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Written in Fire (Brilliance Saga, #3) Written in Fire by Marcus Sakey
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“the nature of compromise was that no one was happy. That’s how you knew a fair deal had been reached.”
Marcus Sakey, Written in Fire
“Because artists are more dangerous than murderers. The most prolific serial killer might have dozens of victims, but poets can lay low entire generations.”
Marcus Sakey, Written in Fire
“But how do you teach a child to grasp that complexity? You teach them to grasp the style of thinking. There are no answers, only questions that shape your understanding, and which in turn reveal more questions.”
Marcus Sakey, Written in Fire
“Dr. Sherman VanMeter has made a career of unpacking the densest areas of scientific endeavor in accessible—if not polite—terms. You’ve written books on everything from astrophysics to zoology. How are you able to achieve expertise in so many disparate fields? There’s a perception that scientific disciplines are separate countries, when in fact science is a universal passport. It’s about exploring and thinking critically, not memorization. A question mark, not a period. Can you give me an example? Sure. Kids learn about the solar system by memorizing the names of planets. That’s a period. It’s also scientifically useless, because names have no value. The question mark would be to say instead, “There are hundreds of thousands of sizable bodies orbiting the sun. Which ones are exceptional? What makes them so? Are there similarities? What do they reveal?” But how do you teach a child to grasp that complexity? You teach them to grasp the style of thinking. There are no answers, only questions that shape your understanding, and which in turn reveal more questions. Sounds more like mysticism than science. How do you draw the line? That’s where the critical thinking comes in. I can see how that applies to the categorization of solar objects. But what about more abstract questions? It works there too. Take love, for example. Artists would tell you that love is a mysterious force. Priests claim it’s a manifestation of the divine. Biochemists, on the other hand, will tell you that love is a feedback loop of dopamine, testosterone, phenylethylamine, norepinephrine, and feel-my-pee-pee. The difference is, we can show our work. So you’re not a romantic, then? We’re who we are as a species because of evolution. And at the essence, evolution is the steady production of increasingly efficient killing machines. Isn’t it more accurate to say “surviving machines”? The two go hand in hand. But the killing is the prime mover; without that, the surviving doesn’t come into play. Kind of a cold way to look at the world, isn’t it? No, it’s actually an optimistic one. There’s a quote I love from the anthropologist Robert Ardrey: “We were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted to battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen.” You used that as the epigraph to your new book, God Is an Abnorm. But I noticed you left out the last line, “We are known among the stars by our poems, not our corpses.” Why? That’s where Ardrey’s poetic license gets the better of his science, which is a perilous mistake. We aren’t “known among the stars” at all. The sun isn’t pondering human nature, the galaxy isn’t sitting in judgment. The universe doesn’t care about us. We’ve evolved into what we are because humanity’s current model survived and previous iterations didn’t. Simple as that. Why is a little artistic enthusiasm a perilous mistake? Because artists are more dangerous than murderers. The most prolific serial killer might have dozens of victims, but poets can lay low entire generations.”
Marcus Sakey, Written in Fire
“Telegram@bestsupplies1 Buy Cocaine online in Dubai”
Marcus Sakey, Written in Fire
“Says she sees words as colors, so it doesn’t matter which language, she just uses the colors.”
Marcus Sakey, Written in Fire
“Bobby was a hero, and so were Luisa and Val and all the rest of them. But it’s only in movies that heroes get to count on the big moment of glorious sacrifice. Real life is messier than that.”
Marcus Sakey, Written in Fire
“It’s like the parable about a man who dreamed he was a butterfly. When he woke, he couldn’t be sure that he wasn’t a butterfly dreaming he was a man. And”
Marcus Sakey, Written in Fire
“Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. —Robert Frost”
Marcus Sakey, Written in Fire
“What about the guy at the restaurant who tried to kill you? Is he a villain?” “Yes,” Cooper said. “He is. He’s broken. Most real-life villains are. Usually it’s not their fault. But that doesn’t matter. They’re broken, and they do things that can’t be forgiven. Like hurting you.” Todd pondered that, chewing his lip. “Do the bad guys ever win?” Wow. Cooper hesitated. Finally, he said, “Only if the good people let them. And there are a lot more good people.”
Marcus Sakey, Written in Fire
“It’s kind of a circle. When people are scared, it’s easy for them to decide anything different is evil. To forget that everyone is basically the same, that we all love our families and want regular lives. And what makes it worse is that some people use that. They make others scared on purpose, because they know if they do, everyone will start acting stupid.” “But why would they want that?” “It’s a way to control people. A way to get what they want.”
Marcus Sakey, Written in Fire
“There’s a quote I love from the anthropologist Robert Ardrey: “We were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted to battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen.”
Marcus Sakey, Written in Fire
“She watched as a crew hitched a bulldozer to a bus and toppled it, the bus drifting and hanging and then crunching down, blocking the width of a street. Felt the gut-rumble of chainsaws cutting down the gene-modified trees so every window had a clear line of sight. Watched bartenders nail tables across doors. Teenagers haul floodlights. Cyclists distribute ammunition. Smelled the smoke as outlying buildings were burned to deny the invaders cover. Listened to: Jackhammers. Siren wails. Gunfire. And when her van started to slow, she took in the battlefield, the patch of earth she would be defending with her life.”
Marcus Sakey, Written in Fire
“-When people are scared, it's easy for them to decide anything different is evil. To forget that everyone is basically the same, that we all love our families and want regular lives. And what makes it worse is that some people use that. They make others scared on purpose, because they know if they do, everyone will start acting stupid.
-But why would they want that?
-It's a way to control people. A way to get what they want.”
Marcus Sakey, Written in Fire
“But he was the one who’d called for compromise, and the nature of compromise was that no one was happy. That’s how you knew a fair deal had been reached.”
Marcus Sakey, Written in Fire
“There’s a perception that scientific disciplines are separate countries, when in fact science is a universal passport. It’s about exploring and thinking critically, not memorization. A question mark, not a period. Can you give me an example? Sure. Kids learn about the solar system by memorizing the names of planets. That’s a period. It’s also scientifically useless, because names have no value. The question mark would be to say instead, “There are hundreds of thousands of sizable bodies orbiting the sun. Which ones are exceptional? What makes them so? Are there similarities? What do they reveal?” But how do you teach a child to grasp that complexity? You teach them to grasp the style of thinking. There are no answers, only questions that shape your understanding, and which in turn reveal more questions. Sounds more like mysticism than science. How do you draw the line? That’s where the critical thinking comes in.”
Marcus Sakey, Written in Fire
“To pen a new history, one written in fire. And”
Marcus Sakey, Written in Fire
“One of the weird things about being in a resistance movement was that it wasn’t like you could hire janitors, so when it came to cleaning, there was a duty roster.”
Marcus Sakey, Written in Fire
“Despite what the last fifty years of American policy would suggest, ‘They hit us so we’re hitting back’ is not a military strategy. I was taught that successful wars are waged for measurable goals. What’s the goal here? I’d really like to know. What does victory look like?”
Marcus Sakey, Written in Fire
“Okay. Life isn’t like the movies—you know, how the bad guys just want to be bad guys, villains. In real life, there aren’t very many villains. Mostly, people believe they’re doing the right thing. Even the ones who are doing bad things usually believe they’re heroes, that whatever terrible thing they’re doing is to prevent something worse. They’re scared.”
Marcus Sakey, Written in Fire
“Why is a little artistic enthusiasm a perilous mistake? Because artists are more dangerous than murderers. The most prolific serial killer might have dozens of victims, but poets can lay low entire generations.”
Marcus Sakey, Written in Fire