The Power of the Dog Quotes

“Deliver my soul from the sword,
my darling from the power of the dog.”
― Thomas Savage, The Power of the Dog

“He knew no more of love, he told himself, than he did of tears, but he enjoyed sitting there. And he enjoyed the conversation which seemed to him on the verge of taking an even more sprightly turn. In other words, he knew all there was to know about love, that it’s the delight of being in the presence of the loved one.”
― Thomas Savage, The Power of the Dog

“How does one man get the power to make the rest see in themselves what he sees in them?”
― Thomas Savage, The Power of the Dog

“It was evening, the hour of speculation; Phil pondered how one man passes a gift on to another, how like the very chains and lengths of rawhide rope a man makes, human character is woven on a strand of this and a strand of that--sometimes beautifully and sometimes poorly. It was in simple homage to Joe and to Bronco Henry, those two braiders and plaiters, that Phil braided now. Each had taught him something.”
― Thomas Savage, The Power of the Dog

“He taught me that if you’ve got guts, you can do any damned thing, guts and patience. Impatience is a costly commodity, Pete.”
― Thomas Savage, The Power of the Dog

“Take what I’ve got. You’ve been good. Phil, at that moment in that place that smelled of years felt in his throat what he’d felt once before and dear God knows never expected nor wanted to feel again, for the loss of it breaks your heart.”
― Thomas Savage, The Power of the Dog

“his habits and appearance required strangers to alter their conception of an aristocrat to one who can afford to be himself.”
― Thomas Savage, The Power of the Dog

“But Phil knew, God knows he knew, what it was to be a pariah, and he had loathed the world, should it loath him first.”
― Thomas Savage, The Power of the Dog

“Whitey was one of those barbers who thinks you pay for the gab.”
― Thomas Savage, The Power of the Dog: The classic Western, now an Oscar and Bafta Award-winning film starring Benedict Cumberbatch

“The Pass and Lona Hanson and, to some extent, The Power of the Dog may be seen as late novels from the golden age of American landscape fiction, a period that falls roughly in the first half of the last century. In these novels landscape is used not just as decorative background, but to drive the story and control the characters’ lives, as in the work of Willa Cather, Marjorie Kinnan Rawlings, Walter D. Edmonds, William Faulkner, Flannery O’Connor, John Steinbeck, and nearly all that Hemingway wrote, all resonant with the sense of place, a technique well suited to describing the then strikingly different regions of America, the pioneer ethos, the drive of capitalist democracy on the hunt for resources.”
― Thomas Savage, The Power of the Dog

“His saddle, hanging by a stirrup from a peg in the big long log barn, was a good twenty years old; his spurs were of good plain steel—no fancy silver inlays, not such spurs as crowded the dreams of others; he wore plain shoes instead of boots, scorned the trimmings and trappings of the cowboy, although in his younger days he was as good a rider as any of them, a better roper than George. With all his money and family, he was just folks, dressed like any hired hand in overalls and blue chambray shirt;”
― Thomas Savage, The Power of the Dog

“Но Фил знаеше — и Бог му бе свидетел, че знаеше — какво е да си парий и затова презираше света: за да не може светът да го презре първи.”
― Thomas Savage, The Power of the Dog

“Walter Van Tilburg Clark’s Track of the Cat, Wallace Stegner’s The Big Rock Candy Mountain, and Katherine Anne Porter’s Noon Wine.”
― Thomas Savage, The Power of the Dog

“Fate punishes the proud, and dashes hope”
― Thomas Savage, The Power of the Dog

“His laughter was an insulting bray; it crowded and pushed the air ahead of it. He said many true words about other men. I never heard him say a kind one.19”
― Thomas Savage, The Power of the Dog

“Group eating was scarcely less embarrassing than bodily functions,”
― Thomas Savage, The Power of the Dog

“The weather offered a variety of aspects fit for talk, and the subject when broached was leapt on with almost hysterical enthusiasm, that each guest might express and relieve himself before the subject was left lifeless and limp, on the extremes of temperature, of humidity, rain, snow, sleet, the velocity of the wind,”
― Thomas Savage, The Power of the Dog

“he reached out and took her hand, overcome by a shocking tenderness. For a moment he was struck dumb at a habit of hers he saw now for the first time, how whenever she looked up from whatever she was doing, even unwrapping a sandwich in the front seat of a car, she always looked up smiling. He wondered if anybody had ever noticed it before.”
― Thomas Savage, The Power of the Dog

“But how marvelous to get the order into the mails, how delicious and terrible to wait for the parcel from Seattle or Portland that might include with it the new gloves, new shoes for town, phonograph records, a musical instrument to charm away the loneliness of winter evenings when the winds howled like wolves down from the mountain peaks. Our very best guitar. Play Spanish-style music and chords. Wide ebony fingerboard, fine resonant fan-ribbed natural spruce top, rosewood sides and back, genuine horn bindings. This is a real Beauty. Waiting for their order to get to the post office fifteen miles down the road, they read again and again such descriptions, reliving the filling out of the order blank, honing their anticipation. Genuine horn bindings!”
― Thomas Savage, The Power of the Dog

“LONG, long before Mrs. Lewis cooked for the Burbanks, a tree fell on Mr. Lewis in the woods and killed him in his “prime.” Mrs. Lewis hoped to be one with him again in what she called their eternal home, but the suspended relationship left her with a mixed bag of acid sayings, bitter observations and chilly maxims.”
― Thomas Savage, The Power of the Dog

“But his habits and appearance required strangers to alter their conception of an aristocrat to one who can afford to be himself.”
― Thomas Savage, The Power of the Dog: The classic Western, now an Oscar and Bafta Award-winning film starring Benedict Cumberbatch

“Любимо развлечение на момчетата по фермите беше да изравят мармотите, зайците, мишките — да се изтощават от раздирането на коловете само и само за да разтурят скривалището на някое ужасено същество, което си е повярвало прекалено много. Да го видят как се свива, как очите му се пълнят със страх, как треперят крайниците му, как се надява, че в неподвижността има спасение. Обикновено момчетата му позволяваха да се шмугне в друго скривалище и си представяха как там страхът му постепенно се стопява, а увереността — надига. Но малко след това те се захващаха с раздигането на укриващите колове, и то с непоклатимо търпение, докато не изложеха отново дребната твар на немислима опасност.”
― Thomas Savage, The Power of the Dog

“parentheses”
― Thomas Savage, The Power of the Dog

“adamantine”
― Thomas Savage, The Power of the Dog

“phlegmatic,”
― Thomas Savage, The Power of the Dog

“vicious bitch.”
― Thomas Savage, The Power of the Dog

“contretemps”
― Thomas Savage, The Power of the Dog

“Brenner,”
― Thomas Savage, The Power of the Dog

“pariah.”
― Thomas Savage, The Power of the Dog

“amorphous”
― Thomas Savage, The Power of the Dog