Arcadia Quotes

“In a world of chemically induced sanity, a little lunacy confers immense advantages.”
― Iain Pears, Arcadia

“Generally speaking, our minds impose an entirely artificial order on the world. It is the only way that such an inadequate instrument as our brain can function. It cannot deal with the complexity of reality, so simplifies everything until it can, putting events into an artificial order so they can be dealt with one at a time, rather than all at once as they should be. Such a way of interpreting existence is learnt, rather in the way that our brain has to turn the images which hit our retinas upside down in order to make sense of them. Children”
― Iain Pears, Arcadia

“Many of you know little about storytelling. Before I begin, let me explain. The Story is the story of us all. If understood properly, it is of immense power. It tells you who you are, what you might expect from this life. Some believe it can foretell the future. Mastery of the Story gives you mastery over life itself. It contains precious, holy relics of the age of giants which preceded us. It tells of our rise, our glories and our occasional disgraces. It tells of our fathers and grandfathers, of the animals and the trees and the spirits, containing all the knowledge you need to please them so they will help rather than punish you.”
― Iain Pears, Arcadia

“It is easy to imagine a world where not only can few people read, few need to or want to. Serious reading can become the preserve of a s mall group of specialists, just as shoe-making or farming is for us. Think how much time would be saved. We send children to school and they spend most of their time learning to read and then, when they leave, they never pick up another book for the rest of their lives. Reading is only important if there is something worthwhile to read. Most of it is ephemeral. That means an oral culture of tales told and remembered. People can be immensely sophisticated in thought and understanding without much writing.”
― Iain Pears, Arcadia

“Just because your choice is predetermined does not mean you do not have a free choice before you take it (516)”
― Iain Pears, Arcadia

“Aunt Gertie could not tell the difference between 1928 and now. Uncle Joseph was dead and alive. In other words, she grasped the essential non-existence of time. Generally speaking, our minds impose an entirely artificial order on the world. It is the only way that such an inadequate instrument as our brain can function. It cannot deal with the complexity of reality, so simplifies everything until it can, putting events into an artificial order so they can be dealt with one at a time, rather than all at once as they should be. Such a way of interpreting existence is learnt, rather in the way that our brain has to turn the images which hit our retinas upside down in order to make sense of them. Children have little sense of time; nor do the very old. They live in an ever-present now, which stretches into the past and off into the future. Effect triggers cause, and both happen at the same moment, be that yesterday or tomorrow. Aunt Gertie sensed this because all the acquired mental discipline of the years was falling away from her. Once you realised this, her conversation was perfectly comprehensible, even if it did make me a little dizzy.”
― Iain Pears, Arcadia

“Lying," he said out loud, hoping no one would hear. "I need to lie. Teach me, quickly."

I wouldn't if I were you, came the response. For a start, it's a variable concept here. You are in a culture where ambiguity has been raised to a high level. Let me give an example: depending on phrasing, circumstance, expression, body movement, intonation and context, the statement "I love you" can mean I love you; I don't love you; I hate you; I want to have sex with you; I do, in fact, love your sister; I don't love you any more; leave me alone, I'm tired, or I'm sorry I forgot your birthday. The person being talked to would instantly understand the meaning but might choose to attribute an entirely different meaning to the statement. Lying is a social act and the nature and import of the lie depends in effect on an unspoken agreement between the parties concerned. Please note that this description does not even begin to explore the concept of deep lies, in which the speaker simultaneously says something he knows to be untrue and genuinely believes it nonetheless: politicians are particularly adept at this.”
― Iain Pears, Arcadia

“It is a machine which I invented, designed and built. It is a way of gaining access to a variety of realities. As I say, at the moment it leads to a world created from Henry’s imagination.’ ‘Does he know?’ ‘No, and I’d prefer it if you didn’t tell him. He might be offended.’ ‘What do you mean by variety of realities?’ ‘It means that for any given state of the universe, there are an infinite number of other possibilities. For example, we came to this restaurant and you ordered chicken. You could have ordered fish. A universe where you did order fish is a viable alternative to this one. One where you ordered roast Brontosaurus is more distant and more difficult to access.’ Rosie’s”
― Iain Pears, Arcadia

“Rosie digested the information, but not the cake. Her mother was strict about eating between meals. 'A fat girl will never find a good man, Rosie,' was her view, handed down to her by Great-aunt Jessie, a woman of many cliches.”
― Iain Pears, Arcadia

“you want to know the future you have to know what has already taken place. The past is everywhere in us.”
― Iain Pears, Arcadia

“(and what are we all but information in peculiar packaging?)”
― Iain Pears, Arcadia

“But what's the point of freedom? Do you think you can change anything?'
'Of course not. We are waiting.'
'For what?'
'Until the world changes on it's own. That is the one truth of history. Everything ends. Civilisations, empires, however powerful and strong. They all end, sooner or later. When it does, we will be there, with all the old ideas and thoughts, preserved and ready to blossom.”
― Iain Pears, Arcadia

“For the sake of objectivity, the programme analysed both histories - real and alternative - without being informed which was which. It concluded that the second, actual sequence of events was statistically so improbable that it could not possibly happen.
...
We are required to believe a) that a drug-addled, womanising inexperienced Catholic with strong links to criminal organisations could defeat the most experienced politician in the country, and that his dire medical condition and dubious character could be kept secret. And also that he could conduct exceptionally successful diplomacy in 1962 while being high as a kite on a coctail of painkillers and stimulants;
b) that a president, his brother and several others could all be murdered in a short space of time, by insane gunman, each acting alone, for no discernible reason. Also that Kennedy could be shot by someone with known links to the Soviet Union without there being any consequences;
c) that Nixon in office would sanction a pointless burglary, during an election campaign he was bound to win anyway, and that a man with such experience would fail to control the minor political scandal that resulted;
d) that 1980 the United States would elect as president an ageing actor with little experience and dyed orange hair.”
― Iain Pears, Arcadia

“I should explain how my device worked. It operated by manipulating the ether, that non-existent substance which physicists had rationalised out of their theories on the usual grounds that if it could not be converted into one of their little numbers it could not possibly be there. Einstein’s biggest mistake.”
― Iain Pears, Arcadia

“The result was most peculiar, and it took a lot of work to get it laid out properly, but first tests were satisfactory. I called it “Momentum” and told anyone who saw it that it was a biting critique of modernity, representing how the culture of the past (the pergola) was contaminated and overwhelmed by the detritus of consumerist industrialism that was covering over the elegance of civilisation with mass-produced conformity. It was thus both a radical critique of capitalism and a nostalgic vision of traditional society. The essence of the concept lay in the inherent tension that existed between the two competing visions. The explanation, which sounded a lot better in French, was generally met with a look of panic and a rapid change of subject, which was just what I wanted.”
― Iain Pears, Arcadia

“Aunt Gertie could not tell the difference between 1928 and now. Uncle Joseph was dead and alive. In other words, she grasped the essential non-existence of time. Generally speaking, our minds impose an entirely artificial order on the world. It is the only way that such an inadequate instrument as our brain can function. It cannot deal with the complexity of reality, so simplifies everything until it can, putting events into an artificial order so they can be dealt with one at a time, rather than all at once as they should be. Such a way of interpreting existence is learnt, rather in the way that our brain has to turn the images which hit our retinas upside down in order to make sense of them. Children have little sense of time; nor do the very old. They live in an ever-present now, which stretches into the past and off into the future. Effect triggers cause, and both happen at the same moment, be that yesterday or tomorrow.”
― Iain Pears, Arcadia

“I did very much hope that he wasn't frittering away his time on nonsense when he had a fantasy to dream about.”
― Iain Pears, Arcadia

“although individuals and small events did affect the course of historical development, the influence of even major figures was strictly limited. In”
― Iain Pears, Arcadia