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Tragedy, the Greeks, and Us Tragedy, the Greeks, and Us by Simon Critchley
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“The overwhelming experience of tragedy is a disorientation expressed in one bewildered and frequently repeated question: What shall I do?”
Simon Critchley, Tragedy, the Greeks, and Us
“Tragedy is full of ghosts, ancient and modern, and the line separating the living from the dead is continually blurred. This means that in tragedy the dead don’t stay dead and the living are not fully alive. What tragedy renders unstable is the line that separates the living from the dead, enlivening the dead and deadening the living.”
Simon Critchley, Tragedy, the Greeks, and Us
“How might we respond to the contemporary situation of war? It might seem that the easiest and noblest thing to do is to speak of peace. Yet, as Raymond Williams says in his still hugely relevant book from 1966, Modern Tragedy, “To say peace when there is no peace” is to say nothing.3 To which the obvious response is: say war. But that would be peremptory. The danger of easy pacifism is that it is inert and self-regarding. It is always too pleased with itself. But the alternative is not a justification of war. It is rather the attempt to understand the complex tragic dialectics of political situations, particularly apparently revolutionary ones. Williams goes on to claim, “We expect men brutally exploited and intolerably poor to rest and be patient in their misery, because if they act to end their condition it will involve the rest of us, and threatens our convenience or our lives.”4 Often, we simply want violence and war to go away because it is an inconvenience to us and to our lovely lives. As such, we do not only fail to see our implication in such violence and war, we completely disavow it.”
Simon Critchley, Tragedy, the Greeks, and Us
“Yet, the fruit of a consideration of tragedy is not a sense of life’s hopelessness or moral resignation, as Schopenhauer thought, but—I think—a deepened sense of the self in its utter dependency on others. It is a question of the self’s vulnerable exposure to apparently”
Simon Critchley, Tragedy, the Greeks, and Us
“Tragedy shows what is perishable, what is fragile, and what is slow moving about us. In a world defined by relentless speed and the unending acceleration of information flows that cultivate”
Simon Critchley, Tragedy, the Greeks, and Us