First As Tragedy, Then As Farce Quotes

“On the information sheet in a New York hotel, I recently read: 'Dear guest! To guarantee that you will fully enjoy your stay with us, this hotel is totally smoke-free. For any infringement of this regulation, you will be charged $200.' The beauty of this formulation, taken literally, is that you are to be punished for refusing to fully enjoy your stay.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“Populism is ultimately sustained by the frustrated exasperation of ordinary people, by the cry "I don't know what's going on, but I've just had enough of it! It cannot go on! It must stop!”
― Slavoj Žižek, First as Tragedy, Then as Farce

“Like love, ideology is blind, even if people caught up in it are not”
― Slavoj Žižek, First as Tragedy, Then as Farce

“...surprised at seeing a horse-shoe above the door of Bohr’s country house, a fellow scientist exclaimed that he did not share the superstitious belief that horse-shoes kept evil spirits away, to which Bohr snapped back, ‘I don’t believe in it either. I have it there because I was told that it works even when one doesn’t believe in it’.

This is indeed how ideology functions today: nobody takes democracy or justice seriously, we are all aware of their corrupted nature, but we participate in them, we display our belief in them, because we assume that they work even if we do not believe in them”.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“La misma dinámica del capitalismo nubla la frontera entre inversión 'legítima' y especulación 'salvaje' porque la inversión capitalista es, en su misma esencia, una apuesta de riesgo(...), un acto consistente en tomar prestado del futuro".”
― Slavoj Žižek, First as Tragedy, Then as Farce

“Over the last several months, public figures from the Pope downwards have bombarded us with the injunctions to fight against the culture of excessive greed and consumption. This disgusting spectacle of cheap moralization is an ideological operation if there ever was one: the compulsion (to expand) inscribed into the system itself is translated into a matter of personal sin, a private psychological propensity. The self-propelling circulation of Capital thus remains more than ever the ultimate Real of our lives, a beast that by definition cannot be controlled, since it itself controls our activity, blinding us to even the most obvious dangers we are courting.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“The last statement reveals more than may appear at first glance: it indicates that Greenspan's mistake was to expect that the lending institutions' enlightened self-interest would make them act more responsibly, more ethically, in order to avoid short-term self-propelling cycles of wild speculation which, sooner or later, burst like a bubble. In other words, his mistake concerned not the facts, the objective economic data or mechanisms; it concerned rather the ethical attitudes generated by market speculation—in particular the premise that market processes will spontaneously generate responsibility and trust, since it is in the long-term self-interest of the participants themselves to act thusly. Clearly, Greenspan's error was not only and not simply one of overestimating the rationality of market agents—that is, their ability to resist the temptation of making wild speculative gains. What he forgot to include in the equation was the financial speculators' quite rational expectation that the risks would be worth taking, since, in the event of a financial collapse, they could count on the state to cover their losses.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“el proletariado queda dividido en tres partes, cada una de ellas opuesta a las otras: los trabajadores intelectuales, llenos de prejuicios culturales contra los trabajadores poco cultivados; los obreros, que despliegan un odio populista hacia los intelectuales y los marginados, que como tales son antagonistas de la sociedad. El viejo grito «¡proletarios, uníos!» es, por ello, más pertinente que nunca:”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)

“The neoliberal system, which appeared as the only viable alternative to communism, is disintegrating, and with it the traditional left-right divide. We are witnessing a return of feudal structures, although they take new forms—a neofeudal order based on networks of clients and patrons.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“for it is not capitalism as such which is bankrupt, only its distorted realization.”
― Slavoj Žižek, First As Tragedy, Then As Farce

“The primary immediate effect of the crisis will not be the rise of a radical emancipatory politics, but rather the rise of racist populism, further wars, increased poverty in the poorest Third World countries, and greater divisions between the rich and the poor within all societies.”
― Slavoj Žižek, First As Tragedy, Then As Farce

“What all this clearly indicates is that there is no such thing as a neutral market: in every particular situation, market configurations are always regulated by political decisions.”
― Slavoj Žižek, First As Tragedy, Then As Farce

“In a supreme irony, “socializing” the banking system is acceptable when it serves to save capitalism. Socialism is bad— except when it serves to stabilize capitalism. (Note the symmetry with China today: in the same way, the Chinese Communists use capitalism to enforce their “Socialist” regime.)”
― Slavoj Žižek, First As Tragedy, Then As Farce

“is indeed true that we live in a society of risky choices, but it is one in which only some do the choosing, while others do the risking . .”
― Slavoj Žižek, First As Tragedy, Then As Farce

“True, we often talk about something instead of doing it; but sometimes we also do things in order to avoid talking and thinking about them. Such as throwing $700 billion at a problem instead of reflecting on how it arose in the first place.”
― Slavoj Žižek, First As Tragedy, Then As Farce

“We are forced to live as if we were free.”2”
― Slavoj Žižek, First As Tragedy, Then As Farce

“The task is not to conduct the castration in a direct climactic confrontation, but to undermine those in power with patient ideologico-critical work, so that although they are still in power, one all of a sudden notices that the powers-that-be are afflicted with unnaturally high-pitched voices.”
― Slavoj Žižek, First As Tragedy, Then As Farce

“sometimes, the repetition in the guise of a farce can be more terrifying than the original tragedy.”
― Slavoj Žižek, First As Tragedy, Then As Farce

“The contemporary era constantly proclaims itself as post-ideological, but this denial of ideology only provides the ultimate proof that we are more than ever embedded in ideology. Ideology is always a field of struggle - among other things, the struggle for appropriating past traditions.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“there is nothing new with regard to strong state intervention in the banking system or in the economy in general. The recent meltdown itself is a result of such intervention: when, in 2001, the dotcom bubble (which expressed the very essence of the problem of “intellectual property”) burst, it was decided to make credit easier in order to redirect growth into housing. (The ultimate cause of the 2008 meltdown was thus, from this point of view, the deadlock of intellectual property.)”
― Slavoj Žižek, First As Tragedy, Then As Farce

“The populist slogan “Save Main Street, not Wall Street!” is thus totally misleading, a form of ideology at its purest: it overlooks the fact that what keeps Main Street going under capitalism is Wall Street!”
― Slavoj Žižek, First As Tragedy, Then As Farce

“Populism is ultimately always sustained by the frustrated exasperation of ordinary people, by the cry "I don’t know what is going on, but I’ve just had enough of it! It cannot go on! It must stop!" Such impatient outbursts betray a refusal to understand or engage with the complexity of the situation, and give rise to the conviction that there must be somebody responsible for the mess—which is why some agent lurking behind the scenes is invariably required. Therein, in this refusal-to-know, resides the properly fetishistic dimension of populism. That is to say, although at a purely formal level fetishism involves a gesture of transference (onto the object-fetish), it functions as an exact inversion of the standard formula of transference (with the "subject supposed to know"): what fetishism gives body to is precisely my disavowal of knowledge, my refusal to subjectively assume what I know. That is why, to put it in Nietzschean terms which are here highly appropriate, the ultimate difference between a truly radical emancipatory politics and a populist politics is that the former is active, it imposes and enforces its vision, while populism is fundamentally re-active, the result of a reaction to a disturbing intruder. In other words, populism remains a version of the politics of fear: it mobilizes the crowd by stoking up fear of the corrupt external agent.”
― Slavoj Žižek, First as Tragedy, Then as Farce

“Portanto, uma nova classe global vem surgindo, “com, digamos, passaporte indiano, castelo na Escócia, apartamento em Manhattan e ilha particular no Caribe”. O paradoxo é que os membros dessa classe global “jantam privativamente, compram privativamente, veem obras de arte privativamente, tudo é privativo, privativo, privativo”. Criam assim um mundo-vida só seu para resolver um problema hermenêutico angustiante; como explica Todd Millay, “as famílias ricas não podem apenas ‘convidar os outros e esperar que entendam o que é ter 300 milhões de dólares’”. Então, quais são seus contatos com o mundo em geral? São de dois tipos: negócios e filantropia (proteger o meio ambiente, combater doenças, apoiar as artes etc.). Esses cidadãos globais vivem em geral na natureza mais pura, seja caminhando na Patagônia, seja nadando nas águas translúcidas de ilhas particulares.”
― Slavoj Žižek, Primeiro como tragédia, depois como farsa

“What makes Berlusconi so interesting as a political phenomenon is the fact that he, as the most powerful politician in his country, acts more and more shamelessly: he not only ignores or neutralizes any legal investigation into the criminal activity that has allegedly supported his private business interests, he also systematically undermines the basic dignity associated with being the head of state. The dignity of classical politics is grounded in its elevation above the”
― Slavoj Žižek, First as Tragedy, Then as Farce

“«Nosotros somos aquellos a quienes hemos estado esperando» no significa que hayamos descubierto que somos el agente predestinado por la suerte (la necesidad histórica) para desempeñar la tarea; significa totalmente lo opuesto, que no hay ningún gran Otro en quien apoyarse.”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)

“Debemos abandonar inexorablemente el juicio preconcebido de que el tiempo lineal de la evolución está «de nuestro lado», de que la historia «trabaja a nuestro favor»,”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)

“la tarea es «simplemente» detener el tren de la historia, que, abandonado a su propio recorrido, conduce a un precipicio. (Así, el comunismo no es la luz al final del túnel, el feliz resultado de una larga y ardorosa lucha; en todo caso, la luz al final del túnel es, por el contrario, la de otro tren que se nos aproxima a toda velocidad.)”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)

“«Nosotros somos aquellos a quienes hemos estado esperando»”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)

“las formas de riqueza son cada vez más «desproporcionadas en relación con el tiempo directo de trabajo empleado en su producción»,”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)

“la libertad formal precede a la libertad real, creando las condiciones para esta última.”
― Slavoj Žižek, Primero como tragedia, después como farsa (Pensamiento crítico nº 10)