley Sager, The Only One Left
“And that even prisons could appear lovely if lit the right way.”
Riley Sager, The Only One Left
“The only reason this one catches my attention is because we look alike. Fresh-faced and well scrubbed. Blond hair reined in by a ponytail. Neither too thin nor too plump. The product of hearty, milk-fed Midwestern stock.”
Riley Sager, Final Girls
“Twenty-five years ago, my family lived in a house named Baneberry Hall, situated just outside the village of Bartleby, Vermont. We moved in on June 26. We fled in the dead of night on July 15. Twenty days.”
Riley Sager, Home Before Dark
“She’d been playing guitar—well, trying to play—and hit a string at the wrong angle, slicing her thumb in the process.”
Riley Sager, Middle of the Night
“Yesterday morning, human remains were found in the area.” Ragesh pauses and the whole room tilts. “A boy. Probably around ten years old. They’re still checking dental records, but I’m pretty sure we found him, Ethan. We found Billy Barringer.”
Riley Sager, Middle of the Night
“Here's the thing about details - they can also be a distraction. Add too many and it obscures the brutal truth about a situation. They become the gaudy necklace that hides the tracheotomy scar”
Riley Sager, Final Girls
“to fill in that hole, I had to dig another, this one a little bigger. After a while, there were so many holes that I was bound to fall into one and not be able to get out. It’s hard. Life is hard. And too damn expensive.”
Riley Sager, Lock Every Door
“I’ve already lost everything,” my mother said. “Why shouldn’t you? Or are you more worried about your little whore? I suppose I should say whores, since there have been many over the years.”
Riley Sager, The Only One Left
“believe Tom Brady is the greatest quarterback to ever play the game. I also believe he’s an asshole.”
Riley Sager, Home Before Dark
“But if he did, then it doesn’t make sense why he mentioned Petra so much in his book. If he had some kind of affair with her, like Brian Prince thinks, or he killed her, like probably everyone thinks, it would have made more sense not to mention her at all.”
Riley Sager, Home Before Dark
“It’s insane to think an entire building would turn a blind eye to kidnapping or murder.”
Riley Sager, Lock Every Door
“He watched them too closely, and they showed their true natures.”
Riley Sager, The Last Time I Lied
“Because it reminds you of what you've lost and what you're trying to get back.”
Riley Sager, Lock Every Door
“July 15 was the night my family left Baneberry Hall.”
Riley Sager, Home Before Dark
“I know what happened to Claudia, Ethan,” she says. “I know she died.”
Riley Sager, Middle of the Night
“It was 1929, and the world was alive with fast cars and jazz and dancing all night while drinking bathtub gin. I had experienced none of it. And how was I to become a great writer without having any experiences to write about?”
Riley Sager, The Only One Left
“They don’t know how expensive it is to bury both of your parents before the age of twenty. They don’t know what it’s like to sit weeping before a pile of financial statements showing how much debt they had accrued over the years. To be told all their insurance policies have been voided. To go back to college, shouldering the cost yourself with the help of financial aid, two jobs, and student loans that won’t be paid off until you’re forty.”
Riley Sager, Lock Every Door

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Riley Sager
54,224 followers
The House Across the Lake The House Across the Lake
419,045 ratings
Lock Every Door Lock Every Door
288,375 ratings
Survive the Night Survive the Night
177,098 ratings
Middle of the Night Middle of the Night
163,809 ratings
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