Deacon King Kong Quotes

Rate this book
Clear rating
Deacon King Kong Deacon King Kong by James McBride
80,227 ratings, 4.16 average rating, 9,642 reviews
Open Preview
Deacon King Kong Quotes Showing 1-30 of 96
“while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.”
James McBride, Deacon King Kong
“A man who doesn't trust cannot be trusted”
James McBride, Deacon King Kong
“He’s a drunk. One of those guys who dies at twenty and is buried at eighty.”
James McBride, Deacon King Kong
“God was forever generous with His gifts: hope, love, truth, and the belief in the indestructability of the good in all people.”
James McBride, Deacon King Kong
“Nothing in this world happens unless white folks says it happens. The lies they tell each other sound better to them than the truth does when it comes out of our mouths.”
James McBride, Deacon King Kong
“Isn’t it something,” Hettie said softly, “what ol’ New York really is? We come here to be free and find life’s worse here than back home. The white folks here just color it different. They don’t mind you sitting next to ’em on the subway, or riding the bus in the front seat, but if you asks for the same pay, or wants to live next door, or get so beat down you don’t wanna stand up and sing about how great America is, they’ll bust down on you so hard pus’ll come out your ears.”
James McBride, Deacon King Kong
“You’ve got to be strong to get old.”
James McBride, Deacon King Kong
“This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world,”
James McBride, Deacon King Kong
“Her smile displayed a raw, natural beauty that caught Potts off guard. The woman, he thought, was all good handwriting.”
James McBride, Deacon King Kong
“She laughed, and as she did, Potts felt as if he were watching a dark, silent mountain suddenly blink to life, illuminated by a hundred lights from a small, quaint village that had lived on the mountainside for a hundred years, the village appearing out of nowhere, all the lights aglow at once. Every feature of her face glowed. He found himself wanting to tell her every sorrow he ever knew,”
James McBride, Deacon King Kong
“Why we got to have the police around every time we has a simple party? Ya'll don't watch out for us. Y'all watch over us. I don't see y'all out there standing over the white folks in Park Slope when they has their block parties”
James McBride, Deacon King Kong
tags: police
“A man ain’t got to stand in church every Sunday to do God’s work.”
James McBride, Deacon King Kong
“He felt like a radio tuning in to a new channel, one that was beginning to fuzz into range, slowly coming in clear, proper, the way his Hettie had always wanted him to be. The new feeling humbled him.”
James McBride, Deacon King Kong
“You ain’t got to worry about your skin.” “I do worries about my skin. It covers my body.”
James McBride, Deacon King Kong
“Son, a blessing favors them that needs it. Don’t matter how it comes. It just matters that it does.”
James McBride, Deacon King Kong
“Everybody went to jail in the Cause eventually. You could be the tiniest ant able to slip into a crack in the sidewalk, or a rocket ship that flew fast enough to break the speed of sound, it didn’t matter. When society dropped its hammer on your head, well, there it is.”
James McBride, Deacon King Kong
“And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.”
James McBride, Deacon King Kong
“In that moment he realized that all the experience of thirty-two years in the NYPD and all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.”
James McBride, Deacon King Kong
“After practice on lazy summer afternoons, he’d gather the kids around and tell stories about baseball players long dead, players from the old Negro leagues with names that sounded like brands of candy: Cool Papa Bell, Golly Honey Gibson, Smooth Rube Foster, Bullet Rogan, guys who knocked the ball five hundred feet high into the hot August air at some ballpark far away down south someplace, the stories soaring high over their heads, over the harbor, over their dirty baseball field, past the rude, red-hot projects where they lived. The Negro leagues, Sport said, were a dream. Why, Negro league players had leg muscles like rocks.”
James McBride, Deacon King Kong
“a solitary middle-aged man in the August of life looking for a few more Aprils, an”
James McBride, Deacon King Kong
“because in her heart it was proof that God was forever generous with His gifts: hope, love, truth, and the belief in the indestructability of the good in all people.”
James McBride, Deacon King Kong
“So he drinks and grows plants and goes to church,” Potts said. “So far, he sounds Catholic.”
James McBride, Deacon King Kong
“Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder.
She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.”
James McBride, Deacon King Kong
“powerless suckers who believed in the American dream scrambling to the suburbs because they, the big boys, wanted a bigger percentage. He felt it, or thought he felt it, as they stood by the front door. There was a connection: a man whose father was dead and a woman whose father was about to die, a sense of wanting to belong, standing in the warm vestibule, she in her farm-girl dress, with a job that paid taxes and drew no cops, no Joe Pecks, no complicated phone calls from complicated people trying to pick your pocket with one”
James McBride, Deacon King Kong
“Booze, he thought. I chose booze over my Moonflower.”
James McBride, Deacon King Kong
“She smiled bitterly, and once again the mask she wore so well, the firm lady of strong, impatient indifference whom he’d met when he first walked into the church a week before, broke apart, revealing the vulnerable, lonely soul underneath. She’s just like me, he thought in wonder. She’s as lost as I am.”
James McBride, Deacon King Kong
“Most times I don’t know what I’m doing. Sometimes I feel like I don’t hardly know enough to tie my own shoes.”
James McBride, Deacon King Kong
“there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,”
James McBride, Deacon King Kong
“Just because you toast marshmallows with a kid on a camping trip doesn’t mean he’ll become a Boy Scout.”
James McBride, Deacon King Kong
“For God’s people—all of ’em”
James McBride, Deacon King Kong

« previous 1 3 4