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Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess by Sorita d'Este
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“In the distant past the British Isles were ruled by tribes of giants. In the north, in the highlands of Scotland, in what is now Ross-shire, lived such a tribe of giant beings. This primeval tribe was renowned for their strength, and was famous for its incredible kinsfolk, such as Gog-Magog and the Cailleach-Mhore (Great Cailleach). This Cailleach was famed for her strength, even amongst this mightily-hewed tribe. One day, Cailleach Mhore was walking over the hills with a pannier of earth and rocks on her back. Pausing for breath, she stopped and stood on the site of Ben-Vaichard. As she stood gazing around her, the pannier gave way and all its contents came pouring out. Amidst the noise and chaos the Cailleach-Mhore cursed as her load was scattered. When the dust had cleared her gaze passed over a completely new landscape, with new hills formed by the earth and rocks she had been carrying.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“The tales told of the Cailleach can be seen as exemplifying the spiritual mindset, and changes therein, of the peoples of Britain, especially those of Scotland and Ireland. From being viewed as a benevolent pagan giantess who shaped the land, she became seen as a neutral figure by the early Christians, respected as part of the process of natural development, only to be demonized as time passed and Christianity became ever more rigid and unilateral.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“The Gwrach-y-Rhybin (hag of the mist) was a hideous fairy hag who lived in Wales and haunted certain old aristocratic Welsh families. She was also said to haunt Pennard Castle and the banks of the river Dribble. The Gwrach-y-Rhybin was described as being winged, with matted black hair, overlong arms, black teeth and a hooked nose. She was said to flap her wings against the window at night and howl the name of the person who will die.lxxxviii She also had another form, when she was called the yr Hen Chrwchwd (old hump-backed one), in which she appeared as a shrieking old woman, whose cries presaged the death of a local person.lxxxix”
Sorita d'Este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“This supernatural disappearance, the stick gathering, the hill-top and the time of her appearances being the dark half of the year all hint at a Cailleach connection. Additionally we may note here the meaning of the name of the Welsh Gwrach-y-Rhybin, who shares some characteristics with the Cailleach, is hag of the mist.”
Sorita d'Este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“The Devil’s Chair The Stiperstones in Shropshire are connected with a range of local folklore. They were stolen from the devil by a giantess after his apron-strings broke scattering stones, but he then made her apron-strings break casing the five stones to scatter. However the stones dropped by the giantess were connected with a prophecy, which said that if the stones sank into the earth then England would come to ruin. The devil frequently visits the stones to try and force them into the earth so he can claim all the souls in England, and sits on the stone called the Devil’s Chair, trying to force it into the earth.xxix Another”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“Another local tale tells of how the Cailleach Béarra was interrupted building Meelick Round Tower outside Swinford in County Mayo.xxvii Originally the tower was part of a monastery, but like St Michael’s Tower on Glastonbury Tor, the tower is the only part of the structure that remains. The story goes that the Cailleach Béarra was building the tower to the sky, like a Tower of Babel. However she was interrupted by a passing boy who made a rude comment which caused her to jump down angrily. The boy commented that he could see her arse, and she jumped down, abandoning the tower and leaving the marks from her knees in the rocks below where she landed.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“Determined now her tomb to build, Her ample skirt with stones she filled, And dropped a heap on Carron-more; Then stepped one thousand yards to Loar, And dropped another goodly heap; And then with one prodigious leap, Gained carrion-beg; and on its height Displayed the wonders of her might.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“Commenting on the propitiatory nature of the relationship between the Scots and the gods of the forces of nature, he observed, “The gods and goddesses were never worshipped in the sense that the term worship is understood by us. If they were not given offerings, they were charmed away by the performance of magical ceremonies.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“We have found literary references in records from the last two centuries which seem to substantiate the idea of a Cailleach priestess cult of wise women. However, as is often the case these hints ask more questions than they answer, leaving the reader to make up their own mind.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess
“Although the stories of the Cailleach are essentially British, her origins are not. Exploring the earliest literary references to the Cailleach takes us to the classics of ancient Greece and Rome. References in writings by Herodotus, Strabo and Pliny suggest her worship as a Celtic tutelary goddess on the Iberian peninsula of Spain two and a half thousand years ago. Moving beyond literature and focusing on the similarities in motifs, such as her giant size and stone-carrying, leads us to Neolithic Malta. There are distinct similarities between the Cailleach and the Maltese giantess Sansuna, credited by legend with building the Ggantija temples on the island of Gozo. These impressive buildings are the oldest religious structures in the world, predating monuments like the Pyramids and Stonehenge.”
Sorita D'este, Visions of the Cailleach: Exploring the Myths, Folklore and Legends of the pre-eminent Celtic Hag Goddess