Remnant Population Quotes

“Should I tell you the truth I know, or try to guess the untruth you want?”
― Elizabeth Moon, Remnant Population

“Free of the demands, the judgments, and the petty tyrannies of others.”
― Elizabeth Moon, Remnant Population

“Yes, she had needed that. She had needed it all her life, without knowing that was what she needed. The joy of creation, of play, had been the empty place unfilled by family and social duties. She would have loved her children better, she thought now, if she had realized how much she herself needed to play, to follow her own childish desire to handle beautiful things and make more beauty.”
― Elizabeth Moon, Remnant Population

“She retrieved the beads she had dropped from under the sewing tables, and strung them again. She made and painted more beads, added the slimerod cores she had dried, the seed pods of this plant, tufts of long hair from cows’ tails caught in brush… she wasn’t sure what she was making, only that she liked the patterns of chunky things and thin ones, color and texture and line. When she put the construction on her body, she realized it needed a bit more here — another length of beads — and something else there to balance the weight and keep it from slipping off her shoulders. She looked in the mirror. Odd how seldom she’d done that, not since before the other landing. She had not wanted to see her expression; she had been afraid that she might frighten herself. But now the figure in the mirror hardly looked human. She stared. She felt the same — mostly the same — and in the mirror her own face scowled at her, the familiar scowl with which she had always greeted her mirror-self. Her eyebrows were thinner and whiter; her white hair a tousled bush of silver. But the inner self that had been so intent on stringing beads and feathers and wool and cows’ hair and seedpods, that had been so sure where to lace this string to that, and how to hang the tassels — that self had not imagined how she would look in anything but the old drab workshirts and skirts and bonnets of earlier years.
Indecent, the old voice said. Amazing, the new voice said, with approval. Her body was old, wrinkled, sagging, splotched with the wear-marks of nearly eighty years… but hanging on it in weblike patterns were the brilliant colors and textures of her creation.”
― Elizabeth Moon, Remnant Population

“Not for the first time, Ofelia wondered if humans had thought of anything really new in the past ten thousand years. Had they only wandered the stars because they were tired of their stale jokes and curses?”
― Elizabeth Moon, Remnant Population

“On hers . . . a mess, the teacher had said, but she had already heard the other children exclaim over what she could see for herself. Magnificence, glory, all the things they weren’t supposed to have. She woke up with tears still wet on her cheeks, and blinked them out of her eyes. Something vividly red swung in and out of view at the window. Dayvine trumpets, in the breeze—the vine on that side of the house must have grown a foot overnight. Barto had insisted on keeping the house free of vines; she lay there and felt a deep happiness work out from her bones at the sight of those flowers dancing in the sunlight.”
― Elizabeth Moon, Remnant Population

“She did not want to be Bilong’s mother, or her grandmother. She had done with these roles, with being a good child, a good wife, a good mother. She had put seventy-odd years into it; she had worked hard at it; now she wanted to be that Ofelia who painted and carved and sang in an old cracked voice with strange creatures and their stranger music. The”
― Elizabeth Moon, Remnant Population

“Stupid storm, stupid cows, stupid mattress, stupid cart. Stupidest of all, the people who built doorways too narrow for carts to get through them.”
― Elizabeth Moon, Remnant Population