Cleaving Quotes

“Like the muscles knew from the beginning that it would end with this, this inevitable falling apart... It's sad, but a relief as well to know that two things so closely bound together can separate with so little violence, leaving smooth surfaces instead of bloody shreds.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“My brother wrote another refrigerator magnet poem, when he was probably nineteen or twenty: 'When the flood comes/ I will swim to a symphony/ go by boat to some picture show/ and maybe I will forget about you.' How did he know way, way back then? How is it I know only now?”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“I can’t imagine D ever having such a problem, ever having any sort of problem with sex at all. Though maybe the way he paraglided right off my planet, as soundlessly and utterly as the ivory-billed woodpecker that birders will spend the rest of their lonesome lives searching for, is a symptom of his own disease. I’d like to believe that.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“Last night I had a dream that I was about halfway up a sheer cliff, endlessly high. Up ahead of me was, it seemed, everyone I’d ever known—the guys at the shop, my family, Gwen, Eric, D—and they were pulling ahead, climbing fast, leaving me behind. I tried to call out but found I had no voice, that my words slurred and died in my mouth, that I could not be heard. I awoke with a terrified lurch, unable to scream. I have this dream all the time.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“But to think about Eric, now, after these years of pain, is to contemplate something incomprehensible to me. Separation. Of course I’ve thought about it. We both have. We’ve even done it. But because I’ve spoken the words, because I’ve lived without him for a period of time, doesn’t mean I understand it. Eric’s right, I don’t think about our marriage that much, not in the way I think about being in bed with D. But it’s for the same reason I don’t ponder my veins, or the floor of my room. I don’t ponder because I don’t even see the world without it. It’s too big, or buried too deep, with edges that thin out to nothingness, binding itself to everything else. It’s embedded in my dark, precious flesh.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“Eventually I say my good-nights and return to my tent. I should stay up, it’s not late and I’m not even terribly tired. I just suddenly want to be alone. So I lie down in my tent, staring up through the near pitch-black at the vague dim rippling of the nylon. The women have begun to sing, separately—I can hear that they are farther away, perhaps as far as the school tree. They are overlapping with the men, perhaps competing with them, or just complementing them. It is ravishingly beautiful, fiercely joyful and yet somehow evocative of yearning, and it goes on and on for hours into the night. I think of my phone, put away, its silence almost a part of the music. Lying there, sleepless, listening, I feel maybe the most peaceful I’ve felt in years, in forever.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“Kesuma translates, the women ponder my answer. Another woman asks, “But if you don’t have age groups, how do you know how to show and receive proper respect?”

“Um… respect? I don’t know. I guess maybe respect doesn’t mean as much to us. Or it isn’t the same somehow. I respect someone for what he’s accomplished or who he is as a person, not because of how old he is.”

The women look horrified. “But respect… respect is what makes us people. It’s what holds together families. Respect is the most important thing!”

“For me, respect is nice, but I’d rather have, well—love, I guess.”

For some minutes we try to bridge this terrible gulf between us; they are too polite to confess they think me a dangerously insolent heathen, and I am too polite to say I think they’re trapped in some benighted patriarchy. But then I have a sort of revelation—more of an instinct than a reasoned explanation.

“You say respect holds people together. I say love. I think—I don’t know how to explain this. I think when I love someone, really love someone… not, um…” I turn to Kesuma. “Not, you know, sexual love, or a crush or something?” He translates, and the women giggle again. “But when I really love someone it’s because I respect him. Or, my respect for him comes out of my love. I think maybe they’re the same, really.”

I don’t know if this actually means something or not. But it seems to satisfy the women. There are smiling nods all around.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“So this happens, only very occasionally. Someone who’s read my book and has somehow managed to recognize me. Generally it’s pretty thrilling. But the problem is that that first book is about, among other things, the sweet certainty of my love for my sainted husband and the particular perfection of our union. It wasn’t a lie, what I wrote. But things are not so simple anymore. It may be that they never were, that I just ignored the complications. In any case, I have either way made a mess of a relationship that people I don’t even know look to as a paragon of the genre, and being spotted making out with some strange man in front of a Mario Batali restaurant strikes me as a dread occurrence. My mind races as the woman chats about my book, how she loved it and gave it to her best friend, and asks what am I doing now?”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“When Hans asks for more volunteers, half a dozen people step eagerly forward, but I am not one of them. I tell myself it’s because I should let the tuition-paying students, those who are here legitimately, get the experience, but the truth is that somewhere deep inside I don’t want to be a party to this slaughter, that I feel somehow less culpable as an observer than as a participant. Nonsense, of course.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“I have been secretly feeling kind of sorry for myself ever since the spurting sausage. Pitying myself for my flailing marriage, for my lost lover, for getting older and maybe never having sex again. And then Juan tells me his story about crossing the border in the middle of the night, an experience so arduous and uncertain and frightening that rich tourists pay money, this is true, to get a Disneyfied version of the experience. And he tells it with a giggle. It’s just what he has to do whenever he wants to visit his mother.

And I think, I really ought to get over myself.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession

“It’s sad, but a relief as well, to know that two things so closely bound together can separate with so little violence, leaving smooth surfaces instead of bloody shreds.”
― Julie Powell, Cleaving: A Story of Marriage, Meat, and Obsession