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Working: Researching, Interviewing, Writing Working: Researching, Interviewing, Writing by Robert A. Caro
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Working Quotes Showing 1-22 of 22
“In my defense: while I am aware that there is no Truth, no objective truth, no single truth, no truth simple or unsimple, either; no verity, eternal or otherwise; no Truth about anything, there are Facts, objective facts, discernible and verifiable. And the more facts you accumulate, the closer you come to whatever truth there is.”
Robert A. Caro, Working
“But I don’t know anything about investigative reporting.” Alan looked at me for what I remember as a very long time. “Just remember,” he said. “Turn every page. Never assume anything. Turn every goddamned page.”
Robert A. Caro, Working
“We certainly see how government can work to your detriment today, but people have forgotten what government can do for you. They’ve forgotten the potential of government, the power of government, to transform people’s lives for the better.”
Robert A. Caro, Working
“the Civil Rights Act, the Voting Rights Act, Medicare, Medicaid, Head Start, a liberal immigration bill, some seventy different education bills—they’re all passed during the 1960s by President Lyndon Johnson.”
Robert A. Caro, Working: Researching, Interviewing, Writing
“But when I began researching Robert Moses’ expressway-building, and kept reading, in textbook after textbook, some version of the phrase “the human cost of highways” with never a detailed examination of what the “human cost” truly consisted of or of how it stacked up against the benefits of highways, I found myself simply unable to go forward to the next chapter. I felt I just had to try to show—to make readers not only see but understand and feel—what “human cost” meant.”
Robert A. Caro, Working
“That was why I resolved to write my first drafts in longhand, slowest of the various means of committing thoughts to paper, before I started doing later drafts on the typewriter; that is why I still do my first few drafts in longhand today;”
Robert A. Caro, Working
“After a while, the writers of the Allen Room invited me to lunch, which we thereafter ate almost every day in the employees’ cafeteria in the library basement. These writers included not just some who were already famous, but some who were, at the time, little better known than I was, like John Demaray, Lucy Komisar, Irene Mahoney and Susan Brownmiller, who was working on Against Our Will and would sit at the desk adjoining mine for the next two years, her petite feet, clad in brightly striped socks, sticking under the partition that divided our desks, giving me an odd feeling of companionship.”
Robert A. Caro, Working
“Rhythm matters, mood matters, sense of place matters. All these things we talk about with novels.

And I feel that for history and biography, to accomplish what they should accomplish, they have to pay as much attention to these devices as novels do.”
Robert A. Caro, Working
“Why political power? Because political power shapes all of our lives. It shapes your life in little ways that you might not even think about.”
Robert A. Caro, Working: Researching, Interviewing, Writing
“fork and embarrassing him. And there was another dinner in Paris. Johnson decided, at the last minute, not to go. And Busby, who did go, recalled that a member of the French Senate came up to him and asked where Johnson was, and Busby answered, He couldn’t come tonight. And the French senator said, Oh I was so looking”
Robert A. Caro, Working
“People are always asking me why I chose Robert Moses and Lyndon Johnson to write about. Well, I must say I never thought of my books as the stories of Moses or Johnson. I never had the slightest interest in writing the life of a great man. From the very start, I thought of writing biographies as a means of illuminating the times of the men I was writing about and the great forces that molded those times—particularly the force that is political power.”
Robert A. Caro, Working: Researching, Interviewing, Writing
“I still remember: you drove west out of Austin, and about forty-one miles out you come to the top of a tall hill. And as I came to the crest of that hill, suddenly there was something in front of me that made me pull over to the side of the road and get out of the car and stand there looking down. Because what I was seeing was something I had never seen before: emptiness—a vast emptiness. I later found out that it’s a valley, the valley of the Pedernales River. It’s about seventy-five miles long and fifteen miles across. When I stood there looking down on it that first time, for a few minutes I didn’t see a single sign of human beings in that immense space. Then something happened, the cloud moved from in front of the sun or whatever, and suddenly in the middle of this emptiness the sun was glinting off a little huddle of houses.”
Robert A. Caro, Working
“silence is the weapon, silence and people’s need to fill it”
Robert A. Caro, Working
“that quality in me. And I know it wasn’t only logic that made me think: I’m never going to write about a crucial election, a pivotal moment in my subject’s life, and say that no one’s ever going to know if it was really stolen or not until I’ve done everything I can think of to find out if it was stolen or not.”
Robert A. Caro, Working
“complete; the part of me that kept leading me to think of new avenues of research that, even as I thought of them, I felt it was crucial to head down. It wasn’t something about which, I had learned the hard way, I had a choice; in reality I had no choice at all. In my defense: while I am aware that there is no Truth, no objective truth, no single truth, no truth simple or unsimple, either; no verity, eternal or otherwise; no Truth about anything, there are Facts, objective facts, discernible and verifiable. And the more facts you accumulate, the closer you come to whatever truth there is. And finding facts—through reading documents or through interviewing and re-interviewing—can’t be rushed; it takes time. Truth takes time. But that’s a logical way of justifying”
Robert A. Caro, Working
“It had to do with that something in me, that something in my nature, which, as I said earlier, wasn’t a quality I could be proud of or could take credit for. It wasn’t something that, as I missed yet another deadline by months or years, I could take the blame for, either. It was just part of me, like it or not; the part of me that had hated writing an article for Newsday while I still had questions—or even a question—left to ask; the part of me that, now that I was writing books, kept leading me, after I had gotten every question answered, to suddenly think, despite myself, of new questions that, in the instant of thinking them, I felt must be answered for my book to be”
Robert A. Caro, Working
“of the Hill Country realized we were there to stay, their attitude towards us softened; they started to talk to me in a different way. I began to hear the details they had not included in the anecdotes they had previously told me—and they told me other anecdotes and longer stories, anecdotes and stories that no one had even mentioned to me before—stories about a Lyndon Johnson very different from the young man who had previously been portrayed: stories about a very unusual young man, a very brilliant young man, a very ambitious, unscrupulous and quite ruthless person, disliked and even despised, and, by people who knew him especially well, even beginning to be feared.”
Robert A. Caro, Working
“his congressional career almost before it began. Herman”
Robert A. Caro, Working: Researching, Interviewing, Writing
“Everything you’ve been doing is bullshit. Underlying every one of my stories was the traditional belief that you’re in a democracy and the power in a democracy comes from being elected. Yet here was a man, Robert Moses, who had never been elected to anything, and he had enough power to turn around a whole state government in one day. And he’s had this power for more than forty years, and you, Bob Caro, who are supposed to be writing about political power and explaining it, you have no idea where he got this power. And, thinking about it later, I realized: and neither does anybody else.”
Robert A. Caro, Working
“I’VE BEEN ENCOUNTERING questions of race, of segregation—of America’s great crime—all my professional life.”
Robert A. Caro, Working
“Raising the subject of East Tremont with Commissioner Moses, I asked him the most innocuous question I could think of: Wasn’t it more difficult to build an expressway in the city rather than a parkway in the country? He waved his hand dismissively: “Oh, no, no, no,” he said. “There are more people in the way—that’s all. There’s very little real hardship in the thing. There’s a little discomfort, and even that is greatly exaggerated.”
Robert A. Caro, Working
“You’re never going to achieve what you want to, Mr. Caro, if you don’t stop thinking with your fingers”
Robert A. Caro, Working: Researching, Interviewing, Writing