The Wealth of the Nation Quotes

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The Wealth of the Nation: Scotland, Culture and Independence The Wealth of the Nation: Scotland, Culture and Independence by Cairns Craig
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“Scotland had no need of a 'resistant nationalism' precisely because it was an imperial nation engaged in projecting its national culture to the world. The historical problem of Scotland's 'absent nationalism' in the nineteenth century is a non-problem because far from lacking a nationalism, Scottish nationalism was vigorously engaged on imposing itself wherever Scots had achieved a determining or a significant role within the territory of the British Empire. Scottish nationalism did not need to assert itself within the British state because the 'world was its field', and its aim was to make Scotland the spiritual core of the imperial project.”
Cairns Craig, The Wealth of the Nation: Scotland, Culture and Independence
“England, Ireland, Scotland and Wales might have been partners in an imperial project that required the projection of 'English Literature' as one of the defining elements of cultural superiority that justified the continuous extension of Empire throughout the nineteenth century, but they were also engaged in an internal struggle over the origins and the dynamics of that literature, and about the role of their national literatures within the consolidating discipline of English.”
Cairns Craig, The Wealth of the Nation: Scotland, Culture and Independence
“The attempt to separate Lowland from Highland Scotland ignores the extent to which Lowland Scots are the descendants of Highlanders, and how many Lowland Scots, like Nan Shepherd, made the country's mountains the focus of their spiritual aspirations. 'Highlandism' is not simply the ersatz adoption of a stereotypical version of Scottish culture which is entirely unconnected with the reality of modern Scottish life: the Highlands are both the geographical and the historical backdrop with which 'Lowland' Scottish culture interacts.”
Cairns Craig, The Wealth of the Nation: Scotland, Culture and Independence
“Scott and Terry created a political theatre in which a Hanovarian English monarch could appear on the stage of Edinburgh to act the part of a Stuart king.”
Cairns Craig, The Wealth of the Nation: Scotland, Culture and Independence