Cat and Jemima J Quotes

“Of course,” reassured Cat, who then promised to not only send the actress the piece before it went in (her editor would have killed her—what”
― Jane Green, Cat and Jemima J: A Short Story

“No, really, it’s fine,” says the woman, getting up to leave.”
― Jane Green, Cat and Jemima J: A Short Story

“I had absolutely no idea what to say to him, this man I had struggled”
― Jane Green, Cat and Jemima J: A Short Story

“talking to people. Within a few minutes, she starts to believe that they are in fact friends. She is seduced every time. In fact a few months ago,”
― Jane Green, Cat and Jemima J: A Short Story

“knows what the problem is. She’s too damn nice. She has interviewed plenty of celebrities, during each of which she forgets that she’s”
― Jane Green, Cat and Jemima J: A Short Story

“There was nothing I loved more than going to a friend’s house, because their mothers were around. I loved my mother more than anything, but the house would be empty and quiet when I got home. I would help myself to something from the fridge before traipsing up the stairs to my parents’ master bedroom, pushing the door open to find my mother lying propped up on pillows. On a really bad day, the curtains would be drawn, the room in darkness. Often she’d be asleep, and I’d pad over to her side of the bed and stroke her arm. She’d rouse, giving me a sleepy smile, pulling me down for a kiss and a hug, wanting to hear all about my day, her only access to the outside world. I couldn’t stay long, though. She didn’t have the capacity for too much stimulation, and on those days, the bad days, I always saw the relief in her eyes when I said I had to go back downstairs to do homework.”
― Jane Green, Cat and Jemima J

“The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,”
― Jane Green, Cat and Jemima J

“Jealousy is a horrible emotion, envy even worse. * * * Cat likes to think of herself as a nice person. But right now she is sitting in the back of a taxi snarling every time she thinks of Louise, and the glory now being heaped upon her since she got an exclusive interview with Polly Goldman, in which the soap star talked about her drug bust. “Louise isn’t even a bloody news journalist,” Cat mutters to herself, as the cabby slides the glass panel open, half-turning his head and shouting: “What was that love? Did you say something?” “Nothing.” Cat attempts a bright smile before sinking back in her seat and muttering some more. She wouldn’t mind if it had been anyone else on the women’s desk who had scored an exclusive, but Louise! She isn’t even staff, she’s freelance for God’s sake. Not a full-time freelance like Cat, but God knows she’d like to be. As soon as Louise walked into the office, Cat saw how ambitious she was, willing to do whatever it took to get a story. She didn’t get an exclusive with Polly Goldman by asking for it, she doorstepped her as if she worked for the News of the World rather than the Daily Gazette! When the story came out, everyone gathered excitedly round Louise asking how she did it. She said she sat on the doorstep overnight, pressing the intercom every hour, explaining to Polly Goldman how her mortification over being caught could be assuaged by offering an exclusive to the Daily Gazette. By morning, poor Polly Goldman, exhausted by being woken up every hour by this woman who clearly wasn’t going away, reluctantly asked her in, and boom! The story was Louise’s, complete with descriptions of the bags under Polly’s eyes, her gaunt cheeks, and her shaking hands as she poured the tea. * * * Cat watches”
― Jane Green, Cat and Jemima J

“says, suddenly, spotting a restaurant/bar on Kingly Street she has always quite liked. It’s a bar she wrote about when it first opened, the chef letting her spend the day in the kitchen to get a true feel. She hasn’t been here for a while and the chef has long since moved on, but it is the perfect bar to have a couple of glasses of wine in a quiet corner while she gets out her notepad and jots down ideas. She needs ideas because time is running out. She needs to find a big story, and fast.”
― Jane Green, Cat and Jemima J: A Short Story

“She always does. Which is perhaps why she would never have got the exclusive Louise was crowing about all day. Cat would never have had the temerity, or, let’s face it, basic lack of manners to sit on someone’s doorstep, uninvited, and pester some poor woman until she had no choice but to invite her in. How rude! But now Louise is getting all the glory. Worse, she might get offered the staff position that Cat has so desperately been waiting for, the staff position that is coming up in just a couple of months. It can’t go to Louise. It just can’t. Cat needs it more than she does. All she has to do is come up with a great”
― Jane Green, Cat and Jemima J: A Short Story

“the most wholesome show imaginable. This would have been a huge story; a story that might have made Cat’s career. But as soon as she had finished talking about the abortion, the actress’s face fell. “I can’t believe I told you that,” she whispered, as her eyes filled with fear. Cat was already imagining the headlines. “I can’t have that in the paper. Please. That has to be off the record.” “Of course,” reassured Cat, who then promised to not only send the actress the piece before it went in (her editor would have killed her—what kind of a tabloid journalist is that?),”
― Jane Green, Cat and Jemima J: A Short Story

“sometimes gets, and now the one that that dreadful Louise has got … well, those have always evaded her. Cat knows what the problem is. She’s too damn nice. She has interviewed plenty of celebrities, during each of which she forgets that she’s a journalist, there to interview someone well-practiced in the art of talking to people. Within a few minutes, she starts to believe that they are in fact friends. She is seduced every time. In fact a few months ago, while interviewing a television star, said television”
― Jane Green, Cat and Jemima J: A Short Story

“Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps!”
― Jane Green, Cat and Jemima J: A Short Story

“slides the glass panel open, half-turning his head and shouting: “What was that love? Did you say something?” “Nothing.” Cat attempts a bright smile before sinking back in her seat and muttering some more. She wouldn’t mind if it had been anyone else on the women’s desk who had scored an exclusive, but Louise! She isn’t even staff, she’s freelance for God’s sake. Not a full-time freelance like Cat, but God knows she’d like to be. As soon as Louise walked into the office, Cat saw how ambitious she was, willing to do whatever it took to get a story. She didn’t get an exclusive with Polly Goldman by asking for it, she doorstepped her as if she worked for the News of the”
― Jane Green, Cat and Jemima J: A Short Story

“World rather than the Daily Gazette! When the story came out, everyone gathered excitedly round Louise asking how she did it. She said she sat on the doorstep overnight, pressing the intercom every hour, explaining to Polly Goldman how her mortification over being caught could be assuaged by offering an exclusive to the Daily Gazette. By morning, poor Polly Goldman, exhausted by being woken up every hour by this woman who clearly wasn’t going away, reluctantly asked her in, and boom! The story was Louise’s, complete with descriptions of the bags under Polly’s eyes, her gaunt cheeks, and her shaking hands as she poured the”
― Jane Green, Cat and Jemima J: A Short Story

“Jealousy is a horrible emotion, envy even worse. * * * Cat likes to think of herself as a nice person. But right now she is sitting in the back of a taxi snarling every time she thinks of Louise, and the glory now being heaped upon her since she got an exclusive interview with Polly Goldman, in which the soap star talked about her drug bust. “Louise isn’t even a bloody news journalist,” Cat mutters to herself, as the cabby”
― Jane Green, Cat and Jemima J: A Short Story

“Cat likes to think of herself as a nice person.”
― Jane Green, Cat and Jemima J

“Jealousy is a horrible emotion, envy even worse.”
― Jane Green, Cat and Jemima J

“Jealousy is a horrible emotion, envy even worse. * * * Cat likes to think of herself as a nice person. But right now she is sitting in the back of a taxi snarling every time she thinks of Louise, and the glory now being heaped upon her since she got an exclusive interview with Polly Goldman, in which the soap star talked about her drug bust. “Louise isn’t even a bloody news journalist,” Cat mutters to herself, as the cabby slides the glass panel open, half-turning his head and shouting: “What was that love? Did you say something?” “Nothing.” Cat attempts a bright smile before sinking back in her seat and muttering some more. She wouldn’t mind if it had been anyone else on the women’s desk who had scored an exclusive, but Louise! She isn’t even staff, she’s freelance for God’s sake. Not a full-time freelance like Cat, but God knows she’d like to be. As soon as Louise walked into the office, Cat saw how ambitious she was, willing to do whatever it took to get a story. She didn’t get an exclusive with Polly Goldman by asking for it, she doorstepped her as if she worked for the News of the World rather than the Daily Gazette! When the story came out, everyone gathered excitedly round Louise asking how she did it. She said she sat on the doorstep overnight, pressing the intercom every hour, explaining to Polly Goldman how her mortification over being caught could be assuaged by offering an exclusive to the Daily Gazette. By morning, poor Polly Goldman, exhausted by being woken up every hour by this woman who clearly wasn’t going away, reluctantly asked her in, and boom! The story was Louise’s, complete with descriptions of the bags under Polly’s eyes, her gaunt cheeks, and her shaking hands as she poured the tea. * * * Cat watches as her cab winds”
― Jane Green, Cat and Jemima J

“as her cab”
― Jane Green, Cat and Jemima J

“Cat watches”
― Jane Green, Cat and Jemima J

“Jealousy is a horrible emotion, envy even worse. * * * Cat likes to think of herself as a nice person. But right now she is sitting in the back of a taxi snarling every time she thinks of Louise, and the glory now being heaped upon her since she got an exclusive interview with Polly Goldman, in which the soap star talked about her drug bust. “Louise isn’t even a bloody news journalist,” Cat mutters to herself, as the cabby slides the glass panel open, half-turning his head and shouting: “What was that love? Did you say something?” “Nothing.” Cat attempts a bright smile before sinking back in her seat and muttering some more. She wouldn’t mind if it had been anyone else on the women’s desk who had scored an exclusive, but Louise! She isn’t even staff, she’s freelance for God’s sake. Not a full-time freelance like Cat, but God knows she’d like to be. As soon as Louise walked into the office, Cat saw how ambitious she was, willing to do whatever it took to get a story. She didn’t get an exclusive with Polly Goldman by asking for it, she doorstepped her as if she worked for the News of the World rather than the Daily Gazette! When the story came out, everyone gathered excitedly round Louise asking how she did it. She said she sat on the doorstep overnight, pressing the intercom every hour, explaining to Polly Goldman how her mortification over being caught could be assuaged by offering an exclusive to the Daily Gazette. By morning, poor Polly Goldman, exhausted by being woken up every hour by this woman who clearly wasn’t going away, reluctantly asked her in, and boom! The story was Louise’s, complete with descriptions of the bags under Polly’s eyes, her gaunt cheeks, and her shaking hands as she poured the tea. * * *”
― Jane Green, Cat and Jemima J

“Contents Title Page Copyright Notice Begin Reading Preview of Summer Secrets About the Author Also by Jane Green Copyright”
― Jane Green, Cat and Jemima J: A Short Story

“and the chef has long since moved on, but it is the perfect bar to have a couple of glasses of wine in a quiet corner while she gets out her notepad and jots down ideas. She needs ideas because time is running out. She needs to find a big story, and fast. Cat perches at the bar itself for the first glass of wine, surprised it disappears so quickly, taking a little longer over the”
― Jane Green, Cat and Jemima J: A Short Story

“story, preferably an exclusive, and preferably something that crosses into news. “You can pull over on the next corner,” she says, suddenly, spotting a restaurant/bar on Kingly Street she has always quite liked. It’s a bar she wrote about when it first opened, the chef letting her spend the day in the kitchen to get a true feel. She hasn’t been here for a while and the chef has long since moved on, but it is the perfect bar to have a couple of glasses of wine in a quiet corner while she gets out her notepad and jots down ideas. She needs ideas because time is running out. She needs to find a big story, and fast. Cat perches at the bar itself for the first glass of wine, surprised it disappears so quickly, taking a little longer over the second, before taking the third over to a corner table. She drapes her jacket over the back of the chair, pulls a stack of tabloids out from her bag, and starts to flick through them looking for ideas. There is the actress who keeps showing up with very heavy makeup that appears to be covering a black eye, who has a husband prone to temper tantrums and who has done time for drugs. Seedy stuff. And it seems that it is surely only a matter of time before the actress breaks down to reveal she is a victim of domestic abuse. Perhaps Cat can get to her? Cat scribbles the name down in her note pad. She’ll ring the BBC PR tomorrow and request an interview, but not about the black eye, obviously. She’ll say it’s about something innocuous, like her favorite”
― Jane Green, Cat and Jemima J: A Short Story

“She always does. Which is perhaps why she would never have got the exclusive Louise was crowing about all day. Cat would never have had the temerity, or, let’s face it, basic lack of manners to sit on someone’s doorstep, uninvited, and pester some poor woman until she had no choice but to invite her in. How rude! But now Louise is getting all the glory. Worse, she might get offered the staff position that Cat has so desperately been waiting for, the staff position that is coming up in just a couple of months. It can’t go to Louise. It just can’t. Cat needs it more than she does. All she has to do is come up with a”
― Jane Green, Cat and Jemima J: A Short Story

“most”
― Jane Green, Cat and Jemima J: A Short Story

“Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps! But the big interviews, the ones that Poppy”
― Jane Green, Cat and Jemima J: A Short Story

“Jealousy is a horrible emotion, envy even worse. * * * Cat likes to think of herself as a nice person. But right now she is sitting in the back of a taxi snarling every time she thinks of Louise, and the glory now being heaped upon her since she got an exclusive interview with Polly Goldman, in which the soap star talked about her drug bust. “Louise isn’t even a bloody news journalist,” Cat mutters to herself, as the cabby slides the glass panel open, half-turning his head and shouting: “What was that love? Did you say something?” “Nothing.” Cat attempts a bright smile before sinking back in her seat and muttering some more. She wouldn’t mind if it had been anyone else on the women’s desk who had scored an exclusive, but Louise! She isn’t even staff, she’s freelance for God’s sake. Not a full-time freelance like Cat, but God knows she’d like to be. As soon as Louise walked into the office, Cat saw how ambitious she was, willing to do whatever it took to get a story. She didn’t get an exclusive with Polly Goldman by asking for it, she doorstepped her as if she worked for the News of the”
― Jane Green, Cat and Jemima J: A Short Story

“Most of the time, when I’m facing an evening on my own, I am absolutely fine. If anything, I relish that alone time, when my daughter is with her father; the luxury of eating whatever I want to eat, the relief at not having to provide”
― Jane Green, Cat and Jemima J: A Short Story