...though I cannot promise to take you home," said North Wind, as she sank nearer and nearer to the tops of the houses, "I can promise you it will be all right in the end. You will get home somehow.
I am always hearing. . . the sound of a far off song. I do not exactly know where it is, or what it means; and I don't hear much of it, only the odour of its music, as it were, flitting across the great billows of the ocean outside this air in which I make such a storm; but what I do hear, is quite enough to make me able to bear the cry from the drowning ship. So it would you if you could hear it.' 'No it wouldn't,' returned Diamond stoutly. 'For they wouldn't hear the music of the far-away song; and if they did, it wouldn't do them any good. You see you and I are not going to be drowned, and so we might enjoy it.' 'But you have never heard the psalm, and you don't know what it is like. Somehow, I can't say how, it tells me that all is right; that it is coming to swallow up all the cries. . . . It wouldn't be the song it seems if it did not swallow up all their fear and pain too, and set them singing it themselves with all the rest.
It's not good at all—mind that, Diamond—to do everything for those you love, and not give them a share in the doing. It's not kind. It's making too much of yourself.
I wish I had [made that song]. No, I don't That would be to take it from somebody else. But it's mine for all that.' 'What makes it yours?' 'I love it so.' 'Does loving a thing make it yours?' 'I think so, Mother -- at least more than anything else can. . . . Love makes the only myness,' said Diamond.
It is a hard thing for a rich man to grow poor; but it is an awful thing for him to grow dishonest, and some kinds of speculation lead a man deep into dishonesty before he thinks what he is about. Poverty will not make a man worthless—he may be of worth a great deal more when he is poor than he was when he was rich; but dishonesty goes very far indeed to make a man of no value—a thing to be thrown out in the dust-hole of the creation, like a bit of broken basin, or dirty rag.
No; I'm not bad. But sometimes beautiful things grow bad by doing bad, and it takes some time for their badness to spoil their beauty. So little boys may be mistaken if they go after things because they beautiful.
That's a poet.' 'I thought you said it was a bo-at.' 'Stupid pet! Don't you know what a poet it?' 'Why, a thing to sail on the water in.' 'Well, perhaps you're not so far wrong. Some poets do carry people over the sea....' ... 'A poet is a man who is glad of something, and tries to make other people glad of it too.
Ah, but, dear North Wind, you don't know how nice it is to feel your arms about me. It is a thousand times better to have them and the wind together, than to have only your hair and the back of your neck and no wind at all."
"But it is surely more comfortable there?"
"Well, perhaps; but I begin to think there are better things than being comfortable."
"Yes, indeed there are. Well, I will keep you in front of me. You will feel the wind, but not too much. I shall only want one arm to take care of you; the other will be quite enough to sink the ship."
"Oh, dear North Wind! how can you talk so?"
"My dear boy, I never talk; I always mean what I say."
"Then you do mean to sink the ship with the other hand?"
"Yes."
"It's not like you."
"How do you know that?"
"Quite easily. Here you are taking care of a poor little boy with one arm, and there you are sinking a ship with the other. It can't be like you."
"Ah! but which is me? I can't be two mes, you know."
"No. Nobody can be two mes."
"Well, which me is me?"
"Now I must think. There looks to be two."
"Yes. That's the very point.—You can't be knowing the thing you don't know, can you?"
"No."
"Which me do you know?"
"The kindest, goodest, best me in the world," answered Diamond, clinging to North Wind.
"Why am I good to you?"
"I don't know."
"Have you ever done anything for me?"
"No."
"Then I must be good to you because I choose to be good to you."
"Yes."
"Why should I choose?"
"Because—because—because you like."
"Why should I like to be good to you?"
"I don't know, except it be because it's good to be good to me."
"That's just it; I am good to you because I like to be good."
"Then why shouldn't you be good to other people as well as to me?"
"That's just what I don't know. Why shouldn't I?"
"I don't know either. Then why shouldn't you?"
"Because I am."
"There it is again," said Diamond. "I don't see that you are. It looks quite the other thing."
"Well, but listen to me, Diamond. You know the one me, you say, and that is good."
"Yes."
"Do you know the other me as well?"
"No. I can't. I shouldn't like to."
"There it is. You don't know the other me. You are sure of one of them?"
"Yes."
"And you are sure there can't be two mes?"
"Yes."
"Then the me you don't know must be the same as the me you do know,—else there would be two mes?"
"Yes."
"Then the other me you don't know must be as kind as the me you do know?"
"Yes."
"Besides, I tell you that it is so, only it doesn't look like it. That I confess freely. Have you anything more to object?"