As radical, as mother, as salad, as shelter Quotes

“...[E]ven in cases where art institutions are not being actively menaced by the state there has nevertheless been a collapse of more classically political institutions, like churches and unions. The result is that--as Hito Steyerl discusses in "is the Museum a Factory?"--thins that usually were shown or done in union halls and church basements are now housed inside art institutions. This explains the anxiety lurking behind a question like "How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry?" This anxiety is the anxiety of a host confronted with refugees who might not be able to return home anytime soon. Like police departments, or public school teachers, art institutions now seem expected to do the work of three or four different kinds of civil society organizations. Can we provide moral education, collective solace, and class-based advocacy in addition to our other mission of producing, collecting, and displaying works of art? Are we even doing these other things? Or just noticing a need that is going unmet but that exceeds our capacity to meet it? {written by Stephen Squibb]”
― Paper Monument, As radical, as mother, as salad, as shelter: What should art institutions do now?

“Much of the work of an institution is about holding artists, audiences, curators and other administrators, guards, handlers, writers, educators gallerists and other market makers, donors board members, foundation partners, civic leaders, activists, etc. in a dynamic and productive tension....I'm not going to lie to you. This approach requires effort, it only works for people who are open to a dialogical process, and it requires a strong commitment to two things--total reliance on collaboration and a strong institutional identity--that feel totally contradictory. We {A Blade of Grass] can do this because we have a strong institutional identity--we know who we are. At the same time, we don't assert. We fundamentally accept that the institution is a vessel for the expression of as many different types of people as possible...We helped to make these Two Americas. If we can own that, we get to do something really politically ambitious, like work toward One America. [written by Deborah Fisher]”
― Paper Monument, As radical, as mother, as salad, as shelter: What should art institutions do now?

“The art institution can believe in another world or narrative and make this visual. And yet too often institutions are happy to parrot the accepted stories. Institutions will always deserve the trouble they receive if they cannot be more imaginative in their responses than to speak with the voice of expertise to their audiences. Administration can be a creative endeavor. What and whom do they administer to? [written by Anthony Elms]”
― Paper Monument, As radical, as mother, as salad, as shelter: What should art institutions do now?