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White Bicycles: Making Music in the 1960s White Bicycles: Making Music in the 1960s by Joe Boyd
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“Cops and Robbers in 1965 England was still a kind of Ealing comedy: crimes rarely involved firearms. The denizens of F-wing were losers in a game they had been playing against the cops. In queues for exercise, the constant questions were 'What you in for, mate?', followed by 'What you reckon you'll get?' When Freddie and I responded with 'Suspicion of drug possession' and 'We're innocent, we'll get off' they would burst into laughter, offering: 'Listen, mate, they wouldn't have you in here if they had any intention of letting you off. You're living in dreamland, you are.”
Joe Boyd, White Bicycles: Making Music in the 1960s
“Beneath the surface, the progressive sixties hid all manner of unpleasantness: sexism, reaction, racism and factionalism. It wasn't surprising, really. The idea that drugs, sex and music could transform the world was always a pretty naive dream. As the counter-culture's effect on the mainstream grew, it's own values and aesthetics decayed. The political setbacks of the coming years grabbed the headlines while the dilution of ideals happened more quietly, but nonetheless vividly for those who noticed.”
Joe Boyd, White Bicycles: Making Music in the 1960s