The Windup Girl Quotes

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The Windup Girl The Windup Girl by Paolo Bacigalupi
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“We are nature. Our every tinkering is nature, our every biological striving. We are what we are, and the world is ours. We are its gods. Your only difficulty is your unwillingness to unleash your potential fully upon it.”
Paolo Bacigalupi, The Windup Girl
“Politics is ugly. Never doubt what small men will do for great power.”
Paolo Bacigalupi, The Windup Girl
“Food should come from the place of its origin, and stay there. It shouldn't spend its time crisscrossing the globe for the sake of profit.”
Paolo Bacigalupi, The Windup Girl
“We rest in the hands of a fickle god. He plays on our behalf only for entertainment, and he will close his eyes and sleep if we fail to engage his intellect.”
Paolo Bacigalupi, The Windup Girl
“She smiles at him, too young to know him for a stranger, and too innocent yet to care.”
Paolo Bacigalupi, The Windup Girl
“I hate your kind."

"Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?"

Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first."

The old gaijin laughs. "That would have been exciting."

"We would have beaten you. Just like the cheshires."

"You may yet." He shrugs. "You do not fear cibiscosis or blister rust."

"No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont."

He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals."

Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?"

The old man exchanges a glance with his ladyboy.

"Can you do it?" Emiko presses.

He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented."

Emiko slumps.

The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world."

Emiko feels her heart pounding. "You can do this, truly?"

"Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.”
Paolo Bacigalupi, The Windup Girl
“She is an animal. Servile as a dog. And yet if he is careful to make no demands, to leave the air between them open, another version of the windup girl emerges. As precious and rare as a living bo tree. Her soul, emerging from within the strangling strands of her engineered DNA.”
Paolo Bacigalupi, The Windup Girl
“Water sluices away soap and grime, even some of the shame comes with it. If she were to scrub for a thousand years she would not be clean, but she is too tired to care and she has grown accustomed to scars she cannot scour away. The sweat, the alcohol, the humid salt of semen and degradation, these she can cleanse. It is enough. She is too tired to scrub harder. Too hot and too tired, always.
At the end of her rinsing, she is happy to find a little water left in the bucket. She dips one ladleful and drinks it, gulping. And then in a wasteful, unrestrained gesture, she upends the bucket over her head in one glorious cathartic rush. In that moment, between the touch of the water, and the splash as it pools around her toes, she is clean.”
Paolo Bacigalupi, The Windup Girl
“Sex and hypocrisy. They go together like coffee and cream.”
Paolo Bacigalupi, The Windup Girl
“That is the nature of our beasts and plagues. They are not dumb machines to be driven about. They have their own needs and hungers. Their own evolutionary demands. They must mutate and adapt, and so you will never be done with me, and when I am gone, what will you do then? We have released demons upon the world, and your walls are only as good as my intellect. Nature has become something new. It is ours now, truly. And if our creation devours us, how poetic will that be?”
Paolo Bacigalupi, The Windup Girl
“Everything is change. It would be good for you to remember it. Clinging to the past, worrying about the future. . . It's all suffering.”
Paolo Bacigalupi, The Windup Girl
“Back home, we can't kill them fast enough," he says. "Even Grahamites offer blue bills for their skins. Probably the only thing they've ever done that I agreed with."

"Mmm, yes." Emiko's brow wrinkles thoughtfully. "They are too much improved for this world, I think. A natural bird has so little chance, now." She smiles slightly. "Just think if they had made New People first."

Is it mischief in her eyes? Or melancholy?

"What do you think would have happened?" Anderson asks.

Emiko doesn't meet his gaze, looks out instead at the circling cats amongst the diners. "Generippers learned too much from cheshires."

She doesn't say anything else, but Anderson can guess what's in her mind. If her kind had come first, before the generippers knew better, she would not have been made sterile. She would not have the signature tick-tock motions that make her so physically obvious. She might have even been designed as well as the military windups now operating in Vietnam—deadly and fearless. Without the lesson of the cheshires, Emiko might have had the opportunity to supplant the human species entirely with her own improved version. Instead, she is a genetic dead end. Doomed to a single life cycle, just like SoyPRO and TotalNutrient Wheat.

Another shadow cat bolts across the street, shimmering and shading through darkness. A high-tech homage to Lewis Carroll, a few dirigible and clipper ship rides, and suddenly entire classes of animals are wiped out, unequipped to fight an invisible threat.

"We would have realized our mistake," Anderson observes.

"Yes. Of course. But perhaps not soon enough.”
Paolo Bacigalupi, The Windup Girl
“A sudden eruption, and the surprise of realizing that the world he understands is not the one he actually inhabits.”
Paolo Bacigalupi, The Windup Girl
“Jaidee has seen these ghosts as well, walking the boulevards sometimes, sitting in the trees. Phii are everywhere now. Too many to count. He has seen them in graveyards and and leaning against the bones of riddled bo trees, all of them looking at him with some irritation. Mediums all speak of how crazy with frustration the Phii are, how they cannot reincarnate and thus linger, like a great mass of people at Hualamphong Station hoping for a train down to the beaches. All of them waiting for a reincarnation that they cannot have because none of them deserve the suffering of this particular world.”
Paolo Bacigalupi, The Windup Girl
“It is beginning."

Pak Eng and Laughing Chan and Peter all look at Hock Seng with respect. "You were right."

Hock Seng nods impatiently. "I learn."

The storm is gathering. The megodonts must do battle. It is their fate. The power sharing of the last coup could never last. The beasts must clash and one will establish final dominance. Hock Seng murmurs a prayer to his ancestors that he will come out of this maelstrom alive.”
Paolo Bacigalupi, The Windup Girl
“Why did you help AgriGen for so long?"

The doctor's eyes narrow. "The same reason you run like a dog for your masters. They paid me in the coin I wanted most."

Her slap rings across the water. The guards start forward, but Kanya is already drawing back, shaking off the sting in her hand, waving away the guards. "We're fine. Nothing is wrong."

The guards pause, unsure of their duty and loyalties. The doctor touches his broken lip, examines the blood thoughtfully. Looks up. "A sore spot, there. . . How much of yourself have you already sold?" He smiles showing teeth rimed bloody from Kanya's strike. "Are you AgriGen's then? Complicit?" He looks into Kanya's eyes. "Are you here to kill me? To end my thorn in their side?" He watches closely, eyes peering into her soul, observant, curious. "It is only a matter of time. They must know that I am here. That I am yours. The Kingdom couldn't have fared so well for so long without me. Couldn't have released nightshades and ngaw without my help. We all know they are hunting. Are you my hunter, then? Are you my destiny?"

Kanya scowls. "Hardly. We're not done with you yet."

Gibbons slumps. "Ah, of course not. But then, you never will be. That is the nature of our beasts and plagues. They are not dumb machines to be driven about. They have their own needs and hungers. Their own evolutionary demands. They must mutate and adapt, and so you will never be done with me, and when I am gone, what will you do then? We have released demons upon the world, and your walls are only as good as my intellect. Nature has become something new. It is ours now, truly. And if our creation devours us, how poetic will that be?"

"Kamma," she murmurs.

"Precisely.”
Paolo Bacigalupi, The Windup Girl
“How many of us are dead because of their potential unleashed? Your calorie masters showed us what happens. People die."

"Everyone dies." The doctor waves a dismissal. "But you die now because you cling to the past. We should all be windups by now. It's easier to build a person impervious to blister rust than to protect an earlier version of the human creature. A generation from now, we could be well-suited for our new environment. Your children could be the beneficiaries. Yet you people refuse to adapt. You cling to some idea of a humanity that evolved in concert with your environment over millennia, and which you now, perversely, refuse to remain in lockstep with.

"Blister rust is our environment. Cibiscosis. Genehack weevil. Cheshires. They have adapted. Quibble as you like about whether they evolved naturally or not. Our environment has changed. If we wish to remain at the top of our food chain, we will evolve. Or we will refuse, and go the way of the dinosaurs and Felis domesticus. Evolve or die. It has always been nature's guiding principle, and yet you white shirts seek to stand in the way of inevitable change." He leans forward. "I want to shake you sometimes. If you would just let me, I could be your god and shape you to the Eden that beckons us."

"I'm Buddhist."

"And we all know windups have no souls." Gibbons grins. "No rebirth for them. They will have to find their own gods to protect them. Their own gods to pray for their dead." His grin widens. "Perhaps I will be that one, and your windup children will pray to me for salvation." His eyes twinkle. "I would like a few more worshippers, I must admit. Jaidee was like you. Always such a doubter. Not as bad as Grahamites, but still, not particularly satisfactory for a god."

Kanya makes a face. "When you die, we will burn you to ash and bury you in chlorine and lye and no one will remember you."

The doctor shrugs, unconcerned. "All gods must suffer.”
Paolo Bacigalupi, The Windup Girl
“The doctor smiles. "Don't cling too tightly to what is natural, Captain. Here, look," he bends forward, makes cooing noises. The shimmer of the cheshire cranes toward his face, mewling. Its tortoiseshell fur glimmers. It licks tentatively at his chin. "A hungry little beast," he says. "A good thing, that. If it's hungry enough, it will succeed us entirely, unless we design a better predator. Something that hungers for it, in turn."

"We've run the analysis of that," Kanya says. "The food web only unravels more completely. Another super-predator won't solve the damage already done."

Gibbons snorts. "The ecosystem unravelled when man first went a-seafaring. When we first lit fires on the broad savannas of Africa. We have only accelerated the phenomenon. The food web you talk about is nostalgia, nothing more. Nature." He makes a disgusted face. "We are nature. Our every tinkering is nature, our every biological striving. We are what we are, and the world is ours. We are its gods. Your only difficulty is your unwillingness to unleash your potential fully upon it.”
Paolo Bacigalupi, The Windup Girl
“We're so few in comparison to the past, where did all the souls go?”
Paolo Bacigalupi, The Windup Girl
“All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.

How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering.”
Paolo Bacigalupi, The Windup Girl
“Laws are confusing documents. They get in the way of justice."

"Justice is always lost where Trade is concerned.”
Paolo Bacigalupi, The Windup Girl
“She holds the bills between her fingers. Her training tells her to be polite, but his self-satisfied largesse irritates her.

"What does the gentleman think I will do with his extra baht?" she asks. "Buy a pretty piece of jewelry? Take myself out to dinner? I am property, yes? I am Raleigh's." She tosses the money at his feet. "It makes no difference if I am rich or poor. I am owned."

The man pauses, one hand on the sliding door. "Why not run away, then?"

"To where?”
Paolo Bacigalupi, The Windup Girl
“Down an alley a washing woman has set out laundry in pans near the rubble of an old high-rise. Another is washing her body, carefully scrubbing under her sarong, its fabric clinging to her skin. Children run naked through the dirt, jumping over bits of broken concrete that were laid down more than a hundred years ago in the old Expansion. Far down the street the levees rise, holding back the sea.”
Paolo Bacigalupi, The Windup Girl
“She takes the money and stuffs it into a pocket.  “You can find your way from here?” he asks. She grins. “I’m not a yellow card. I don’t have anything to fear.” Hock Seng makes himself smile in return, thinking that she does not know how little anyone cares to separate wheat from chaff, when all anyone wants to do is burn a field.”
Paolo Bacigalupi, The Windup Girl
“All is transient. Even bo trees cannot last.”
Paolo Bacigalupi, The Windup Girl
“Laws are confusing documents. They get in the way of justice.”
Paolo Bacigalupi, The Windup Girl
“In the distance, the battle rages still, moved on to other avenues and other victims. Hock Seng limps down the street. Bodies lie everywhere. He reaches an intersection and hobbles across, too tired to care about the risk of being caught in the open. At the far side, a man lies slumped against a wall, his bicycle lying beside him. Blood soaks his lap.

Hock Seng picks up the bicycle.

"That's mine," the man says.

Hock Seng pauses, studying the man. The man can barely keep his eyes open, yet still he clings to normalcy, to the idea that something like a bicycle can be owned. Hock Seng turns and wheels the bicycle down off the sidewalk. The man calls out again, "That's mine." But he doesn't stand and he doesn't do anything to stop Hock Seng as he swings a leg over the frame and sets his feet on the pedals.

If the man complains again, Hock Seng doesn't hear it.”
Paolo Bacigalupi, The Windup Girl
“Despite everything, he failed to understand the capriciousness of warfare. In his arrogance he thought he could prepare. Such a fool...”
Paolo Bacigalupi, The Windup Girl
“Jaidee always insisted that the Kingdom was a happy country, that old story about the Land of Smiles. But Kanya cannot think of a time when she has seen smiles as wide as those in museum photos from before the Contraction. She sometimes wonders if those people in the photos were acting, if perhaps the National Gallery is intended to depress her, or if it is really true that at one point people smiled so totally, so fearlessly.”
Paolo Bacigalupi, The Windup Girl
“That? It's nothing. A stupid mutation. A standard outcome. We used to see them in our labs. Junk."

"Then why haven't we ever seen it before?"

Gibbons makes a face of impatience. "You don't culture death the way we do. You don't tinker with the building blocks of nature." Interest and passion flicker briefly in the old man's eyes. Mischief and predatory interests. "You have no idea what things we succeeded in creating in our labs. This stuff is hardly worth my time. I hoped you were bringing me a challenge. Something from Drs. Ping and Raymond. Or perhaps Mahmoud Sonthalia. Those are challenges." For a moment, his eyes lose their cynicism. He becomes entranced. "Ah. Now those are worthy opponents."

We are in the hands of a gamesman.

In a flash of insight, Kanya understands the doctor entirely. A fierce intellect. A man who reached the pinnacle of his field. A jealous and competitive man. A man who found his competition too lacking, and so switched sides and joined the Thai Kingdom for the stimulation it might provide. An intellectual exercise for him. As if Jaidee had decided to fight a muay thai match with his hands tied behind his back to see if he could win with kicks alone.

We rest in the hands of a fickle god. He plays on our behalf only for entertainment, and he will close his eyes and sleep if we fail to engage his intellect.

A horrifying thought. The man exists only for competition, the chess match of evolution, fought on a global scale. An exercise in ego, a single giant fending off the attacks of dozens of others, a giant swatting them from the sky and laughing. But all giants must fall, and then what must the Kingdom look forward to?”
Paolo Bacigalupi, The Windup Girl

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