Music Through the Eyes of Faith Quotes

Rate this book
Clear rating
Music Through the Eyes of Faith: A Study of Worship and the Theology of Creation for Christian Musicians and Students Music Through the Eyes of Faith: A Study of Worship and the Theology of Creation for Christian Musicians and Students by Harold M. Best
161 ratings, 4.04 average rating, 20 reviews
Open Preview
Music Through the Eyes of Faith Quotes Showing 1-2 of 2
“The eternally gathered church will finally hear the triune God singing over the entire creation; it will hear the bridegroom, Christ, singing over his bride, the church. Grace, in its final uninhibited triumph; faith having turned from trust to sight; and worship having been totally purified—these together will generate an endless song of which no one presently can give full account. 4.”
Harold Best, Music Through the Eyes of Faith: A Study of Worship and the Theology of Creation for Christian Musicians and Students
“Music has no interior beacon that guarantees permanent meaning. Unlike truth, which is transcultural, absolute, and unchangeable, music can shift in meaning from place to place and time to time. Of all the art forms, music is inherently the most flexible. The music of Bach, as deeply fixed within the churchly contexts of his time and ours, can still shift meanings while remaining great music in its own right. For Lutherans it is church music, par excellence. For the young convert from Satanism, it was evil. In its original form, the tune “Austria” was the imperial national anthem, “Gott erhalte Franz den Kaiser,” composed by Haydn. He then used it as the principal theme for the slow movement in his Emperor Quartet. In this guise it reflects the essentially secular contexts for which it was written and is perfectly at home in the concert hall. It is also the tune for “Deutschland über Alles,” the German national anthem. And for Jewish people, it is associated with the unspeakable horrors of the holocaust. And finally, it is the tune to which the hymn “Glorious Things of Thee Are Spoken” is sung in virtually all American churches. To American Christians this tune’s primary meaning is “sacred.” To them, it carries virtually none of its first two meanings, unless one or the other was impressed first into their memories. There is no way to explain this phenomenon other than that music, as music, is completely relative.”
Harold Best, Music Through the Eyes of Faith: A Study of Worship and the Theology of Creation for Christian Musicians and Students