Pretentiousness Quotes

“The intellectually insecure drop the word “pretentious” to shut down a conversation they don’t understand, when simply saying “I don’t know” or asking “Can you explain this?” would be more gracious ways to admit to being in the dark. Cutting someone down for pretension reveals, ironically, embarrassed arrogance rather than humility.”
― Dan Fox, Pretentiousness: Why It Matters

“The accuser of pretension always presumes bad intentions. Truth is, more often than not pretension is simply someone trying to make the world more interesting, responding to it the way they think is appropriate. It’s more likely that what you think is one person’s pretension is another’s good faith.”
― Dan Fox, Pretentiousness: Why It Matters

“Being pretentious is rarely harmful to anyone. Accusing others of it is. You can use the word “pretentious” as a weapon with which to bludgeon other people’s creative efforts, but in shutting them down the accusation will shatter in your hand and out will bleed your own insecurities, prejudices, and unquestioned assumptions.”
― Dan Fox, Pretentiousness: Why It Matters

“Claims to ordinariness and salt-of-the-earth virtue—“slumming it,” as it’s crudely called—are themselves pretentious. The assumption that dropping your aitches or asserting a love of a cheap beer over a fine wine, or processed cheese over a Parmesan, will make you seem unspoiled or somehow more gritty is classic downwardly mobile play-acting.”
― Dan Fox, Pretentiousness: Why It Matters

“Pretension is a question of optics. The pessimist sees pretension as a sham. The optimist views it as innocent, tragicomic, an excess of effort. Like watching amateur actors in a local village play, a wooden or overambitious performance might not be deliberate, It could be deeply sincere; the am-dram troupe putting everything they’ve got into their production. Pretentiousness resides in someone’s lack of awareness that their ambition might exceed their capability, or inability to laugh about one’s own limitations.”
― Dan Fox, Pretentiousness: Why It Matters

“Pretentiousness shares with sophistication a lingering sense of “unnaturalness”; something faked, pretending, tampered with. Litvak presses the idea that sophistication is linked to perversion in the sexual sense, and therefore carries with it a latent homophobic charge. The association of sophistication with a form of urbane and knowing behavior gets reinforced “every time advertising and journalism, loathing as they do the pretentious and the trendy, derisively dangle before their audience the perennially unpopular figure of the snooty (i.e., gay) salesman in the upscale boutique.” Pretension implies affectation. People are not acting themselves; rather, their lying urbanity is trampling all over your plain-speaking—and presumably heterosexual—truth.”
― Dan Fox, Pretentiousness: Why It Matters

“Why can’t a musician try to make a cinematic “state of the nation” poem told through dream imagery and pop music? They may fail miserably or they may fluke a masterpiece, but at least they tried to push their creativity. As Howard Devoto, of the bands Buzzcocks and Magazine, put it: “Pretentiousness is interesting. At least you’re making an effort. Your ambition has to outstrip your ability at some point.”
― Dan Fox, Pretentiousness: Why It Matters

“The pretentious flaws of others affirm your own intellectual or aesthetic expertise. Simultaneously, their fakery highlights the contours of your down-to-earth character and virtuous ordinariness. It is your plain speaking that makes you trustworthy. That person’s pretentious use of words hides the fact that they do not have anything of substance to say. Like the unnamed narrator of Thomas Bernhard’s novel Woodcutters, watching guests arrive at a dinner party and savaging each of them for their artistic and personal failings, only you see the truth of the world—everyone else is putting it on.”
― Dan Fox, Pretentiousness: Why It Matters

“Deviance, like pretentiousness, is in the eye of the beholder, in the gap between one individual’s baseline of acceptable behaviour and the actions of another.”
― Dan Fox, Pretentiousness: Why It Matters

“But this fact should not blind us to another one: that almost anyone can learn a script well enough to give a charitable audience some sense of realness in what is being contrived before them. And it seems this is so because ordinary social intercourse is itself put together as a scene is put together, by the exchange of dramatically inflated actions, counteractions, and terminating replies… All the world is not, of course, a stage, but the crucial ways in which it isn’t are not easy to specify.”
― Dan Fox, Pretentiousness: Why It Matters

“After all, isn’t everyone himself already? How can he help being himself? Who or what else could he be?”
― Dan Fox, Pretentiousness: Why It Matters

“Sontag holds that camp reveals itself as things age. “When the theme is important and contemporary, the failure of a work of art may make us indignant. Time can change that. . . . Thus, things are campy, not when they become old but when we become less involved in them, and can enjoy, instead of be frustrated by, the failure of the attempt.” Accusations of pretentiousness fade the older something becomes. As works of art or styles of dress recede into the past, the historical forces that shaped them become legible. Familiarity lets us regard them fondly.”
― Dan Fox, Pretentiousness: Why It Matters

“Try describing a few of the most wildly successful pop albums of the twentieth century without mentioning the artist and title. A concept rock album about a fictional Edwardian military band, featuring musical styles borrowed from Indian classical music, vaudeville, and musique concrete, its sleeve design including images of Karl Marx, Oscar Wilde, Marilyn Monroe, Carl Gustav Jung, Sir Robert Peel, Marlene Dietrich, and Aleister Crowley? That’s Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, one of the biggest selling records of all time. How about a record exploring the perception of time, mental illness, and alterity? Pink Floyd’s The Dark Side of the Moon, which has to date sold around 45 million copies worldwide. Ask any of those 45 million who bought a copy of The Dark Side of the Moon if they thought themselves pretentious for listening to an album described by one of the band members as “an expression of political, philosophical, humanitarian empathy,” and the answer would almost certainly be no.”
― Dan Fox, Pretentiousness: Why It Matters

“The fable of the Emperor’s New Clothes is brought up time and again, a conspiracy to dupe someone, a pretense designed to make the innocent or gullible look stupid. It’s a narcissistic paranoia; most artists don’t have the time or money to bother playing such a prank and are far more concerned with spending their days pursuing ideas in the studio, however absurd those ideas may appear to others.”
― Dan Fox, Pretentiousness: Why It Matters

“Comfort with an art form that uses language comes because we all own it, to one degree or another. Words come from flesh and bone and only require a body to read, write, speak, or listen to them. But language also intimidates people into respect: it is the tool of untrustworthy politicians, of bureaucrats—of those trained in the arts of rhetoric. It can be used to control and crush others; fluency and confidence in language is a symbol of education and power. Perhaps it’s because of this deep-seated respect and fear of language that the media will vent spleen over large sums of money being awarded to visual artists for making images and objects, but never criticize a literary prize for giving thousands to a writer for sitting behind a desk and making up a story”
― Dan Fox, Pretentiousness: Why It Matters

“Not every artist can make a masterpiece, yet it’s the experiments that quietly stumble forward that lead to them. There’s an altogether more generous view of pretentiousness that understands the gap between expectation and actuality as a productive necessity rather than a flaw. As Woody Allen put it, “If you’re not failing every now and again, it’s a sign you’re not doing anything very innovative.” To understand the artistic process is to accept that pretentiousness is part of the creative condition, not an affliction.”
― Dan Fox, Pretentiousness: Why It Matters