Musical Misfires Quotes

“Sister Act opened in the large Broadway Theatre on April 20, 2011, to mostly favorable reviews. Critics agreed that Goldberg’s absence was a detriment and that Miller was no comedienne but she had the pipes and the energy to carry the musical. Also applauded were the vivacious score, the fine supporting cast, and the flashy costumes by Lez Brotherston. The naysayers pointed out the weaknesses in the script, how many of the crass jokes fail to land, and the way the nuns were turned into stereotyped diva wannabes. But for the most part, the reviews were encouraging and Sister Act ran well over a year.”
― Mark A. Robinson, Musical Misfires: Three Decades of Broadway Musical Heartbreak

“For the Broadway production, playwright Douglas Carter Beane was brought in to rework the script and Menken and Slater made a few changes in the score. The gangster was now called Curtis Jackson and he owns the Philadelphia nightclub where Deloris sings. The plot doesn’t change much until the second act when Deloris, knowing that Jackson is on to her disguise, tries to leave town but the other nuns say they will protect her. The climax is the same and the musical ends with the nuns performing for the Pope. Beane beefed up the comedy in the script, turning Jackson’s henchmen into comic buffoons, and Jerry Zaks directed Sister Act as a farce, tightening up the pace and broadening some of the characters. Patina Miller was again Deloris and Victoria Clark brought a warmth to Mother Superior that played off of Miller’s brashness nicely.”
― Mark A. Robinson, Musical Misfires: Three Decades of Broadway Musical Heartbreak