Natives Quotes

“I often look at the world and just think fuck it, why bother, but I know that’s how we are supposed to feel, that’s why the corruption is so naked and freely visible – to wear down people who have the conviction that things could be better.”
― Akala, Natives: Race and Class in the Ruins of Empire

“The concept of whiteness goes hand in hand with the concept of white supremacy – hence why the progress against white supremacy that has been made so far feels, to some white people, like an attack on their identity.”
― Akala, Natives: Race and Class in the Ruins of Empire

“That England, a country not properly invaded since 1066 but which has
invaded almost every nation on the planet, can have a party named the UK
Independence Party win 13 per cent of the national vote in 2015 speaks volumes about collective amnesia and ability to distort the facts.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Never mind that Britain has a German royal family, a Norman ruling elite, a Greek patron saint, a Roman/Middle Eastern religion, Indian food as its national cuisine, an Arabic/Indian numeral system, a Latin alphabet and an identity predicated on a multi-ethnic, globe-spanning empire”
― Akala, Natives: Race and Class in the Ruins of Empire

“So if the ending of apartheid is now universally agreed to be a good thing, and Cuba played such a central role, how is it still possible to have such differing views of Castro and Mandela and of Cuba and South Africa? The short answer is that the mainstream media has been so successful in distorting basic historical facts that many are so blinded by Cold War hangovers that they are entirely incapable of critical thought, but the other answer is rather more Machiavellian. The reality is that apartheid did not die, and thus the reason so many white conservatives now love Mandela is essentially that he let their cronies "get away with it". The hypocritical worship of black freedom fighters once they are no longer seen to pose a danger or are safely dead - Martin Luther King might be the best example of this - is one of the key ways of maintaining a liberal veneer over what in reality is brutal intent.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Why can’t you just get over it? It’s all in the past.’

These two statements often run together. Apparently, history is not
there to be learned from, rather it’s a large boulder to be gotten over.

It’s fascinating, because in the hundreds of workshops I’ve taught on
Shakespeare no one has ever told me to get over his writing because
it’s, you know, from the, erm, past. I’m still waiting for people to get
over Plato, or Da Vinci or Bertrand Russell, or indeed the entirety of
recorded history, but it seems they just won’t. It is especially odd in a
nation where much of the population is apparently proud of Britain’s
empire that critics of one of its most obvious legacies should be asked
to get over it, the very same thing from the past that they are proud of.
But anyway, let’s imagine for a second that humanity did indeed ‘get
over’ - which in this case means forget - the past. Well, we’d have to
learn to walk and talk and cook and hunt and plant crops all over again,



we’d have to undo all of human invention and start from . . . when?
What period exactly is it we are allowed to start our memory from?
Those that tell us to get over the past never seem to specify, but I’m
eager to learn. In reality, of course, they just don’t want to have any
conversations that they find uncomfortable.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Racism is apparently a card to be played; much like the joker, it’s a
very versatile card that can be used in any situation that might require
it. Only non-white people ever play this card to excuse their own
personal failings - even those of us that are materially successful.
Humans racialised as white cannot play the race card - just like they
cannot be terrorists - so European national empires colonising almost
the entire globe and enacting centuries of unapologetically and openly
racist legislation and practices, churning out an impressively large body
of proudly racist justificatory literature and cinema and much else has
had no impact on shaping human history, it has really just been black
and brown people playing cards.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Given that the historically most violent regions of the UK had virtually no
black population at all and given that working-class youth gangs stabbing and
shooting people had existed in Britain for well over a century - who do you
think the gangs attacking our grandparents when they arrived were? - you can
imagine my shock when I discovered that there was, in the UK, such a thing as
‘black-on-black’ violence. None of what occurred in Northern Ireland had ever
been referred to as ‘white-on-white’ crime, nor Glasgow, nor either world war,
the Seven Years War, the Napoleonic Wars, nor any conflict or incident of
murder, however gruesome, between humans racialised as white. Despite
hundreds of millions of ‘white’ people killing each other throughout European
history, witch hunts, mass rapes, hangings, torture and sexual abuse, and despite
the fact that the two most violent regions of Britain in the 1990s were almost
entirely white, there was no such thing as white-on-white violence.

Yet apparently working-class black Londoners had imported from America a
rap-induced mystery nigger gene (similar to the slave sprint one?) that caused
black people to kill not for all of the complex reasons that other humans kill, but
simply because they are ‘black’, and sometimes because they listened to too
much rap, grime or dancehall. This is, after all, what the phrase ‘black-on-black
crime’ is designed to suggest, is it not? That black people are not like the rest of
humanity, and that they do not kill as a complex result of political, historical,
economic, cultural, religious and psychological factors, they kill simply because
of their skin: their excessive melanin syndrome. The fact that yellow-on-yellow
crime, mixed race-on-mixed race crime or white-on-white violence just sound
like joke terms but black on black violence has ‘credibility’ speaks very loudly
about the perceived relationship between blackness and depravity in this culture.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Most people, hate poor people more than they hate poverty”
― Akala, Natives: Race and Class in the Ruins of Empire

“The long and short of it is that the master makes himself a slave to his slave by needing that domination to define him.”
― Akala, Natives: Race and Class in the Ruins of Empire

“We judge the street corner hustler or working-class criminal – from East Glasgow to East London – but we see a job as an investment banker, even in firms that launder the profits of drug cartels, fund terrorism, aid the global flow of arms, fuel war, oil spills, land grabs and generally fuck up the planet, as a perfectly legitimate, even aspirational occupation.”
― Akala, Natives: Race and Class in the Ruins of Empire

“The ability of Britain to invade almost the entire planet and then for a significant portion of the country
to proclaim themselves victims of some kind of invasion or colonisation may
well not seem directly ‘racial’, but it certainly echoes quite clearly the way white
America, with its long-term history of racist pogroms, lynching, slavery and
segregation, has somehow emerged believing itself to be the victim of racial
discrimination. Britain entered the EU freely, it has voted leave freely, the only
blood that was shed around this issue was when a white-supremacist ultra¬
nationalist lunatic assassinated an MP perceived to be too kind to ‘immigrants’
during the campaign - hardly a country under siege like so many of those on the
receiving end of Britain’s imperial conquests.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Racist insults leave you feeling dirty because, even at five years old, we already know
on some level that, in this society at least, we are indeed lesser citizens with all
the baggage of racialised history following us ghost-like about our days. We are
conquered people living in the conquerors’ land, and as such we are people
without honour. At five years old we are already conscious of the offence caused
by our black body turning up in the wrong space, and have begun to internalise
the negative ideas about blackness so present in the culture.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Never mind that Britain has a German royal family, a Norman ruling elite, a Greek patron saint, a Roman/Middle Eastern religion, Indian food as its national cuisine, an Arabic/Indian numeral system, a Latin alphabet and an identity predicated on a multi-ethnic, globe-spanning empire – ‘fuck the bloody foreigners’.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Despite a seemingly pervasive belief that only people of colour ‘play the race
card’, it does not take anything as dramatic as a slave revolution or Japanese
imperialism to evoke white racial anxieties, something as trivial as the casting of
non-white people in films or plays in which a character was ‘supposed’ to be
white will do the trick. For example, the casting of Olivier award-winning
actress Noma Dumezweni to play the role of Hermione in the debut West End
production of Harry Potter and the Cursed Child got bigots so riled up that J. K.
Rowling felt the need to respond and give her blessing for a black actress to play
the role. A similar but much larger controversy occurred when the character Rue
in the film The Hunger Games was played by a black girl, Amandla Stenberg.
Even though Rue is described as having brown skin in the original novel, ‘fans’


of the book were shocked and dismayed that the movie version cast a brown girl
to play the role, and a Twitter storm of abuse about the ethnic casting of the role
ensued. You have to read the responses to truly appreciate how angry and
abusive they are.- As blogger Dodai Stewart pointed out at the time:

All these . . . people . . . read The Hunger Games. Clearly, they all fell in
love with and cared about Rue. Though what they really fell in love with was
an image of Rue that they’d created in their minds. A girl that they knew
they could love and adore and mourn at the thought of knowing that she’s
been brutally killed. And then the casting is revealed (or they go see the
movie) and they’re shocked to see that Rue is black. Now . . . this is so much
more than, 'Oh, she’s bigger than I thought.’ The reactions are all based on
feelings of disgust.

These people are MAD that the girl that they cried over while reading the
book was ‘some black girl’ all along. So now they’re angry. Wasted tears,
wasted emotions. It’s sad to think that had they known that she was black all
along, there would have been [no] sorrow or sadness over her death.”
― Akala, Natives: Race and Class in the Ruins of Empire

“In 2015, Cuba became the first country in the world to eliminate the mother-to-child transmission of HIV and syphilis. More recently, even Richard Branson felt compelled to pen an article about Cuba’s extraordinary medical achievements and how the idiotic embargo prevents ordinary Americans from benefiting from Cuba’s medical innovations.”
― Akala, Natives: Race and Class in the Ruins of Empire

“the Castro–Mandela dichotomy exposes the way the mainstream loves to worship a supposedly non-racist country as long as it leaves the accepted class hierarchies in place, but hates a society that has revolutionised some of its class relationships despite its actual material contribution to global anti-racist struggle.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Thus whiteness has always functioned as a tool of domination, as Charles Mills puts it: ‘Whiteness is a phenomenon unthinkable in a context where white does not equal power at some structural level.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Britain has two competing traditions – one rooted in ideas of freedom, equality and democracy, and another that sees these words as mere rhetoric to be trotted out at will and violated whenever it serves the Machiavellian purposes of power preservation.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Despite hundreds of millions of ‘white’ people killing each other throughout European history, witch hunts, mass rapes, hangings, torture and sexual abuse, and despite the fact that the two most violent regions of Britain in the 1990s were almost entirely white, there was no such thing as white-on-white violence.”
― Akala, Natives: Race and Class in the Ruins of Empire

“I was not born with an opinion of the world but it clearly seemed that the world had an opinion of people like me.”
― Akala, Natives: Race and Class in the Ruins of Empire

“As we watched the Neo-Nazis march through Charlottesville chanting ‘The
Jews will not replace us’ on their way to defend a statue of a man that fought a
war to keep slavery, we are confronted by the lunatic contradictions of white-
supremacist identity. While claiming to be supreme, these people clearly do not
believe what they are selling, for if Aryans are inherently superior there would
be no need at all to worry about Jews or niggers ‘replacing’ them. Surely an
innate Aryan supremacy should make them by definition irreplaceable? This
constant articulation of supremacy and victimhood has long been a cornerstone
of white-supremacist discourse.”
― Akala, Natives: Race and Class in the Ruins of Empire

“While Britain has preserved the HMS Victory as a tribute to Nelson,
as well as other ships from key periods of British history, not a single slave ship
survives.- You have to stand in awe of the intellectual obedience it takes to still
cheer for empire after the revelation that the government hid or burned a good
portion of the evidence of what that empire actually consisted of, but such is the
use to which we put our free thinking.”
― Akala, Natives: Race and Class in the Ruins of Empire

“But when a given group is used to having all of the political power, and virtually unlimited privilege to define and name the world, any
power sharing, any obligation to hear the opinions of formerly ‘subject races’ -
who would have once been called uppity niggers and lynched accordingly - can
feel like oppression.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Even at five, I had somehow figured out
that there was a group known as ‘white people’ to whom it was now clear my
mother belonged and that many of these people would get offended at the mere
mention of their whiteness. I somehow knew instinctively that whiteness, like all
systems of power, preferred not to be interrogated.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Black Brits emigrated into a society with an already established white underclass and were mostly dumped in areas where that underclass already lived; black Americans and the indigenous peoples were the foundation of the US underclass.”
― Akala, Natives: Race and Class in the Ruins of Empire

“The message is clear: white people’s hurt feelings are conceptually equivalent to black humans’ actual lives.”
― Akala, Natives: Race and Class in the Ruins of Empire

“What racialised stop and search is about, in London at least, is letting young black boys and men know their place in British society, letting them know who holds the power and showing them that their day can be held up even in a nice ‘liberal’ area like Camden in a way that will never happen to their white friends, if they still have any left by the time they have their first encounter with the police. It is about social engineering and about the conditioning of expectations, about getting black people used to the fact that they are not real and full citizens, so they should learn to not expect the privileges that would usually accrue from such a status. Racialised stop and search is also a legacy of more direct and brutal forms of policing the black body in the UK, from back in the days before political correctness.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Secretary of State for International Trade Liam Fox said in 2016, in the run-up to the EU referendum, that ‘the United Kingdom is one of the few countries in the European Union that does not need to bury its twentieth-century history.’ Funny, because Britain is in fact one of the few countries in the world that literally did bury a good portion of its twentieth-century history. During the period of decolonisation, the British state embarked upon a systematic process of destroying the evidence of its crimes. Codenamed ‘Operation Legacy’, the state intelligence agencies and the Foreign Office conspired to literally burn, bury at sea or hide vast amounts of documents containing potentially sensitive details of things done in the colonies under British rule.25 Anything that might embarrass the government, that would show religious or racial intolerance or be used ‘unethically’ by a post-independence government was ordered destroyed or hidden. The Foreign Office were forced to admit in court about having hidden documents, then were unforthcoming about the scale of what was hidden, to the point that you’d be a fool to trust anything that is now said. But from what we know, hundreds of thousands of pages of documents were destroyed and over a million hidden, not just starting in the colonial period but dating all the way back to 1662. This operation was only exposed to the public in 2011 as part of a court case between the survivors of British concentration camps in Kenya and the government.”
― Akala, Natives: Race and Class in the Ruins of Empire

“Good people are not racist, only bad people are. This neat binary is a great way of avoiding any real discussion at all. But without the structural violence of unequal treatment before the law and in education, and a history of racial exploitation by states, simple acts of personal prejudice would have significantly less meaning.”
― Akala, Natives: Race and Class in the Ruins of Empire