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Start by following Quentin Blake.
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“I don't wait for inspiration. I'm not, in fact, quite sure what inspiration is, but I'm sure that if it is going to turn up, my having started work is the precondition of its arrival.”
― Words and Pictures
― Words and Pictures
“I thought that if I couldn’t make a living as an artist, at least I shouldn’t starve.
By the time I had finished these studies, I had realized that I simply did not draw well enough to be the kind of artist and illustrator that I wanted to be, and so for two days a week over two years I drew — and drew and drew — from the models in the life classes at Chelsea School of Art. I really found out how people looked and moved and balanced, and though nowadays I almost never use a sketchbook and just make everything up as I go along, it’s those days in the life room that are the back of it all.”
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By the time I had finished these studies, I had realized that I simply did not draw well enough to be the kind of artist and illustrator that I wanted to be, and so for two days a week over two years I drew — and drew and drew — from the models in the life classes at Chelsea School of Art. I really found out how people looked and moved and balanced, and though nowadays I almost never use a sketchbook and just make everything up as I go along, it’s those days in the life room that are the back of it all.”
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“I suppose that really I had a training or education not so very different from a lot of other artists and illustrators — it’s just that I didn’t have it in the normal order. When I was at school I liked drawing, and I liked anything to do with humor, and I liked writing too. When I was about fourteen, I was lucky enough to be introduced to a man who both painted pictures and drew cartoons for newspapers and magazines, including Punch, the most famous English humorous magazine at the time. He was called Alfred Jackson and every few months I would take him a collection of my drawings to look at. Now I look back and realize these were in fact lessons or tutorials, and what was especially good about them was that he talked not only about the cartoonists’ drawings in Punch at the time, but also about Michelangelo and Modigliani as well.”
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