The Knife Thrower and Other Stories Quotes

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The Knife Thrower and Other Stories The Knife Thrower and Other Stories by Steven Millhauser
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The Knife Thrower and Other Stories Quotes Showing 1-7 of 7
“To be Kaspar Hauser is to long, at every moment of your dubious existence, with every fiber of your questionable being, not to be Kaspar Hauser. It’s to long to leave yourself completely behind, to vanish from your own sight. Does this surprise you? It is of course what you have taught me to desire. And I am a diligent student. With your help I have furnished myself inside and out. My thoughts are yours. These words are yours. Even my black and bitter tears are yours, for I shed them at the thought of the life I never had, which is to say, your life, ladies and gentlemen of Nuremberg. My deepest wish is not to be an exception. My deepest wish is not to be a curiosity, an object of wonder. It is to be unremarkable. To become you—to sink into you—to merge with you until you cannot tell me from yourselves; to be uninteresting; to be nothing at all; to experience the ecstasy of mediocrity—is it so much to ask? You who have helped me to advance so far, won’t you lead me to the promised land, the tranquil land of the ordinary, the banal, the boring? Not to be Kaspar Hauser, not to be the enigma of Europe, not to be the wild boy in the tower, the man without a childhood, the young man without a youth, the monster born in the middle of his life, but to be you, to be you, to be nothing but you! This is my vision of paradise. And although the very existence of such a vision reveals nothing so much as my distance, which widens into an abyss even as I try to fling myself across, still I am not without hope.”
Steven Millhauser, Knife Thrower: And Other Stories
“It was perhaps the very extremity of these well-deserved claims that should have given us pause, for if an art has indeed been carried to its richest expression, then we may wonder whether the urge that impelled it in the direction of its fulfillment may not impel it beyond its proper limit. In this sense we may ask whether the highest form of an art contains within it the elements of its own destruction—whether decadence, in short, so far from being the sickly opposite of art’s deepest health, is perhaps nothing but the result of an urge identical to both.”
Steven Millhauser, The Knife Thrower and Other Stories
“The sky surprised me. It was a deep blue, the blue of a sorcerer's hat, of night skies in old Technicolor movies, of deep mountain lakes in Swiss countrysides pictured on old puzzle boxes.”
Steven Millhauser, The Knife Thrower and Other Stories
“As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out.”
Steven Millhauser, The Knife Thrower and Other Stories
“Members of this school insist that the only way to find an opening to our underground world is to seek out a quiet and secluded spot. Close your eyes. Concentrate your attention inward. Descend.”
Steven Millhauser, The Knife Thrower and Other Stories
“Sometimes I feel that I am slowly erasing muself, in order for someone else to appear, the one I long for, who will not resemble me.”
Steven Millhauser, The Knife Thrower and Other Stories
“For if I am interesting to you precisely to the extent that I'm not one of you, then your desire to civilize me, to turn me into a good citizen of Nuremberg, can lead to nothing but loss of interest.”
Steven Millhauser, The Knife Thrower and Other Stories