A Fatal Affair Quotes

“Look, Hugh and I had a shitty childhood. I dealt with it by getting drunk and high. Hugh dealt with it by tracking down parents who make their kids sick and killing them.”
― A.R. Torre, A Fatal Affair

“This is Hugh. All of the tapes are of Hugh.” “Is this a third-person reference, or are you saying that you’re not Hugh?” Kevin asked. “I’m saying that Hugh killed all of those women and that I’m not Hugh. I’m Trent.”
― A.R. Torre, A Fatal Affair

“That was the problem with being a parent in this business. The love was like a weight around your mind, dragging you down into the depths of what could happen to them. And in this town, that was a big depth with no bottom in sight.”
― A.R. Torre, A Fatal Affair

“She would marry Hugh Iverson and become the queen of this castle and live a life of security and respectability, complete with a villa in Spain, more money than she could ever spend, and the recognition and adoration of millions.”
― A.R. Torre, A Fatal Affair

“Because right now, I need both chaos and stability. One day, I promise, I’ll get over that and only be with you. He’ll understand.”
― A.R. Torre, A Fatal Affair

“The next twenty-four hours might, quite literally, determine their next twenty-four years.”
― A.R. Torre, A Fatal Affair

“Her awe of the environment that was always followed by the painful recognition that it would forever belong to someone else.”
― A.R. Torre, A Fatal Affair

“One that would require a task force, press conferences, a media liaison, and a mountain of oversight. They’d have to do everything perfectly, while not ruffling any feathers.”
― A.R. Torre, A Fatal Affair

“The oldest love affair in Hollywood is that of an actor with themself. It’s not so much that they love who they are—but they fall for that image on the screen. They fall for the way that the public looks at them. They fall for the story that they’re telling. But the problem is, that story is a lie. The affair is a farce.”
― A.R. Torre, A Fatal Affair

“The oldest love affair in Hollywood is that of an actor with themself. It’s not so much that they love who they are—but they fall for that image on the screen. They fall for the way that the public looks at them. They fall for the story that they’re telling. But the problem is, that story is a lie. The affair is a farce. Eventually, they realize that, and that is when things typically seem to fall apart. —Mayim Place, The Hollywood Report”
― A.R. Torre, A Fatal Affair

“You think you know someone; then they sneak out of the house on a Sunday morning and step in front of a semi.”
― A.R. Torre, A Fatal Affair

“This motel room was super cool. Miles ran from one side of it to the other, then crawled onto the bed and jumped off. “Hey!” Mustache Man yelled at him, and pointed at the floor. “Sit!” Miles giggled, because it was exactly the same way that Daddy told Nana’s dog to sit. He sat in the spot, like Nana’s dog did, his hands flat on the floor between his feet. Sticking out his tongue, he panted. The man eyed him like he was a little afraid of him.”
― A.R. Torre, A Fatal Affair

“mostly that outward appearances meant everything, and that the right facade could hide everything you held in your heart.”
― A.R. Torre, A Fatal Affair