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Chance (Constance, #2) Chance by Matthew FitzSimmons
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Chance Quotes Showing 1-18 of 18
“He couldn’t prove it, but he imagined that back when they’d invented the wheel, someone had complained about how not dragging their belongings through the dirt would spoil the children.”
― Matthew FitzSimmons, Chance
“The way Abigail leaned in hungrily would have done Gollum proud.”
― Matthew FitzSimmons, Chance
“If he ever had fears or regrets, he wasn’t a man to share them with his children.”
― Matthew FitzSimmons, Chance
“And Maggie knew them. Maggie knew his kidnappers.”
― Matthew FitzSimmons, Chance
“Exclusivity was a hell of a drug.”
― Matthew FitzSimmons, Chance
“Lee Conway.”
― Matthew FitzSimmons, Chance
“an old food printer sat next to a microwave and a hot plate, three generations of food preparation side by side by side.”
― Matthew FitzSimmons, Chance
“She always answered the phone managing to sound like she’d just been dialing his number.”
― Matthew FitzSimmons, Chance
“her eyes, which were fiercely intelligent.”
― Matthew FitzSimmons, Chance
“Chekhov’s bouncers”
― Matthew FitzSimmons, Chance
“Don’t praise the day before sunset.”
― Matthew FitzSimmons, Chance
“If he’d learned anything since, it was to never underestimate the stupidity of a man who believes he’s in the right.”
― Matthew FitzSimmons, Chance
“Chance pulled a frayed blanket from the back of the couch and wrapped it around his shoulders. His grandmother had knitted it for him as a baby present, and the blanket had sat for years untouched on the windowsill of his childhood bedroom. Now it might just be his most prized possession.”
― Matthew FitzSimmons, Chance
“Things had a way of being stripped of their context and repurposed.”
― Matthew FitzSimmons, Chance
“Meetings were the currency by which those people justified their existence.”
― Matthew FitzSimmons, Chance
“There just seemed to be a point in life when some people lost the ability to adapt to change.”
― Matthew FitzSimmons, Chance
“copacetic,”
― Matthew FitzSimmons, Chance
“When they brought me home from Palingenesis, everything was just wrong. I felt out of place. Unwanted. Like they’d had a painting commissioned to remember their dead son, only the painting could walk and talk, and no one was ever going to want to look at it.”
― Matthew FitzSimmons, Chance