The Creative Mind Quotes

“Disorder is simply the order we are not looking for.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“the human mind is so constructed that it cannot begin to understand the new until it has done everything in its power to relate it to the old.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“It will be said that this enlarging is impossible. How can one ask the eyes of the body, or those of the mind, to see more than they see? Our attention can increase precision, clarify and intensify; it cannot bring forth in the field of perception what was not there in the first place. That’s the objection.—It is refuted in my opinion by experience. For hundreds of years, in fact, there have been men whose function has been precisely to see and to make us see what we do not naturally perceive. They are the artists.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Our intelligence is the prolongation of our senses. Before we speculate we must live, and life demands that we make use of matter, either with our organs, which are natural tools, or with tools, properly so-called, which are artificial organs. Long before there was a philosophy and a science, the role of the intelligence was already that of manufacturing instruments and guiding the action of our body on surrounding bodies. Science has pushed this labor of the intelligence much further, but has not changed its direction.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“I am of the opinion that an entirely new light would illuminate many psychological and psycho-physiological questions if we recognised that distinct perception is merely cut, for the purposes of practical existence, out of a wider canvas. In psychology and elsewhere, we like to go from the part to the whole, and our customary system of explanation consists in reconstructing ideally our mental life with simple elements, then in supposing that the combination of these elements has really produced our mental life. If things happened this way, our perception would as a matter of fact be inextensible; it would consist of the assembling of certain specific materials, in a given quantity, and we should never find anything more in it than what had been put there in the first place. But the facts, taken as they are, without any mental reservation about providing a mechanical explanation of the mind, suggest an entirely different interpretation. They show us, in normal psychological life, a constant effort of the mind to limit its horizon, to turn away from what it has a material interest in not seeing. Before philosophizing one must live; and life demands that we put on blinders, that we look neither to the right, nor to the left nor behind us, but straight ahead in the direction we have to go. Our knowledge, far from being made up of a gradual association of simple elements, is the effect of a sudden dissociation: from the immensely vast field of our virtual knowledge, we have selected, in order to make it into actual knowledge, everything which concerns our action upon things; we have neglected the rest.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“My initiation into the true philosophical method began the moment I threw overboard verbal solutions, having found in the inner life an important field of experiment. After that, all progress was an enlarging of this field. It is an inclination natural to the human mind to extend a conclusion logically, to apply it to other objects without actually having enlarged the circle of its investigations, but it is one to which we must never yield. But that is what philosophy does quite ingenuously when it is pure dialectic, that is, when it attempts to construct a metaphysics with the rudimentary knowledge one finds stored up in language. It continues to do so when it sets up certain facts as “general principles” applicable to all things outside those facts. All my philosophical activity was a protestation against this way of philosophizing. I thus had to put aside important questions, which I could easily have made a show of answering by extending to them the results of my preceding works. I shall answer certain of these questions only if I am granted time and strength to solve them in themselves, for themselves. If not, grateful to my method for having given me what I believe to be the precise solution of a certain number of problems, finding that as far as I am concerned, I cannot get more out of it, I shall be content to stop where I am.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Social thought is unable not to keep its original structure.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“usually when we speak of time we think of the measurement of duration, and not of duration itself. But this duration which science eliminates, and which is so difficult to conceive and express, is what one feels and lives.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“The more we turn toward this creative will, the more the doubts which trouble the sane and normal man seem to us abnormal and morbid. Take for example the doubter who closes a window, then returns to verify its closing, then verifies his verification, and so forth. If we ask him what his motives are he will answer that he might have opened the window each time he tried to close it more securely. And if he is a philosopher he will transpose intellectually the hesitation of his conduct into this question: “How can one be sure, definitively sure, that one has done what one intended to do?” But the truth is that his power of action is defective, and therein lies the evil from which he suffers: he had only partial will to accomplish the act, and that is why the accomplished act leaves him only partial certitude. Now can we solve the problem this man sets himself? Obviously not, but neither do we set the problem; therein lies our superiority. At first glance I might think there is more in him than in me because we both shut the window and he, in addition, raises a philosophical question while I do not. But the question which in his case is superadded to the task accomplished represents in reality only something negative; it is not something more, but something less; it is a deficit of the will. Such is exactly the effect certain “great problems” produce in us when we set ourselves again in the direction of generating thought. They recede toward zero as fast as we approach this generating thought, as they fill only that space between it and us. Thus we discover the illusion of him who thinks he is doing more by raising these problems than by not raising them. One might just as well think that there is more in a half-consumed bottle than in a full one, because the latter contains only wine, while in the former there is wine and emptiness in addition.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Plus la science approfondit la nature du corps dans la direction de sa "réalité", plus elle réduit déjà chaque propriété de ce corps, et par conséquent son existence même, aux relations qu'il entretient avec le reste de la matière capable de l'influencer.”
― Henri Bergson, Le cerveau et la pensée : Une illusion philosophique

“Mais l'idée que le monde entier, y compris les êtres vivants, relève de la mathématique pure, n'est qu'une vue a priori de l'esprit, qui remonte aux cartésiens.”
― Henri Bergson, Le cerveau et la pensée : Une illusion philosophique

“We say “universe” and the word makes us think of a possible unification of things. One can be a spiritualist, a materialist, a pantheist, just as one can be indifferent to philosophy and satisfied with common sense: the fact remains that one always conceives of one or several simple principles by which the whole of material and moral things might be explained. This is because our intelligence loves simplicity. It seeks to reduce effort, and insists that nature was arranged in such a way as to demand of us, in order to be thought, the least possible labor. It therefore provides itself with the exact minimum of elements and principles with which to recompose the indefinite series of objects and events. But if instead of reconstructing things ideally for the greater satisfaction of our reason we confine ourselves purely and simply to what is given us by experience, we should think and express ourselves in quite another way. While our intelligence with its habits of economy imagines effects as strictly proportioned to their causes, nature, in its extravagance, puts into the cause much more than is required to produce the effect. While our motto is Exactly what is necessary, nature’s motto is More than is necessary,—too much of this, too much of that, too much of everything. Reality, as James sees it, is redundant and superabundant. Between this reality and the one constructed by the philosophers, I believe he would have established the same relation as between the life we live every day and the life which actors portray in the evening on the stage. On the stage, each actor says and does only what has to be said and done; the scenes are clear-cut; the play has a beginning, a middle and an end; and everything is worked out as economically as possible with a view to an ending which will be happy or tragic. But in life, a multitude of useless things are said, many superfluous gestures made, there are no sharply-drawn situations; nothing happens as simply or as completely or as nicely as we should like; the scenes overlap; things neither begin nor end; there is no perfectly satisfying ending, nor absolutely decisive gesture, none of those telling words which give us pause: all the effects are spoiled. Such is human life.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“You have sought the meaning of a poem in the form of the letters which make it up, you have thought that in considering an increasing number of letters you would finally embrace the constantly fleeting meaning, and as a last resource, seeing that it was no use to seek a part of the meaning in each letter, you have assumed that between each letter and the one following was lodged the missing fragment of the mysterious meaning! But the letters, once more, are not parts of the thing, they are the elements of the symbol. The positions of the mobile are not parts of the movement: they are points of the space which is thought to subtend the movement. This empty and immobile space, simply conceived, never perceived, has exactly the value of a symbol. By manipulating symbols, how are you going to manufacture reality?”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“All analysis is thus a translation, a development into symbols, a representation taken from successive points of view from which are noted a corresponding number of contacts between the new object under consideration and others believed to be already known. In its eternally unsatisfied desire to embrace the object around which it is condemned to turn, analysis multiplies endlessly the points of view in order to complete the ever incomplete representation, varies interminably the symbols with the hope of perfecting the always imperfect translation. It is analysis ad infinitum. But intuition, if it is possible, is a simple act. This being granted, it would be easy to see that for positive science analysis is its habitual function. It works above all with symbols. Even the most concrete of the sciences of nature, the sciences of life, confine themselves to the visible form of living beings, their organs, their anatomical elements. They compare these forms with one another, reduce the more complex to the more simple, in fact they study the functioning of life in what is, so to speak, its visual symbol. If there exists a means of possessing a reality absolutely, instead of knowing it relatively, of placing oneself within it instead of adopting points of view toward it, of having the intuition of it instead of making the analysis of it, in short, of grasping it over and above all expression, translation or symbolical representation, metaphysics is that very means. Metaphysics is therefore the science which claims to dispense with symbols.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“The rule of science is the one posited by Bacon: obey in order to command. The philosopher neither obeys nor commands; he seeks to be at one with nature. From this point of view, moreover, the essence of philosophy is the spirit of simplicity. Whether we contemplate the philosophical spirit in itself or in its works, whether we compare philosophy to science or one philosophy with other philosophies, we always find that any complication is superficial, that the construction is a mere accessory, synthesis a semblance: the act of philosophising is a simple one.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“A philosopher worthy of the name has never said more than a single thing: and even then it is something he has tried to say, rather than actually said. And he has said only one thing because he has seen only one point: and at that it was not so much a vision as a contact: this contact has furnished an impulse, this impulse a movement, and if this movement, which is as it were a kind of swirling of dust taking a particular form, becomes visible to our eyes only through what it has collected along its way, it is no less true that other bits of dust might as well have been raised and that it would still have been the same whirlwind. Thus a thought which brings something new into the world is of course obliged to manifest itself through the ready-made ideas it comes across and draws into its movement; it seems thus, as it were, relative to the epoch in which the philosopher lived; but that is frequently merely an appearance. The philosopher might have come several centuries earlier; he would have had to deal with another philosophy and another science; he would have given himself other problems; he would have expressed himself by other formulas; not one chapter perhaps of the books he wrote would have been what it is; and nevertheless he would have said the same thing.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“I say that there are pseudo-problems, and that they are the agonizing problems of metaphysics. I reduce them to two. One gave rise to theories of being, the other to theories of knowledge. The first false problem consists in asking oneself why there is being, why something or someone exists. The nature of what is is of little importance; say that it is matter, or mind, or both, or that matter and mind are not self-sufficient and manifest a transcendant Cause: in any case, when existences and causes are brought into consideration and the causes of these causes, one feels as if pressed into a race—if one calls a halt, it is to avoid dizziness. But just the same one sees, or thinks one sees, that the difficulty still exists, that the problem is still there and will never be solved. It will never, in fact, be solved, but it should never have been raised. It arises only if one posits a nothingness which supposedly precedes being. One says: “There could be nothing,” and then is astonished that there should be something—or someone. But analyze that sentence: “There could be nothing.” You will see you are dealing with words, not at all with ideas, and that “nothing” here has no meaning. “Nothing” is a term in ordinary language which can only have meaning in the sphere, proper to man, of action and fabrication. “Nothing” designates the absence of what we are seeking, we desire, expect. Let us suppose that absolute emptiness was known to our experience: it would be limited, have contours, and would therefore be something. But in reality there is no vacuum.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“As far as I am concerned, I value scientific knowledge and technical competence as much as intuitive vision. I believe that it is of man’s essence to create materially and morally, to fabricate things and to fabricate himself. Homo faber is the definition I propose. Homo sapiens, born of the reflection Homo faber makes on the subject of his fabrication, seems to me to be just as worthy of esteem as long as he resolves by pure intelligence those problems which depend upon it alone. One philosopher may be mistaken in the choice of these problems, but another philosopher will correct him; both will have worked to the best of their ability; both can merit our gratitude and admiration. Homo faber, Homo sapiens, I pay my respects to both, for they tend to merge. The only one to which I am antipathetic is Homo loquax whose thought, when he does think, is only a reflection upon his talk.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“The general intelligence which is the faculty of arranging concepts “reasonably” and handling words suitably, must therefore aid in the social life just as intelligence in the narrower sense of the word, which is the mathematical function of the mind, presides over the knowledge of matter. It is the first of these we have in mind when we say of a man that he is intelligent. By that we mean that he has the ability and the facility for combining the ordinary concepts and for drawing probable conclusions from them. One can hardly take issue with him on that account, as long as he confines himself to things of every-day life, for which the concepts were made. But one would hardly admit of a man who was merely intelligent undertaking to speak with authority on scientific questions seeing that the intellect, made precise in science, becomes a mathematical, physical and biological attitude of mind, and substitutes for words more appropriate signs. All the more should one forbid him to meddle in philosophy when the questions raised are no longer in the domain of the intelligence alone. But no, it is agreed that the intelligent man is on this point a competent man. Against this I protest most vigorously. I hold the intelligence in high esteem, but I have a very mediocre opinion of the “intelligent man,” whose cleverness consists in talking about all things with a show of truth.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“One currently and perhaps imprudently calls “reason” this conservative logic which governs thought in common; conversation greatly resembles conservation. It is there that it is at home. And there it exercises a legitimate authority. Theoretically, in fact, conversation should bear only upon things of the social life. And the essential object of society is to insert a certain fixity into universal mobility. Societies are just so many islands consolidated here and there in the ocean of becoming.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Memory, imagination, conception and perception, generalization in short, are not there “for nothing, for pleasure.” It really seems, to listen to certain theorists, that the mind fell from heaven with a subdivision into psychological functions whose existence simply needs to be recognized: because these functions are such, they will no doubt be used in such a manner. I believe on the contrary that it is because they are useful, because they are necessary to life, that they are what they are: one must refer to the fundamental exigencies of life to explain their presence and to justify it if need be, I mean in order to know if the ordinary subdivision into such or such faculties is artificial or natural, and if in consequence we should maintain it or modify it. All our observations on the mechanism of function will be warped if we have badly cut it out of the continuity of the psychological tissue.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“The stating and solving of the problem are here very close to being equivalent; the truly great problems are set forth only when they are solved. But many little problems are in the same position. I open an elementary treatise on philosophy. One of the first chapters deals with pleasure and pain. There the student is asked a question such as this: “Is pleasure happiness, or not?” But first one must know if pleasure and happiness are genera corresponding to a natural division of things into sections. Strictly speaking the phrase could signify simply: “Given the ordinary meaning of the terms pleasure and happiness should one say that happiness consists in a succession of pleasures?” It is then a question of vocabulary that is being raised; it can be solved only by finding out how the words “pleasure” and “happiness” have been used by the writers who have best handled the language. One will moreover have done a useful piece of work; one will have more accurately defined two ordinary terms, that is, two social habitudes. But if one claims to be doing more, to be grasping realities and not to be re-examining conventions, why should one expect terms, which are perhaps artificial (whether they are or not is not yet known since the object has not been studied), to state a problem which concerns the very nature of things?”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Matter and mind have this in common, that certain superficial agitations of matter are expressed in our minds, superficially, in the form of sensations; and on the other hand, the mind, in order to act upon the body, must descend little by little toward matter and become spatialized. It follows that the intelligence, although turned toward external things, can still be exerted on things internal, provided that it does not claim to plunge too deeply.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Intelligence starts ordinarily from the immobile, and reconstructs movement as best it can with immobilities in juxtaposition. Intuition starts from movement, posits it, or rather perceives it as reality itself, and sees in immobility only an abstract moment, a snapshot taken by our mind, of a mobility. Intelligence ordinarily concerns itself with things, meaning by that, with the static, and makes of change an accident which is supposedly superadded. For intuition the essential is change: as for the thing, as intelligence understands it, it is a cutting which has been made out of the becoming and set up by our mind as a substitute for the whole. Thought ordinarily pictures to itself the new as a new arrangement of pre-existing elements; nothing is ever lost for it, nothing is ever created. Intuition, bound up to a duration which is growth, perceives in it an uninterrupted continuity of unforeseeable novelty; it sees, it knows that the mind draws from itself more than it has, that spirituality consists in just that, and that reality, impregnated with spirit, is creation. The habitual labor of thought is easy and can be prolonged at will. Intuition is arduous and cannot last.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“The intuition we refer to then bears above all upon internal duration. It grasps a succession which is not juxtaposition, a growth from within, the uninterrupted prolongation of the past into a present which is already blending into the future. It is the direct vision of the mind by the mind,—nothing intervening, no refraction through the prism, one of whose facets is space and another, language. Instead of states contiguous to states, which become words in juxtaposition to words, we have here the indivisible and therefore substantial continuity of the flow of the inner life. Intuition, then, signifies first of all consciousness, but immediate consciousness, a vision which is scarcely distinguishable from the object seen, a knowledge which is contact and even coincidence.—”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“By the sole fact of being accomplished, reality casts its shadow behind it into the indefinitely distant past: it thus seems to have been pre-existent to its own realization, in the form of a possible. From this results an error which vitiates our conception of the past; from this arises our claim to anticipate the future on every occasion”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“As we have said, when one wishes to prepare a glass of sugared water one is obliged to wait until the sugar melts. This necessity for waiting is the significant fact. It shows that if one can cut out from the universe the systems for which time is only an abstraction, a relation, a number, the universe itself becomes something different. If we could grasp it in its entirety, inorganic but interwoven with organic beings, we should see it ceaselessly taking on forms as new, as original, as unforeseeable as our states of consciousness.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Instead, let us imagine an infinitely small piece of elastic, contracted, if that were possible, to a mathematical point. Let us draw it out gradually in such a way as to bring out of the point a line which will grow progressively longer. Let us fix our attention not on the line as line, but on the action which traces it. Let us consider that this action, in spite of its duration, is indivisible if one supposes that it goes on without stopping; that, if we intercalate a stop in it, we make two actions of it instead of one and that each of these actions will then be the indivisible of which we speak; that it is not the moving act itself which is never indivisible, but the motionless line it lays down beneath it like a track in space. Let us take our mind off the space subtending the movement and concentrate solely on the movement itself, on the act of tension or extension, in short, on pure mobility. This time we shall have a more exact image of our development in duration.”
― Henri Bergson, The Creative Mind

“The universe our reason conceives is, in fact, a universe which extends infinitely beyond human experience, the characteristic of reason being to prolong the data of experience, to extend them by way of generalization, in order to make us conceive many more things than we shall ever perceive. In such a universe man is expected to do very little and to occupy very little space: what he gives to his intelligence he takes away from his will. Above all, having attributed to his thought the power of embracing everything, he is obliged to imagine all things in terms of thought; of his aspirations, his desires, his enthusiasms he cannot ask enlightenment in a world in which everything accessible to him has been first considered by him as translatable into pure ideas. His sensibility cannot enlighten his intelligence, for it is with his intelligence that he has made what light there is. Most philosophies, therefore, restrict our experience on the side of feeling and will as at the same time they indefinitely prolong it on the side of thought.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics

“Doctrines which have a basis of intuition escape Kantian criticism to the exact extent that they are intuitive; and these doctrines are the whole of metaphysics, provided one does not take the metaphysics congealed and dead in theses, but living in philosophers. To be sure, these divergences are striking between the schools, that is to say, in short, between the groups of disciples formed around certain of the great masters. But would one find them as clear-cut between the masters themselves? Something here dominates the diversity of systems, something, I repeat, simple and definite like a sounding of which one feels that it has more or less reached the bottom of a same ocean, even though it brings each time to the surface very different materials. It is on these materials that disciples normally work: in that is the role of analysis. And the master, in so far as he formulates, develops, translates into abstract ideas what he brings, is already, as it were, his own disciple. But the simple act which has set analysis in motion and which hides behind analysis, emanates from a faculty quite different from that of analysing. This is by very definition intuition.”
― Henri Bergson, The Creative Mind: An Introduction to Metaphysics