The Mill of Egypt Quotes

“Long before the Aryan Judeo-Christian plagiarization of the Semite's Scripture took place, the ancient Egyptian concept of the Trinity was a calendrical system of theology. The Aryan Osirian Jew annexed the ancient Egyptian calendar through Osiris' Scepter, while the Aryan Atenian Christian did so through Horus' Scepter. Both Scepters, however, symbolize that very same calendrical anchor when the cow-god YHWH annually rested in ancient Egypt; an event which the Jew and the Christian projected weekly and commemorated on Scepterday and Sonday, consecutively. The Jew has temporally reduced the symbol of the Scepter to the Sabbath, whereas the Christian has spatially reduced it to the Sun; a temporospatial ancient Egyptian unholiness of plagiarizing Semitic Scripture and its seven-days week calendar. That Judeo-Christian Trinity -which the former is trying so hard to conceal while the latter shies not from proclaiming- consists of the three ancient Egyptian calendrical elements: Sky, Moon and Sun. These elements were Hathor, Osiris and Horus who later on became to be identified as YHWH, the departed King coming as the Holy Spirit and the Son.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“I am the very first person in modern history who successfully deciphers the circular zodiac of Dendera.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“In the time of the Equinox, the Sunrise illuminates the western part of the Great Pyramid's southern face, while the Sunset illuminates the eastern part of the northern face. This signals the heralding night time of the Duat by the overshadowed parts which align relatively in the direction of the Vernal Equinox.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“To summarize all of this, we have the following: (1) Archaeologists discovered 7 pits for boats around the Great Pyramid. (2) The longest of which is 44 meters; it is called the solar barque. (3) That boat (hypothetically speaking) needs [230/44]*4 steps to complete one single rotation (which looks like a square around the pyramid). (4) It therefore covers a distance which equals to the pyramid's height if it completes seven full rotations around the pyramid's base. (5) This mimics the application of Kaaba; even though the Kaaba has no dimensional merit for its structure (according to pure orthodox Islamic tradition) but the number seven is dominant and serves as an evidence that Egypt tried to plagiarize Adam's heritage and remodeled its theology accordingly.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“After browsing Doug Keenan's animation (of a solar barque going clockwise around the Great Pyramid) I interacted with him suggesting an anticlockwise rotation taking into consideration that the boat is described as being, solar. He made a new animation accordingly while pointing out the values of the boat's length and the Pyramid's width. Three weeks after I got inspired by his visual productions, I realized that the barque needs to complete seven squares of rotation to reach a value which equals to the Pyramid's height! This further proves my assertion that the Great Pyramid was originally built to mimic Adam's tradition; after all, there are no inscriptions inside of it.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The bodily ascension of Jesus in Roman Christianity -which has not been granted to David- is a calendrical event which takes place in synchronicity with (i.e. in reference to) the solar culmination on the Summer Solstice when the Sun/Son reaches its highest point in the sky; as the circular zodiac of Dendera reveals to us through its illustrated decanic structure. The Passover on the other hand occurs - as we see on the zodiac and the decanic calendar- during the low tide of the Nile river; which is due around the time of the Winter Solstice.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The 5/6 ratio was devised to count the lunar phases and the rest sixth portion was dedicated to the House of the Sun (i.e. the Eastern Portal) whence the Royal Cubit were derived!”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The reason why the pyramid celebrates the Vernal rather than the Autumnal Equinox is due to its temporal alignment rather than its physical one. The significance thereof can be observed on the structure during the equinoxes when one side of the northern and southern faces is lit up, because the other sides are shadowed by the pyramids' slanted corners.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“Glen Dash's work suggests that the three pyramids of Giza were slightly rotated counterclockwise from the cardinal points using the equinoctial method of alignment on the autumnal equinox (also in opposite direction on the vernal equinox). This proves my work which asserts that the Great Pyramid serves as a temporal festivity-anchor at the spring equinox when three ancient Egyptian Passover events got celebrated: the Sun's northwards direction on the eastern horizon; Afu-Ra's journey from the northern to the southern shaft; and the next lunar 14th day of the month.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The Great Pyramid was the theological machine known as the 'primeval mound' sealing off the womb/chamber (i.e. Grand Gallery) against the deceased king's access. It is hence the barque carrying Osiris' throne which is expected to be placed on top of the pyramid instead of a globe/sphere as several other researchers claim.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“Many more details confirm my work: For example, Sokar (who is located in the 5th hour domain) is a chthonic deity of canals and underground tombs. He is the god of the Mysterious Region which could be identified as the Grand Gallery. This passageway could possibly be recognized as the oval island of Sokar which were guarded by large granite blocks from Afu-Ra's path. The granite slabs were probably securing the pathway to the Grand Gallery from the King's Chamber rather than from the pyramid's entrance against tomb robbers as Mark Lehner's hypothesized.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“Wallis Budge informs us that the three-headed serpent reflects the hidden image of the Aheth Chamber of Seker in the Underworld. This further proves the validity of my discovery (of Rostau's corridor being in the Great Pyramid) because it projects the same number of chambers found in that structure. Once the Fifth Hour arrives (i.e. into the King's Chamber), we see no more three-headed snakes, but rather two-headed in reference to the other remaining chambers.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The two hours (4th and 5th) of Afu-Ra's journey over the Land of Seker were (according to Budge) within two boundaries/ends/frontiers/limits/periods (i.e. henti); this further proves my discovery of the location of the passageway of Rostau being the two corridors of the Great Pyramid's shafts.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The corridor of Rostau starts from the northern shaft's opening in the Great Pyramid and ends at the southern shaft's opening. When the Fourth Hour begins, the dead god (in his form as, Afu-Ra) leaves his boat and travels using a snake boat; his journey starts from that corridor's entrance down to the King's Chamber (which is called the, Aheth Chamber). And when the Fifth Hour comes, he proceeds upwards to the southern shaft's opening.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The Solar Barque traversed the truncated top of the Great Pyramid while the latter's Concave Faces functioned as the paths onto which the boat were towed/pulled.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The function which the Concave Faces of the Great Pyramid of Giza served was for the purpose of towing up/down the solar barque on its path to/from the virtual space at the top of the pyramid.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The reason why the Great Pyramid was latitudinally positioned about (and yet not exactly at) 30 degrees North, is due to the architectural function it served for the rotating barque around its base; the latter complies with the Foucault Pendulum's pace of operation where it completes annually two swings from one Solstice/Equinox to the other in reference to the sidereal day at the pyramid's latitude of 29.97 degrees. In six months there are 180 days, and the barque also travels on a pace of 12 hours per side completing thereby one full rotation in two days; five rotations in one Egyptian week; seven rotations in fourteen days when the time of the monthly Passover arrives as I have demonstrated on the circular zodiac of Dendera; fifteen rotations per month; and it culminates with 180 rotations per year. Another significant observation here is that the barque was called the boat of a million years, which renders the figure of 180 into a measure that equals to the Moon's radius multiplied with 33(pi).”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The long-perplexing mystery of the height-to-base Squaring of the Circle whose layout is present in the Great Pyramid of Giza has been solved (on Slide 173).”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“One million diagonal units of the Great Pyramid's base equal to the length of the Great Pyramid's Squared-Volume Side (SVS). And when we apply the 365~366 days count to the barque's RC Squared-Length Diagonal (SLD), i.e. SQR(44/0.5236), we get the GP's prime magnification (2*2*2*5) factor; and that is how the solar barque got its name as the boat of a million years.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“Jean Paul Bauval was the first person I know of to disintegrate the height (280 = 2*2*2*5*7) and width (440 = 2*2*2*5*11) values of the Great Pyramid into their constituent prime numbers. What he was not aware of though (up until my discovery on Slide 174) that these values were theological in origins and application, therewith the mystery of the Great Pyramid's choice of dimensions has been solved.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“I can ultimately prove my theory of the theological machine of the Great Pyramid using the funeral papyri of the XVIIIth Dynasty which shows Sekhet-hetepet (i.e. Field of Peace) as rectangular in shape and alluding to the hydraulic function. We even see the barque being lifted up by the water with a pyramidal staircase above it having seven steps; the exact number needed to reach the top of the pyramid.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“John Cadman says that he and the acoustic engineers are demonstrating that the King‘s chamber and the coffer in the Great Pyramid are tuned to resonate at a specific frequency, i.e. 440Hz. This confirms my discovery of the theological application of the Great Pyramid since the projecting factor that triggers that frequency equals to 3 (i.e. 440/146.6) which happens to be the same factor that modulates the flow of the barque in one single step (i.e. 440 * 0.5236/77).”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The original function which the Great Pyramid were supposed to fulfill was amazingly enough based on two Key Numbers: the 11 & 7 where the frequency was 230/11 and the Ascension was frequency*7.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“As in Dogon and Maori cultures, the western Christian tradition inherited aspects of the Osirian religion and used triangular haloes for the Father (i.e. another rejuvenated articulation of the ancient Egyptian Ka) When he is represented by a hand emerging from a cloud. A vivid manifestation of this concept was designed by Gary Osborn which confirms my research in linking the Dogon and Maori symbols to the Great Pyramid.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“As the performers of the Haka stick out their tongues, they enact therewith what the lion glyph on the circular zodiac of Dendera is doing and which happens to be located on a significant temporal position as I've discovered earlier: that of the Winter Solstice.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The primordial ancestors of the Dogon are said to be created by the god, Amma, which guaranteed the same outcome as that of the ancient Egyptian demon, Ammit; the latter however contributed passively to the creation of the Ka (simply by doing nothing) for that it devoured the heart of the sinful person who was undergoing judgement and hence prevented him from continuing his voyage towards Osiris. It is yet more astounding to know that etymologically speaking, the word 'Kanaga' is read into the Semitic language as 'Ka has been saved'.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“I have also shown earlier how the Dogon's symbol of the Kanaga mask is linked with Algiz in the context of the Giza Plateau, but what is more astoundingly significant in linking that symbol with the Ka is that these masks are worn during the Dama dancing ceremonies which the Dogon believe to create a bridge into the supernatural world, and without it the dead won't be able to cross over into peace. In other words, the dead's Ka will be destroyed for failing to successfully pass the Judgment of Osiris on his scales and that is exactly what I have shown the function of the Giza Plateau to be and it is vividly demonstrated on the circular zodiac of Dendera as well.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The Maori mythology of the Haka is ancient Egyptian in origin for that it refers to the Sun god having two wives; the Summer and the Winter maids who obviously act as embodiments of the Solstices. And since the pivotal point in front of the Balance of Giza (i.e. The eastern alignment of Khafre's Pyramid) resembles this dance of war, the crucial movement of the Sun is from the Winter Solstice event upwards to that of the Summer's exactly as the chant's lyrics state and as the circular zodiac of Dendera shows.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The union team of New Zealand's national sport of Rugby has incorporated the static posture of the Haka war dance into its symbols. That symbol of the sprawling arms and legs is similar to that of the Dogon's Kanaga mask which I trace back to Egypt; it resembles the Ka signaling the beginning of the solar and/or lunar cycle based on the Egyptian theology when Osiris proceeds from the Great Pyramid (which is the House of Ka) into the Duat.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused

“The mark of Wagy was based 10 days before god's resting instead of 6; it was also based 7 days after Osiris' death as it is presented on the zodiac on the location of Menkaure's Pyramid (which is itself located 10 days away from the beginning of the calendar). The significance of the 7 days were shown on the statue of Osiris which were placed for seven days unburied upon branches of sycamores and even the company of gods in Abydos was seven members.”
― Ibrahim Ibrahim, The Mill of Egypt: The Complete Series Fused